Haydn: Missa Sancti Nicolai/Theresienmesse
Editorial Reviews
Amazon.com
A superb recording of Haydn's Saint Nicholas Mass on period instruments by Trevor Pinnock conducting the English Concert. One needn't be an expert in Haydn or in classical vocal music to enjoy the brilliant clarity of the orchestra or the fecundity of Haydn's writing, and the soloists--Nancy Argenta, Catherine Robbin, Michael Schade, and Alastair Miles--are perfect. The Theresienmesse, a mass in B flat minor, is also featured on this disc. --Joshua Cody
Haydn: Missa Sancti Nicolai/Theresienmesse, Music, Catherine Robbin, Alastair Miles, Franz Joseph Haydn, Trevor Pinnock, English Concert, English Concert and Choir, Nancy Argenta, Michael Schade, Peter Hanson, Choral, Classical, Classical Music, Mass
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Haydn: Missa Sancti Nicolai/Theresienmesse
Manufacturer: Polygram Int'l
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Similar Items:
- Haydn: The "Sturm und Drang" Symphonies
ASIN: B0000057ED
Release Date: 1993-09-20 |
Tracks:
- Mass in B flat, Hob. XXII:12 'Theresia' Mass: Kyrie (Adagio-Allegro-Adagio)
- Mass in B flat, Hob. XXII:12 'Theresia' Mass: Gloria: Gloria in excelsis Deo (Allegro)...
- Mass in B flat, Hob. XXII:12 'Theresia' Mass: Credo: Credo in unum Deum (Allegro)...
- Mass in B flat, Hob. XXII:12 'Theresia' Mass: Sanctus-Benedictus: Sanctus, Dominus Deus Sabbath...
- Mass in B flat, Hob. XXII:12 'Theresia' Mass: Agnus Dei: Agnus Dei (Adagio)...
- Mass in G, Hob. XXII:6 'Sancti Nicolai': Kyrie (Allegretto)
- Mass in G, Hob. XXII:6 'Sancti Nicolai': Gloria: Gloria in excelsis Deo (Vivace)...
- Mass in G, Hob. XXII:6 'Sancti Nicolai': Credo: Credo in unum Deum (Allegro)...
- Mass in G, Hob. XXII:6 'Sancti Nicolai': Sanctus-Benedictus: Sanctus, Dominus Deus Saboth...
- Mass in G, Hob. XXII:6 'Sancti Nicolai': Agnus Dei: Agnus Dei (Adagio)/Dona nobis pacem (Allegretto)
Amazon.com
A superb recording of Haydn's Saint Nicholas Mass on period instruments by Trevor Pinnock conducting the English Concert. One needn't be an expert in Haydn or in classical vocal music to enjoy the brilliant clarity of the orchestra or the fecundity of Haydn's writing, and the soloists--Nancy Argenta, Catherine Robbin, Michael Schade, and Alastair Miles--are perfect. The Theresienmesse, a mass in B flat minor, is also featured on this disc. --Joshua Cody
Average customer rating:
- Thank you, Haydn
- GLORIA !
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Haydn: The Masses
Manufacturer: Decca
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ASIN: B0000042DO
Release Date: 1997-06-24 |
Tracks:
- Missa 'Rorate coeli desuper' - H XXXII 3: Kyrie - Gloria - Credo - Sanctus - Benedictus - Agnus Dei
- Missa Cellensis in honorem Beatissimae Virginis Mariae - Missa Sanctae Caeciliae - Cacilenmesse, HXXII 5: Kyrie - Kyrie eleison
- Missa Cellensis in honorem Beatissimae Virginis Mariae - Missa Sanctae Caeciliae - Cacilenmesse, HXXII 5: Kyrie - Christe eleison
- Missa Cellensis in honorem Beatissimae Virginis Mariae - Missa Sanctae Caeciliae - Cacilenmesse, HXXII 5: Kyrie - Kyrie eleison
- Missa Cellensis in honorem Beatissimae Virginis Mariae - Missa Sanctae Caeciliae - Cacilenmesse, HXXII 5: Gloria - Gloria In Excelsis Deo
