Albeniz: Iberia Suite; Falla: The Three-Cornered Hat

Editorial Reviews
Amazon.com
Yan Pascal Tortelier has demonstrated again and again the he has a firm grasp of the romanticism of most European composers of both the 19th and 20th centuries. Albéniz's Iberia suite, originally a work for solo piano, is here transcribed for full orchestra by E. Fernandez Arbós, who was a close friend of the composer. Tortelier's shaping of this orchestration is a revelation. But if Albéniz was conservative by nature, Manuel de Falla, his younger contemporary, was not, and Tortelier really turns loose with Falla's Three-Cornered Hat suite in a full-bodied performance. --Paul Cook

Amazon.com
The Three-Cornered Hat is one of the best ballets around--a joyous and sunny celebration of Spanish folklore. The first couple of minutes are a bit "stop-and-start," but after that there's no looking back, and one tuneful and brilliantly scored dances follows another. As with all of Falla's music, it's so well written and finely calculated there's never really been a "bad" performance, but even so this one would stand out for its warmth and grace. Enrique Arbos's orchestration of Albeniz ... read more

Albeniz: Iberia Suite; Falla: The Three-Cornered Hat

Albeniz: Iberia Suite; Falla: The Three-Cornered Hat, Music, Isaac Albeniz, Manuel de Falla, Hugh Bean, Yan Pascal Tortelier, Philharmonia, Philharmonia Orchestra of London, Jill Gomez, 20th/21st Century Ballet, Ballet, Classical, Classical Composers, Keyboard, Orchestral, Orchestral & Symphonic, Suite for Orchestra, Suite/Partita for Keyboard
Albeniz: Iberia Suite; Falla: The Three-Cornered Hat
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    Albeniz: Iberia Suite; Falla: The Three-Cornered Hat

    Manufacturer: Chandos
    ProductGroup: Music
    Binding: Audio CD

    BalletsBallets | Ballets & Dances | Classical | Styles | Music
    All Works by FallaAll Works by Falla | Falla, Manuel de | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
    SuitesSuites | Forms & Genres | Classical | Styles | Music
    Ballets & DancesBallets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Symphonies | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    ASIN: B000000ALX
    Release Date: 1992-10-28

    Tracks:

    1. Iberia Suite: Evocation - Allegretto espresivo
    2. Iberia Suite: La Fete Dieu a Seville (El Corpus en Sevilla) - Allegro grazioso
    3. Iberia Suite: Triana - Allegretto
    4. Iberia Suite: El Puerto - Allegro comodo
    5. Iberia Suite: El Albaicin - Allegro
    6. The Three-Cornered Hat: Introduction - Allegretto ma non troppo - Poco meno mosso
    7. The Three-Cornered Hat: Afternoon - Allegretto mosso
    8. The Three-Cornered Hat: Dance Of The Miller's Wife (Fandango) - Allegro ma non troppo; The Corregidor - Moderato; The Miller's Wife - Poco piu mosso
    9. The Three-Cornered Hat: The Grapes - Vivo
    10. The Three-Cornered Hat: The Neighbour's Dance (Seguidillas) - Allegro ma non troppo
    11. The Three-Cornered Hat: The Miller's Dance (Farruca) - Poco vivo
    12. The Three-Cornered Hat: The Corregidor's Dance - Allegretto
    13. The Three-Cornered Hat: Final Dance (Jota) - Poco mosso

    Amazon.com

    Yan Pascal Tortelier has demonstrated again and again the he has a firm grasp of the romanticism of most European composers of both the 19th and 20th centuries. Albéniz's Iberia suite, originally a work for solo piano, is here transcribed for full orchestra by E. Fernandez Arbós, who was a close friend of the composer. Tortelier's shaping of this orchestration is a revelation. But if Albéniz was conservative by nature, Manuel de Falla, his younger contemporary, was not, and Tortelier really turns loose with Falla's Three-Cornered Hat suite in a full-bodied performance. --Paul Cook

    Amazon.com

    The Three-Cornered Hat is one of the best ballets around--a joyous and sunny celebration of Spanish folklore. The first couple of minutes are a bit "stop-and-start," but after that there's no looking back, and one tuneful and brilliantly scored dances follows another. As with all of Falla's music, it's so well written and finely calculated there's never really been a "bad" performance, but even so this one would stand out for its warmth and grace. Enrique Arbos's orchestration of Albeniz Iberia makes a satisfying coupling, with some spectacular percussion effects embedded in a recording of splendid impact. --David Hurwitz

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