Beauty in the Beast [Enhanced]
Editorial Reviews
Amazon.com
From the roar of Tibetan horns and the clangor of metal percussion that opens Beauty in the Beast, Wendy Carlos in 1986 signaled a new direction for her music. Beauty in the Beast is Carlos's magnum opus, an album that should have established the synthesizer's role in the new global music landscape. More than that, it should have established Carlos as a composer and not just a Switched-on Bach jukebox. But not too many people were listening. Rereleased now after 14 years, Beauty in the Beast has lost none of its power. Carlos is both profound and poignant, dissonant and disarming on Beauty, as she fuses a global orchestra from her synthesizers. "Poem for Bali" is the centerpiece of the album, an episodic, 17-minute excursion as Carlos orchestrates the sounds and rhythms of a digital gamelan orchestra. In addition to replicating the metallophones, gongs, and flutes of the traditional gamelan, she creates her own hybrid sound designs, giving this work a surreal and sometimes harrowing tone, like a dream bent through funhouse mirrors. But then there are pieces such as "A Woman's Song," based on a Balkan melody. The title track merges nightmare landscapes and a crazed carnival calliope with a haunting theme that sounds like a lament for the end of the world. Beauty in the Beast is an essential recording of both modern composition and synthesis--Carlos should plug into this circuit again. --John Diliberto
Beauty in the Beast, Music, Wendy Carlos, Wendy Carlos, Classical, Drum Machine, Electronic, Electronic & Computer, Electronic Sounds, Electronic/Avant-Garde/Minimalist Music, Electronics, Experimental, Film Music, Keyboards, Microtonal, Modern Composition, Moog Synthesizer, New Age, Obscuro, Original Score, Sampling, Synthesizer, Tape
Average customer rating:
- Disney's greatest hits, volum 3
- Timeless Disney Music
- Disney songs are the best
- Great Disney Music
- Not as good as Vol 1 and Vol 2
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Disney's Greatest 3
Various Artists
Manufacturer: Disney
ProductGroup: Music
Binding: Audio CD
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- Disney's Greatest, Vol. 2
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- Disney's Greatest Vol. 2
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ASIN: B00006EXKT
Release Date: 2002-08-20 |
Amazon.com
Cynical types will accuse Disney of milking the "greatest" concept until it's drier than Tinkerbell's fairy dust ("Supercalafragilisticexpealidocious," "Zip-a-Dee-Doo-Da," and "Heigh Ho" were hits off of Vol. 1; "Bare Necessities," "It's a Small World," and "Some Day My Prince Will Come" stole the show on Vol. 2), but a glimpse of this installment's track listing is all it'll take to squash their suspicions. Once again running reverse-chronologically, Vol. 3 opens with Jonatha Brooke's gorgeously achy ballad "I'll Try," from 2002's arguably not-so-great Return to Neverland, and gradually reaches back through the years to re-raise the curtain on Toy Story 2 ("When She Loved Me," performed by Sarah McLachlan), The Lion King ("Can You Feel the Love Tonight"), Mary Poppins (Julie Andrews's classic "A Spoonful of Sugar"), Pinocchio ("Give a Little Whistle"), and a bundle of treasured others, bottoming out at 1933's "Who's Afraid of the Big Bad Wolf" from The Three Little Pigs. Vol. 3 is not without its weak moments--would a G-rated movie-goers' poll produce Beauty and the Beast's "Gaston" or The Hunchback of Notre Dame's "Topsy Turvy" on a hits list? Seems unlikely. Still, the bulk of these tracks are, as the included Little Mermaid song goes, "Part of Your World," and the spread of decades they represent proves their staying power. Don't expect Disney to latch the lid on its inexhaustible archives until a dozen or so of these records, each as strong as the next, beckon you back for more. --Tammy La Gorce
Customer Reviews:
Disney's greatest hits, volum 3.......2007-05-13
This is one of the better volums for kids and for those who are
above 18 but still have some kid in them
Timeless Disney Music.......2007-05-07
Nothing brings sweet recollection of Disney movies like hearing the wonderful songs. In an age where there so much music with no redeeming qualities, these Disney CDs are priceless. Wonderful for the entire family to listen to around the house or in the car while traveling. We can't help but sing along. We love that these are the original tracks from the movies! Wonderful! We now have all three volumes.
Disney songs are the best.......2006-03-18
I love the songs on this volume. I'll Try by Jonatha Brooke is such an amzing somg. I especially bought this CD fort that song but, was pleasantly surprsed by the rest of the playlist.
Great Disney Music.......2006-02-21
I have bought the first 2 volumes of Disney's Greatest Hits and the 3rd volume doesn't disapoint. My 2 young children love to listen to this CD and talk about the movies that they come from. A definate must have!
