Schubert: String Quintet, String Trio
Editorial Reviews
Amazon.com
The Quintet is one of the longest, most adventurous, and most stirring pieces of chamber music ever written. Few emotionally open listeners can sit through the slow movement without a tear or two forming. That is certainly true of the present performance, in which the musicians adopt unhurried tempos, allowing every nuance of the music to register, yet always managing to keep a sense of forward motion. Collectors of the MDG series of Schubert string quartets by the Leipzig String Quartet already will have a comparably beautiful performance of this work in their collections. But this is a piece about which no one performance can reveal everything, so try this one also, and maybe a couple of others. --Leslie Gerber
Schubert: String Quintet, String Trio, Music, Franz Schubert, Chamber, Chamber Music, Chamber Music & Recitals, Classical, Classical Composers, Classical Music, Quintet for Five String Instruments
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
|
Schubert: The Collector's Edition
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
Ecossaises
| Ballets & Dances
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Waltzes
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All Works by Liszt
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Fantasies
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ASIN: B000LXH0Y0
Release Date: 2007-04-02 |
Tracks:
- Symphony No. 1 In D Major, D. 82
- Symphony No. 2 In B Flat Major, D. 125
- Alfonso Und Estrella, Opera, D. 732: Overture, D. 732
- Symphony No. 3 In D Major, D. 200
- Symphony No. 4 In C Minor ("Tragic"), D. 417
- Overture For Orchestra In D Major ("In The Italian Style"), D. 590
- Overture For Orchestra In C Major ("In The Italian Style"), D. 591 (Op. Posth. 1
- Symphony No. 5 In B Flat Major, D. 485
- Symphony No. 6 In C Major ("Little C Major"), D. 589
- Die Zwillingsbrer, Singspiel, D. 647: Overture, D. 647
- Symphony No. 8 In B Minor ("Unfinished"), D. 759
- Symphony No. 9 In C Major ("The Great"), D. 944
- Rosamunde, Fstin Von Cypern, Incidental Music, D. 797 (Op. 26)
- Octet For Clarinet, Horn, Bassoon & Strings In F Major, D. 803 (Op. Posth. 166)
- Quintet For Piano, Violin, Viola, Cello & Double Bass In A Major ("Trout"), D. 6
- Variations On "Trockne Blumen" For Flute & Piano In E Minor, D. 802 (Op. Posth.
- Quartet For Flute, Guitar, Viola & Cello In G Major (Arranged From W. Matiegka's
- Sonata For Arpeggione & Piano In A Minor ("Arpeggione Sonata"), D. 821
- Quintet For 2 Violins, Viola & 2 Cellos In C Major, D. 956 (Op. Posth. 163)
- String Quartet No. 15 In G Major, D. 887 (Op. Posth. 161)
- String Quartet No. 13 In A Minor ("Rosamunde"), D. 804 (Op. 29)
- String Quartet No. 14 In D Minor ("Death And The Maiden"), D. 810
- String Quartet No. 7 In D Major, D. 94
- String Quartet No. 8 In B Flat Major, D. 112 (Op. Posth. 168)
- String Quartet No. 9 In G Minor, D. 173
- String Quartet No. 10 In E Flat Major, D. 87 (Op. 125/1)
- String Quartet No. 11 In E Major, D. 353 (Op. Posth. 125/2)
- String Quartet No. 12 In C Minor ("Quartettsatz"), D. 703
- Piano Trio In B Flat Major, D. 898 (Op. 99)
- Piano Trio In B Flat Major ("Sonatensatz"), D. 28
- Piano Trio In E Flat Major ("Nocturne") (Adagio Only), D. 897 (Op. Posth. 148)
- Piano Trio No. 2 In E Flat Major, D. 929 (Op. 100)
- Sonata For Violin & Piano In A Major ("Duo"), D. 574 (Op. Posth. 162)
- Fantasia For Violin & Piano In C Major ("Sei Mir Gegrst!"), D. 934 (Op. Posth.
- Rondo For Violin & Piano In B Minor ("Rondeau Brillant"), D. 895 (Op. 70)
- Sonatina For Violin & Piano In D Major, D. 384 (Op. Posth. 137/1)
- Sonatina For Violin & Piano In A Minor, D. 385 (Op. Posth. 137/2)
- Sonatina For Violin & Piano In G Minor, D. 408 (Op. Posth. 137/3)
- Adagio & Rondo Concertante, For Piano Quartet In F Major, D. 487
- Fantasia For Piano, 4 Hands In F Minor, D. 940 (Op. 103)
- Variations (8) On An Original Theme, For Piano, 4 Hands In A Flat Major, D. 813
- Rondo For Piano, 4 Hands In A Major ("Grand Rondo"), D. 951 (Op. 107)
- Divertissement La Hongroise For Piano, 4 Hands In G Minor, D. 818 (Op. 54)
- Allegro For Piano, 4 Hands In A Minor ("Lebensstme"), D. 947 (Op. Posth. 144)
- Divertissement For Piano, 4 Hands, In E Minor ("La Franise"), D. 823 (Op. 84
- Grande Marche Houe For Piano, 4 Hands In A Minor (For The Coronation Of Nich
- Sonata For Piano, 4 Hands In C Major ("Grand Duo"), D. 812 (Op. Posth. 140)
- Marches Militaires (3) For Piano, 4 Hands, D. 733 (Op. 51)
- Marches Caractistiques (2) For Piano, 4 Hands In C Major, D. 968b (D. 886) (Op
- Marches (6) For Piano, 4 Hands ("Grandes Marches"), D. 819 (Op. 40)
- Grande Marche Funre For Piano, 4 Hands In C Minor (On The Death Of Alexander I
- March For Piano, 4 Hands In G Major ("Kindermarsch"), D. 928
- Impromptus (4) For Piano, D. 899 (Op. 90)
- Impromptus (4) For Piano, D. 935 (Op. Posth. 142)
- Pieces (3) For Piano (Impromptus), D. 946
- Pieces (3) For Piano (Impromptus), D. 946
- Galop & ossaises (8) For Piano, D. 735 (Op. 49): Galop In G, D. 735
- Cotillon For Piano In E Flat, D. 976
- German Dances (16) And Ecossaises (2) For Piano, D. 783 (Op. 33): 2 Ecossaises I
- Variations On A Waltz By Anton Diabelli, For Piano In C Minor, D. 718
- German Dances (12) For Piano (Ldler), D. 790 (Op. Posth. 171)
- Moments Musicaux (6) For Piano, D. 780 (Op. 94)
- Fantasia For Piano In C Major ("Wanderer"), D. 760 (Op. 15)
- Piano Sonata No. 14 In A Minor ("Grande Sonate"), D. 784 (Op. Posth. 143)