- Missa Cellensis in honorem Beatissimae Virginis Mariae - Missa Sanctae Caeciliae - Cacilenmesse, HXXII 5: Gloria - Laudamus te
- Missa Cellensis in honorem Beatissimae Virginis Mariae - Missa Sanctae Caeciliae - Cacilenmesse, HXXII 5: Gloria - Gratias agimus
- Missa Cellensis in honorem Beatissimae Virginis Mariae - Missa Sanctae Caeciliae - Cacilenmesse, HXXII 5: Gloria - Domine Deus
- Missa Cellensis in honorem Beatissimae Virginis Mariae - Missa Sanctae Caeciliae - Cacilenmesse, HXXII 5: Gloria - Qui tollis
- Missa Cellensis in honorem Beatissimae Virginis Mariae - Missa Sanctae Caeciliae - Cacilenmesse, HXXII 5: Gloria - Quoniam
- Missa Cellensis in honorem Beatissimae Virginis Mariae - Missa Sanctae Caeciliae - Cacilenmesse, HXXII 5: Gloria - Cum Sancto Spiritu - Credo
- Missa Cellensis in honorem Beatissimae Virginis Mariae - Missa Sanctae Caeciliae - Cacilenmesse, HXXII 5: Credo - Credo in unum Deum
- Missa Cellensis in honorem Beatissimae Virginis Mariae - Missa Sanctae Caeciliae - Cacilenmesse, HXXII 5: Credo - Et incarnatus est
- Missa Cellensis in honorem Beatissimae Virginis Mariae - Missa Sanctae Caeciliae - Cacilenmesse, HXXII 5: Credo - Crucifixus
- Missa Cellensis in honorem Beatissimae Virginis Mariae - Missa Sanctae Caeciliae - Cacilenmesse, HXXII 5: Credo - Et resurrexit
- Missa Cellensis in honorem Beatissimae Virginis Mariae - Missa Sanctae Caeciliae - Cacilenmesse, HXXII 5: Credo - Sanctus
- Missa Cellensis in honorem Beatissimae Virginis Mariae - Missa Sanctae Caeciliae - Cacilenmesse, HXXII 5: Credo - Benedictus
- Missa Cellensis in honorem Beatissimae Virginis Mariae - Missa Sanctae Caeciliae - Cacilenmesse, HXXII 5: Agnus Dei - Agnus Dei
- Missa Cellensis in honorem Beatissimae Virginis Mariae - Missa Sanctae Caeciliae - Cacilenmesse, HXXII 5: Agnus Dei - Dona nobis pacem
Tracks:
- Missa brevis in F - H XXII 1: Kyrie
- Missa brevis in F - H XXII 1: Gloria
- Missa brevis in F - H XXII 1: Credo
- Missa brevis in F - H XXII 1: Sanctus
- Missa brevis in F - H XXII 1: Benedictus
- Missa brevis in F - H XXII 1: Agnus Dei
- Schopfungsmesse - Creation Mass, H XXII 13: Kyrie
- Schopfungsmesse - Creation Mass, H XXII 13: Gloria
- Schopfungsmesse - Creation Mass, H XXII 13: Credo
- Schopfungsmesse - Creation Mass, H XXII 13: Sanctus
- Schopfungsmesse - Creation Mass, H XXII 13: Benedictus
- Schopfungsmesse - Creation Mass, H XXII 13: Agnus Dei
Tracks:
- Missa in honorem Beatissimae Virginis Mariae: Kyrie
- Missa in honorem Beatissimae Virginis Mariae: Gloria
- Missa in honorem Beatissimae Virginis Mariae: Credo
- Missa in honorem Beatissimae Virginis Mariae: Sanctus
- Missa in honorem Beatissimae Virginis Mariae: Benedictus
- Missa in honorem Beatissimae Virginis Mariae: Agnus Dei
- Heiligmesse: Kyrie
- Heiligmesse: Heiligmesse - 2 Gloria
- Heiligmesse: Heiligmesse - 3 Credo
- Heiligmesse: Heiligmesse - 4 Sanctus
- Heiligmesse: Heiligmesse - 5 Benedictus
- Heiligmesse: Heiligmesse - 6 Agnus Dei
Tracks:
- Missa Sancti Nicolai - H XXII 6: Kyrie
- Missa Sancti Nicolai - H XXII 6: Gloria
- Missa Sancti Nicolai - H XXII 6: Credo
- Missa Sancti Nicolai - H XXII 6: Sanctus
- Missa Sancti Nicolai - H XXII 6: Benedictus
- Missa Sancti Nicolai - H XXII 6: Agnus Dei
- Theresienmesse - H XXII 12: Kyrie
- Theresienmesse - H XXII 12: Gloria
