Schubert: Symphony No.8/Mendelssohn: Symphony No.4
Editorial Reviews
Amazon.com
Giuseppe Sinopoli literally burst upon the classical music scene with this gorgeous recording of two repertoire chestnuts. His musical accomplishments were abetted by a marvelously stupid set of program notes in which he talked about Schubert's lack of personal hygiene and other none too salient facts. And if his musical career seems not to have fulfilled the promise of this spectacular early recording, at least we have this evidence of what might have been. --David Hurwitz
Schubert: Symphony No.8/Mendelssohn: Symphony No.4, Music, Felix Mendelssohn, Franz Schubert, Giuseppe Sinopoli, Philharmonia Orchestra of London, Classical, Classical Music, Romantic Symphony, Symphonic
Average customer rating:
- Selection is not good
- Baby Einstein: Traveling Melodies
- Saved My Sanity
- A Very Pleasant CD for Little Ones in the Car
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Baby Einstein: Traveling Melodies
Manufacturer: Buena Vista
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ASIN: B0009AJK3O
Release Date: 2005-05-10 |
Tracks:
- Orchestra Tune-Up
- Bartered Bride Overture
- Symphony 5, 1st Movement
- The Four Seasons, Autumn, RV293, 1st Movement
- Divertimento In F, K.138, 1st Movement
- March Militaire
- Symphony 5, 4th Movement
- Annen Polka
- Capriccio Espagnol, Alborada
- Trish-Trash Polka
- Concerto In C, RV537, 3rd Movement
- Capriccio Espagnol, Fandango
- The Four Seasons, Spring, RV269, 1st Movement
- Serenade For Strings, Waltz
- The Bartered Bride, Polka
- Symphony 100, 'Military' 2nd Movement
- Piano Sonata 15, Op.28, 4th Movement
- Waltz In G Flat Op.70, No.1
- Symphony 101, 'Clock' 2nd Movement
- 6 Children Pieces, Op.72, 2nd Movement
- Lullaby
Customer Reviews:
Selection is not good.......2006-07-27
This tape is short and the melodies are not engaging for kids. It was waste of money.
Baby Einstein: Traveling Melodies .......2006-02-23
Hello everyone,
This CD is great!
My son has ADD & when we are out & he gets Anxious I put this CD in his portibale CD player.
It seems to help him calm down & better cope with things.
I think that every parent should have this CD that has a special needs child.
Thanks so much for putting it online for people to buy.
Thanks Again,
A Greatfull Mom
Saved My Sanity.......2005-11-03
My husband and I are musicians so I inwardly groaned when we were given this CD as a gift--I'd rather play the originals rather than some synthesized kiddie version. However, on a recent road trip we got desperate when our colicky son would not stop screaming. We popped this in the CD player and it calmed him down immediately. I swear, it's like aural crack for babies. We now play it at bedtime to help calm him down and it still works. You may not love this CD, but your baby will.
A Very Pleasant CD for Little Ones in the Car.......2005-11-01
I picked this up for driving around music and was very pleasantly surprised. Quite enjoyable (and my son seems to like it too!) and perfect for exactly what it says--traveling around. Easy listening and could possibly make your child smarter, great!
Average customer rating:
- Middle of the road wedding music
- just what I was looking for
- Most Chosen Selections
- Another Great Reference CD
- A Nice CD
|
Bride's Guide to Wedding Music
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B000002SOG
Release Date: 1993-09-14 |
Tracks:
- Three Lute Dances: Prelude: Courante
- Sonata In E-Flat: Prelude: Adagio
- Brandenburg Concerto No. 4 In G: Prelude: Allegro
- Water Music: Prelude: Suite No. 1- Air
- Processional: Trumpet Voluntary (The Prince Of Denmark's March)
- Te Deum: Processional: Prelude
- Processional: Canon In D
- Processional: Trumpet Tune
- Lohengrin: Processional: 'Wedding March'
- Cantata 147: Ceremony: 'Jesu, Joy Of Man's Desiring'
- The Four Seasons: Ceremony: 'Spring' - Allegro
- Ceremony: 'Ave Maria'
- Five Mystical Songs: Ceremony: 'The Call'
- Ceremony: 'Sheep May Safely Graze'
- A Midsummer Night's Dream: Recessional: 'Wedding March'
- Solomon: Recessional: 'Arrival Of The Queen Of Sheeba'
- Brandenburg Concerto No. 1 In F: Recessional: First Movement
- Organ Symphony No. 5: Recessional: Toccata
Customer Reviews:
Middle of the road wedding music.......2007-01-20
I bought this cd because I had everything in my wedding planned to the last tiny detail except the ceremony music. All the songs on the cd are nice traditional wedding songs. I did not use any of the music from the cd, but I am glad I bought it because it helped me realize that traditional wedding music was not what I wanted. All and all a nice classical music cd but not for brides who really want a personal ceremony. BTW I went with Enya and Lorena McKennitt.
just what I was looking for.......2007-01-10
We wanted traditional wedding music and found it in this CD. I'm no music expert, but the arrangements and performances seemed fine. I would definitely recommend this CD for any bride looking for a concise collection of traditional wedding pieces.
Most Chosen Selections.......2006-03-13
As a wedding officiant, my wife and I are often asked to assist the couple with other services for their ceremony, such as music. For this, we have a very large selection in our music library to choose from. We have put together a catalog of cd's that we loan out to the couple for their review, and most often, their selections come from BRIDE'S GUIDE TO WEDDING MUSIC.
