Janacek: The Diary of One Who Disappeared
Editorial Reviews
Amazon.com
Janácek's Diary of One Who Disappeared is a cycle, almost a quasi-opera, of 22 songs for tenor, mezzo, an offstage chorus of three female voices, and a piano. It's based on poems the composer found in a Czech newspaper purporting to be the confessions of a young man who leaves family and village for the gypsy girl he loves. The songs speak of longing, sexual attraction, guilt, regret, anxiety, and a host of other emotions wonderfully captured by Ian Bostridge, whose high tenor voice has more body and thrust than in his other recordings. Singing in the original Czech, Bostridge sounds as comfortable as a native speaker. Thomas Adès, best known as a composer, is also a superb pianist. He has to be, because the keyboard part is of vital importance, not only commenting on the vocal line and in extended postludes, but in a brief solo as well. Ruby Philogene is appropriately sultry as the gypsy, and this deeply felt performance is a triumph for all concerned. Adès scores again in the Moravian Folksongs for solo piano and in the miniature solo pieces, some of which say more in their brief span than many longer works. --Dan Davis
Janacek: The Diary of One Who Disappeared, Music, Leos Janácek, Ian Bostridge, Thomas Adés, Ruby Philogene, Andante for Keyboard, Character/Single-Movement/Miscellaneous Work for Keyboard, Classical, Classical Composers, Classical Music, Classical Vocals, Coll. of Character/Single-Movement/Misc. Works for Keyb., Keyboard, Song Cycle for Solo Voice and Piano, Vocal
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Janácek: Sinfonietta; Tagebuch eines Verschollenen
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD
Janácek, Leos
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ASIN: B00000E4DA
Release Date: 1989-05-23 |
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- An Aspect of Leos Janácek seldom heard
- A song-drama and short solo piano pieces based on Moravian folk songs - fine listening
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Janacek: The Diary of One Who Disappeared
Leos Janácek , Ian Bostridge , Thomas Adés , and Ruby Philogene
Manufacturer: EMI Classics
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Similar Items:
- Janacek - From the House of the Dead / Mackerras
- Leos Janácek: The Cunning Little Vixen - Lucia Popp / Eva Randová / Dalibor Jedlicka / Vienna Philharmonic / Vienna State Opera Chorus / Sir Charles Mackerras
- Leos Janacek: Vec Makropulos (The Makropulos Case) / Lachian Dances
- Janácek: Káta Kabanová
- Peter Lieberson: Neruda Songs
ASIN: B00005O83M
Release Date: 2002-01-08 |
Tracks:
- I. One Day I Met A Young Gypsy Girl - Ian Bostridge
- II. That Dark-Skinned Gypsy Girl - Ian Bostridge
- III. The Glow-worms Are Dancing - Ian Bostridge
- IV. The Young Swallows - Ian Bostridge
- V. Ploughing Is Heavy Work - Ian Bostridge
- VI. Hey, You Grey Oxen - Ian Bostridge
- VII. Now That I've Lost My Little Pin - Ian Bostridge
- VIII. Don't Look So Sadly After Me - Ian Bostridge
- IX. Welcome, Janicek - Ian Bostridge
- X. God In Heaven, Eternal One - Ian Bostridge
- XI. The Sweet Smell Of Ripening Wheat - Ian Bostridge
- XII. The Shady Elder-grove - Ian Bostridge
- XIII. Piano Solo - Ian Bostridge
- XIV. The Sun Climbs High - Ian Bostridge
- XVI. My Gren Oxen - Ian Bostridge
- XVI. What Have I Done? - Ian Bostridge
- XVII. That Which Fate Has Ordained - Ian Bostridge
- XVIII. Now Nothing Matters To Me - Ian Bostridge
- XIX. The Magpie Flies Away - Ian Bostridge
- XX. I Have A True Love - Ian Bostridge
- XXI. My Dear Father - Ian Bostridge
- XXII. Farewell, My Native Land - Ian Bostridge
- I. That Clock In Vivany - Thomas Ades
- II. When I Sing A Song - Thomas Ades
- III. Oh Georgie, Georgie Dear - Thomas Ades
- IV. Mary, My Mary - Thomas Ades
- V. My Darling's Already Leaving - Thomas Ades
- VI. A Girl Was Weaving Flax - Thomas Ades
- VII. You Promised To Marry Me - Thomas Ades
- VIII. Whose Lad - Thomas Ades
- IX. Whose Lass - Thomas Ades
- X. When I Lie Down - Thomas Ades
- XI. A Stream Is Running - Thomas Ades
- XII. The Hradcany Clock - Thomas Ades
- XIII. On A Black Mountain - Thomas Ades
- XIV. On That Javorine Plain - Thomas Ades
- XV. On That Clear Field Of Hurasky - Thomas Ades
- A Reminiscence, JW VIII/32 - Thomas Ades
- In Memoriam, JW VIII/9 - Thomas Ades