Not as good as Vol 1 and Vol 2.......2005-09-11
This Disney CD represents the "leftovers" that didn't make it on Vol 1 and Vol 2 of this series. Although it has some of my favorites, I don't listen to the entire CD often. Disney could have done a better job of editing the which sound files should make the cut on this one. Still, it's nice to have all 3 CDs.
Average customer rating:
- Just for kids?? No way!!
- The best classical album for kids!
- Great for Preschool Children
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Classics for Kids
Manufacturer: RCA
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ASIN: B000003FE3
Release Date: 1993-06-08 |
Tracks:
- The Nutcracker Excerpts (Tchaikovsky)
- The Nutcracker Excerpts (Tchaikovsky)
- The Nutcracker Excerpts (Tchaikovsky)
- Parade of The Wooden Soldiers (Jessel-MacDonald)
- Carnival of The Animals Excerpts (Saint-Saens)
- Carnival of The Animals Excerpts (Saint-Saens)
- Carnival of The Animals Excerpts (Saint-Saens)
- THe Girl With The Flaxen Hair (Debussy)
- Hoedown from Rodeo (Copland)
- Little Waltz from The Toy Box (Debussy)
- Viennese Musical Clock from Hary Janos (Kodaly)
- Mother Goose Suite Excerpts (Ravel)
- Mother Goose Suite Excerpts (Ravel)
- March of the Siamese Children from The King and I (Rogers)
- Dreams frin Scenes From Childhood ( Schumann)
- March of The Toys from Babes In Toyland (Herbert)
- Childhood Games Excerpts (Bizet)
- Childhood Games Excerpts (Bizet)
- The Toy Trumpet Al Hirt, trumpet (Scott)
- The Little Train of Caipira (Villa-Lobos)
- The Sorcerer's Apprentice (Dukas)
- Waltz from The Sleeping Beauty (Tchaikovsky)
- Lullaby (Brahms)
Customer Reviews:
Just for kids?? No way!!.......2005-04-08
This is wonderful classical music. If the kids like it, great! But, make no mistake about it, this is good for anyone. This is wonderful study music, reading music, or just plain relaxing music. Highlights include "Parade of the Wooden Soldiers"; "March of the Toys" (from BABES IN TOYLAND -- the reason I bought this CD); "The Sorcerer's Apprentice"; "The Little Train of Caipira" (no longer little when the music is over); and the audience favorite "Hoedown" (i.e. "Beef, it's what's for dinner!").
If you're into that whole thing of classical music sharpening a youngster's intellect, then this won't disappoint. If you're just into good old fashioned classical music in general, it won't disappoint you either. Also, I highly recommend to both groups the classical CD BUILD YOUR BABY'S BRAIN.
The best classical album for kids!.......2002-12-12
This is a wonderful album. Very high quality, and every selection is beautiful. My daughter (who usually asks me to turn my classical music off) loves to pretend to gallop like a horse during "Rodeo" and march like a soldier during "Parade of the wooden soldiers". This is a pleasure for the whole family!
Great for Preschool Children.......2000-10-12
I use this CD with my preschool music group. The kids love it! This CD enables children learn about classical music without over extending their attention spans.
Average customer rating:
- Very Best of Broadway Music
|
Very Best Of Broadway Musicals
Various Artists
Manufacturer: Metro Music
ProductGroup: Music
Binding: Audio CD
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- The Best of Broadway - The American Musical (PBS Series)
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ASIN: B000068CC4
Release Date: 2002-06-25 |
Tracks:
- All That Jazz
- If I Can't Love Her
- Maybe This Time
- People Will Say We're In Love
- The Impossible Dream
- Seventy Six Trombones
- Can You Feel The Love Tonight?
- Still
- Send In The Clowns
- One
- Younger Than Springtime
- This Is The Moment
- Good Morning Starshine
- Your Getting To Be A Habit With Me
- Wunderbar
- Maria
- I Could Have Danced All Night
- Singin' In The Rain
- Written In The Stars
- One Song Glory
Customer Reviews:
Very Best of Broadway Music.......2007-05-08
I really like Broadway music so this is the BEST!!!!!!