- Waltz For Piano In G ("Albumblatt"), D. 844
- Piano Sonata No. 4 In A Minor, D. 537 (Op. Posth. 164)
- Scherzos (2) For Piano, D. 593
- Piano Sonata No. 13 In A Major, D. 664 (Op. 120)
- Piano Sonata No. 21 In B Flat Major, D. 960
- Piano Sonata No. 19 In C Minor, D. 958
- Piano Sonata No. 20 In A Major, D. 959
- Piano Sonata No. 7 In E Flat Major, D. 568 (Op. Posth. 122)
- Piano Sonata No. 9 In B Major, D. 575 (Op. Posth. 147)
- Piano Sonata No. 16 In A Minor, D. 845 (Op. 42)
- Piano Sonata No. 17 In D Major ("Gasteiner"), D. 850 (Op. 53)
- Piano Sonata No. 18 In G Major ("Fantasy"), D. 894 (Op. 78)
- Valses Sentimentales (34) For Piano, D. 779 (Op. 50)
- Waltzes (12) For Piano ("Valses Nobles"), D. 969 (Op. 77)
- Waltzes (12) For Piano ("Grazer"), D. 924 (Op. 91)
- Waltzes (12), Ldler (17) And ossaises (9) For Piano, D. 145 (Op. 18): Waltz
- Waltzes (12), Ldler (17) And ossaises (9) For Piano, D. 145 (Op. 18): Waltz
- Waltzes (12), Ldler (17) And ossaises (9) For Piano, D. 145 (Op. 18): Waltz
- Waltzes (12), Ldler (17) And ossaises (9) For Piano, D. 145 (Op. 18): Waltz
- Waltzes (12), Ldler (17) And ossaises (9) For Piano, D. 145 (Op. 18): Waltz
- Waltzes (12), Ldler (17) And ossaises (9) For Piano, D. 145 (Op. 18): Waltz
- Waltzes (12), Ldler (17) And ossaises (9) For Piano, D. 145 (Op. 18): Waltz
- Waltzes (12), Ldler (17) And ossaises (9) For Piano, D. 145 (Op. 18): Waltz
- Waltzes (12), Ldler (17) And ossaises (9) For Piano, D. 145 (Op. 18): Waltz
- Waltzes (12), Ldler (17) And ossaises (9) For Piano, D. 145 (Op. 18): Waltz
- Waltzes (12), Ldler (17) And ossaises (9) For Piano, D. 145 (Op. 18): Waltz
- Waltzes (12), Ldler (17) And ossaises (9) For Piano, D. 145 (Op. 18): Waltz
- Waltzes (20) For Piano ("Letzte Walzer"), D. 146 (Op. Posth. 127)
- Mass For Soloists, Chorus & Orchestra In E Flat Major, D. 950
- Deutsche Messe (German Mass), For Mixed Chorus, Wind Ensemble & Organ, D. 872
- Nachtgesang Im Walde, Quartet For Male Chorus & Four Horns, D. 913 (Op. Posth. 1
- Gesang Der Geister er Den Wassern Iv ("Des Menschen Seele..."), For Male Voice
- Stabat Mater, Oratorio For Soloists, Chorus & Orchestra In F Minor, D. 383
- Mass For Soloists, Chorus, Orchestra & Organ In B Flat Major, D. 324 (Op. Posth.
- Mass For Soloists, Chorus, Orch. & Organ In A Flat Major (Missa Solemnis), D.
- Magnificat For Soloists, Chorus, Orchestra & Organ In C Major, D. 486
- Mass For Soloists, Chorus, Orchestra & Organ In F Major, D. 105
- Mass For Soloists, Chorus, Strings & Organ In G Major, D. 167
- Mass For Soloists, Chorus, Orchestra & Organ In C Major, D. 452 (Op. 48)
- Auguste Jam Coelestium, For Soprano, Tenor & Orchestra In G Major, D. 488
- Offertorium Iii ("Salve Regina"), For Soprano & Orchestra In A Major, D. 676 (Op
- Tantum Ergo For Chorus, Orchestra & Organ In D Major, D. 750
- Lazarus, Cantata For Soloists, Chorus & Orchestra (Die Feier Der Auferstehung) (
- Mirjam's Siegesgesang, For Soprano, Chorus & Piano, D. 942 (Op. Posth. 136)
- Gott Im Ungewitter ("Du Schrecklicher"), Quartet For Mixed Voices & Piano, D. 98
- Psalm 23 ("Gott Ist Mein Hirt"), For Female Voices & Piano, D. 706 (Op. Posth. 1
- An Die Sonne ("O Sonne, Kigin Der Welt"), For Mixed Voices & Piano, D. 439
- Coronach ("Er Ist Uns Geschieden"), For Female Chorus & Piano, D. 836 (Op. 52/4)
- Hymne An Den Unendlichen ("Zwischen Himmel Und Erd'"), Quartet For Mixed Voices
- Gott Der Weltschfer ("Zu Gott"), Quartet For Mixed Voices & Piano, D. 986 (Op.
- Jglingswonne ("Solang Im Deutschen"), Quartet For Unaccompanied Male Voices, D
- Liebe ("Liebe Rauscht Der Silberbach"), Quartet For Unaccompanied Male Voices, D
- Zum Rundetanz ("Auf! Es Dunkelt"), Quartet For Male Voices, D. 983b (Op. 17/3)
- Die Nacht ("Wie Sch Bist Du"), Quartet For Unaccompanied Male Voices, D. 983c
- Gesang Der Geister er Den Wassern Ii ("Des Menschen Seele..."), Quartet For Un
- Sehnsucht ("Nur Wer Die Sehnsucht Kennt"), Quintet For Male Voices, D. 656
- Mondenschein ("Des Mondes Zauberblume Lacht"), Quintet For Male Voices & Piano,
- Der Hirt Auf Dem Felsen ("Wenn Auf Dem Hhsten Fels Ich Steh'"), For Voice, Cla
- Auf Dem Strom(E) ("Nimm Die Letzten Abschiedskse"), Song For Voice, Piano & Ho
- Viola ("Schneeglklein, O Schneeglklein"), Song For Voice & Piano, D. 786 (Op
- Vom Mitleiden Mari("Als Bei Dem Kreuz"), Song For Voice & Piano, D. 632
- Gott In Der Natur ("Gross Ist Der Herr"), For Two Sopranos, Two Altos & Piano, D
- Die Advokaten (Mein Herr, Ich Komm), Trio For Male Voices & Piano, D. 37
- Trinklied ("Brer! Unser Erdenwallen"), For Tenor, Chorus & Piano, D. 148 (Op.
- Wilkommen, Lieber Scher Mai, Canon For Three Voices (Two Versions), D. 244
- Ruhe, Schstes Glk Der Erde, Quartet For Male Voices, D. 657
- Naturgenuss Ii ("Im Abendschmmer..."), Quartet For Male Voices & Piano, D. 422 (
- Frlingsgesang Ii ("Schmket Die Locken"), Quartet For Male Voices & Piano, D.
- Der Schnee Zerrinnt, Canon For Three Voices, D. 130
- Frlingslied ("Die Luft Ist Blau"), Trio For For Unaccompanied Male Voices, D.
- Nachtmusik ("Wir Stimmen Dir Mit Flensang"), Chorus For Unaccompanied Male Voi
- Frlingslied I ("Gefnet Sind Des Winters Riegel"), Quartet For Unaccompanied
- Nachthelle ("Die Nacht Ist Heiter..."), For Tenor, Male Voices & Piano, D. 892 (
- Gondelfahrer Ii (Es Tanzen Mond Und Sterne), Quartet For Male Voices & Piano, D.
- Die Nachtigall ("Bescheiden Verborgen..."), Quartet For Male Voices & Piano, D.
- Stdchen ("Zernd, Leise"), For Alto, Chorus & Piano ("Notturno"), D. 920 (Op.