If you're planning a traditional or formal wedding on a budget, this cd has it all. There are even two selections of Wagner's "Wedding March" to choose from. Only two of the selections have vocals, the rest are all extraordinary instrumental selections.
Often, even around the house or in my car, I find myself listening to this cd. The music is soothing, refreshing, uplifting and most enjoyable. I recommend this cd over all other wedding music cd's.
Another Great Reference CD.......2006-01-09
This is a great compilation, CD, along with Bride's Guide to Wedding Music Volume 2, to use as a reference for some of the more popular wedding songs; just about everything on here is standard fare for weddings. All of the musicians are generally superb, and the sound quality is very good. However, this is most useful if you are playing the CD at your wedding, or using it as a reference CD to talk over potential music selections with an organist, a string quartet, etc. Like my review for Volume 2, I only gave it four stars based on practicality, not on quality. If it were just quality, I would give it five stars. I purchased this CD since I am in the process of making my own wedding CD (I am a professional, freelance violinist), and this was nice to listen to, even just as background music for dinner. BTW: beware of reviewers who don't use their names, especially "A music fan." This is most likely the producer of the "Wedding Traditions" CD and he slanders other CDs so his will look better. You'd think that in the wedding music business people would have better ethics, but unfortunately, that's not always the case. The best advice I can give, as a classical musician myself, if to take time to listen to the sound clips, and if possible, try to find them on iTunes where they might sound higher quality. This is the only real way of knowing whether the CD is right for you.
A Nice CD.......2005-12-30
This is a very nice CD.
Our daughter used some of the songs on this CD
and some of the songs that are on the
"Classical Wedding Traditions" CD for the wedding.
She also used many of the songs on the
"New Wedding Traditions Volume I" CD
Amazon is a great place to find good wedding music
Average customer rating:
- A Grand symphonic adventure
|
Symphony (25) Favorites
Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000058IU
Release Date: 1997-07-01 |
Tracks:
- No. 6, 'Pastorale' - Ludwig Van Beethoven
- No. 29 In A Major, 1st Mvt. - Wolfgang Amadeus Mozart
- No. 39 In F Major, Scherzando - Michael Haydn
- No. 40 In G Minor, Minuet - Wolfgang Amadeus Mozart
- No. 94 In G Major 'Suprise', Andante - Franz Joseph Haydn
- No. 41 In C Major, 'Jupiter', 1st Mvt. - Wolfgang Amadeus Mozart
- No. 34 In C Major, Finale - Wolfgang Amadeus Mozart
- No. 5 In B Flat Major, Andante - Franz Schubert
- No. 4 'Italian' 1st Mvt. - Felix Mendelssohn
- Symphonie Fantastique 'Scenes From A Ball' - Hector Berlioz
- No. 9, 'New World' Largo - Antonin Dvor
- No. 6, 'Pastorale', 4th Mvt., 'Thunderstorm' - Ludwig Van Beethoven
- No. 5 In C Minor, Andante - Ludwig Van Beethoven
- No. 8 'Unfinished' 1st Mvt. - Franz Schubert
- No. 2 In C Major, Scherzo - Robert Schumann
- No. 9, 'New World', 4th Mvt. - Antonin Dvor
- No. 5, 3rd Mvt., Waltz - Pyotr Il'yich Tchaikovsky
- 'Classical Symphony', Gavotte - Sergey Prokofiev
- No. 2 In E Minor 1st Mvt., Allegro - Sergei Rachmaninoff
- No. 3, 'Organ Symphony', Finale - Camille Saint-Sa
- No. 1 In C Minor, Finale - Johannes Brahms
- No. 5 In E Major, Finale - Pyotr Il'yich Tchaikovsky
- No. 9, 'Choral Symphony' 3rd Mvt., Adagio - Ludwig Van Beethoven
- No. 7, 1st Mvt. (Extract) - Ludwig Van Beethoven
- No. 5 In C Minor, Finale - Ludwig Van Beethoven
Customer Reviews:
A Grand symphonic adventure.......2005-07-26
This album provides a quick exposure to some of the best movements in the best symphonies. Many of the tracks will sound familiar. They are played well and have good sound quality.
As a novice musician, i have great appreciation for it.
Average customer rating:
- Mill. Classical review
- classical music for the unitiated
- Some little gems there that I had forgotten!
- A very helpful collection
- Excellent!