- Andante, JW VIII/31 - Thomas Ades
- Moderato, JW VIII/21 - Thomas Ades
- The Golden Ring, JW VIII/33 No.12 - Thomas Ades
- I Wait For You, JW VIII/33 No.13 - Thomas Ades
- Christ The Lord Is Born, JW VIII/20 - Thomas Ades
- X. God In Heaven - Ian Bostridge
- XIV. The Sun Climbs High - Ian Bostridge
Amazon.com
Janácek's Diary of One Who Disappeared is a cycle, almost a quasi-opera, of 22 songs for tenor, mezzo, an offstage chorus of three female voices, and a piano. It's based on poems the composer found in a Czech newspaper purporting to be the confessions of a young man who leaves family and village for the gypsy girl he loves. The songs speak of longing, sexual attraction, guilt, regret, anxiety, and a host of other emotions wonderfully captured by Ian Bostridge, whose high tenor voice has more body and thrust than in his other recordings. Singing in the original Czech, Bostridge sounds as comfortable as a native speaker. Thomas Adès, best known as a composer, is also a superb pianist. He has to be, because the keyboard part is of vital importance, not only commenting on the vocal line and in extended postludes, but in a brief solo as well. Ruby Philogene is appropriately sultry as the gypsy, and this deeply felt performance is a triumph for all concerned. Adès scores again in the Moravian Folksongs for solo piano and in the miniature solo pieces, some of which say more in their brief span than many longer works. --Dan Davis
Customer Reviews:
An Aspect of Leos Janácek seldom heard.......2006-02-23
Leos Janácek was clearly one of the 20th century's great composers and while his operas and orchestral works are widely performed, his chamber works are nearly well kept secrets. And so it is with pleasure that this completely unique recital by two of our finest musicians joins the CD repertoire.
Janácek's 'The Diary of One Who Disappeared' is related to his operas in the dramatic intensity of the writing. Composed as his only song cycle the work is designated 'song cycle for mezzo-soprano, tenor, female chorus & piano' but in reality it is primarily a work for tenor and piano. In the hands of Ian Bostridge, whose Czech pronunciation is wholly convincing, the plight of the young man who leaves both family and town behind to follow the love for a gypsy is full of folk melodies and intense passion. Brilliant composer/conductor/pianist Thomas Adés provides the sensitive collaboration and the two are joined by mezzo Ruby Philogene as the gypsy and as part of the three voice female chorus offstage along with Diane Atherton and Deryn Edwards. This is a deeply moving work and the performance is first rate.
Filling out the recital Thomas Adés performs Janácek's works for piano, including excerpts from 'Intimate Sketches' and 'Moravian Folk songs'. His playing is subtle, intuitive and he finds all the quirky rhythms and soulful melodies inherent in Janácek's writing. Adés continues to be an outstanding piano soloist as well as one of the most important composers today. Highly Recommended. Grady Harp, February 06
A song-drama and short solo piano pieces based on Moravian folk songs - fine listening.......2005-11-23
Leos Janáček (1854-1928) was (and remains) an important Czech composer. As a young man he became friends with Dvorak and was one of the early so-called nationalist composers. This movement urged its composers to write music of their homeland and Janáček was among the early group who turner to the folk songs of his native land for source stylistic materials. Many others followed his lead in their own lands (think of Kodaly, Bartok, and even Stravinsky as examples of a much larger group).
This disk contains his only surviving song cycle - which is really a kind of song drama. It is based on some poems that appeared in a newspaper and caught the composer's eye. He clipped them out and took them with him on a trip to a spa and began working on the songs. The poems were published anonymously and were ostensibly by a rustic farm boy who is lured away by a gypsy and is never heard from again. It turns out they were by Ozef Kalda (the pseudonym of Josef Kalda (1871-1921). The songs are mostly for the tenor, but the gypsy makes her appearance, as do three female voices urging the boy to follow the gypsy. Ian Bostridge is superb as the rustic who disappeared and Ruby Philogene is fine as the gypsy.