- Der Entfernten ("Wohl Denk' Ich Allenthalben"), Quartet For Male Voices, D. 331
- Erinnerungen ("Am Seegestad"), Trio For Male Voices & Piano, D. 424
- Sehnsucht ("Nur Wer Die Sehnsucht Kennt"), Quintet For Male Voices, D. 656
- Im Gegenwtigen Vergangenes, Quartet For Male & Piano, D. 710
- Bootsgesang ("Triumph, Er Naht"), Quartet For Male Voices & Piano, D. 835 (Op. 5
- Der Geistertanz Iv ("Die Bretterne Kammer"), For Male Chorus, D. 494
- Schlachtlied ("Mit Unserm Arm"), For Male Double Chorus, D. 912 (Op. Posth. 151)
- Das Dfchen, Quartet For Male Voices (2 Versions, 2nd Formerly D. 641), D. 598
- An Den Frling ("Willkommen, Scher Jgling!"), Partsong For Male Voices, D.
- Punschlied ("Vier Elemente"), Trio For Male Voices & Piano, D. 277
- Ave Maria, Transcription For Piano (After Schubert D. 489c & D. 839, I & Ii), S.
- Auf Dem Wasser Zu Singen, Transcription For Piano (After Schubert), S. 558/2 (Lw
- Die Leiermann, Transcription For Piano (After Schubert, D. 911/24a), S. 561/8 (L
- Die Post, Transcription For Piano, (After Schubert) S. 561/4 (Lw A50/4)
- Die Forelle (Ii), Transcription For Piano (After Schubert, D. 550), S. 564 (Lw A
- Die Junge Nonne, Transcription For Piano (After Schubert, D. 828), S. 558/6 (Lw
- Erlkig (Ii), Transcription For Piano (After Schubert, D. 328d), S. 558/4 (Lw A
- Stdchen, Leise Flehen Meine Lieder, Transcription For Piano (After Schubert D.
- Stdchen (Horch, Horch! Die Lerch), Transcription For Piano (After Schubert, D.
- Wohin?, Transcription For Piano (After Schubert, D. 795), S. 565bis/5 (Lw A128/5
- Das Wandern, Transcription For Piano (After Schubert, D. 795/1), S 565bis/1 (Lw
- Litanei, Transcription For Piano (After Schubert. D 343/1), S. 562/1 (Lw A73/1)
- Die Stmische Morgen, Transcription For Piano (After Schubert D. 911/18), S. 56
- Schwestergruss ("Im Mondenschein' Wall' Ich Auf Und Ab"), Song For Voice & Piano
- Schlaflied ("Es Mahnt Der Wald"), Song For Voice & Piano ("Schlummerlied"), D. 5
- An Die Untergehende Sonne ("Sonne, Du Sinkst"), Song For Voice & Piano, D. 457,
- Mignon ("Kennst Du Das Land?"), Song For Voice & Piano, D. 321
- Ellens Gesang I ("Raste, Krieger!"), Song For Voice & Piano, D. 837 (Op. 52/1)
- Ellens Gesang Ii ("Jer, Ruhe Von Der Jagd"), Song For Voice & Piano, D. 838 (O
- Ellens Gesang Iii ("Ave Maria"), Song For Voice & Piano, D. 839 (Op. 52/6)
- Wiegenlied ("Wie Sich Der glein Kindlicher Himmel"), Song For Voice & Piano, D
- Die Junge Nonne ("Wie Braust Durch Die Wipfel"), Song For Voice & Piano, D. 828
- Auf Dem Wasser Zu Singen ("Mitten Im Schimmer Der Spiegelnden Wellen"), Song For
- Der Tod Und Das Mchen ("Vorer, Ach Vorer"), Song For Voice & Piano, D. 531
- An Die Musik ("Du Holde Kunst..."), Song For Voice & Piano, D. 547 (Op. 88/4)
- Frlingsglaube ("Die Linden Lte"), Song For Voice & Piano (3 Versions), D. 68
- Heidenrlein ("Sah Ein Knab..."), Song For Voice & Piano, D. 257 (Op. 3/3)
- An Mein Herz ("O Herz, Sei Endlich Stille"), Song For Voice & Piano, D. 860
- Der Fluss ("Wie Rein Gesang Sich Winder"), Song For Voice & Piano, D. 693
- Der Knabe ("Wenn Ich Nur Ein Vlein We"), Song For Voice & Piano, D. 692
- Die Rose ("Es Lockte Sche Wme"), Song For Voice & Piano (Two Versions), D. 7
- Der Schmetterling ("Wie Soll Ich Nicht Tanzen"), Song For Voice & Piano, D. 633
- Fle Der Liebe ("Ein Sehnend Streben Teilt Mir"), Song For Voice & Piano, D. 85
- Fischerweise ("Den Fischer Fechten Sorgen"), Song For Voice & Piano, D. 881 (Op.
- Seligkeit ("Freuden Sonder Zahl"), Song For Voice & Piano ("Minnelied"), D. 433
- Erster Verlust ("Ach, Wer Bringt Die Schen Tage"), Song For Voice & Piano, D.
- Auf Dem See ("Und Frische Nahrung"), Song For Voice & Piano, D. 543 (Op. 92/2)
- Stdchen ("Zernd, Leise"), For Alto, Chorus & Piano ("Notturno"), D. 920 (Op.
- Lachen Und Weinen, Song For Voice & Piano, D. 777 (Op. 59/4)
- Die Sterne ("Wie Blitzen Die Sternen") For Voice & Piano, D. 939 (Op. 96/1)
- An Die Entfernte ("So Hab' Ich Wirklich Dich Verloren"), Song For Voice & Piano,
- Der Schiffer ("Friedlich Lieg' Ich Hingegossen"), Song For Voice & Piano, D. 694
- Der Wanderer ("Wie Deutlich Des Mondes Licht"), Song For Voice & Piano, D. 649 (
- Nachtgesang ("Tiefe Feier Schauert Um Die Welt"), Song For Voice & Piano, D. 314
- Das Zenglklein ("Kling Die Nacht Durch, Klinge"), Song For Voice & Piano, D.
- Der Jgling Und Der Tod ("Die Sonne Sinkt"), Song For Voice & Piano (Two Versio
- Das Heimweh ("Oft In Einsam Stillen Stunden"), Song For Voice & Piano, D. 456
- Das Lied Im Gren ("Ins Gre..."), Song For Voice & Piano, D. 917 (Op. Posth.
- Der Winterabend ("Es Ist So Still"), Song For Voice & Piano, D. 938
- Mondenschein ("Des Mondes Zauberblume Lacht"), Quintet For Male Voices & Piano,
- Litanei Auf Das Fest Aller Seelen ("Ruh'n In Frieden Alle Seelen"), Song For Voi
- Sei Mir Gegrst ("O Du EntriNe Mir" ), Song For Voice & Piano, D. 741 (Op. 20
- Der Jgling An Der Quelle ("Leise, Rieseln Der Quell"), Song For Voice & Piano,
- Erlkig ("Wer Reitet So Sp"), Song For Voice & Piano, D. 328 (Op. 1)
- Der Wanderer An Den Mond ("Ich Auf Der Erd'"), Song For Voice & Piano, D. 870 (O
- Der Blinde Knabe ("O Sagt, Ihr Lieben"), Song For Voice & Piano, D. 833 (Op. Pos
- Der Einsame ("Wenn Meine Grillen Schwirren"), Song For Voice & Piano, D. 800 (Op
- Nacht Und Trme (Heil'ge Nacht, Du Sinkest Nieder!), Song For Voice & Piano, D.