|
Classical Masterpieces of the Millennium [20 CD Set]
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Rhapsody in Blue - Ultimate Piano Collection [20 CD Set]
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ASIN: B00000K1C9
Release Date: 1999-08-24 |
Tracks:
- Brandenbutg Concerto No.3 In G First Movement
- Overture No.3 In D Second Movement
- Violin Concerto In E First Movement
- Prelude In C minor
- Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
- Overture No.2 In B minor Minuet And Badinerie
- Oboe Concerto In D minor Second Movement
- Brandenburg Concerto No.4 In G Third Movement
- Musical Offering - Fuga canonica
- Easter Oratorio - Overture
- Minuet In D minor
- Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
- Brandenburg Concerto No.1 In F Second Movement
- Art Of The Fugue - Contrapunctus 9
- Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
- Overture No.4 In D - Réjouissance
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Water Music - Alla Hornpipe
- Xerxes - Ombra Mai Fu (Largo)
- Messiah - And The Glory Of The Lord
- Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
- Organ Concerto In F, Op. 4, No. 4 Allegro
- Water Music - Air
- Messiah - For Unto Us A Child Is Born
- Concerto Grosso In B flat, Op. 3, No. 2 - Largo
- Salomon - Sinfonia, Act 3
- The Choice Of Hercules - While For Thy Arms
- Water Music - Allegro (Suite No. 1)
- Suite No. 5 In E - Air With Variations
- Jephtha - How Dark, O Lord
- Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
- Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
- Water Music - Andante Allegro Da Capo
- Concerto for Trumpet & Orchestra in E-flat: First Movement
- Symphony No. 94 in G: Surprise Symphony-second movement
- Concerto for Violin No. 2 in D: Third Movement
- Flute Trio No. 31 in G: Second Movement
- Symphony No. 31 in D: Hornsignal-First Movement
- String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
- Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
- Concerto for 2 Horns & Orchestra in E-flat: Second Movement
- Symphony No. 88 in G: Fourth Movement
- String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
- Notturno No. 1 in C: Second Movement
- Symphony No. 98 in B: Londoner No. 4-Fourth Movement
- Eine Kleine Nachtmusik - first movement
- Piano Concerto in A - second movement
- Flute Concerto in D - Rondeau
- Serenade - Minuet
- Violin Concerto - first movement
- Symphony No. 40 in G minor - first movement
- Clarinet Concerto - second movement
- Turkish March
- Divertimento - Minuet
- Horn Concerto No. 3 in E-flat - first movement
- Symphony No. 5 in C minor, Op. 67-First Movement
- Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
- Overture
- O welche Lust (Prisoners' Chorus)
- Ha, welch ein Augenblick (Pizarros's Aria)
- Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
- Concerto for Violin and Orchestra in D, Op. 61: Third Movement
- Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
- Sympony No. 6 in F, Op. 68: Pastorale-First Movement
- Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
- German Dance No. 1 In C
- Impromptu Op. 90, No. 3 In G-Flat
- Heidenroslein
- Ave Maria
- Der Lindenbaum
- Quintet In A 'Trout Quintet' - Andante
- Mass No. 6 In E-Flat - Kyrie
- Die Schone Mullerin Des Mullers Blumen
- German Dance No. 2 In G
- Piano Sonata In B-Flat
- Nachtgesang Im Walde
- Winterreise - No. 15: Die Krahe
- German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
- Symphony No. 8 In B Minor 'Unfinished' - Second Movement
- Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
- Nocturne in E-flat, Op. 9, no. 2
- Etude in G-flat, Op. 10, no. 5
- Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
- Mazurka in D minor, Op. 33, no. 2
- Prelude in D-flat, Op. 28, no. 15 Raindrop
- Etude in C, Op. 10, no. 1
- Nocturne in D-flat, Op. 27, no. 2
- Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
- Scherzo in B minor, Op. 20
- Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
- Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
- Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
- Violin Concerto - second movement
- The Sleeping Beauty - Waltz
- Capriccio Italien, Op. 45
- Swan Lake - Waltz
- Eugene Onegin - Polonaise
- The Nutcracker - Waltz of the Flowers
- Orchestral Suite No. 4 - Mozartiana - Third Movement
- Swan Lake - Dance of the Swans
- Symphony No. 6 in B minor - Pathétique - Third Movement
- Hungarian Dance No.5
- Lullaby
- Symphony No.1 in C minor, Op. 68 - Third Movement
- Intermezzo in E-flat, Op.117, no. 1
- Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
- Waltz, Op. 39, no. 15
- Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
- String Quintet in G, Op. 111 - Second Movement
- Symphony No.4 in E minor, Op. 98 - Third Movement
- Intermezzo in A minor, Op. 76, no. 7
- Hungarian Dance No.1 in G minor
- German Requiem Selig sind die Toten (Final Chorus)
- Die Fledermaus - Overture
- Kaiser Waltz, Op.437
- Thunder And Lightning Polka, Op. 324
- Roses From The South Waltz, Op. 388
- AnnenPolka, Op. 117
- Vienna Blood Waltz, Op. 354
- Eljen A Magyar Polka, Op. 332
- Wine, Women and Song Waltz, Op. 333
- On The Beautiful Blue Danube Waltz, Op. 134
- Die Meistersinger Von Nurnberg - Overture
- Tannhauser - Die Pilger sind's (Pilgims' Chorus)
- Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
- Lohengrin - Act 3 Prelude and Bridal Chorus
- The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
- The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
- Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
- Die Walkure - Ride of the Valkyries
- Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
- Tristan und Isolde - Liebestod
- Thus sprach Zarathustra, Op. 30 (excerpt)
- Don Juan, Op. 20
- Eine Alpensinfonie, Op. 64, I.Nacht
- Don Quixote, Op.35, first movement: Introduction
- Salome, Op. 54, Dance Of The Seven Veils
- Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
- Piano Concerto 2 In C minor, Op. 18 - First Movement
- Vocalise, Op.34, No. 14
- Prelude In G Sharp minor, Op. 32, No. 12
- Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
- Symphony No. 2 In E minor, Op. 27 - Third Movement
- Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
- Rhapsody, Op. 43 On A Theme By Paganini
- Hungarian Rhapsody No.2
- Liebestraum No.3 in A-flat
- Piano Concerto No.1 in E-flat - third movement
- Angelus
- Mephisto Waltz No.1 (Dance in a Village Tavern)
- Prelude and Fugue on B-A-C-H
- Dante Symphony - Finale. - Purgatorio - Magnificat
- Les Préludes
- Boléro
- Daphnis et Chloé first movement: Nocturne
- Rhapsodie Espagnole
- Shéhérazade - first movement: Asie