I let someone else borrow this to listen at her house--She liked it also
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Just perfect
- CD The Very Best of James Galway
- Not for the serious flautist
- The Very Best of James Galway
- Lightweight
|
The Very Best of James Galway
James Galway
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Wind Beneath My Wings
- James Galway - Greatest Hits
- James Galway ~ Meditations
- The Best Of Jean-Pierre Rampal
- James Galway - Dances for Flute
ASIN: B000068773
Release Date: 2002-06-25 |
Tracks:
- Canon - James Galway and the Munich Radio Orchestra
- Gayane: Sabre Dance - James Galway and the Royal Philharmonic Orchestra
- Concertino for Flute and Piano, Op. 107 - James Galway
- Song of the Seashore (Hamabe No Uta) - James Galway and the Tokyo String Orchestra
- Thais: Meditation - James Galway and the National Philharmonic Orchestra
- Suite No. 2 in B Minor, BWV 1067: Minuet and Badinerie - James Galway and the National Philharmonic Orchestra
- Dolly Suite, Op. 76: Berceuse - James Galway and the National Philharmonic Orchestra
- Carnival of Venice, Op. 77 - James Galway and the National Philharmonic Orchestra
- Suite bergamasque: Clair de Lune - James Galway and the National Philharmonic Orchestra
- Concerto No. 2 for Flute & Orchestra, K. 314 in D: Rondeau: Allegro - James Galway and the Academy of St. Martin in the Fields
- Sonata in E-Flat, BWV 1031: Siciliana - James Galway
- Orfeo ed Euridice: Dance of the Blessed Spirits - James Galway
- Peer Gynt, Suite No.1: Morning - James Galway and the National Philharmonic Orchestra
- The Tale of Tsar Saltan: The Flight Of The Bumblebee - James Galway and the National Philharmonic Orchestra
- My Heart Will Go On (Love Theme From ''Titanic'') - James Galway and the London Telefilmonic Orchestra
- El Condor Pasa (If I Could) - James Galway and the Galway Pops Orchestra
- I Will Always Love You - James Galway
- Ashokan Farewell - James Galway
- The Girl from Ipanema - James Galway
- Wind of Change - James Galway with Peter Willison & His Sinfonia Strings
- Annie's Song - James Galway and the National Philharmonic Orchestra
- The Wind Beneath My Wings - James Galway and the Galway Pops Orchestra
- Memory (From ''Cats'') - James Galway
- Riverdance - James Galway and the Tranquility Strings
- Tango del Fuego - James Galway
- Beauty and the Beast - ames Galway and the Galway Pops Orchestra
- Can You Feel the Love Tonight? (From ''The Lion King'') - James Galway and the London Telefilmonic Orchestra
- Shenandoah - James Galway and the Nashville String Machine / Shelly Kurland Strings
- Waltzing Matilda - James Galway and the Sydney Symphony Orchestra
- Danny Boy - James Galway with The Chieftains and the National Philharmonic Orchestra
Customer Reviews:
Just perfect.......2007-01-12
The CD case was in perfect condition; no cracks. The CD plays great and the product came just on time
CD The Very Best of James Galway.......2007-01-10
This was a gift and the receipant loves it. Amazon responded to my order in above average time and I will continue to buy through their website.
Not for the serious flautist.......2006-06-10
Most of the tracks on this CD consist of saccharine fluff, such as Disney, show-tunes, etc. If I buy a flute recording, I want to hear some serious music, not this ghastly schmaltz. And I hate to say it, I'm not a huge fan of Galway's playing style. It's too light and airy, just on the edge of going into overtones. He overuses his vibrato, especially on the higher notes. When you want them to just smoothly soar with rich tone, they just sort of flutter about. He does have impeccable technique and speed, but his tone leaves a lot to be desired, in my opinion. Seek out another artist!
The Very Best of James Galway.......2005-09-23
Really is one of the best of James Galway, if not the very best. Easy listening, soothing, relaxing - easy to enjoy
Lightweight.......2005-08-24
Admirers of James Galway as a superb classical flutist, of whom I am one, should be forewarned that this 2002 release has been packaged by the mass merchandisers for the "crossover" crowd and the mass market: there's slim pickin's here for serious music lovers. The first CD contains brief, lightweight classical "hits" in "arranged" versions, basically encore bonbons, while almost the entire second CD is devoted to ephemeral, forgettable pop fluff. There's not much of substance here; given Galway's vast (over 50 recordings) discography, the classical music lover would be well advised to look elsewhere.
Average customer rating:
- Not much of a Disney Princess CD!
- The Real Reason to Get This CD
- Another Repackaging Of Princess Favorites
- Whose Princess Favorites???
- Save your money!
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Princess Favorites
Various Artists
Manufacturer: Disney
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Disney's Princess Collection: The Music of Hopes, Dreams and Happy Endings
- Disney's Princess Sing-Along Album
- Princess Lullaby Album
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ASIN: B00005Y1ZG
Release Date: 2002-02-05 |
Tracks:
- I Won't Say (I'm In Love)
- Belle
- Can You Feel The Love Tonight
- If I Can't Love Her
- Reflection
- Out Of Thin Air
- Kiss The Girl
- Once Upon A Dream
- Follow Your Heart
- The World Is Looking Up To You
- It's What's Inside That Counts
- Put It Together (Bibbidi Bobbidi Boo)
Customer Reviews:
Not much of a Disney Princess CD!.......2006-05-04
Well, Disney has done this again... How can this thing earn money?