- Suleika I ("Was Bedeutet Die Bewegung"), Song For Voice & Piano, D. 720 (Op. 14/
- Ganymed ("Wie Im Morgenglanze"), Song For Voice & Piano, D. 544 (Op. 19/3)
- Rastlose Liebe ("Dem Schnee, Dem Regen"), Song For Voice & Piano, D. 138 (Op. 5/
- Wandrers Nachtlied ("er Allen Gipfeln Ist Ruh"), Song For Voice & Piano, D. 76
- Die Forelle ("In Einem Bhlein Helle"), Song For Voice & Piano, D. 550 (Op. 32)
- Suleika Ii ("Ach, Um Deine Feuchten Schwingen"), Song For Voice & Piano, D. 717
- Der Musensohn ("Durch Feld Und Wald Zu Schweifen"), Song For Voice & Piano, D. 7
- Lied Der Mignon ("Nur Wer Die Sehnsucht Kennt"), Song For Voice & Piano, D. 877/
- Der Kig In Thule ("Es War Ein Kig In Thule"), Song For Voice & Piano, D. 367
- Gretchen Am Spinnrade ("Meine Ruh'..."), Song For Voice & Piano, D. 118 (Op. 2)
- Du Bist Die Ruh, Song For Voice & Piano, D. 776 (Op. 59/3)
- Im Frling ("Still Sitz Ich"), Song For Voice & Piano, D. 882
- Gesang ("Was Ist Sylvia,..."), Song For Voice & Piano, ("An Sylvia"), D. 891 (Op
- Die Sche Mlerin, Song Cycle, For Voice & Piano, D. 795 (Op. 25)
- Winterreise, Song Cycle For Voice & Piano, D. 911 (Op. 89)
- Schwanengesang (Swan Song), Song Cycle For Voice & Piano, D. 957
Average customer rating:
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The Most Relaxing Chamber Music Album in the World ... Ever!
Manufacturer: Angel Records
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Similar Items:
- The Most Relaxing Cello Album in the World Ever
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ASIN: B000AXWGZE
Release Date: 2005-10-04 |
Tracks:
- String Quartet in B-Flat, Op. 76 No. 4 Sunrise - II Adagio - Franz Joseph Haydn
- Cello Sonata in G Minor, Op. 65 - III Largo - Frederic Chopin
- Piano Trio No. 1 in B-Flat, D.898 - II Andante, un poco mosso - Franz Schubert
- Clarinet Sonata No. 1 in F Minor, Op. 120 No. 1 - II Andante un poco adagio - Johannes Brahms
- String Quartet No. 17 In B-Flat, K.458 Hunt - III Adagio - Wolfgang Amadeus Mozart
- String Quartet No. 17 In B-Flat, K.458 Hunt - III Adagio - Wolfgang Amadeus Mozart
- Sonata In E Minor, F.XVI, No. 1 - II Largo - Antonio Vivaldi
- Mhenerzungen, Op. 132 - III Ruhiges Tempo, Mit Zartem Ausdruck - Robert Schumann
- Sonata No. 5 For Piano & Violin In F, Op. 24 Spring - Ii Adagio Molto Espressivo - Ludwig Van Beethoven
- Quintet For Piano & Winds In E-Flat, K.452 - II Larghetto - Wolfgang Amadeus Mozart
- Seven Last Words From The Cross - VII Largo - Franz Joseph Haydn
Tracks:
- String Quartet In C Minor, Op. 51 No. 1 - II Romanze; Poco Adagio - Johannes Brahms
- FantasiestOp. 73 - I Zart Und Mit Ausdruck - Robert Schumann
- Serenade In D, Op. 8 - Adagio
- Clarinet Quintet In A, K.581 - II Larghetto - Wolfgang Amadeus Mozart
- String Quartet No. 4 In E Minor, Op. 44 No. 2 - II Andante - Felix Mendelssohn-Bartholdy
- String Quartet, Op. 10 - III Andantino, Doucement Expressif - Claude Debussy
- Violin Sonata No. 3 In D Minor, Op. 108 - II Adagio - Johannes Brahms
- Quintet For Piano & Winds In E-Flat, Op. 16 - II Andante Cantabile - Ludwig Van Beethoven
- String Quartet No. 1 In D, Op. 11 - II Andante Cantabile - Piotr Ilyich Tchaikovsky
- Clarinet Trio In B-Flat, Op. 11 - II Adagio - Ludwig Van Beethoven
- String Quartet In E-Flat, D.87 - III Adagio - Franz Schubert
- Serenade (Andante Cantabile) - Franz Joseph Haydn
- Wiegenlied, Op. 49 No. 4 (Lullaby) - Johannes Brahms
Average customer rating:
- Masterpiece
- Equally as beautiful as the book
- "Two Treasures of Pure Pleasure"
- Compulsory reading
- Truly Equal!
|
Vikram Seth: An Equal Music
Manufacturer: Decca
ProductGroup: Music
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ASIN: B00003OO0L
Release Date: 2000-08-22 |
Tracks:
- Partita No. 3 in E major, BWV 1006: Preludio
- String Quintet in C minor, op.104: Allegro con brio
- String Quintet in C minor, op.104: Andante cantabile con variazioni
- String Quintet in C minor, op.104: Menuetto: Quasi allegro
- String Quintet in C minor, op.104: Finale: Prestissimo
- Quartet in A major, op.20 no.6, Hob.III-36: Allegro di molto e scherzando
- Quartet in A major, op.20 no.6, Hob.III-36: Adagio: Cantabile
- Quartet in A major, op.20 no.6, Hob.III-36: Menuetto: Allegreto
- Quartet in A major, op.20 no.6, Hob.III-36: Fuga a 3 soggetti: Allegro
- The Art of Fugue, BWV 1080: Contrapunctus 1
- Sonata for piano and violin in E minor, K304-300c: Allegro
- Sonata for piano and violin in E minor, K304-300c: Tempo di Menuetto
- Quartettsatz in C minor, D703: Allegro assai
Tracks:
- Piano Quintet In A Major, D667 'The Trout': Allegro vivace
- Piano Quintet In A Major, D667 'The Trout': Andante
- Piano Quintet In A Major, D667 'The Trout': Scherzo: Presto
- Piano Quintet In A Major, D667 'The Trout': Theme & Variations: Andantino
- Piano Quintet In A Major, D667 'The Trout': Finale: Allegro giusto
- String Quintet in C major, D956: Scherzo: Presto - Trio: Andante sostenuto
- 'Manchester Sonata' No. 1 for violin and piano in C major, RV 3: Largo
- Piano Quintet In A Major, D667 'The Trout': The Lark Ascending
- The Art of Fugue, BWV 1080: Contrapunctus 1
Amazon.com
Vikram Seth's novel An Equal Music is as evocative a portrait of the world of chamber music as you could wish for, but Seth is the first to say that words "can only attempt to describe what cannot truly be described." This two-CD set adds the inevitably missing dimension to a great book, with performances of works featured in the story. They include the world-premiere recording of Beethoven's String Quintet in C minor, an obscure work that is central to the plot.