- Ma Mère l'Oye - fourth movement: La Belle et la Bête
- Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
- La Valse
- Slavic Dance No. 1 in C, Op. 46, no.1
- Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
- Humoresque, Op. 101
- Slavic Dance No. 8 in G minor, Op. 46, no. 8
- Serenade for String Orchestra, Op. 22 - second movement
- Romance for Violin and Orchestra In F minor, Op. 11
- Symphony No. 7 in D minor - third movement
- Melodie (Songs My Mother Taught Me)
- Carneval Overture, Op. 92
- Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
- Symphony No.4 In A, Op. 90. Italian - First Movement
- Frühlingslied In A, Op. 62, No. 6
- Wedding March (From A Midsummer Night's Dream, Op.61)
- Duetto In F, Op.30, No.6 (From Songs Without Words)
- String Symphony No.9 In C. Schweitzer Symphony - Third Movement
- Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
- Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
- Notturno (From A Midsumment Night's Dream, Op. 61)
- Rondo Capriccioso, Op.14
- String Symphony No. 12 In G minor - First Movement
- Venetian Gondola Song In F Sharp minor, Op.30, No.6
- Scherzo (From A Midsumment Night's Dream, Op. 61)
- Violin Concerto In E minor, Op.64 - Third Movement
- Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
- Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
- Holberg Suite, Op. 40 - IV. Air. Andante religioso
- Arietta, Op. 12, no. 1
- Homage March from Sigurd Jorsalfar, Op. 56
- Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
- Wedding Day at Troldhauen, Op. 65, no. 6
- The Last Spring, Op. 34, no. 2
- Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
- Nordic Melody Op. 63
- Notturno, Op. 54, no. 4
- Elegie, Op. 47, no. 5
- Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
- Piano Concerto in A minor, Op. 16 - Allegro
- Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
- Traumerai (from Kinderszenen, Op. 15)
- Mondnacht (from Eichendorff-Liederkreis, Op. 39)
- Aufschwung (from Fantasietucke, Op. 12)
- Triolett, Op. 114, no. 2
- Tanzlied (No. 1 from Duets, Op. 78)
- Symphony No. 4 in D minor, Op. 120 - second movement
- Frühlingsgruss
- Abschied (from Waldszenen Op. 82)
- Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
- Manfred Overture, Op. 115
- Romance in F sharp, Op. 28, no. 2
- Die Rose stand im Tau
- Liebesgarten (from Four Duets, Op. 34)
- Warum? (from Fantasiestucke, Op. 12)
- Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
- Von fremden Landern und Menschen (from Kinderszenen, Op. 15)
Album Description
An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.
Customer Reviews:
Mill. Classical review.......2007-05-13
This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.
classical music for the unitiated.......2007-04-01
This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.
Some little gems there that I had forgotten!.......2007-03-30
Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.
I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.
It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!
Classical Masterpieces of the Millennium [20 CD Set]
A very helpful collection.......2007-03-24
I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.
Excellent!.......2007-03-08
A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.
Average customer rating:
- A perfect blend of music !
- Beautiful
- Beautiful Music
- Very Pleased!
- VERY VERY GOOD
|
Jane Austen Companion
Manufacturer: Nimbus Records
ProductGroup: Music
Binding: Audio CD
Bach, Johann Christian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Boyce
| Boyce, William
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Franz Joseph Haydn
| Haydn, Franz Joseph
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Michael Haydn
| Haydn, Michael
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Schubert
| Schubert, Franz
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mendelssohn
| Mendelssohn, Felix
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
Classical
| Symphonies
| Forms & Genres
| Classical
| Styles
| Music
Romantic
| Symphonies
| Forms & Genres
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
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Trumpet
| Brass
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Violin
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| Chamber Music
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Similar Items:
- Pride and Prejudice: The Original Soundtrack from the A&E Special Presentation
- Jane Austen's Songbook
- English Country Dances
- Sense and Sensibility: Original Motion Picture Soundtrack (1995 Film)
- Emma: Music From The Miramax Motion Picture
ASIN: B0000037IK
Release Date: 1996-06-18 |
Tracks:
- String Symphony No. 4: Andante
- Symphony In F Major: Andante
- Concerto In E Major For Trumpet, Oboe d'amore, Violin, Strings And Continuo: Affettuoso
- Overture No. 5 In E Major: Andante
- Violin Concerto In C Major: Adagio
- Symphony No. 6 In F Major: Larghetto
- Cello Concerto In C Major: Adagio
- Symphony No. 1 In B Flat Major: I Allegro
- Symphony No. 1 In B Flat Major: II Moderato e dolce
- Symphony No. 3 In C Major: Andante
- Symphony No. 94 in G Major: Menuet & Trio
- Symphony No. 5 In B Flat Major: Andante con moto
- Symphony No. 2 In A Major: Vivace
- Trumpet Concerto In E Flat Major: Andante
- Symphony No.1 in D Major: Andante
Amazon.com
If the people at Nimbus are smart, they'll do a whole collection of discs on this theme. The literary-musical connection is, when done tastefully, as it is here, irresistible. As the intelligent and interesting notes maintain, "London at the time of Jane Austen was one of the most exciting centers in all of Europe for music," and this was an era of great fertility of composers in general. Lucky Jane! Imagine publishing your second novel the same year that Beethoven's Seventh Symphony receives its premiere. Or offering your fourth novel to the public near the time of the first performance of Schubert's Fifth Symphony. The program highlights popular music from Austen's time by Mendelssohn, Haydn, Fasch, J.C. Bach, Boyce, Schubert and others. I find the exclusion of chamber music a little odd here, though, since chamber music was the rage among the sort of gentlemen and women of the country about whom Austen wrote so well. --Gwendolyn Freed
Customer Reviews:
A perfect blend of music ! .......2006-11-23
I decided to try this cd based on the good reviews it got and I'm certainly glad I did ! The music is just perfect for relaxing and filling the house with all the old classical masterpieces. A good buy that that's well worth the money!