The pianist, Thomas Adès, not only accompanies the song cycle, he also plays some wonderful solo pieces. One set is of piano pieces based on Moravian folk songs and then there is a set of miscellaneous pieces. All are quite short, but very expressive. Adès is a fine and expressive artist.
The disk concludes with earlier versions of two of the songs from the song cycle.
I think it is always good to stretch your musical experience. This music is quite different than the German, Italian, French art music and song writing that you are probably more used to hearing. This music, while certainly tonal, is quite different in harmonic language, melodic angularity and spacing. Enjoy!
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Janácek: The Diary of One Who Disappeared
Manufacturer: Supraphon
ProductGroup: Music
Binding: Audio CD
Janácek, Leos
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ASIN: B00000I56B
Release Date: 1999-02-15 |
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- Divine is the very nature of humanity
- A vintage Glagolitic Mass, and sitll one of the best
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Janácek: Missa Glagolitica
Manufacturer: Deutsche Grammophon
ProductGroup: Music
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ASIN: B000060O5H
Release Date: 2002-07-16 |
Tracks:
- I. Introduction - Chor Des Bayerischen Rundfunks
- II. Kyrie - Chor Des Bayerischen Rundfunks
- III. Gloria - Chor Des Bayerischen Rundfunks
- IV. Credo - Chor Des Bayerischen Rundfunks
- V. Sanctus - Chor Des Bayerischen Rundfunks
- VI. Agnus Dei - Chor Des Bayerischen Rundfunks
- VII. Organ Solo - Chor Des Bayerischen Rundfunks
- VIII. Intrada - Chor Des Bayerischen Rundfunks
- 1. Traf Eine Junge Zigeunerin
- . Ist Sie Noch Immer Da
- 3. Wie Der Gluhwurmchen Spiel
- 4. Zwitschern Im Nest Schon Die Schwalben
- 5. Heut' Ist's Schwer Zu Pflugen
- 6. Heissa! Ihr Ochselein
- 7. Wo Ist Das Pflocklein Hin
- 8. Seht Nicht, Ihr Ochselein
- 9. Sei Wilkommen, Jan
- 10. Gott Dort Oben, Sag
- 11. Von Der Heidin Wangen
- 12. Dunkler Erlenwald
- 13. Piano Solo
- 14. Sonn' Ist Aufgegangen
- 15. Meine Grauen Ochsen
- 16. Was Hab' Ich Da Getan?
- 17. Flieh, Wenn Das Schicksal Ruft
- 18. Nichts Mehr Denk Ich
- 19. Wie Die Elster Wegfliegt
- 20. Hab' Ein Jungferlein
- 21. Vater, Dem Tag' Fluch Ich
- 22. Leb Denn Wohl, Heimatland
Customer Reviews:
Divine is the very nature of humanity.......2006-11-15
Janacek's music is extremely post-stravinskian with yet a constant reference to an old Slavonic tradition. The introduction is powerfully dominated by the wind instruments but is kind of dubitative, suspended, sad even, unsure for sure. The Kyrie reestablishes vibrant optimism. The soprano takes us into this mood and when the Gloria comes, neurotic, escaping an invisible and un-understandable danger, when it turns into a chase or maybe a procession rhythmically pushed forward by percussions and strings, we try to forget the choir that sounds more menacing than the solace of a great mass of helpful souls. The Credo then explodes like a confrontation to the impossible conquest of the faith and fate a Christian would like to have and control. In front of us we meet with power, strength, force and we either run away from or join the procession, the parade, the pilgrimage to conquer evil and hell, to sweep the earth into the pocket of God and his glory and pompous etiquette, the etiquette of more sobriety of male voices, of a bass that could be deeper but is very expressive of the dark depth of our mind, of our spirit, the dark suffering of our being. The orchestra relays the bass and makes us climb back to the surface, to the sky, note after note, grade after grade, degree after degree to reach a vast open space in which the choir becomes angelic. But this time the orchestra leads us slowly down to wrap us up in some powerful voice and instrument fabric that is both thick and supportive. The Sanctus could have been some peaceful moment but the voices take over and it becomes some impressive prodding along the way with sounds that could come from some lay and worldly feast or village maypole celebration. This Sanctus sounds definitely secular with a few extremely harmonic small musical sentences repeated slightly too many times to punctuate our world, or the vision we have of it. His Osanna is nearly a song of joy and victory. Victory upon our inner disturbed and uncertain world that comes back at the beginning of the Agnus Dei, but not for long. The sound straightjacket of the choir takes over and straps us up in a mass in which our own self can be kneaded till it dissolves in some kind of communion. But communion with what ? The organ then takes over and explodes like the voice of the living universe we have finally reached with our five or maybe, probably, six senses. Doubt has disappeared to give way to those deafening pipes that set us the example of a totally dominated neurosis that does not question or investigate anymore but enjoys the contradictions it feels as if they were a fulfillment, a privilege, an emblem if not an icon of our divine nature. The Intrada teaches us then the bliss of that communion with God that provides us with the equilibrium and balance of the antagons of the voices or the various instruments. Harmonic equilibrium is thus our divine fate in a life of stachotic psychotic distortion and dispersion.