This piece, like the other selections, is beautifully played and recorded, for this is not a collection of second-rate recordings cobbled together to suit the theme. Vikram Seth himself has chosen the performances, and with performers of the stature of Iona Brown and Andras Schiff, the playing is as good as it gets. Included in the selection is Schubert's celebrated Trout Quintet. If the book gives a taste for the music, and vice versa, these CDs will also get us delving further into this delightful and infectious repertoire. --Keith Clarke
Customer Reviews:
Masterpiece.......2006-11-11
The book is a masterpiece of literature on music, and the music itself are masterpieces
Equally as beautiful as the book.......2006-03-17
A beautiful collection of music ideal for lovers of Seth's stunning novel - a perfect introduction to classical music .
"Two Treasures of Pure Pleasure".......2004-09-21
I purchased the book "An Equal Music" by Vikram Seth, not knowing that there existed a CD that was meant to accompany it. I was about a third of the way through the book, and Vikrams story was so captivating, that I longed to hear the musical pieces that his characters where so passionate about. So I set forth on a quest of my own trying to track down and put together each piece of his repertoire. During my search, I discovered this CD, purchased it, and stopped all reading until its arrival. I slipped it into the disc player, settled in with liner notes in hand, closed my eyes, and found a new appreciation and passion for the classical genre. Exceptional was track 8 of disc 2, "The Lark Ascending" composed by Ralph Vaughan Williams, an absolutely enchanting piece! Not to say that the other tracks are not of equal caliber, they are, just of a different mood.
This compilation is a brilliant companion to the book, yet alone, it stands proudly on its own merits. Bach, Beethoven, Hayden, Schubert, Vivaldi, and of course Williams are all featured on this CD, names all renowned in the world of classical music. The difference between this CD, and say another classical compilation, is that through the inspiration and support of the book, what once one could not identify nor differentiate between in the works of the above, begins to unfold with a keen grasp of each. This assemblage will definitely help you to recognize and feel each composer's unique style.
In the book, the Maggiore Quartet members expose to you, through beautifully interpreted prose, their driving passion behind performing each piece as they become consumed in each note. This caused me to listen intensely not only to each composition, but also to the individual score of each instruments harmonious part. Bringing a deeper connection with not only the characters in this book along with the featured musical selections, but also with the professional musicians themselves whose lives are music.
Mr. Seth should be commended for this creative marriage of fervent fodder. A brilliantly moving novel enhanced and brought to life through this CD. My next stop, an evening out savoring a live performance!
Compulsory reading.......2004-03-30
This amazing book MUST be read by any person who is even slightly interested in music. if you have ever been in a string quartet, you will love the way that this book perfectly captures the delicate balance of emotions within such a close kint group. the love story is alternated with lyrical and descriptive passages, often about something of little significance. The book is a rich and heartwrenching story of love, music and loss. absolutely fabulous!
Truly Equal!.......2004-02-03
Vikram Seth casts a melacholic spell with his novel. This is the first time I am reading a work of fiction woven around chamber musicians, which leads one to explore the inner workings of their thoughts.
The accompamying CD is truly marvellous. Listen to Iona Brown soar away in Vaughan Williams 'Lark Ascending'. The others are also truly 'equal'.
Average customer rating:
- One of the best of the Masterworks series
- Will not buy this
- Worth it!
- Great way to jumpstart a schubert collection
- Better to Pick a Few First-rate Performances
|
Schubert: The Masterworks [Box Set]
Manufacturer: Brilliant Classics
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Binding: Audio CD
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ASIN: B00062FLJC
Release Date: 2004-11-30 |
Customer Reviews:
One of the best of the Masterworks series.......2007-07-06
Brilliant Classics' "Masterworks" series, if you can get them cheaply (and currently they go for about $1/CD from Amazon's France Web site), are a great way to amass a significant library of the works of several great computers. The production values and the performances themselves are uneven, and the interpretations are not always historically-informed (unlike the bulk of Brilliant's "Complete Editions" of the works of Bach and Mozart). But there are numerous gems in the rough in The Masterworks, and the economic value is unsurpassed, even if you were to throw away half of the CDs in each set.
You're unlikely to throw away much of this Schubert collection though. This seems to be the finest of the Masterworks sets, with a succession of solid, often first-rate performances of most of the major Schubert works. Here's what you get:
- The symphonies, performed by The Hanover Band in a historically-informed style. Very interesting performances perhaps marred by an odd recording balance that makes the woodwinds sound distant. Takes up four CDs
- The six Latin masses. Also the Deutsche Messe in the version with wind instruments. Five CDs in all
- Edison Denisov's completion of Schubert's unfinished dramatic work Lazarus (2 CDs, Helmuth Rilling's premier recording)
- The last four string quartets (including the Quartettsatz) with #9 thrown in. Also the octet, piano quintet ("The Trout"), string quintet and both piano trios. In short all the canonical chamber works. Performances are strong, and well recorded
- Two CDs of violin/piano duets, including Op. 137 and Op. 162
- 19 of the 21 "canonical" piano sonatas (missing #7 and #12) as well as the Moments Musicaux, Impromptus, German Dances, Wanderer Fantasy and several other piano works, 11 CDs in all. As with the chamber music, the performances and recordings are strong, often stunning
- Two CDs of piano duets, including the Divertissements and D. 617
- Song cycles: Die Schöne Müllerin, Winterreise, Schwanengesang, and four CDs of standalone songs, including such "standards" as Erlkönig and Gretchen am Spinnrade. The singers are a bit uneven here, ranging from standouts Robert Holl, Deitrich Fischer-Dieskau and John Shirley-Quirk to the somewhat shrill Arleen Augér
Missing from the collection is Rosamunde, and a number of famous songs: Die Forelle (The Trout), Death and the Maiden, Ellens Gesang III (the so-called Ave Maria, D. 839), Der Hirt auf dem Felsen and Der Wanderer. But you do have almost all the important instrumental works, and most of the vocal works generally considered to be essential, with some padding added in the form of minor works such as the parochial Deutsche Messe, the German Dances, and the modernist-informed completion of Lazarus by the 20th Century Russian composer Denisov.
As with the other Masterworks sets, there are no program notes. You'll need to do your own research. Answers.com is a good starting point for Schubert compositions. There are also no song texts or translations provided, so again you'll need to track down your own. Try "The Lied and Art Song Texts Page" for lieder lyrics and translations. Hunt down a good price on this collection, browsing one of Amazon's European sites if necessary, and treat yourself to many hours of lovely music for the cost of a modest night out.
Will not buy this.......2007-03-16
I can't see D965 or D945 on this 40 disks worth of Schubert. Bizarre! There are so many great songs missing it scares me.
Worth it!.......2006-12-19
One of the best in "The Masterpices" series. Many of the discs (the symphonies in particular) were licensed from Nimbus and other full-line labels. Not all that long ago these discs would have set you back $18 to $20 a piece. That said, I still wouldn't part with my Hyperion collection. 40 CD's at this price... you can't go wrong.
Great way to jumpstart a schubert collection.......2006-12-19
Hartmut Holl, Dietrich Fischer-Dieskau, Stephanie Brown, and Jaime Laredo as well as the Stuttgart Bach Collegium performing Schubert are hardly "left-behind artists and ensembles" as the previous naysayer states. These are licensed from major label releases and from the original masters issued at a bargain price, especially for the number of discs you get. Sound quality ranges from good to excellent. Good for all Schubertians and anyone who wants to jumpstart a Schubert collection.