Beautiful.......2006-11-20
The more I listen to this cd, the more I love it!! It is very beautiful.
Beautiful Music.......2006-10-02
A great price for such a beautiful CD.
This CD is a must have if you love Jane Austen.
Buy this CD, you will not be disappointed!
Very Pleased!.......2005-09-28
If you like slow beautiful music, this is for you.
Austen has a great taste for harmonic melodies.
I've listen to this CD over and over again.
I still enjoy the beautiful music!
VERY VERY GOOD.......2004-03-07
If you love classical music while reading, relaxing or having a bit of tea, you won't regret getting this album. I personally love it to bits, worth every penny!
Average customer rating:
|
50 All Time Favorite Classics (Box Set)
Manufacturer: Madacy Records
ProductGroup: Music
Binding: Audio CD
Ballets
| Ballets & Dances
| Classical
| Styles
| Music
Mazurkas
| Ballets & Dances
| Classical
| Styles
| Music
Polkas
| Ballets & Dances
| Classical
| Styles
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ASIN: B000000L7D
Release Date: 1994-09-09 |
Tracks:
- The Marriage Of Figaro
- Exultate Jubilate: Halleluiah
- Eine Kleine Nachtmusik
- The Blue Danube
- Emperor Waltz
- Die Fliedermaus
- The Sleeping Beauty: Waltz
- The Nutcracker Suite: March
- 1st Movement: Piano Concerto No. 1 -
- Serenade For Strings
- 1st Movement: Moonlight Sonata
- Pastoral Symphony No. 6 Finale
- Symphony No. 2
- Finale: Piano Sonata No. 20
- 1st Movement: Symphony No 5
- La Fille Aux Cheveux De Lin
- 1st Movement: Concerto for Violin
- 3rd Movement: Symphony No. 4
- 2nd Movement: Piano Concerto
- The Carnival Of Animals: The Aviary
- The Flying Dutchman
- Humoresque
- Ballet Music: Rosamunde
- 3rd Movement: Symphony No. 2
Tracks:
- 2nd Movement: Symphony No. 40
- Symphony in C
- 3rd Movement: Violin Concerto
- Arabesque
- Waltz: Tales From The Vienna Woods
- A Midsummer Night's Dream: Nocturne
- Berceuse
- Siegfried Idyll
- Piano Quintet: The Trout
- Ballet Suite: Swan Lake
- Swan Lake: Hungarian Dance And Czardas
- Oh Lamb Of God
- To Spring
- Finale: Piano Cocerto in a Miror
- Light Calvary
- Mazurka
- Thunder And Lightning Polka
- Moto Perpetuum
- Radetzky March
- Consolation E Major
- March
- Waltz No 2
- Moment Musical F Minor Op. 94
- Raindrops
- Minute Waltz AS-Major
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- Some Of Bernstein's Most Memorable Deutsche Grammophon Recordings
|
Schubert, Mendelssohn, Schumann: Complete Recordings on Deutsche Grammophon
Manufacturer: Deutsche Grammophon
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Binding: Audio CD
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ASIN: B000ASAEM6
Release Date: 2005-11-08 |
Customer Reviews:
Some Of Bernstein's Most Memorable Deutsche Grammophon Recordings.......2007-05-21
Fans of Leonard Bernstein's conducting have much to enjoy in this fine commemorative box set which includes all of his recordings of several Schubert, Mendelssohn and Schumann orchestral works for Deutsche Grammophon in the 1980s. More importantly, this set contains some of his best recordings. Among my favorites are his Schubert symphony recordings made with the Concertgebouw Orchestra. Of these, his electrifying, swift account of the Schubert 9th Symphony remains among the finest recorded, blessed by superlative playing from the Concertgebouw Orchestra, especially its winds and strings. Bernstein doesn't seek emotional pyrotechnics from the orchestra, relying instead on swift tempi. His recordings of the Schubert 5th and 8th symphonies are also highly recommended, featuring exceptional playing from the Concertgebouw Orchestra. In stark contrast, his celebrated Schumann symphony cycle with the Wiener Philharmoniker (which has been available separately as a two CD set) is replete with emotion, and what could be charitably described as Bernstein's unique, quite mannered interpretations of these scores. Without question, this box set is yet another reason showing Bernstein's excellence as one of the great conductors of the 20th Century, and one which should be popular with his fans and others interested in his legendary career.
Average customer rating:
- Lots of Szell Brings A Re-evaluation
- George Szell is best known from his Columbia recordings
|
George Szell: Decca & Philips Recordings 1951-1969
Manufacturer: Decca
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Binding: Audio CD
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- George Szell Plays and Conducts Mozart
ASIN: B0009A41XS
Release Date: 2005-08-09 |
Customer Reviews:
Lots of Szell Brings A Re-evaluation.......2005-09-21
Kudos to Decca for bringing together in one convenient set George Szell's recordings that were made for the Decca & Philips labels from the early 1950s and to mid 1960s (minus those recordings where he acted in the role of accompanist, ie: those with pianist Curzon). These recordings are very well known and have been collector's items for many years, so to have them together in a mid-price box is self recommending.