Only "Kiss the Girl" "Reflection" and "Once Upon a Dream" are favorites. It was so strange that "Can You Feel the Love Tonight" which was from "The Lion King" was in this album. This was not from a Disney Princess Movie! And why the song from "Aladdin & the King of Thieves" can be recorded in a Disney Princess album?
I love Disney Princess very much, and I love listening to the wonderful and sweet voices of the Princesses, for example, Ariel, Belle and Pocahontas, even Mulan. Well, where are the songs of the Princesses? And I don't like the songs from "Cinderella-2: Dreams Come True", I think they wouldn't be so terrible if there were no classic Princess songs as reference substance!
This album is really unworthy. It was neither fit for adults nor children, even a Disney fan won't love this. This album might make Disney fans and your kid disappointed, even angry. We want to listen to REAL Disney Princess songs! What we want is not this confusing album. I hope that there won't be any Disney Favoties albums like this. It's really disappointing. I have to say this even though it's not nice: If you buy this, you might be taken in by this. Save your money to buy other better off Disney albums!
The Real Reason to Get This CD.......2005-12-31
I'm going to say it right now --- this CD is good. It's very good. If you're looking for true "Disney princess" tracks and you don't consider Cinderella II, Aladdin and the King of Thieves or Mulan/Lion King to count, then stop now. But it seems like most people are basing their opinions on the sorts of songs they expected from the CD, rather than what's actually on it.
The CD begins with "I Won't Say (I'm in Love)" by Meg(ara) from Disney's "Hercules." This is one of my favorite Disney movies and this is an excellent track. Meg tries to deny her feelings for Hercules, before finally sort of admitting that she is in love.
Next is "Belle" from "Beauty and the Beast." A wonderful tune of dreams and romance that was nominated for an Academy Award.
Who doesn't enjoy "Can You Feel the Love Tonight?" Featuring funny bits by Timon and Pumbaa, excellent harmonies and singing by both Simba and Nala.
"If I Can't Love Her" is from the stage show of "Beauty and the Beast." It's my least favorite track on the CD, but it's still fairly decent and interesting to hear for those who haven't seen this stage show.
"Reflection" is from "Mulan" and I consider it to be possibly be the best track from that movie. Is Mulan is a Disney princess? Well, you can debate that all you want --- I suppose at this point, she's royalty, so I guess she counts.
"Out of Thin Air" is my favorite song "Aladdin and the King of Thieves." Aladdin and Jasmine sing about what it would be like for Aladdin to finally find his father. Jasmine tells Aladdin that he doesn't just come out of thin air. The music on this recalls "A Whole New World" for me.
"Kiss the Girl" is from "The Little Mermaid." It's not my favorite song from that movie --- I would have preferred "Part of Your World." But it'll do all right. And it can't be said that Ariel isn't a Disney princess --- after all, she does marry Prince Eric.
"Once Upon a Dream" is a classic! It's from "Sleeping Beauty." Sure, the little kiddies today may not entirely appreciate this, but I think it's wonderful that they would include a classic like this.
Now, part of the reason for this CD's release was to have a place for the music from the Disney "Cindrella" sequel "Cindrella II." Yes, this is a direct-to-DVD release, but it's a good one. This CD is the only place to find these excellent songs, all performed by Brooke Allison. They also all (except the last one) follow a theme of "being yourself:"
"Follow Your Heart" is about a time when Cinderella was assigned to the preparations for the royal ball. She was given all sorts of instructions, such as not opening the curtains and not inviting commoners in. Finally, she decided to just do things her own way. A lively, upbeat, positive theme.
"The World Is Looking Up To" is about the mouse Jaq and when he decides to become human. Another fun track about being yourself.
"It's What's Inside That Counts" comes from when Cinderella's stepsister Anastasia fell in love. She thought she'd get all dolled up, but learned that she can be loved just for being her.
Finally, "Put It Together" is a wonderfully fun techno remix of the classic "Bibbidi Bobbidi Boo." I was surprised this works, but it does, splendidly.
So if you're looking for a Disney CD with great music and are willing to look past any preconceived ideas, then snap this CD up.