Better to Pick a Few First-rate Performances.......2006-11-14
This is a bargain in dollar/listening time ratio, but who cares? There are many second-rate performances by left-behind artists and ensembles. Obviously the economics of resurrecting disks that don't require royalties has been the driving factor of selection. (On the other hand, the complete edition boxed sets of Bach and Mozart, which you'll find if you look, are stupendous successes artistically.)
Average customer rating:
- Highly engaging summer music--the real spark is Argerich
|
Martha Argerich and Friends: Live from the Lugano Festival
Manufacturer: EMI Classics
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Binding: Audio CD
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ASIN: B0009LNQV0
Release Date: 2005-09-13 |
Tracks:
- I. Allegro
- II. Larghetto
- III. Gavotte: Non Troppo Allegro
- IV. Finale: Molto Vivace
- I. Ouverture Miniature
- II. Danses Caracteristiques:A. Marche: Tempo Di Marcia Viva
- II. Danses Caracteristiques:B. Danse De La Fee Dragee: Andante Non Troppo
- II. Danses Caracteristiques:C. Danse Russe - Trepak: Tempo Di Trepak, Molto Vivace
- II. Danses Caracteristiques:D. Danse Arabe: Allegretto
- II. Danses Caracteristiques:E. Danse Chinoise: Allegro Moderato
- II. Danses Caracteristiques:F. Danse Des Mirlitons: Moderato Assai
- III. Valse Des Fleurs
- I. Andante - Moderato
- II. Allegro Non Troppo
- III. Largo
- IV. Allegretto
Tracks:
- I. Allegro - Lilya Zilberstein
- II. Adagio - Lilya Zilberstein
- III. Un Poco Presto E Con Sentimento - Lilya Zilberstein
- IV. Presto Agitato - Lilya Zilberstein
- I. Allegro Moderato - Renaud Capucon
- II. Andante Un Poco Mosso - Renaud Capucon
- III. Scherzo: Allegro - Renaud Capucon
- IV. Rondo: Allegro Vivace - Renaud Capucon
Tracks:
- I. Allegro Brillante
- II. In Modo D'una Marcia - Un Poco Largamente
- III. Scherzo: Molto Vivace
- IV. Allegro Ma Non Troppo
- I. Mit Leidenschaftlichem Ausdruck
- II. Allegretto
- III. Lebhaft
- I. Allegro Con Fuoco - Renaud Capucon
- II. Lento - Renaud Capucon
- III. Allegro Moderato. Grazioso - Pochettino Piu Mosso - Grazioso - Renaud Capucon
- IV. Allegro Ma Non Troppo - Renaud Capucon
Customer Reviews:
Highly engaging summer music--the real spark is Argerich.......2006-01-06
This bargain 3-CD set is called "Martha Argerich and Friends," but is that enough to warn buyers that she apears only half the time? That half is the best part of this colleciton, taped live across three summers, 2002-04 in LUgano, Italy. the half without Ms. Argerich features stellar musicians, particularly Maxim Vengerov and Yefim Bronfman, but theyir participation is surprisingly low-key.
Argerich loves to play two-piano music, a genre I find too bangy to be interesting much of the time. She zips through a piano transcription of Prokofive's Sym. 1 with Yefim Brongman, and sparkles in a similar arrangement of the Nutcracker Suite with a parnter unknown to me, Mirabela Dina. I'm sure a lot of listeners will have as much fun with fluff as she does.
Her two major contributions come in a riveting Shostakovich Pianto Trio #2, one of his undoubted masterpieces, with Vengerov almost dominatig the ensemble in his mesmerizing account of the violin part. This reading isn't as fiery as Argerich is wont to be, but it has passion enough ot stand beside the best performances (the composer's own and the one with Richter and the Borodin Trio). The second-best thing here is the Schumann Piano Quintet, again finding Argerich in vigorous but not slashing mode (Gott sei dank), easily taking charge and making this a quintet for piano solo with string obligatto. A fine account despite the imbalance.
The half without Argerich is pleasantly done. I had hoped for much more form Vengerov and Bronfman in the Brahms Violin Sonata #3--maybe the warm July breeze off the lake made them a bit drowsy. A Schubert Piano Trio #1 again finds Bronfman in too relaxed mode; the piece lacks spine and attack. The rest of these three CDs is filled out with Argerich accompanying Geza Hosszu-Lagocky (a fine violinist unknown to me) in Schumann's late, rather debilitated Violin Sonata #1, a lovely account without quirks, and a pleasant but hardly memorable Dvorak Piano Quartet #2 led by Walter Delaunt.
All in all, a bargains et of very good performanes that sometimes rises higher than that.
Average customer rating:
- Thank You Boulez
- 5 Star music. Some very good performances, some are aimless.
- not much more to be said
- a transcendent masterpiece
- Five stars and a bullet
|
Complete Webern
Anton von Webern , Clemens Hagen , David Finckel , Anton Webern , Pierre Boulez , Ensemble InterContemporain , Mary Ann McCormick , Berliner Philharmoniker , Eric Schneider , Gianluca Cascioli , Krystian Zimerman , Oleg Maisenberg , Pierre-Laurent Aimard , Christiane Oelze , Francoise Pollet , Lawrence Dutton , Gidon Kremer , and Philip Setzer
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Alban Berg Collection / Various (Coll)
- Arnold Schoenberg: Serenade/Five Pieces For Orchestra
- Arnold Schoenberg: Chamber Music for Strings
- Schoenberg: Piano Concerto
- Schoenberg: Piano Works
ASIN: B00004R9F0
Release Date: 2000-05-09 |
Tracks:
- Passacaglia For Orchestra Op. 1: Sehr massig, Tempo I - Massig bewegt, Tempo II - Sehr lebhaft, Tempo III
- 5 Movements Op. 5: I. Heftig bewegt
- 5 Movements Op. 5: II. Sehr langsam