The Philips recordings were issued a few years ago as a 2-CD set in their "Early Years" series while a few of the Decca recordings have already been released as singles in their Classic Sound series (both series saw very spotty distribution Stateside). I detect very little change in the sound quality in these new Decca Classic Sound versions, though the couplings from CD to CD are better programmed here than they were before (Philips had to cram alot of music on those 2CDs).
The most-recommendable recordings in the bunch are Szell's Mozart 34, Dvorak 8, Beethoven Egmont, Mendelssohn Midsummer's Night and Brahms 3. Here, the usual Szell trademarks are fully on display: tight rhythms, crisp articulation and finely graded dynamics. However, I was unexpectedly disappointed in two recordings long held to be top Szell & basic repertoire recommendations: the Beethoven 5 and Sibelius 2.
The Beethoven 5 has always been touted as more relaxed and in better sound than Szell's CBS 5th with Cleveland. But comparing this new Decca re-issue to Sony's recent "Original Jacket" issue of the Cleveland 5th, I didn't find that to be true at all. The Sony version now stands - to me, at least - as the better representation of Szell in this warhorse, both as an interpretation and in recorded sound. Indeed, the Concertgebouw recording suffers from an extremely lackluster and sloppy second movement that probably could have used a retake. Something just isn't right here - conductor and orchestra are not on the same page of the playbook...which is not what one expects in a recording by such a strong-willed technician as Szell. As an overall performance, this Concertgebouw recording is now easily surpassed by Szell's Sony effort, not to mention alternate versions by Kleiber, Karajan, Bernstein and others (but, again, you need to hear the Szell/Sony in the Original Jackets remastering, not the earlier Essential Classics version).
As for the Sibelius 2, we have a situation where poor intonation and hesitant execution in the orchestra knock this version off the pedestal of received opinion. And, with Szell's live Tokyo performance with Cleveland now widely available, his Concertgebouw version comes in direct competition with - Szell himself, and in a much better and much more cohesive recording. With the "if only he had recorded this with Cleveland" caveat removed, the choice is now clear - get the Cleveland version if you want Szell in Sibelius 2. That recording remains a top recommendation, though Ormandy, Maazel, Vanska and even Karajan have all brought their particular strengths to this piece as well, strengths that are much different than Szell's forte(s). There's plenty of room at the top when it comes to great recordings of great music.
Having lived with both the Beethoven and Sibelius for years, it's a bit disconcerting to have to make the above observations, but there you have it.
For the rest of the set, it is good to have Szell's interpretations of Tchaikovsky and Schubert on hand in such good sound. But truth be told, there are better versions out there of these works as well, the Tchaik 4 in particular (which in Szell's hands hangs fire in the least-expected places). The Baroque recordings included here are testament to a long-gone era when the standard Baroque works (worques?) were made acceptable to orchestral audiences by beefing them up to quasi-Wagnerian proportions. And even here, Szell is bettered by his contemporaries like Adrian Boult and Karl Richter in similar repertoire. A Baroque curate's egg if there ever was one.
Having said all of the above, I can still safely recommend this set to just about anyone interested in Szell or the repertoire on offer. Yes - work to work, there are better versions available, some from Szell himself. But *overall,* this set will provide plenty of pleasure and musical excitement to everyone save the anti-Szell wing of the classical music zealotry.
Enjoy.
George Szell is best known from his Columbia recordings.......2005-08-31
George Szell (1897-1970) is best known from his recordings made in the 1950s and 60s for Columbia records, mostly with the Cleveland Orchestra, many of which are now on Sony Classical. But he also made a number of recordings during the same period for Decca and Philips in Europe, with the Concertgebouw Orchestra, Amsterdam; Vienna Philharmonic, and London Symphony, all of which are included in this box. If you think of Szell as a cold, calculating technician - and he could be in some of his Columbia recordings - he has precision here in spades, but also warm sound, perhaps partly from the remastering for this release.
Szell's Concertgebouw Beethoven Symphony 5 is MUCH BETTER than his Cleveland recording. The precision is there, but it also sings, and is warmer than the Cleveland recording (Sony, coupled with Symphony 2). Szell's Vienna EGMONT is one of the best recordings of the work, if not THE best recording of the stereo age, even 36 years after it was recorded. The Sibelius 2 (also with the Concertgebouw) is warm and fine in every way. The Concertgebouw played beautifully for him, and it shows.
The Mendelssohn MIDSUMMER NIGHT's DREAM, Schubert ROSAMUNDE, Mozart Symphony 34, Handel WATER MUSIC and ROYAL FIREWORKS MUSIC are all excellent, too. Some may have favorite performances, but I cannot imagine anything better than Szell's Concertgebouw Mozart 34: perhaps Bohm (DG) and Krips (Philips).
The 5th disc has two classic mono recordings of the early 1950s:
Dvorak's Symphony 8, and Brahms 3, both with the Concertgebouw. The sound is just fine: beautifully remastered, and Szell's performances very solid and musical.
As you can tell, I'm very happy with this, and would advise anyone with $30.00 spare change to pick it up at their first opportunity.
Average customer rating:
- Beautiful early 1950s recordings by an unknown conductor to many Americans
- Schuricht's Classic Studio Recordings 1949-56
- Carl Schuricht: An Original Master
|
CARL SCHURICHT Decca Recordings 1949-1956
Manufacturer: Decca
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Binding: Audio CD
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ASIN: B000276K3W
Release Date: 2004-08-10 |
Customer Reviews:
Beautiful early 1950s recordings by an unknown conductor to many Americans.......2006-04-29
Carl Schuricht (1880-1967) may be an unknown conductor to many Americans, but had an active career in Germany, Holland and France from the 1930s until his death in 1967. Schuricht was known to me primarily from his EMI stereo recording of Bruckner Symphonies 8 and 9 with the Vienna Philharmonic. The recordings in this Decca set are MONO, but in very clear, well defined sound. Decca's engineers have done excellent work for this reissue.