- Theresienmesse - H XXII 12: Credo
- Theresienmesse - H XXII 12: Sanctus
- Theresienmesse - H XXII 12: Benedictus
- Theresienmesse - H XXII 12: Agnus Dei
Tracks:
- Missa brevis Sancti Joannis de Deo - Kleine Orgelmesse - H XXII 7: Kyrie - J. Haydn
- Missa brevis Sancti Joannis de Deo - Kleine Orgelmesse - H XXII 7: Gloria - J. Haydn
- Missa brevis Sancti Joannis de Deo - Kleine Orgelmesse - H XXII 7: Credo - J. Haydn
- Missa brevis Sancti Joannis de Deo - Kleine Orgelmesse - H XXII 7: Sanctus - J. Haydn
- Missa brevis Sancti Joannis de Deo - Kleine Orgelmesse - H XXII 7: Benedictus - J. Haydn
- Missa brevis Sancti Joannis de Deo - Kleine Orgelmesse - H XXII 7: Agnus Dei - J. Haydn
- Harmoniemesse - H XXII 14: Kyrie - J. Haydn
- Harmoniemesse - H XXII 14: Gloria - J. Haydn
- Harmoniemesse - H XXII 14: Credo - J. Haydn
- Harmoniemesse - H XXII 14: Sanctus - J. Haydn
- Harmoniemesse - H XXII 14: Benedictus - J. Haydn
- Harmoniemesse - H XXII 14: Agnus Dei - J. Haydn
Tracks:
- Missa Cellensis - Mariazeller Messe, H XXII 8: Kyrie
- Missa Cellensis - Mariazeller Messe, H XXII 8: Gloria
- Missa Cellensis - Mariazeller Messe, H XXII 8: Credo
- Missa Cellensis - Mariazeller Messe, H XXII 8: Sanctus
- Missa Cellensis - Mariazeller Messe, H XXII 8: Benedictus
- Missa Cellensis - Mariazeller Messe, H XXII 8: Agnus Dei
- Missa in tempore belli - Paukenmesse, H XXII 9: Kyrie
- Missa in tempore belli - Paukenmesse, H XXII 9: Missa in tempore belli - 2 Gloria
- Missa in tempore belli - Paukenmesse, H XXII 9: Credo
- Missa in tempore belli - Paukenmesse, H XXII 9: Sanctus
- Missa in tempore belli - Paukenmesse, H XXII 9: Benedictus
- Missa in tempore belli - Paukenmesse, H XXII 9: Agnus Dei
Tracks:
- Missa in angustiis: Kyrie
- Missa in angustiis: Gloria - Gloria in excelsis Deo
- Missa in angustiis: Gloria - Qui tollis peccata mundi
- Missa in angustiis: Gloria - Quoniam tu solus sanctus
- Missa in angustiis: Credo - Credo in unum Deum
- Missa in angustiis: Credo - Et incarnatus est
- Missa in angustiis: Credo - Et resurrexit
- Missa in angustiis: Sanctus
- Missa in angustiis: Benedictus
- Missa in angustiis: Agnus Dei
- Missa in angustiis: Agnus Dei - Dona nobis pacem
Customer Reviews:
Thank you, Haydn.......2001-06-01
Like many of the London/Decca box sets, this is an amazingly well-produced effort: By disk 3, the joy and spirit of "Missa in honorem Beatissimae Virginis Marae" and the "Heiligmesse" are literally rocking the cathedral. The power and beauty of "Missa Sancti Nicolai" and "Theresienmesse" continues on disk 4. Unlike other recordings, the organ does not overwhelm, but enhances each work. The artists are superb, and the Academy of St. Martin-in-the Fields doesn't disappoint. Take your pick; there's a favorite piece for everyone.
GLORIA !.......2000-06-11
I'm absolutely astounded to find myself the first person to review this superlative box set.I can only presume that those people who bought it through Amazon,are desperate to keep their newly acquired treasures to themselves,or they have subsequently expired through sheer musical pleasure! I,on the other hand wish to shout it from the rooftops that in this collection you will encounter some of the most joyous,exuberant,heart-rending,soul-easing and heaven-storming music ever conceived by man.