- 5 Movements Op. 5: III. Sehr lebhaft
- 5 Movements Op. 5: IV. Sehr langsam
- 5 Movements Op. 5: V. In zarter Bewegung
- 6 Pieces For Orchestra Op. 6: I. Etwas bewegte Achtel
- 6 Pieces For Orchestra Op. 6: II. Bewegt
- 6 Pieces For Orchestra Op. 6: III. Zart bewegt
- 6 Pieces For Orchestra Op. 6: IV. Langsam. Marcia funebre
- 6 Pieces For Orchestra Op. 6: V. Sehr langsam
- 6 Pieces For Orchestra Op. 6: VI. Zart bewegt
- 2 Arrangements: J.S. Bach: Fuga (Ricercata) a 6 voci: Sehr massig
- Franz Schubert: German Dances Op. Post. D 820: No. 1 - No. 2 (No. 1) - No. 3 ( No. 1) In A Flat Major
- Franz Schubert: German Dances Op. Post. D 820: No. 4 - No. 5 (No. 4) - No. 6 (No. 4) In B Flat Major
- Im Sommerwind - Idyll For Large Orchestra: Ruhig bewegt - Ruhig - Lustig - Schnell - Feierlich bewegt - Voll Schwung - Aufjauchzend - sehr ruhig und weihevoll
Tracks:
- 5 Pieces For Orchestra: I. Bewegt
- 5 Pieces For Orchestra: II. Langsam (sostenuto)
- 5 Pieces For Orchestra: III. Sehr bewegte Viertel
- 5 Pieces For Orchestra: IV. Langsame Viertel
- 5 Pieces For Orchestra: V. (Alla breve)
- 3 Orchestral Songs: I. Leise Dufte: 'Leise Dufte, Bluten so zart'
- 3 Orchestral Songs: II. Kunfttag III: 'Nun wird es wieder Lenz'
- 3 Orchestral Songs: III. 'O sanftes Gluhn der Berge'
- Symphony Op. 21: I. Ruhig schreitend
- Symphony Op. 21: II. Variationen: Thema. Sehr ruhig - Var. I. Lebhafter - Var. II Sehr lebhaft - Var. III. Wieder massiger - Var. IV. Ausserst ruhig - Var. V. Sehr lebhaft - Var. VI. Marschmassig. Nicht eilen - Var. VII. Etwas breiter - Coda
- Das Augenlicht Op. 26: 'Durch unsre offnen Augen' - 'The Eyes Of Radiance' - Langsam
- Cantata No. 1 Op. 29: I. 'Zundender Lichtblitz des Lebens' - Getragen - Lebhaft
- Cantata No. 1 Op. 29: II. 'Kleiner Flugel Ahornsamen' - Leicht bewegt
- Cantata No. 1 Op. 29: III. 'Tonen die seligen Saiten Apolls' - Ruhig
- Variations For Orchestra Op. 30
- Cantata No. 2 Op. 31: I. 'Schweigt auch die Welt' - Sehr lebhaft - Ruhig
- Cantata No. 2 Op. 31: II. 'Sehr tief verhalten innerst Leben' - Sehr verhalten
- Cantata No. 2 Op. 31: III. 'Schopfen aus Brunnen des Himmels' - Sehr bewegt
- Cantata No. 2 Op. 31: IV. 'Leichteste Burden der Baume' - Sehr lebhaft
- Cantata No. 2 Op. 31: V. 'Freundselig ist das Wort' - Sehr massig
- Cantata No. 2 Op. 31: VI. 'Gelockert aus dem Schosse' - Sehr fliessend
Tracks:
- Piano Quintet: Moderato
- 'Entflieht auf leichten Kahnen' op. 2: Zart bewegt
- 2 Lieder op. 8: I. 'Du, der ichs nicht sage'
- 2 Lieder op. 8: 'Du machst mich allein'
- 5 Pieces for Orchestra op. 10: I. Sehr ruhig und zart
- 5 Pieces for Orchestra op. 10: II. Leghaft und zart bewegt
- 5 Pieces for Orchestra op. 10: III. Sehr langsam und ausserst ruhig
- 5 Pieces for Orchestra op. 10: IV. Fliessend, ausserst zart
- 5 Pieces for Orchestra op. 10: V. Sehr fliessend
- 4 Lieder op. 13: I. Wiese im Park: 'Wie wird mir zeitlos'
- 4 Lieder op. 13: II. Die Einsame: 'An dunkelblauem Himmel'
- 4 Lieder op. 13: III. In der Fremde: 'In fremden Lande lag ich'
- 4 Lieder op. 13: IV. Ein Winterabend: 'Wenn der Schnee ans Fenster fallt'
- 6 Lieder op. 14: I. Die Sonne: 'Taglich kommt die gelbe Sonne'
- 6 Lieder op. 14: II. Abendland I: 'Mond, als trate ein Totes'
- 6 Lieder op. 14: III. Abendland II: 'So leise sind die grunen Walder'
- 6 Lieder op. 14: IV. Abendland IV: 'Ihr grossen Stadte steinern aufgebaut'
- 6 Lieder op. 14: V. Nachts: 'Die Blaue meiner Augen'
- 6 Lieder op. 14: VI. Gesang einer gefangenen Amsel: 'Dunkler Odem im grunen Gezweig'
- 5 Sacred Songs op. 15: I. 'Das Kreuz, das musst' er tragen'
- 5 Sacred Songs op. 15: II. Morgenlied: 'Steht auf, ihr lieben Kinderlein'
- 5 Sacred Songs op. 15: III. 'In Gottes Namen aufstehn'
- 5 Sacred Songs op. 15: IV. 'Mein Weg geht jetzt voruber'
- 5 Sacred Songs op. 15: V. 'Fahr hin, o Seel', zu deinem Gott'
- 5 Canons op. 16: I. 'Christus factus est'
- 5 Sacred Songs op. 15: II. 'Dormi Jesu, mater ridet' From 'Des Knaben Wunderhorn'
- 5 Sacred Songs op. 15: III. 'Crux fidelis'
- 5 Sacred Songs op. 15: IV. 'Asperges me, Domine'
- 5 Sacred Songs op. 15: V. 'Crucem tuam adoramus, Domine'
- 3 Traditional Rymes op. 17: I. 'Armer Sunder, du'
- 3 Traditional Rymes op. 17: II. 'Liebste Jungfrau, wir sind dein'
- 3 Traditional Rymes op. 17: III. 'Heiland, unsre Missetaten'
- 3 Lieder for voice, E flat clarinet and guitar op. 18: I. 'Schatzerl klein'
- 3 Lieder for voice, E flat clarinet and guitar op. 18: II. Erlosung: 'Mein Kind, sieh an' From 'Des Knaben Wunderhorn'
- 3 Lieder for voice, E flat clarinet and guitar op. 18: III. 'Ave , Regina coelorum'
- 2 Lieder op. 19 for mixed choir: I. 'Wiess wie Lilien'
- 2 Lieder op. 19 for mixed choir: II. 'Ziehn die Schafe'
- Quartet op. 22: I. Sehr massig
- Quartet op. 22: II. Sehr schwungvall
- Concerto op. 24: I. Etwas lebhaft
- Concerto op. 24: II. Sehr schwungvoll
- Concerto op. 24: III. Sehr rasch
Tracks:
- 3 Poems: I. Vorfruhling: 'Leise tritt auf...'
- 3 Poems: II. Nachtgebet der Braut: 'O mein Geliebter'
- 3 Poems: III. Fromm: 'Der Mond scheint auf mein Lager'
- 8 Early Lieder: I. Tief von fern: 'Aus des Abends weissen Wagen'
- 8 Early Lieder: II. Aufblick: 'Uber unsre Liebe hangt eine Trauerweide'
- 8 Early Lieder: III. Bleuengruss: 'Der Strauss, den ich gepflucket'
- 8 Early Lieder: IV. Bild der Liebe: 'Von Wald umgeben'
- 8 Early Lieder: V. Sommerbend: 'Du Sommerbend! Heilig, goldnes Licht!'