Dr Jacques COULARDEAU, University of Paris Dauphine & University of Paris 1 Pantheon Sorbonne
A vintage Glagolitic Mass, and sitll one of the best.......2006-09-21
Stress and strain are built into Janacek's Glagolitic Mass, where much of the vocalism verges on the brink of screaming. Most recordings wander over the edge, but in this, one of the original versions in stereo, Kubelik chose world-class singers from Germany, Switzerland, and America, and they reduce the shrieks to a minimum. Evelyn Lear, in fact, accomplishes wonders staying in tune without shosuting, and tenor Ernst Haeflier is just as good. The chorus sits a bit too far back, as does the orchestra, but Kubelik has a sure hand, and this lyrical reading remains one of the best.
As a bonus we get Haefliger's vintage recording of The Diary of One Who Vanished, but it's consierably hampered by being sung in german instead of Czech. Otherwise, the singing and piano accompaniment are lovely, stylish, and just a bit too calm.
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Janacek: The Diary Of One Who Disappeared
Manufacturer: Supraphon
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ASIN: B0000034ZL
Release Date: 1995-08-22 |
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Janacek: Capriccio; Concertino for piano, violins, viola, clarinet, hor
Manufacturer: Tudor
ProductGroup: Music
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ASIN: B00000AFOP
Release Date: 1998-08-25 |
Tracks:
- Capriccio: Allegro
- Capriccio: Adagio
- Capriccio: Allegretto
- Capriccio: Andante
- Conc: Moderato
- Conc: Piu Mosso
- Conc: Con Moto
- Conc: Allegro
- Intermezzo Erotico: No.13 From 'Diary Of One Who Disappeared'
- 3 Moravian Dances: Celadensky
- 3 Moravian Dances: Pilky
- 3 Moravian Dances: Ej, Danaj!
- 15 Moravian Folksongs
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Janacek: Sinfonietta; The Diary of One Who Disappeared / Bartok: The Miraculous Mandarin / Schonberg: Pelleas und Melisande / Berg: Drei Orchesterstucke
Manufacturer: Ricercar
ProductGroup: Music
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ASIN: B00008FNPZ
Release Date: 1994-04-20 |
Product Description
Japan issue.