The main problem I'm faced with in this review,is how to communicate,in my amateurish,faltering fashion just what an embarrasment of riches are contained within these seven discs.I would kill for the loquacity and erudition of a musicologist, at this point in time,but my poor reader will simply have to make do with blind enthusiasm instead! To start,I'll pass by the earliest of the masses:however,that's not to say they aren't worth hearing.They contain many fine(if brief) moments of inspiration,and are well worth your time in giving them a run through.But I feel it is in the ST.NICHOLAS mass that Haydn begins to really flex his muscles.It has a sweetly plangent and pastoral feel to it,and from the touching little kyrie (mirrored by the Dona nobis pacem),to the exquisite writing for the soloists in the Crucifixus,it is instantly memorable,and would make a good place to start on your musical journey.Then comes the MARIAZELLER mass,which I feel is the true precursor of the later truly symphonic masses of Haydn's astonishing "Indian summer".Perhaps now and then it doesn't really command the listener's attention entirely as a piece of music,but this performance makes the best case possible for it,and is thoroughly enjoyable.The "LITTLE ORGAN MASS" also demands a little forbearance here and there,but the reward is in getting to the charming Benedictus with it's solo for soprano and organ (hence the name of this mass)Jennifer Smith is in beautiful voice here,and John Scott does the honours for the organ. So,we come to the first of the "big six":The PAUKENMESSE,It's here that Haydn's fusion of the symphony and the liturgy reaches perfect symbiosis,and if anyone reading this is completely new to this music;then let me warn you now,that seldom afterwards will you encounter another experience in life as exciting and fulfilling,as when you first discover these glorious "late" masses of Haydn's.From the very opening bars of the Paukenmesse's Kyrie,you are immediately swept along in the irresistible flood of his inspiration,and some 40 minutes later you are thrown gasping back to dry land by the concluding,brilliantly martial dona nobis pacem.And what beauty was encountered mid-stream!Not least of which is that gorgeous cello and horn accompaniment of the bass in the Qui tollis section of the Gloria.This is where the recording qualities really come to the fore,and apart from one exception,are a real distinction of the series.That exception,I'm afraid to say is the NELSON mass,which to my mind suffered from been recorded away from the auspices of St.John's and George Guest.Don't get me wrong,I'm not criticising the musical forces involved-they are uniformly excellent,but honestly,I really can't live with that wooly,distant soundstage.I'd much rather reach for the outstanding reading under Trevor Pinnock,or the latest worthy rival by Richard Hickox.And that,is basically the only disappointment I wish to register about the whole project. Next we come to the HEILIGMESSE,and here is a mass setting of truly sustained and unalloyed magic.I would single out the Benedictus as a mini-masterpiece in it's own right.It begins with some lovely writing for the strings followed by the most extraordinary rising,rising canon which culminates in a spine-tingling ecstatic climax. The THERESIENMESSE ,I judge to be perhaps my favourite of the six,and I'm only sorry that the 1000 word limit of this review forbids me expounding upon it's glories in full.Suffice to say it features some of Haydn's most perfectly integrated passages for orchestra,soloists and choir,and like the Heiligmesse,has a Benedictus to die for. The SCHOPFUNGSMESSE(sorry German speakers,I couldn't find an umlaut on my keyboard!)doesn't perhaps sustain the terrific brass and timpani driven impetus of the Kyrie and Gloria,but for all that it's still astonishing that Haydn's well of inspiration proves as inexhaustible as ever in this his penultimate mass. And so we come to that ultimate mass:The HARMONIEMESSE.It's ineffably touching that this is Haydn's last major composition,and despite that it feels in no way valedictory,and in no sense do you get the impression that his compositional skills are on the wain.Far from it, in fact it displays all the hallmarks of a master at the height of his powers.It might be revealing, that here the Agnus Dei is the most supplicatory,and prayerful of all his masses,but rest assured, no way is Haydn going out without a fight,and to that end the Dona nobis pacem (grant us peace)I'm quite sure is his way of demanding:"Grant us peace God,or by Heaven I'll come up there myself, and give you a damn good thrashing! ) Haydn used to end the manuscripts of his masses with the words,"Laus Deo" or "Praise God".Yes indeed,but I say praise Haydn immediately afterward,and then all the superb musicians and recording personnel involved in this landmark project.It's a tremendous contribution to civilisation as a whole,and although it may seem a tired old reviewer's cliche to say that if you buy this boxset,it will bring you a lifetime's listening pleasure.Well,take my word for it,this particular boxset WILL.
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