Some listeners will know which works are by the Paris Conservatory Orchestra, as their trumpets, horns, and woodwinds have a certain vibrato laden timbre which their American and British counterparts, for example, do not. You either like the Paris Conservatory or you don't, and I DO. Beethoven's Symphony 5; Tchaikovsky's Capriccio Italien, Orchestra Suite No. 3 Variations; Schumann's Symphonies 2 and 3 + Overture, Scherzo and Finale are all by the Paris Conservatory Orchestra in this collection. The other works: Beethoven Symphonies 1 and 2, Mendelssohn RUY BLAS, HEBRIDES, FAIR MELUSINA and CALM SEA AND PROSPEROUS VOYAGE Overtures; Brahms Symphony 2 and Schubert Symphony 8 "Unfinished" are all with the Vienna Philharmonic from the early 1950s.
There is much here to love, even if you have other recordings of these works. Schuricht had a special solidity but was never stodgy or dry. I compare him favorably with Karl Bohm (1894-1981). Recommended, and I have other recordings of all these works, but am glad to have Schuricht, too.
Schuricht's Classic Studio Recordings 1949-56.......2005-04-08
To my mind, Schuricht's sane and very musical conducting always occupied an appealing "middle ground" between the more subjectively romantic way of Furtwangler/Abendroth/Mengelberg and the tougher rhythmic drive of Toscanini and Kleiber. Here is a brief assessment of each CD in this 5-disc collection:
CD 1. Schuricht draws wonderfully disciplined playing from the VPO in this superb Beethoven 1st, which is one of my favorite versions along with the more Haydnesque, gemutlich Weingartner/VPO (best heard on an Opus Kura CD from Japan, coupled with Weingartner's magnificent Beethoven 7th). Schuricht's Beethoven 5th with the Paris Conservatory Orchestra has appeared elsewhere on Italian bootleg labels. The transfer here is vastly superior. This is, to my ears, one of the greatest-ever accounts: it's very straight (lean and mean) and better-played than Schuricht's later recording in his complete Beethoven symphony set (French EMI). Even though Furtwangler remains my exemplar here (his 1943 wartime concert performance on DG and the mellower 1952 account on Tahra), Schuricht's more classical manner is very persuasive. This surely ranks among the finest "straight" 5ths of Weingartner (Naxos), Erich Kleiber (Decca) and Carlos Kleiber (DG). Schuricht's Mendelssohn is well-played, if a bit sober and penny-plain. In the Hebrides (Fingal's Cave) Overture, I still prefer Beecham, Furtwangler, Maag and Fritz Lehmann. In the Ruy Blas, Beecham is simply inimitable. For the Calm Sea and Prosperous Voyage, there was once an excellent version on Columbia LP (England) by Paul Kletzki and the Israel Philharmonic (coupled with a great Scotch Symphony) that deserves to be on CD. My favorite account remains the Lehmann/Berlin Phil., which DG ought to re-issue in a coupling with the Hebrides and the Roloff/Lehmann readings of Mendelssohn's piano concertos.
CD 2. This disc holds two treasurable 2nds of the "desert island" variety. The Beethoven Symphony has a wonderfully trenchant first mvt., a Larghetto with delectable interplay between the VPO's beautifully sweet strings and its plangent winds, a witty Scherzo, and an affectionately slow last mvt. At a length of 7:07, the latter is hardly Allegro Molto (for that you have to hear the brilliant Erich Kleiber on Teldec), but to my ears this is one of the truly classic performances, along with the Kleiber and the outstanding Weingartner (best transfer: Naxos). The Brahms 2nd Piano Concerto with Backhaus is a great collaboration - this pianist was always at his best in Brahms - and the transfer is HUGELY superior to what was (barely) heard in the Philips "Great Pianists" series. It's my favorite account, though I wouldn't be without the exceptional readings by Clifford Curzon/Hans Knappertsbusch (Living Stage) and Sviatoslav Richter/George Georgescu (Dorian, coupled with Richter's only recording of the Handel Variations).
CD 3. Schuricht's gorgeously lyrical, very pastoral account of Brahms' 2nd Symphony is more uptempo than his live Stuttgart account (Archiphon). If I could have only 3 recordings, they would be this Schuricht (excellent transfer!), the Fritz Busch (EMI) and the Furtwangler (EMI). Incidentally, I can't help noticing (in the last mvt., the passage starting at 4:43 here) an odd similarity to the opening of Mahler's 1st (since the opening of Mahler's 3rd is clearly patterned on the main theme of the Brahms 1st's last mvt., I think this may be more than just a coincidence). Christian Ferras' interpretation of the Brahms Violin Concerto reminds me somewhat of Fritz Kreisler's (Ferras also uses the Kreisler cadenza). It's a lovely, small-scale account, and joins a lengthy list of "greats" (e.g., Kreisler/Blech, Busch/ Steinberg, Szigeti/Harty, Martzy/Kletzki, De Vito/Schwarz, etc.)
