Schumann Lieder
Editorial Reviews
Amazon.com
These songs will melt and break your heart. Listeners accustomed to Schumann's single-poet cycles may be surprised at the poems' uneven quality, and that, like Schubert, he could set them all with equal empathy. The program includes famous and unfamiliar songs from both Schumann's early fertile and more barren later years, mostly love offerings for Clara: hopeful, anxious, ardent, passionate, as well as somber, sorrowful and despairing. Goerne opens with the vigorous "Ins Freie," then groups the songs around a mood, allowing the listener--and himself--to become fully one with it. This means many slow, pensive, inward, tender, yearning songs in succession, but they contain so much diversity that there is never a hint of sameness. Besides, the singing is absolutely riveting. Goerne's voice is like soft, dark velvet; its warmth enfolds the listener's ear with a caressing, aching beauty and purity. Its variety of color and nuance is matched by Goerne's range of expression and intensity; he can evoke the ghostly apparitions in "Mein Wagen rollet langsam," project the soaring ecstasy in "Widmung," the sorrow of parting, the chaste adoration of a flower for the moon, and the menace of the dramatic ballads "Die Löwenbraut" and "Belsazar." Even that old chestnut, "Die beiden Grenadiere," becomes both moving and heroic. He is mightily abetted by Eric Schneider, a superb partner who makes one aware that Schumann's wonderfully written, poetic piano parts are independent miniature masterpieces. --Edith Eisler
Schumann Lieder, Music, Matthias Goerne, Robert Schumann, Eric Schneider, Classical, Classical Composers, Classical Vocals, Romantic Music for Voice and Keyboard, Vocal
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- Romance of the Violin
- End of the Day
- Wonderful!
- Over and over and over....
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Romance of the Violin
Claude Debussy , Fryderyk Chopin , Camille Saint-Saens , Franz Schubert , Vincenzo Bellini , Wolfgang Amadeus Mozart , Christoph Willibald Gluck , Alexander Borodin , Antonin Dvorak , Claudio Monteverdi , Jules Massenet , Robert Schumann , Michael Stern , Craig Ogden , Gregory Knowles , John Constable , Jacob Heringman , and Stephen Orton
Manufacturer: Sony
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ASIN: B0000DG06L
Release Date: 2003-10-28 |
Tracks:
- O mio babbino caro (from 'Gianni Schicchi')
- The Girl With Flaxen Hair (from Preludes, Book I; La fille aux cheveux delin: Prelude for Piano L 117/8)
- Nocturne in C sharp minor (Op Post)
- The Swan (from Carnival of the Animals)
- Serenade (from 'Schwanengesang' song cycle for voice and piano, D 957
- Casta Diva (from 'Norma')
- Andante from Piano Concerto No. 21 in C Major K. 467
- Nocturne from Quartet for Strings No. 2 in D Major: 3rd movement
- Dance of the Blessed Spirits (from 'Orfeo ed Euridice')
- Songs My Mother Taught Me, song for voice and piano B104/4 Op 55/4
- Pur ti Miro (from 'L'incoronazione di Poppea')
- Elegie (Elegie 'O doux printemps d'autrefois' for voice and piano)
- Traumerei ('Kinderszenen' for piano, Op 15, No. 7 'Dreaming')
Amazon.com
Every track on this CD contains a beautiful melody, many of them easily recognizable, all of them exuding tranquility. "O mio babbino caro" from Puccini's Gianni Schicchi opens the disc, with Bell delicately accompanied by a harp and spinning the long melody with great sensitivity. Bellini's "Casta diva" from Norma lives up to its reputation as the epitome of bel canto in Bell's hands; his violin sings. The middle movement of Mozart's 21st Piano Concerto takes well to the violin, and Debussy's "The Girl with the Flaxen Hair" is played with great warmth and sensuality. It would be easy to turn a recital like this into treacle, but Bell is wise enough to realize that the music is already sweet enough and he plays with great reserve and a minimum of sentimental slides. The light accompaniments always support, with woodwinds prominent but used with grace. This CD, in short, is a beauty: a fine gift, a lovely mood setter. --Robert Levine
Customer Reviews:
Romance of the Violin.......2007-07-16
While it's not my very favorite Joshua Bell CD, this is a pleasure to listen to!
End of the Day.......2007-06-08
I am a Joshua Bell fan, and this album is the one that I enjoy with my dessert, it calms me at the end of the day, and makes me think of my 6 year old granddaughter's visit. She has to have music on during meals at her home. Usually it is some kid stuff, but I do not have anything like she has at home, so I chose to play Joshua Bell during our dinner. When I placed the dessert before her, she looked up at me and said: "This music is so beautiful, I want to play the violin just like that". What more could I say.