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Janacek: The Diary Of One Who Disappeared
Manufacturer: Supraphon
ProductGroup: Music
Binding: Audio CD
Janácek, Leos
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ASIN: B000025RAR |
Tracks:
- One day I met a Gypsy girl - Nicolai Gedda/Josef Palenicek
- That black-eyed Gypsy - Nicolai Gedda/Josef Palenicek
- Through the twilight glow-worms - Nicolai Gedda/Josef Palenicek
- Already swallows are - Nicolai Gedda/Josef Palenicek
- Weary work is ploughing - Nicolai Gedda/Josef Palenicek
- Hey, there my tawny oxen - Nicolai Gedda/Josef Palenicek
- I've got a loose axle - Nicolai Gedda/Josef Palenicek
- Don't look, my oxen - Nicolai Gedda/Josef Palenicek
- Welcome, my handsome one - Nicolai Gedda/Vera Soukupova/Josef Palenicek
- God all-powerful, God eternal - Nicolai Gedda/Vera Soukupova/Josef Palenicek
- From the rip'ning cornfield - Nicolai Gedda/Vera Soukupova/Josef Palenicek
- Forest's shady height - Nicolai Gedda/Josef Palenicek
- - - Josef Palenicek
- See how high the sun is! - Nicolai Gedda/Josef Palenicek
- Now my tawny oxen - Nicolai Gedda/Josef Palenicek
- What has come over me? - Nicolai Gedda/Josef Palenicek
- Who can escape his fate - Nicolai Gedda/Josef Palenicek
- Nothing matters now - Nicolai Gedda/Josef Palenicek
- See that thieving magpie - Nicolai Gedda/Josef Palenicek
- Now she bears my child - Nicolai Gedda/Josef Palenicek
- Father, how wrong you were - Nicolai Gedda/Josef Palenicek
- Then farewell, dearest land - Nicolai Gedda/Josef Palenicek
- One day I met a Gypsy girl - Beno Blachut/Josef Palenicek
- That black-eyed Gypsy - Beno Blachut/Josef Palenicek
- Through the twilight glow-worms - Beno Blachut/Josef Palenicek
- Already swallows are - Beno Blachut/Josef Palenicek
- Weary work is ploughing - Beno Blachut/Josef Palenicek
- Hey, there my tawny oxen - Beno Blachut/Josef Palenicek
- I've got a loose axle - Beno Blachut/Josef Palenicek
- Don't look, my oxen - Beno Blachut/Josef Palenicek
- Welcome, my handsome one - Beno Blachut/Stepanka Stepanova/Josef Palenicek
- God all-powerful, God eternal - Beno Blachut/Stepanka Stepanova/Josef Palenicek
- From the rip'ning cornfield - Beno Blachut/Stepanka Stepanova/Josef Palenicek
- Forest's shady height - Beno Blachut/Josef Palenicek
- - - Josef Palenicek
- See how high the sun is! - Beno Blachut/Josef Palenicek
- Now my tawny oxen - Beno Blachut/Josef Palenicek
- What has come over me? - Beno Blachut/Josef Palenicek
- Who can escape his fate - Beno Blachut/Josef Palenicek
- Nothing matters now - Beno Blachut/Josef Palenicek
- See that thieving magpie - Beno Blachut/Josef Palenicek
- Now she bears my child - Beno Blachut/Josef Palenicek
- Father, how wrong you were - Beno Blachut/Josef Palenicek
- Then farewell, dearest land - Beno Blachut/Josef Palenicek
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Janácek: The Diary of One Who Disappeared/On an Overgrown Path
Manufacturer: Panton
ProductGroup: Music
Binding: Audio CD
Janácek, Leos
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ASIN: B000004AIC
Release Date: 1997-05-27 |
Tracks:
- The Diary Of One Who Disappeared: Andante - Leo Marian Vodicka/Jitka Zerhauova/Radoslav Kvapil
- The Diary Of One Who Disappeared: Con moto - Leo Marian Vodicka/Jitka Zerhauova/Radoslav Kvapil
- The Diary Of One Who Disappeared: Andante - Leo Marian Vodicka/Jitka Zerhauova/Radoslav Kvapil
- The Diary Of One Who Disappeared: Andante (attaca) - Leo Marian Vodicka/Jitka Zerhauova/Radoslav Kvapil
- The Diary Of One Who Disappeared: Adagio - Leo Marian Vodicka/Jitka Zerhauova/Radoslav Kvapil