- 8 Early Lieder: VI. Heiter: 'Mein Herz ist wie ein See so weit'
- 8 Early Lieder: VII. Der Tod: 'Ach, es ist do dunkel in des Todes Kammer'
- 8 Early Lieder: VIII. Heimgang in der Fruhe: 'In der Dammerung'
- 3 Lieder on poems by Ferdinand Avenarius: I. Gefunden: 'Nun wir uns lieben, rauscht mein stolzes Gluck'
- 3 Lieder on poems by Ferdinand Avenarius: II. Gebet: 'Ertrage du's, lass schneiden dir den Schmerz'
- 3 Lieder on poems by Ferdinand Avenarius: III. Greunde: 'Schmerze und Freuden reift jede Stunde'
- 5 Lieder on poems by Richard Dehmel: I. Ideale Landschaft: 'Du hattest einen Glanz auf deiner Stirn'
- 5 Lieder on poems by Richard Dehmel: II. Am Ufer: 'Die Wlet verstummt, dein Blut erklingt'
- 5 Lieder on poems by Richard Dehmel: III. Himmelfahrt: 'Schwebst du nieder aus den Weiten'
- 5 Lieder on poems by Richard Dehmel: IV. Nachtliche Scheu: 'Zaghaft vom Gewolk ins Land'
- 5 Lieder on poems by Richard Dehmel: V. Helle Nacht: 'Weich kusst die Zweige der weisse Mond'
- 5 Lieder from 'Der siebente Ring' by Stefan George op. 3: I. 'Dies ist ein lied'
- 5 Lieder from 'Der siebente Ring' by Stefan George op. 3: II. ''Im windes-weben'
- 5 Lieder from 'Der siebente Ring' by Stefan George op. 3: III. 'An baches ranft'
- 5 Lieder from 'Der siebente Ring' by Stefan George op. 3: IV. 'Im morgen-taun'
- 5 Lieder from 'Der siebente Ring' by Stefan George op. 3: V. 'Kahl reckt der baum'
- 5 Lieder on poems by Stefan George op. 4: I. Eingang: 'Welt der gestalten lang lebewohl!'
- 5 Lieder on poems by Stefan George op. 4: II. Noch zwingt mich treue uber dir zu wachen'
- 5 Lieder on poems by Stefan George op. 4: III. 'Ja heil und dank dir'
- 5 Lieder on poems by Stefan George op. 4: IV. 'So ich traurig bin'
- 5 Lieder on poems by Stefan George op. 4: V. 'Ihr tratet zu dem herde'
- 4 Lieder on poems by Stefan George: I. 'Erwachen aus dem tiefsten traumes-schoosse'
- 4 Lieder on poems by Stefan George: II. Kunfttag I: 'Dem bist du kind, dem freund'
- 4 Lieder on poems by Stefan George: III. Trauer I: 'So wart bis ich dies dir noch kunde'
- 4 Lieder on poems by Stefan George: IV. 'Das lockere saatgefilde lechzet krank'
- 4 Lieder op. 12: I. 'Der Tag ist vergangen' - Folksong
- 4 Lieder op. 12: II. Die geheimnisvolle Flote: 'An einem Abend, da die Blumen dufteten' - Li-Tai-Po
- 4 Lieder op. 12: III. 'Schien mir's, als ich sah die Sonne' - 'Gespenstersonate'
- 4 Lieder op. 12: IV. Gleich und gleich: 'Ein Blumenglockchen'
- 3 Songs From 'Viae inviae' by HildegardJone op. 23: I. 'Das dunkle Herz, das in sich lauscht'
- 3 Songs From 'Viae inviae' by HildegardJone op. 23: II. Es sturzt aus Hohen Frische'
- 3 Songs From 'Viae inviae' by HildegardJone op. 23: III. Herr Jesus mein'
- 3 Lieder on poems by Hildegard Jone op. 25: I. 'Wie bein ich froh!'
- 3 Lieder on poems by Hildegard Jone op. 25: II. 'Des Herzens Purpurvogel fliegt durch Nacht'
- 3 Lieder on poems by Hildegard Jone op. 25: III. 'Sterne, ihr silbernen Bienen der Nacht'
Tracks:
- Slow Movement For String Quartet: Langsam, mit bewegtem Ausdruck
- 5 Movements For String Quartet: I. Heftig bewegt
- 5 Movements For String Quartet: II. Sehr langsam
- 5 Movements For String Quartet: III. Sehr bewegt
- 5 Movements For String Quartet: IV. Sehr langsam
- 5 Movements For String Quartet: V. In zarter Bewegung
- String Quartet
- 6 Batatelles For String Quartet op. 9: I. Massig
- 6 Batatelles For String Quartet op. 9: II. Leicht bewegt
- 6 Batatelles For String Quartet op. 9: III. Ziemlich fliessend
- 6 Batatelles For String Quartet op. 9: IV. Sehr langsam
- 6 Batatelles For String Quartet op. 9: V. Ausserst langsam
- 6 Batatelles For String Quartet op. 9: VI. Fliessend
- Rondo For String Quartet: Bewegt
- Movement For String Trio op. post.: Ruhig fliessend
- 3 Pieces For String Quartet: I. Bewegt
- 3 Pieces For String Quartet: II. Langsam: Grief Always; Looking Upward; Heaven's Dew; Memory; Black Flowers; On Breast; Out Of Mother
- 3 Pieces For String Quartet: III. Nicht zu langsam
- String Trio op. 20: I. Sehr langsam
- String Trio op. 20: II. Sehr getragen und ausdrucksvoll
- String Quartet op. 28: I. Massig
- String Quartet op. 28: II. Gemachlich - Bewegt
- String Quartet op. 28: III. Sehr fliessend
Tracks:
- 2 Pieces For Cello And Piano: I. Langsam
- 2 Pieces For Cello And Piano: II. Langsam
- Movement For Piano: Lebhaft
- Sonata Movement (Rondo) For Piano: (Bewegt) - Ruhig bewegt - Sehr ruhig
- 4 Pieces For Violin And Piano op. 7: I. Sehr langsam
- 4 Pieces For Violin And Piano op. 7: II. Rasch
- 4 Pieces For Violin And Piano op. 7: III. Sehr langsam
- 4 Pieces For Violin And Piano op. 7: IV. Bewegt
- 3 Little Pieces For Cello And Piano op. 11: I. Massige
- 3 Little Pieces For Cello And Piano op. 11: II. Sehr bewegt
- 3 Little Pieces For Cello And Piano op. 11: III. Ausserst ruhig
- Cello Sonata: Sehr bewegt
- Children's Piece For Piano: Lieblich
- Piano Piece: Im Tempo eines Menuetts
- Variations For Piano op. 27: I. Sehr massig
- Variations For Piano op. 27: II. Sehr schnell
- Variations For Piano op. 27: III. Ruhig fleissend
Amazon.com
Pierre Boulez's Complete Webern Edition appears just over two decades after his last traversal. Well, it's not literally complete, but does have enough early works to set the mature ones in the right context. These days, Webern is no longer seen so much as a new music guru as he is a major composer, pure and simple--his expression as concise as it is intense. Performancewise, there's a quality of musicianship here that few previous recordings have matched; familiarity with the idiom certainly plays its part, but so does Boulez's belief that what we're hearing needs to be presented with conviction. Try the Passacaglia, sensuous music that combines the soundworld of Brahms and Mahler, or the string quartet or orchestra pieces--miniatures in duration, but whole dramas of expression.
Ease of performance doesn't always make this music easy to come to grips with: the song cycles need several listenings to grasp the meaning behind the compression, while the later instrumental and choral works have a luminous austerity that looks back to Bach and beyond to Renaissance masters such as Schütz and Isaac. While much of Webern's music has long been admired, only now is it becoming possible to respond to it through the heart as well as the brain. This set, superbly packaged and comprehensively documented, marks a major step forward, and deserves investigating by anyone keen to appreciate something of the music's quiet, calm essence in an often strident, dislocated century. --Richard Whitehouse
Customer Reviews:
Thank You Boulez.......2001-10-23
If you are a fan of the "New Vienna School" (Schoenberg, Berg, Webern) or 20th century "classical" or "serious" music, this disk set is very rewarding. Beautifully recorded and packaged, and with equally good liner notes, it is a treat to strap on the headphones and listen.
I debated between buying thi