He is inspiring, and she is right. This album is beautiful.
Wonderful!.......2007-05-30
I play this for my grandson to nap by. It is so relaxing and wonderful!
Over and over and over...........2007-05-17
That's how I want to play this CD! It's a wonderful line-up of rich, mellow, captivating compositions played with a warmth and vibrancy that is seldom heard. Joshua at his very best. You won't be disappointed.
Non-standard CD format.......2007-04-22
The music on this CD deserves five stars, but the CD itself is a non-standard format that doesn't work on all players. There's a tiny warning on the back of the CD. You won't notice the warning until you discover that the CD doesn't work on your player. My Macintosh computer wouldn't read the non-standard format so there was no way for me to listen in my office or put the music on my iPod.
A friend's PC was able to read the CD and make a copy in standard format that can be read on any player, including my Mac. The story had a happy ending, but I can not comprehend why the publisher chose the oddball CD specification.
The music is excellent and worth the trouble of making a copy, but the publisher really shouldn't make you go to that effort just to listen to a CD that you paid for.
Average customer rating:
- One of my favorite recordings ever
- wonderful
- Truthful & Sincere Singing
- Beautiful
- More than just a pretty voice ...
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Elly Ameling ~ Schubert · Schumann - Songs
Franz Schubert , Robert Schumann , Elly Ameling , Jörg Demus , and Hans Deinzer
Manufacturer: RCA
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ASIN: B000001TWU
Release Date: 1991-11-05 |
Tracks:
- Der Hirt Auf Dem Felsen
- Seligkeit
- Gretchen Am Spinnrad
- Du Liebst Mich Nicht
- Heimliches Lieben
- Im Fruehling
- Die Vogel
- De Jungling An Der Quelle
- Der Musensohn
- Widmung
- Auftrage
- Sehnsucht
- Frage
- Mein Schonster Stern
- Schneeglockchen
- Erstes Grun
- Er Ist's
- Die Sennin
- Sehnsucht Nach Der Waldgegend
- Jasminenstrauch
- Schmetterling
- Der Nussbaum
- Marienwurmchen
- Kauzlein
- Waldesesprach
- Loreley
- Die Meerfee
- Der Sandmann
Customer Reviews:
One of my favorite recordings ever.......2007-06-08
Elly Ameling is in glorious voice, and Demus's instrument here is fortepiano, which suits the music exquisitely. Der Hirt auf dem Felsen alone is worth the price, but all the Schubert and Schumann songs are well chosen. I'm so happy that this 1965 performance is available on CD.
wonderful.......2007-03-21
I also owned this on vinyl and have wonderful memories of this perfect blend of voice, clarinet and piano. Truly haunting melodies and the greatest musical integrity. Can't wait to get this one next month!
Truthful & Sincere Singing.......2006-11-25
Ameling's reading of Schumann and Schubert Lieder is sincere and noble, at times even awe-inspiring. There's always something genuinely beautiful, a sense of respect for music itself, when she sings with her etherial yet warm voice.
The sublimity of "Mein schonster Stern" only makes this CD worth purchasing. Her Schumann recordings are so scarce now that it is joy to find 19 Schumann Lieder both well known and obscure gems on this disc. Accompanied by an original master piano of Schubert's days. Recorded in 1965/67.
Beautiful.......2006-11-11
What a gorgeous voice! It's a true delight to listen to this set.
More than just a pretty voice ..........2006-09-17
It is tempting to dismiss Ameling as a "pretty voice" and reach for Elisabeth Schwarzkopf instead, as a previous reviewer suggests. Ameling's interpretations place a premium on simplicity and directness - two traits that are often undervalued. To my ears, however, Ameling's self-effacing approach is ideally suited to lieder performance. Schwarzkopf's recording with Edwin Fischer on EMI, while admirable in its own way, is too fussy for my tastes. Take, for example, the rendition of "Im Fruehling" by each singer: where others find Schwarzkopf to be intense and dramatic, I find her to be mannered and melodramatic. Ameling's version strikes closer to the heart and shows greater insight and intellect, in my view. Note: on this CD, Ameling's ravishing voice is at its peak.
Average customer rating:
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The Very Best of Régine Crespin
Manufacturer: EMI Classics
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Binding: Audio CD
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ASIN: B0006VYEJQ
Release Date: 2005-04-26 |
Tracks:
- Ils S'Eloignent Enfin...Sombre Foret
- D'Amour L'Ardente Flamme
- Les Grecs Ont Disparu...Malheureux Roi!