- The Diary Of One Who Disappeared: Allegro - Leo Marian Vodicka/Jitka Zerhauova/Radoslav Kvapil
- The Diary Of One Who Disappeared: Con moto - Leo Marian Vodicka/Jitka Zerhauova/Radoslav Kvapil
- The Diary Of One Who Disappeared: Andante - Leo Marian Vodicka/Jitka Zerhauova/Radoslav Kvapil
- The Diary Of One Who Disappeared: 66 - Leo Marian Vodicka/Jitka Zerhauova/Radoslav Kvapil
- The Diary Of One Who Disappeared: Un poco piu mosso - Leo Marian Vodicka/Jitka Zerhauova/Radoslav Kvapil
- The Diary Of One Who Disappeared: Con moto - Leo Marian Vodicka/Jitka Zerhauova/Radoslav Kvapil
- The Diary Of One Who Disappeared: 59 - Leo Marian Vodicka/Jitka Zerhauova/Radoslav Kvapil
- The Diary Of One Who Disappeared: Andante - Leo Marian Vodicka/Jitka Zerhauova/Radoslav Kvapil
- The Diary Of One Who Disappeared: Adagio - Leo Marian Vodicka/Jitka Zerhauova/Radoslav Kvapil
- The Diary Of One Who Disappeared: Allegro - Leo Marian Vodicka/Jitka Zerhauova/Radoslav Kvapil
- The Diary Of One Who Disappeared: Adagio - Leo Marian Vodicka/Jitka Zerhauova/Radoslav Kvapil
- The Diary Of One Who Disappeared: Recitativo (Attacca) - Leo Marian Vodicka/Jitka Zerhauova/Radoslav Kvapil
- The Diary Of One Who Disappeared: 56 - Leo Marian Vodicka/Jitka Zerhauova/Radoslav Kvapil
- The Diary Of One Who Disappeared: Andante - Leo Marian Vodicka/Jitka Zerhauova/Radoslav Kvapil
- The Diary Of One Who Disappeared: Con moto - Leo Marian Vodicka/Jitka Zerhauova/Radoslav Kvapil
- The Diary Of One Who Disappeared: Meno mosso - Leo Marian Vodicka/Jitka Zerhauova/Radoslav Kvapil
- The Diary Of One Who Disappeared: Andante - Leo Marian Vodicka/Jitka Zerhauova/Radoslav Kvapil
- On An Overgrown Path, 1st Set: 1. Our Evenings - Radoslav Kvapil
- On An Overgrown Path, 1st Set: 2. A Leaf Blown Away On The Wind - Radoslav Kvapil
- On An Overgrown Path, 1st Set: 3. Come With Us! - Radoslav Kvapil
- On An Overgrown Path, 1st Set: 4. The Madonna Of Frydek - Radoslav Kvapil
- On An Overgrown Path, 1st Set: 5. They Twittered Like Swallows - Radoslav Kvapil
- On An Overgrown Path, 1st Set: 6. Words Fail! - Radoslav Kvapil
- On An Overgrown Path, 1st Set: 7. Good Night! - Radoslav Kvapil
- On An Overgrown Path, 1st Set: 8. Such Unutterable Anguish - Radoslav Kvapil
- On An Overgrown Path, 1st Set: 9. In Tears - Radoslav Kvapil
- On An Overgrown Path, 1st Set: 10. The Barn Owl Has Not Flown Away - Radoslav Kvapil
- On An Overgrown Path, 2nd Set: 11. Andante - Radoslav Kvapil
- On An Overgrown Path, 2nd Set: 12. Allegretto - Radoslav Kvapil
- On An Overgrown Path, Paralipomena: 13. Piu mosso - Radoslav Kvapil
- On An Overgrown Path, Paralipomena: 14. Vivo - Radoslav Kvapil
- On An Overgrown Path, Paralipomena: 15. Allegro - Radoslav Kvapil
Music Review:
- Johann Strauss I Edition, Vol. 5
- Johannes Ockeghem: Requiem - Ensemble Organum / Marcel Pérčs
- John Rutter: Requiem/I Will Lift Up Mine Eyes
- Kernis: Chamber Music
- Klassizische Moderne, Vol. 3
- Leaning into the Night
- Mahler: Symphony No.1 In D/Lieder Eines Fahrenden Gesellen
- Mega Movies
- Mendelssohn, Bruch: Violin Concertos / McDuffie, Swensen
- Mozart: Arias
Music Review
music review
Music Review
Hello, It's Wonderful
Music by Mary Howe
Muzio Clementi: Trios Op.21 and 22
Floetic
Music to Keep Your Wife Happy: the Exciting History of Yellow Productions 1994-2 [Import]
Pasion Del Tango
Mosala Makasi [Live]
My Ride's Here
Music from & Inspired By Gran Turismo 4 [Import]
Franck: Symphonic Variations; D'Indy: Symphony on a French Mountain Air
Look at Me Now [Import]
Latin House Experience
La Dama del Bolero
Bach J.S: Well Tempered Clavier
The Nativity Story: Sacred Songs