Another Repackaging Of Princess Favorites.......2004-04-21
When is Disney ever going to realize that recycling Disney Princess songs aren't such a good idea? As a Disney Princess fan since I was really little I have always enjoyed Disney princess songs. But i am so so so so sick and tired about on just about every Disney album dedicated solely to the Disney Princesses Disney always always ALWAYS has a habit of recycling old princess songs instead of adding new princess songs. I mean people already own half the songs on Princess Favorites and can buy them on the film soundtracks or the Disney princess collection cd. Why I think this cd was released is that Disney was trying to promote the movie Cinderella II Dreams Come True as the songs from that movie are on this cd. But heck one of the songs Put it Together is also on the SUPERSTAR HITS cd. So while this cd may be a redone version of Princess Collection Volume #2 please Please Please PLEASE do not buy,
Thank you very much for your time
Whose Princess Favorites???.......2003-10-15
I would classify only 3 of the songs on this CD as Princess Favorites - Belle, Kiss The Girl and Once Upon A Dream. The rest are either not Princess songs or not favorites.
My daughter is a huge Disney Princess fan, and wants to hear the songs from the Princess movies non-stop. She's only 3, but she does know her princesses, and the girl from Hercules and Nala from the Lion King are definitely NOT princesses! This is also the first time that I've seen Mulan grouped with the princesses.
We wanted music from the classic Disney Princess movies that she loves - Cinderella, Snow White, Beauty & The Beast, Sleeping Beauty, Aladdin and The Little Mermaid. I do not put Cinderella 2 and Aladdin and the Forty Thieves in that category - were those even released in the theaters, or direct to video?
I am generally a fan of the Disney compilations, but this one feels like a marketing rip-off. Get the Disney Classics 5 CD set if you really want the Princess Favorites - they may be spread out over all the discs, but they are the songs you want to hear!
Save your money!.......2002-04-30
A friend gave this CD to my little girl for her 5th birthday...she was thrilled to get it. The thrill ended as soon as it was played. She wanted to know where the Princesses were.
There is no Ariel...just a song by Sebastian. No Cinderella, no Snow White, and why would they place an unknown song from the Broadway musical Beauty and the Beast which only has been heard by the people attending the musical?? At least Sleeping Beauty made the grade. My daughter has the movie Cinderella II which the CD promotes, but is not familiar with them to really enjoy these 4 songs.
Again, save your money...some day maybe Disney will set aside some of their money and marketing hunger and put out a CD that any 5 year old princess will enjoy singing along with...BTW isn't Beauty and the Beast being re-released...oh yea, thats why that endless song about Belle is on there..Bon Jour!
Average customer rating:
- You'll be disappointed
- Pretty good musical mix
|
Greatest Songs from the Musicals
Various Artists
Manufacturer: Soho
ProductGroup: Music
Binding: Audio CD
General
| International
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- Very Best Of Broadway Musicals
- Only Broadway CD You'll Ever Need
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ASIN: B000077JS0
Release Date: 2002-10-21 |
Tracks:
- Aquarius [From Hair] - Steve Brooker, NSO Ensemble, , Caroline O'Connor
- If I Can't Love Her [From Beauty and the Beast] - Ethan Freeman, National Symphony Orchestra, Martin Yates
- I Could Have Danced All Night [From My Fair Lady] - Katrina Murphy, National Symphony Orchestra
- Can You Feel the Love Tonight? [From The Lion King] - John Barrowman, National Symphony Orchestra, Martin Yates
- What I Did for Love [from a Chorus Line] - National Symphony Orchestra, Catherine Porter, Martin Yates
- This Is the Moment [From Jekyll and Hyde] - Gary Mauer, National Symphony Orchestra, Martin Yates
- All That Jazz [From Chicago] - Paulette Ivory, Julian Kelly, Katrina Murphy, National Symphony Orchestra, Sally Ann Triplett
- Impossible Dream [From Man of La Mancha] - Ethan Freeman, National Symphony Orchestra, Martin Yates
- America [From West Side Story] - National Symphony Orchestra
- Written in the Stars [From Aida] - Simon Bowman, NSO Ensemble, Sally Ann Triplett, Martin Yates
- Mame [From Mame] - Jerry Lanning, National Symphony Orchestra, Martin Yates
- Some Enchanted Evening [From South Pacific] - Thomas Allen, John Owen Edwards, Philharmonic Orchestra
- I Am What I Am [From LA Cage aux Follies] - Janet Glazener, Leslie Uggams
- One Song Glory [From Rent] - Sean McDermott, Martin Yates
Tracks:
- Phantom of the Opera [From The Phantom of the Opera] - Ethan Freeman, Claire Moore, National Symphony Orchestra, Martin Yates
- I Dreamed a Dream [From Les Miserables] - National Symphony Orchestra, Jacqui Scott, Martin Yates
- Bui Doi [From Miss Saigon] - Ethan Freeman, National Symphony Orchestra, Martin Yates
- As Long as He Needs Me [From Oliver!] - National Symphony Orchestra,
- Time Warp [From the Rocky Horror Picture Show] - Anita Dobson, NSO Ensemble, Martin Yates,
- Memory [From Cats] - Kim Criswell, National Symphony Orchestra, Martin Yates
- Why God Why [From Miss Saigon] - Graham Bickley, National Symphony Orchestra, Martin Yates
- I Know Him So Well [From Chess] - Katrina Murphy, NSO Ensemble, Sally Ann Triplett, Martin Yates
- One Day More [From Les Miserables] - National Symphony Orchestra, Martin Yates
- Peggy Sue [From Buddy Holly Story] - Dominic Curtis
- Empty Charis at Empty Tables [From Les Miserables] - Graham Bickley, National Symphony Orchestra, Martin Yates
- Dancing Queen [From Mamma Mia!] - Julian Kelly, NSO Ensemble, , Caroline O'Connor
- All I Ask of You [From The Phantom of the Opera] - Andrew Halliday, , National Symphony Orchestra, Martin Yates
- We Will Rock You [From We Will Rock You] - Martin Yates
Tracks:
- It's a Grand Night for Singing [From State Fair] - National Symphony Orchestra
- If I Were a Rich Man [From Fiddler on the Roof] - Jerry Lanning, National Symphony Orchestra
- I Talk to the Trees [From Paint Your Wagon] - Ethan Freeman, National Symphony Orchestra, Martin Yates
- Over the Rainbow [From The Wizard of Oz] - Gillian Bevan, , John Owen Edwards, , Royal Shakespeare Company
- Bless Yore Beautiful Hide [From Seven Brides for Seven Brothers] - Hal Fowler, National Symphony Orchestra, Martin Yates
- Grease [From Grease] - John Barrowman, NSO Ensemble, Martin Yates
- Woman in Love [From Guys and Dolls] - Gregg Edelman, , Emily Loesser, National Symphony Orchestra
- Secret Love [From Calamity Jane] - Debbie Gravitte, National Symphony Orchestra
- Quintet [From West Side Story] - National Symphony Orchestra
- I Will Always Love You [From the Best Little Whorehouse in Texas] - Salena Jones, John Pearce
- Money, Money [From "Caberet"] - Maria Friedman, National Symphony Orchestra, Jonathan Pryce
- If My Friends Could See Me Now (Sweet Charity) - Jacqueline Dankworth, National Symphony Orchestra, Martin Yates
- Thank Heaven for Little Girls [From Gigi] - Ron Moody, National Symphony Orchestra, Martin Yates
- Singin' in the Rain [From Singin' in the Rain] - Craig Barna, National Symphony Orchestra, Paul Robinson
Customer Reviews:
You'll be disappointed.......2006-09-02
Not the original artists. Very weak versions of beloved songs by marginal to downright bad vocalists.
Pretty good musical mix.......2006-03-10
Lots of great and clear vocals. I was looking for a musical mix and this has a nice sampling of many major songs but also some more recent stuff. I haven't purchased an import before but I would do it again if the opportunity presented itself. It is somewhat annoying to have three cds when I think it could have fit onto two. Still, more than I have complaints, I have compliments about it.
Average customer rating:
- Delightful Disney Music
- Uncle Walt would be quite honored!
- Fabulous CD
- sleeping to Disney
- this is a treasure
|
Heigh-Ho! Mozart
Manufacturer: Delos Records
ProductGroup: Music
Binding: Audio CD
Wedding Music
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Similar Items:
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ASIN: B000000709
Release Date: 1995-06-16 |
Tracks:
- Colors of the Wind in the Style Of - English Chamber Orchestra
- Heigh-Ho! In the Style Of - Shanghai Quartet
- Beauty and the Beast in the Style Of - English Chamber Orchestra
- Second Star to the Right in the Style Of - Voices of Ascension
- Under the Sea in the Style Of - Millar Brass Ensemble
- I Wanna Be Like You in the Style Of - Los Angeles Guitar Quartet
- Can You Feel the Love Tonight? - English Chamber Orchestra
- With a Smile and a Song in the Style Of - Carol Rosenberger
- Who's Afraid of the Big Bad Wolf? [In the Style Of] [In the Style Of... - English Chamber Orchestra
- Dream Is a Wish Your Heart Makes in the Style Of - English Chamber Orchestra
- Main Street Electrical Parade [in the Style Of Mozart] [In the Style of - Los Angeles Guitar Quartet
- Feed the Birds [In the Style Of...] - Shanghai Quartet
- Little April Shower in the Style Of - Anthony Newman
- Winnie the Pooh in the Style Of - Shanghai Quartet
- Prince Ali in the Style Of - Millar Brass Ensemble
- When You Wish upon a Star in the Style Of - English Chamber Orchestra
Customer Reviews:
Delightful Disney Music.......2007-03-28
These Disney tunes done in the style of classic composers are so much fun. Children and adults alike will enjoy these songs over and over.