- Nous Avons Vu Finir...Chers Tyriens
- Je Vais Mourir...Adieu, Fiere Cite
- Ah! Salome! Dans Ce Palais...Il Est Doux, Il Est Bon
- Je Souffre
- Mes Cheres Filles, J'Ai Encore A Vous Dire
- Soir
- Le Secret
- Apres Un Reve
- Clair De Lune
- Lo Fiolaire
- Lou Coucut
- Coeur En Peril
- Berceuse Creole
Tracks:
- Einsam In Truben Tagen
- Euch Luften, Die Mein Klagen
- Eine Waffe Lass Mich Dir Weisen...Der Manner Sippe
- Ich Sah Das Kind
- I. Der Engel
- II. Stehe Still!
- III. Im Treibhaus
- IV. Schmerzen
- V. Traume
- I. In Der Fremde
- II. Intermezzo
- III. Waldesgesprach
- Timor Di Me?...D'Amor Sull'Ali Rosee
- Ecco L'Orrido Campo...Ma Dall'Arido Stelo Divulsa
- Tu Che Le Vanita
- D'Art Et D'Amour
Album Description
Details TBA. EMI. 2005.
Customer Reviews:
Sensuality Personified!.......2005-04-27
This is one of the best collections of Regine Crespin. Of course, her Berlioz/Ravel set with Ansermet is definitive, but the beauty and soft womanliness of her voice can be heard in all the selections on this disc. The engineers went for her vocal best and they created a fine collection aptly titled "The Best of..." One would be unduly captious to find Crespin "brittle" of tone here.
It is by now, very difficult to imagine anyone singing "Il est doux" with more apt expression of the line than La Crespin. Wagner's Wesendonk lieder is simply sublime from start to finish and the Faure takes on new meaning. That she is comical, melancholy, fun and happy by turns singles her out. This collection captures all her awesome talent. Underneath it all seems to be a very, if I may, sexual energy.
Crespin must be heard to be believed and the miracle lies in that even her softest tones are really enveloping, never thin. All tones are open and this is why there are enough colors in Regine Crespin's delicious voice to paint the world a thousand times, but it may also be why she infamous for being short and edgy on top but I remind, never here is she such. She is a relaxed singer in superb voice, comfortable in her own olive skin and makes the most out of every word those poets wrote.
The whole collection is unique in pace, style, and voice. It is Regine Crespin...in a nutshell fabulous!
Average customer rating:
- Mill. Classical review
- classical music for the unitiated
- Some little gems there that I had forgotten!
- A very helpful collection
- Excellent!
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Classical Masterpieces of the Millennium [20 CD Set]
Manufacturer: Delta
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Binding: Audio CD
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ASIN: B00000K1C9
Release Date: 1999-08-24 |
Tracks:
- Brandenbutg Concerto No.3 In G First Movement
- Overture No.3 In D Second Movement
- Violin Concerto In E First Movement
- Prelude In C minor
- Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
- Overture No.2 In B minor Minuet And Badinerie
- Oboe Concerto In D minor Second Movement
- Brandenburg Concerto No.4 In G Third Movement
- Musical Offering - Fuga canonica
- Easter Oratorio - Overture
- Minuet In D minor
- Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
- Brandenburg Concerto No.1 In F Second Movement
- Art Of The Fugue - Contrapunctus 9
- Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
- Overture No.4 In D - Réjouissance
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Water Music - Alla Hornpipe
- Xerxes - Ombra Mai Fu (Largo)
- Messiah - And The Glory Of The Lord
- Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
- Organ Concerto In F, Op. 4, No. 4 Allegro
- Water Music - Air
- Messiah - For Unto Us A Child Is Born
- Concerto Grosso In B flat, Op. 3, No. 2 - Largo
- Salomon - Sinfonia, Act 3
- The Choice Of Hercules - While For Thy Arms
- Water Music - Allegro (Suite No. 1)
- Suite No. 5 In E - Air With Variations
- Jephtha - How Dark, O Lord
- Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
- Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
- Water Music - Andante Allegro Da Capo
- Concerto for Trumpet & Orchestra in E-flat: First Movement
- Symphony No. 94 in G: Surprise Symphony-second movement
- Concerto for Violin No. 2 in D: Third Movement
- Flute Trio No. 31 in G: Second Movement
- Symphony No. 31 in D: Hornsignal-First Movement
- String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
- Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
- Concerto for 2 Horns & Orchestra in E-flat: Second Movement
- Symphony No. 88 in G: Fourth Movement
- String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
- Notturno No. 1 in C: Second Movement
- Symphony No. 98 in B: Londoner No. 4-Fourth Movement
- Eine Kleine Nachtmusik - first movement
- Piano Concerto in A - second movement
- Flute Concerto in D - Rondeau
- Serenade - Minuet
- Violin Concerto - first movement
- Symphony No. 40 in G minor - first movement
- Clarinet Concerto - second movement
- Turkish March
- Divertimento - Minuet
- Horn Concerto No. 3 in E-flat - first movement
- Symphony No. 5 in C minor, Op. 67-First Movement
- Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
- Overture
- O welche Lust (Prisoners' Chorus)
- Ha, welch ein Augenblick (Pizarros's Aria)
- Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
- Concerto for Violin and Orchestra in D, Op. 61: Third Movement
- Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
- Sympony No. 6 in F, Op. 68: Pastorale-First Movement
- Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
- German Dance No. 1 In C
- Impromptu Op. 90, No. 3 In G-Flat
- Heidenroslein
- Ave Maria
- Der Lindenbaum
- Quintet In A 'Trout Quintet' - Andante
- Mass No. 6 In E-Flat - Kyrie
- Die Schone Mullerin Des Mullers Blumen
- German Dance No. 2 In G
- Piano Sonata In B-Flat
- Nachtgesang Im Walde
- Winterreise - No. 15: Die Krahe
- German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
- Symphony No. 8 In B Minor 'Unfinished' - Second Movement
- Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
- Nocturne in E-flat, Op. 9, no. 2
- Etude in G-flat, Op. 10, no. 5
- Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
- Mazurka in D minor, Op. 33, no. 2
- Prelude in D-flat, Op. 28, no. 15 Raindrop
- Etude in C, Op. 10, no. 1
- Nocturne in D-flat, Op. 27, no. 2
- Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
- Scherzo in B minor, Op. 20
- Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
- Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
- Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
- Violin Concerto - second movement
- The Sleeping Beauty - Waltz
- Capriccio Italien, Op. 45
- Swan Lake - Waltz
- Eugene Onegin - Polonaise
- The Nutcracker - Waltz of the Flowers
- Orchestral Suite No. 4 - Mozartiana - Third Movement
- Swan Lake - Dance of the Swans
- Symphony No. 6 in B minor - Pathétique - Third Movement
- Hungarian Dance No.5
- Lullaby
- Symphony No.1 in C minor, Op. 68 - Third Movement
- Intermezzo in E-flat, Op.117, no. 1
- Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
- Waltz, Op. 39, no. 15
- Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
- String Quintet in G, Op. 111 - Second Movement
- Symphony No.4 in E minor, Op. 98 - Third Movement
- Intermezzo in A minor, Op. 76, no. 7
- Hungarian Dance No.1 in G minor
- German Requiem Selig sind die Toten (Final Chorus)
- Die Fledermaus - Overture
- Kaiser Waltz, Op.437
- Thunder And Lightning Polka, Op. 324
- Roses From The South Waltz, Op. 388
- AnnenPolka, Op. 117
- Vienna Blood Waltz, Op. 354
- Eljen A Magyar Polka, Op. 332
- Wine, Women and Song Waltz, Op. 333
- On The Beautiful Blue Danube Waltz, Op. 134
- Die Meistersinger Von Nurnberg - Overture
- Tannhauser - Die Pilger sind's (Pilgims' Chorus)
- Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
- Lohengrin - Act 3 Prelude and Bridal Chorus
- The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
- The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
- Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
- Die Walkure - Ride of the Valkyries
- Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
- Tristan und Isolde - Liebestod
- Thus sprach Zarathustra, Op. 30 (excerpt)
- Don Juan, Op. 20
- Eine Alpensinfonie, Op. 64, I.Nacht
- Don Quixote, Op.35, first movement: Introduction
- Salome, Op. 54, Dance Of The Seven Veils
- Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
- Piano Concerto 2 In C minor, Op. 18 - First Movement
- Vocalise, Op.34, No. 14
- Prelude In G Sharp minor, Op. 32, No. 12
- Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
- Symphony No. 2 In E minor, Op. 27 - Third Movement
- Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
- Rhapsody, Op. 43 On A Theme By Paganini
- Hungarian Rhapsody No.2
- Liebestraum No.3 in A-flat
- Piano Concerto No.1 in E-flat - third movement
- Angelus
- Mephisto Waltz No.1 (Dance in a Village Tavern)
- Prelude and Fugue on B-A-C-H
- Dante Symphony - Finale. - Purgatorio - Magnificat
- Les Préludes
- Boléro
- Daphnis et Chloé first movement: Nocturne
- Rhapsodie Espagnole
- Shéhérazade - first movement: Asie
- Ma Mère l'Oye - fourth movement: La Belle et la Bête
- Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
- La Valse
- Slavic Dance No. 1 in C, Op. 46, no.1
- Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
- Humoresque, Op. 101
- Slavic Dance No. 8 in G minor, Op. 46, no. 8
- Serenade for String Orchestra, Op. 22 - second movement
- Romance for Violin and Orchestra In F minor, Op. 11
- Symphony No. 7 in D minor - third movement
- Melodie (Songs My Mother Taught Me)
- Carneval Overture, Op. 92
- Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
- Symphony No.4 In A, Op. 90. Italian - First Movement
- Frühlingslied In A, Op. 62, No. 6
- Wedding March (From A Midsummer Night's Dream, Op.61)
- Duetto In F, Op.30, No.6 (From Songs Without Words)
- String Symphony No.9 In C. Schweitzer Symphony - Third Movement
- Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
- Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
- Notturno (From A Midsumment Night's Dream, Op. 61)
- Rondo Capriccioso, Op.14
- String Symphony No. 12 In G minor - First Movement
- Venetian Gondola Song In F Sharp minor, Op.30, No.6
- Scherzo (From A Midsumment Night's Dream, Op. 61)
- Violin Concerto In E minor, Op.64 - Third Movement
- Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
- Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
- Holberg Suite, Op. 40 - IV. Air. Andante religioso
- Arietta, Op. 12, no. 1
- Homage March from Sigurd Jorsalfar, Op. 56
- Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
- Wedding Day at Troldhauen, Op. 65, no. 6
- The Last Spring, Op. 34, no. 2
- Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
- Nordic Melody Op. 63
- Notturno, Op. 54, no. 4
- Elegie, Op. 47, no. 5
- Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
- Piano Concerto in A minor, Op. 16 - Allegro
- Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
- Traumerai (from Kinderszenen, Op. 15)
- Mondnacht (from Eichendorff-Liederkreis, Op. 39)
- Aufschwung (from Fantasietucke, Op. 12)
- Triolett, Op. 114, no. 2
- Tanzlied (No. 1 from Duets, Op. 78)
- Symphony No. 4 in D minor, Op. 120 - second movement
- Frühlingsgruss
- Abschied (from Waldszenen Op. 82)
- Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
- Manfred Overture, Op. 115
- Romance in F sharp, Op. 28, no. 2
- Die Rose stand im Tau
- Liebesgarten (from Four Duets, Op. 34)
- Warum? (from Fantasiestucke, Op. 12)
- Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
- Von fremden Landern und Menschen (from Kinderszenen, Op. 15)
Album Description
An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.
Customer Reviews:
Mill. Classical review.......2007-05-13
This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.
classical music for the unitiated.......2007-04-01
This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.
Some little gems there that I had forgotten!.......2007-03-30
Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.
I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.
It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!
Classical Masterpieces of the Millennium [20 CD Set]
A very helpful collection.......2007-03-24
I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.
Excellent!.......2007-03-08
A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.
Average customer rating:
- The "Clinker" of the bunch
|
Brahms: The Masterworks (Box Set)
Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD
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ASIN: B00062FLIS
Release Date: 2004-11-30 |
Customer Reviews:
The "Clinker" of the bunch.......2006-12-19
Having collected the entire "The Masterworks" series (including the Bach and Mozart Complete Works) this set is the 'clinker' of the bunch. First off... 6 CD's of Lieder 'historic' (pre-historic) recordings. No Overtures, No Orchestral Seranades, No Haydn Variations?? The performances of the Symphonies and the Concertos are shakey and not very well recorded. Brilliant Classics, who has done such a wonderful job with the Hadyn Complete Symphonies (licensed from Nimbus), the Mozart and Bach Complete sets, has stumbled a bit with this release.
Average customer rating:
- review
- Romantic Mood Music of High Level
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More of the Most Romantic Classical Music in the Universe
Manufacturer: Denon Records
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Similar Items:
- Most Romantic Classical Music in the Universe
- More Of The Most Relaxing Classical Music In The Universe
- The Most Relaxing Classical Music in the Universe
- The Most Relaxing Classical Album in the World...Ever!