Uncle Walt would be quite honored!.......2006-12-20
For many a baby boomer, Walt Disney meant animation. But, besides that, music played an important part in the telling of the story. So interested in music was the animator that he fashioned one of his greatest triumphs ("Fantasia") on the works of the great masters.
Well, Donald Frasier and a bevy of musicians have compiled a wonderful collection of interpretations of familiar Disney tunes, many from Walt's time, along with a few latter day compositions.
Every selection is a winner, destined to make the listener reflect and recall the films from which they came. And if one is familiar with composer whose musical style is "copied" here, the album is a treasure.
Fabulous CD.......2006-10-04
Being a classical music connoisseur, I often listen to my local public classical radio station to hear the works of the great composers of old and of today. One day the station played "Colors of the Wind" and announced it was from this CD. I fell in love with it. I am a huge Disney fan who has over 350 Disney songs on my iPod. Pretty much the only music I listen to is either classical or Disney. And having them combined makes this CD euphoria for the ears.
Each song is in the style of a different classical composer, and usually in the style of one of their more specific songs. One with a trained ear will hear chords and melodies in almost perfect similitude of the original.
I can listen to this CD over and over and never get bored. How could you be bored when you're hearing all of your favorite old Disney songs in a new exciting way?
sleeping to Disney.......2006-07-30
I am really pleased that there is a classical music cd that has only Disney classics so that I can play them for my infant daughter while she sleeps. We are big Disney fans and it's fun to play these instead of the regular classical music. They sound just like the original songs. I would have given 5 stars but I wish they would have had all instrumental music, one of the songs has a choir singing, but it still sound good.
this is a treasure.......2003-05-11
Disney music is always uplifting. Classical music is beautiful. Combine the two - and you get THIS! "Colors of the Wind" is glorious, followed by the enchanting title track. "Beauty and the Beast" is true to the romance of the original. "The Second Star to the Right" is magical. Everything is awesome - and flawless. I initially bought this because I love The Main Street Electrical Parade music, and that is definiely a highlight here - but so are ALL the other songs! This is GOOD STUFF! It is so excellent that it can be a very beneficial introduction to classical music - for kids AND adults.
Average customer rating:
- Wonderful, sensitive playing....
- John Bayless is awesome
- The One CD in My Collection I Never Tire of Listening To
- Gorgeous arrangements. Very dramatic and melodic.
|
The Movie Album Classical Pictures; John Bayless
John Bayless , Luis Enrique Bacalov , Giacomo Puccini , Michel Legrand , Joaquin Rodrigo , Nino Rota , John Williams , James Horner , Sergey Rachmaninov , and Harold Arlen
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
All Works by Albinoni
| Albinoni, Tomaso
| ( A )
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Humperdinck, Engelbert
| ( H )
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All Works by Liszt
| Liszt, Franz
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All Works by Puccini
| Puccini, Giacomo
| ( P )
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Rota, Nino
| ( R )
| Featured Composers, A-Z
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| Rachmaninov, Sergei
| ( R )
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ASIN: B000002SLY
Release Date: 1996-11-19 |
Tracks:
- Il Postino, From The Postman - Visi d'Arte, From Tosca
- El Canto de Ensarria - The Summer Knows, From Summer Of '42 - Concierto de Aranjuez, 2nd Movement
- A Time For Us, Love Theme From Romeo And Juliet- Adagio In G Minor
- Theme From Schindler's List - Prelude In C-Sharp Minor - Hatikva (Interlude)
- Somewhere Out There, From An American Tail - Rhapsody On A Theme Of Paganini Variations No.18
- When I fall In Love, From Sleepless In Seattle - Liebestraume
- Moon River, From Breakfast At Tiffany's - Piano Concerto No.2, 1st Movement
- Beauty And The Beast, From Beauty And The Beast - Prayer From Hansel And Gretel
- Over The Rainbow, From The Wizard Of Oz - Legends
Customer Reviews:
Wonderful, sensitive playing...........2003-11-02
Ah, reader, consider this album. I have been listening to Bayless music for years, from Bach Meets the Beatles to his crazy happy birthday album in a dozen styles (Stravinsky's Rite of Birthday, a favorite), but this one has something special going on. The playing is so beautifully, and sensitively played that one is really swept away by the original movie tune, interwound with a classical piece, so seamless and amazing. One of my all-time favorite albums.
John Bayless is awesome.......2003-10-13
He's such a great talent, I was lucky enough to meet him almost 2 years ago. I got this CD autographed! :) He was such a nice person and performed so well on the stage. Buy this album, it's really awesome!
The One CD in My Collection I Never Tire of Listening To.......2001-03-24
John Bayless had a vision for this album---to combine the most beautiful classical pieces along with the most romantic and engaging movie themes of all time. The arrangements and the way in which he weaves the varous pieces together, sometimes playing both themes simultaneously, are incredible. They lift you up and carry you away. The various instrumental additions (such as the guitar in track 2, drums in track 6, strings in track 5, the sound of the wind in track 4) add just the right touch---lightly sprinkled in when needed. As a professional pianist myself, I also appreciate his considerable technique and the emotion with which he infuses his music. Anyone who likes classical music and movies should own this CD. Anyone who has friends who like classical music and movies should purchase this CD for them. They will love you for it. It is my favorite CD. I never tire of listening to it.
Gorgeous arrangements. Very dramatic and melodic........1999-11-16
Don't be scared off by the "clown-like" picture on the cover. This album, by a true piano virtuoso/arranger, blends familiar movie and light classical melodies together into unique arrangements. Every time it's been on while I have guests, someone always asks "What's that beautiful music?"
Average customer rating:
- Weird, but it works
- An amazing work
- Brain Damage
- The end of a long period of Tragic Unavailability
- The Most Beautiful Music in the World
|
Beauty in the Beast
Manufacturer: East Side Digital
ProductGroup: Music
Binding: Audio CD
General Modern
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ASIN: B0000516UW
Release Date: 2003-11-04 |
Tracks:
- Incantation
- Beauty In The Beast
- Poem For Bali
- Just Imagination
- That's Just It
- Yusae-Aisae
- C'est Afrique
- A Woman's Song
Amazon.com
From the roar of Tibetan horns and the clangor of metal percussion that opens Beauty in the Beast, Wendy Carlos in 1986 signaled a new direction for her music. Beauty in the Beast is Carlos's magnum opus, an album that should have established the synthesizer's role in the new global music landscape. More than that, it should have established Carlos as a composer and not just a Switched-on Bach jukebox. But not too many people were listening. Rereleased now after 14 years, Beauty in the Beast has lost none of its power. Carlos is both profound and poignant, dissonant and disarming on Beauty, as she fuses a global orchestra from her synthesizers. "Poem for Bali" is the centerpiece of the album, an episodic, 17-minute excursion as Carlos orchestrates the sounds and rhythms of a digital gamelan orchestra. In addition to replicating the metallophones, gongs, and flutes of the traditional gamelan, she creates her own hybrid sound designs, giving this work a surreal and sometimes harrowing tone, like a dream bent through funhouse mirrors. But then there are pieces such as "A Woman's Song," based on a Balkan melody. The title track merges nightmare landscapes and a crazed carnival calliope with a haunting theme that sounds like a lament for the end of the world. Beauty in the Beast is an essential recording of both modern composition and synthesis--Carlos should plug into this circuit again. --John Diliberto
Customer Reviews:
Weird, but it works.......2005-06-14
You've never heard anything quite like Beauty in the Beast, and it *does* take some getting used to. But once you have, it's a must-have record.
There are a variety of musical styles on BitB, ranging from african-sounding percussion to martian jazz. The title cut is just plain haunting.
The supplementary files include an essay on tuning, with audio files as examples. I found these to be very informative, particularly regarding the alpha and beta scales used in the title cut.
It's weird, but it works.
An amazing work.......2004-07-04
If you are unfamiliar with alternate tonal scales or non-western music, be prepared for a shock. When I first heard the CD in the 80's, I hated it. I listened again, and again, and began to retune and understand. Now it is one of my favorite albums, definite in the top ten. If you have an ear to hear, give it a listen.
Brain Damage.......2003-02-27
Instinctively attracted to classical music I have been unable to listen to this work without becoming physically ill. Constant shifts in tonality make this an interesting case study from a pathological standpoint but don't expect to enjoy it. This is music that has lost the center. There is no harmonic whole, there can be no cycle of fifths, scientifically justifiable yet all is arbitrary. This is the opposite of loop based music and the ultimate 'special effects' driven experiment. If you want non tempered classical music I recommend Harry Partch or Moon Dog or one of the more staid composers of modern music. Get this CD by all means. You won't be dissapointed.
The end of a long period of Tragic Unavailability.......2002-01-03
I have proudly owned a copy of the first release of this CD all these years. It is the best example I know of an utterly brilliant recording being tragically unavailable. As other reviewers note, the tuning does sound strange at first, but then one realizes how quickly one not only adjusts to it, but starts to hear it as natural and normal.
Do yourself a favor and get this CD now. It is indispensable.
The Most Beautiful Music in the World.......2001-09-02
Nonstandard tunings, masterfully used. Gothic, "Bush of Ghosts" feeling. Great instrument modeling, not trying to sound just like acoustic instruments but using attributes of their spectra as part of instrument creation. Uh, it's real pretty. Spooky and balanced.
Music Review:
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