- The Most Relaxing Violin Music in the Universe
ASIN: B0006SSNH8
Release Date: 2005-01-11 |
Tracks:
- Pachelbel: Canon
- Mozart: Eine Klein Nachtmusik
- Vieuxtemps: Violin Concerto No. 5, II. Adagio
- Vieuxtemps: Violin Concerto No. 5, III. Allegro con fuoco
- Debussy: Nocturne
- Saint-Saens: Violin Sonata No. 1, II. Adagio
- Chopin: Piano Concerto No. 1, Larghetto
- Dvorak: Nocturne in G-Flat
- J. Strauss: Liebeslieder Waltz
- Schumann: Piano Sonata in F-sharp Minor, II. Aria
- Dvorak: Symphony No. 8, II. Adagio
Tracks:
- Wagner: Prelude to Act 1 of "Lohengrin"
- Bach: Air on a G String
- Debussy: Ballade
- Elgar: Salut d'
- Boccherini: Minuetto
- Dvorak: Romantic Pieces Op. 75, IV. Larghetto
- Yamada: Lullaby from the Chugoku Area
- Taki: Moon Over Ruined Castle
- Szymanowski: Violin Sonata, Andantino tranquillo e dolce
- Debussy: La Plus que lente 4:27
- Mendelssohn: String Quartet in F Minor
- Schumann: Symphony No. 2, Adagio
Album Description
A lush collection of romantic classical favorites!
Customer Reviews:
review.......2007-03-17
Very good CD. Filled with great classical music. Would recommend to anyone.
Romantic Mood Music of High Level.......2005-11-16
Collections like this are nice as an alternative to Ipod type collections, or multi-CD shuffling, achieving a nice balance and variety of compositions.
Here gathered around "romantic" classical theme, have the likes of Dvorak, Strauss, Mozart, Pachelbel, et al. Acclaimed performances by Denon Classical catalog performers such as Jean-Pierre Rampal, David Oistrakh, etc.
For two disc set of such superb quality at such a reasonable price, this is very much a play often collection.
Average customer rating:
- Delightful Liederkreis & Dichterliebe Schumann
- Bostridge Good
- Wonderfully dramatic singing. Both artists perform with intelligence and unity.
- Not bad, not good.
- My least favorite Liederkreis Op. 24
|
Ian Bostridge - Liederkreis Op. 24, Dichterliebe Op. 48 & 7 Lieder
Robert Schumann , Ian Bostridge , and Julius Drake
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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- Wolf: Lieder - Ian Bostridge with Antonio Pappano
ASIN: B00000630K
Release Date: 1998-03-17 |
Tracks:
- LiederKreis, Op.24: I. Morgens steh' ich auf und frage
- LiederKreis, Op.24: II. Es treibt mich hin
- LiederKreis, Op.24: III. Ich wandelte unter den Baeumen
- LiederKreis, Op.24: IV. Lieb' Leiben, leg's Haendchen
- LiederKreis, Op.24: V. Schoene Wiege meiner Leiden
- LiederKreis, Op.24: VI. Warte, warte, wilder Schiffmann
- LiederKreis, Op.24: VII. Berg' und Burgen schaum herunter
- LiederKreis, Op.24: VIII. Anfangs wollt' ich fast verzagen
- LiederKreis, Op.24: IX. Mit Myrten und Rosen
- Belsazar, Op.57
- Abends am Strand, Op.45, No.3
- Die beiden Grenadiere (Op 49, No 1)
- Dein Angesicht (Op 127, No 2)
- Lehn deine Wang' (Op 142, No 2)
- Es leuchtet meine Liebe (Op 127 No 3)
- Meine Wagen rollet langsam (Op 142 No 4)
- Dichterliebe (Op 48): I. Im wunderschoenen Monat Mai
- Dichterliebe (Op 48): II. Aus meinen Traenen spriessen
- Dichterliebe (Op 48): III. Die Rose, die Lilie
- Dichterliebe (Op 48): IV. Wenn ich in deine Augen seh'
- Dichterliebe (Op 48): V. Ich will meine Seele tauchen
- Dichterliebe (Op 48): VI. Im Rhein, im heiligen Strome
- Dichterliebe (Op 48): VII. Ich grolle nicht
- Dichterliebe (Op 48): VIII. Und wuessten's die Blumen
- Dichterliebe (Op 48): IX. Das ist ein Floeten und Geigen
- Dichterliebe (Op 48): X. Hor' ich das Liedchen klingen
- Dichterliebe (Op 48): XI. Ein Juengling liebt ein Maedchen
- Dichterliebe (Op 48): XII. Am leuchtenden Sommermorgen
- Dichterliebe (Op 48): XIII. Ich hab' im Traum geweinet
- Dichterliebe (Op 48): XIV. Allnaechtlich im Traume
- Dichterliebe (Op 48): XV. Aus laten Maerchen winkt es
- Dichterliebe (Op 48): XVI. Die alten boesen Lieder
Amazon.com
The texts used in these 32 songs are all by Heinrich Heine, a miniaturist poet whose unique, characteristic mixture of wistfulness and irony, often tinged with self-pity, was ideal material for the genius of that wistful, ironic musical miniaturist, Robert Schumann. Every lover of Lieder must regret that Franz Schubert did not discover Heine until he was dying and composed only a few Heine songs in his Schwanengesang. But that regret is mitigated by the fact that Schumann gave so much attention to Heine during the brief, intense period when he was focused on songwriting. Dichterliebe is one of the finest song cycles in the German language--surpassed, if at all, only by Schubert's Schoene Muellerin and Winterreise; and the other songs in this collection are comparable in quality. Bostridge's light, expressive voice captures every musical and emotional nuance, and Drake plays masterfully the virtuoso piano part. --Joe McLellan
Customer Reviews:
Delightful Liederkreis & Dichterliebe Schumann.......2007-07-02
I can't tell you how pleased I am with Mr. Bostridge's recording of Schumann: Liederkreis Op. 24, Dichterliebe
Op. 48 & 7 Lieder, I recently bought. It's such a delight listening to; the lightness, the precision
(and still there is a wonderful and continuous legato), the very selective use of vibrato (and thus
non-vibrato) as a means of expression, the treatment of the text, the perfect bel canto technique... Also my compliments to the excellent pianist, Julius
Drake; again, wonderfully played. Mr. Julias Drake and Mr. Ian Bostridge are a wonderful ensemble. When Mr. Bostridge stops, the singing is seemlessly continued by Mr. Drake.
I did not know Mr. Bostridge as a singer until I started looking for singers who had recorded `Dichterliebe'
and `Liederkreis' (Op. 39 BTW). Listening to a
few samples there conviced me to buy it. I can only say I am very grateful Mr Bostridge made this
recording. It means a great deal to me.
A final note: I firmly disagree with 'not my cup of tea'. I cannot agree with the assertion that
"The interpretation is flat, and does not have the depth that many German singers give to these songs." I own Dichterliebe sung by Quasthoff, Fischer-Dieskau, Fritz Wunderlich and Ian Bostridge (this recording).
By far I like Ian Bostridge's best. The interpretation is very delicate and the opposite of flat I would say. Flat is the interpretation of Quasthoff (although I highly respect him as a singer, but not particularly for his recording of Dichterliebe). The recording of Fischer-Diskau is quite interesting, musically speaking. Technically on the other hand I much prefer Ian Bostridge. Finally, the recordings of F. Wunderlich: I own both his final concert and a studio recording. Although the final concert recording is very bad, musically this one is by far surpassing the studio recording and is worth owning. What goes for the technique of Ian Bostridge goes for Mr. Wunderlich's; just wonderful.
Bostridge Good.......2006-11-10
Gramophone says Bostridge recording of the Schumann is best. He is great, but I prefer a baritone for this music.
Wonderfully dramatic singing. Both artists perform with intelligence and unity........2005-11-16
Robert Schumann was a leader on many fronts of the Romantic movement in music. Not only a composer of genius, he was also a powerful writer and an insightful critic. Born in 1810, he began his music studies at age 8. He was a skilled pianist and began writing music for that instrument along the way. In 1840 he was given an honorary doctorate, wrote the Liederkreis (song cycle) op 24 on poems of Heine, and then married Clara Wieck. Schumann had a work style of focusing on a single form at a time. In 1840 he wrote a flood of songs, more than 150 of them, including the large song cycles included on this disk.
Heinrich Heine, a great German poet who remains highly regarded today, was an inspiration for many Romantic composers. Schubert only set a few of his poems simply because he did not become aware of Heine's work until he was already ill and dying. While Heine was thirteen years older than Schumann, they died the same year. In fact, Heine was born the same year as Schubert, although Schubert was born in January of 1797 and Heine in December.
The songs of opus 24 are about separation and longing. Nothing is ever a straightforward love song. This aching love is what attracted the Romantics. The poems are full of strong, but conflicted emotions and are written in a way that lends them well to musical settings. They tend to be short verses with a declamation that supports a singer's dramatic efforts and allows dramatic additions by the piano.
"Dichterliebe" (Poet's Love) opus 48 is one of the great song cycles ever written, probably after Schubert's masterwork's "Die Schöne Müllerin" and "Winterreise". While Schumann masterfully varies the songs so that it does not have the unremitting chill of Schubert's "Winterreise", it is a song cycle of lost love and ends with a desire for a coffin large enough to contain his love and sorrow.
There are other Schubert songs of Heine poems on this disk other than the two song cycles and they vary about topic, but are all full of drama and story telling of one kind or another. "Belsazar" opus 57 tells a story of the Babylonian king and the writing on the wall. "The Two Grenadiers" tells the story of two French soldiers captured by the Russians, one of whom dreams of fighting for his Emperor from the grave. There are several others.
I am a huge fan of Ian Bostridge. His voice is pure rather than light or colorless. (Colour, I suppose, since he is British.) His singing style is intelligent, very dramatic, and he varies its color depending on his interpretive purposes. He and Mr. Drake put on a wonderful recital of Schubert lieder here in Ann Arbor awhile back. They perform so wonderfully well together and I was surprised at the power, range, and control Mr. Bostridge has with his voice. It was one of the great afternoons of music I have ever experienced.
This is a wonderful CD and I recommend it strongly.
Not bad, not good........2005-10-20
I was pleased to buy a recording so well-received and was anxious to hear not only Dichterliebe, but the op. 24 Liederkreis. (This particular Liederkreis is considered by many to be the most underrated.)
It took me awhile to form an opinion, other than that I was nonplussed. The most famous moment, 'Ich grolle nicht', is a good example of a well-practiced but ultimately boring rendition of music that is simply beyond Bostridge's training or inclination or both. Yes, he hits all the notes with complete security, but there is no thrill, no conviction, no pain. All is very academic, as if grown in a hothouse or nurtured in a cloister. I agree with a previous reviewer that Bostridge's voice is perhaps better-suited to lighter, less passionate material. (I'm not familiar with his other recordings, but I might very much enjoy hearing him sing the music of Harty or Stanford.) His voice is thin, nasal, and with a very narrow color palette. It's a very good voice, but a very studied, calculated one that seems not to have internalized the text. I would prefer a few cracks or idiosyncracies rather than such a bloodless interpretation as this. Drake's accompaniment is a perfect match, and that's not much of a compliment. The recording's engineering is excellent, however.
Those looking for some excellent Schumann would do better to consider Terfel, Fischer-Diskau (despite transposition to lower keys), or the wonderful Wunderlich.
My least favorite Liederkreis Op. 24.......2005-09-29
The winds of fashion are always changing, and they've definitely been blowing in the direction of Ian Bostridge, whose voice is not one I love or even tolerate for more than a few songs. He uses it intensely and artistically, but its native quality is a typcial "white" English tenor, light in tone, mostly projected form the head, and of an irritatingly nasal timbre--one is constantly reminded of an adolescent whose voice has just changed. People do seem to love it, especiallly the English, and Bostridge's fussy way with texts is also admired.
For anyone who isn't thrilled by him, there is an overlapping recital of Schumann's Heine songs--oddly enough, also on EMI--by Thomas Hampson at his very best with Wolfgang Sawallisch as accompanist. For a tenor version sung by someone with a much fuller voice and less mannered approach to the texts, there is Christoph Pregardien on RCA/BMG. Having owned all three, I was happy to toss out this CD.
Average customer rating:
- MUST HAVE THIS IN YOUR COLLECTION OF HOROWITZ
- Horowitz: A Digital Legacy
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ASIN: B00008RWRI
Release Date: 2003-10-14 |
Customer Reviews:
MUST HAVE THIS IN YOUR COLLECTION OF HOROWITZ.......2007-07-13
If you have any Horowitz music in your collection. THEN YOU MUST GET THE COMPLETE RECORDINGS ON DEUTSCHE GRAMMOPHON. Quality of recording is superb.
Horowitz: A Digital Legacy.......2004-11-15
This set includes all of the recordings Vladimir Horowitz did for Deutsche Grammophon in the 1980s, including his historical concert in Moscow.
While the context of his return in Moscow is moving, the studio recordings are simply wonderful. The sound quality is impeccable. The Steinway piano sounds warm but yet crisp and sharp. Horowitz still has plenty of power, and if you don't have a good sound system, you will notice that your speakers will literally fail, due to the overwhelming wall of sound that Horowitz creates in the intense parts.
The tender moments are just as exciting, as they are enhanced by the very quiet and clear digital recording process. Liszt's Standchen and Mozart's Piano Concerto No 23 are only two of a myriad of highlights contained on this boxed set. Having these high quality digital recordings of this piano legend is a blessing that you can't afford to miss. And at this price, it's simply irresistible.
For those of you with a larger budget, don't forget the complete masterworks recordings (1962-73) of Vladimir Horowitz on Sony Classical.
Average customer rating:
- Marilyn Horne scintillates
- One Of The Greatest Voices of All!
- Not 100% satisfied with the selections, but what artistry!
- Vive Madame Horne !
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Just for the Record: The Golden Voice
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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