CD 4. This disc is all Schumann: The Overture, Scherzo & Finale (rather like a symphony without a slow movement), plus the 2nd and 3rd Symphonies. All are with the Paris Conservatory Orchestra, whose billowing brass may be an acquired taste. These are all masterly readings. The CD notes fail to mention that, in the "Rhenish," Schuricht uses Mahler's re-orchestration. My other favorite 2nds (the opening measures so like Haydn's #104!) are the more richly romantic readings by Stokowski (Cala) and Pfitzner (Koch Legacy), and the chastely classical Enescu (Dutton). My favorite stereo 3rd is probably the Leibowitz (Chesky). Hopefully a long-extinct 10" DG LP of the 3rd with Leitner and the Berlin Phil. will achieve a CD transfer: it had the loveliest slow mvt. I have ever heard.
CD 5. This disc is of lesser distinction. Mendelssohn's Fair Melusine Overture receives a sturdy reading that isn't quite on the level of Busch or Beecham. The Schubert 8th strikes me as a mis-fire - it's also available on Schuricht's "Great Conductors" volume on IMG (see my review). And the Tchaikovsky Capriccio Italien is simply no match for the ebullient Kondrashin (RCA).
This Decca set is essential listening, especially for its pace-setting accounts of Beethoven and Brahms. If you would like to hear a broader representation of Schuricht's artistry, you may want to explore his 10-disc set on Scribendum (available at Amazon.uk), which includes stylish accounts of Bach's Brandenburg Concertos, Mozart's 38/40/41, a fine Bruckner 7th, and a very warm-hearted Brahms 4th.
Strongly recommended.
Carl Schuricht: An Original Master.......2005-01-13
Conductor Carl Schuricht has been unfairly neglected over the years, but a recent string of reissues should go to great lengths to remedy that problem. Compiling many of his greatest recordings for the Decca label from 1949-1956, this box set will be a most welcome addition to the shelves of classical music connoisseurs. Unfortunately, this title is not without its problems. While the set claims on its back cover that all of this material, save a 1952 account of the Brahms 2nd Piano Concerto with Backhaus (amazing BTW) and a 1956 Schubert 8th Symphony, are receiving their first international CD release, a lot of this material has been readily available for years. In addition to the aforementioned "Unfinished," the 1954 performance of Mendelssohn's "Hebrides" Overture with the Vienna Philharmonic was recently included in Schuricht's "Great Conductors of the 20th Century" title. Also the 1954 recording of the Brahms Violin Concerto with Christian Ferras is the very same version featured on Testament SBT 1293, and it is an alarming trend, if you ask me, that these "licensed" recordings are starting to appear simultaneously on two labels (see my recent review of EMI's "Great Recordings of the Century" release of David Oistrakh performing Prokofiev's Violin Concertos). Finally, why UNI chose to issue this and the recent Erich Kleiber set in clunky plastic jewel cases, instead of the normal slim paperboard box with paper sleeves for the discs, is beyond me. Overall though, "Original Masters: Carl Schuricht" is another first rate historical reissue from Universal. Schuricht's earlier performances of Beethoven's 1st, 2nd & 5th Symphonies featured here offer a nice contrast to his accounts of a few years later on EMI, and his Schumann -- the 2nd & 3rd Symphonies and "Overture, Scherzo and Finale" comprising CD4 -- is surprisingly good. In fact, I can hardly wait for the next batch of Decca OMs next month!
Average customer rating:
- Exceptional Schubert
- A breakthrough recording for a unique conductor
- Great Performances of Schubert and Mendlessohn Symphonies
- The best recording of Schubert's "Unfinished," bar none.
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Schubert: Symphony No.8/Mendelssohn: Symphony No.4
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Similar Items:
- Schubert: Symphony No 9; Wagner / Solti, Vienna Philharmonic Orchestra
- Great Recordings Of The Century - Schubert: Symphonies nos. 3, 5, & 6 / Beecham, Royal Philharmonic Orchestra
- Schubert: Symphonies 3 & 8 / Carlos Kleiber, Wiener Philharmoniker
- Brahms: Symphonies Nos. 2 & 3
- Haydn: The London Symphonies, Vol. 2
ASIN: B000001GNF
Release Date: 1994-08-22 |
Tracks:
- Sym No. 8 in b D 759 'Unfinished': Allegro moderato
- Sym No. 8 in b D 759 'Unfinished': Andante con moto
- Sym No. 4 in A op.90 'Italian': Allegro vivace
- Sym No. 4 in A op.90 'Italian': Andante con moto
- Sym No. 4 in A op.90 'Italian': Con moto moderato
- Sym No. 4 in A op.90 'Italian': Saltarello: Presto
Amazon.com
Giuseppe Sinopoli literally burst upon the classical music scene with this gorgeous recording of two repertoire chestnuts. His musical accomplishments were abetted by a marvelously stupid set of program notes in which he talked about Schubert's lack of personal hygiene and other none too salient facts. And if his musical career seems not to have fulfilled the promise of this spectacular early recording, at least we have this evidence of what might have been. --David Hurwitz
Customer Reviews:
Exceptional Schubert.......2007-05-17
This is one of those very rare performances that deserves the label "definitive". Sinopoli's performance of Schubert's 8th is not only in a league of its own, but takes you right to the core of this emotionally devastating music--and it's almost too difficult to listen to. Anyone who loves this symphony and does not own this performance is cheating themselves.
Just as a word of caution, do not confuse this performance with Sinopoli's later recording of the same symphony with the Dresden Staatskapelle--a routine and unexceptional performance and interpretation.
A breakthrough recording for a unique conductor.......2006-01-01
Since this now-classic pairing of the Schubert "Unfinished" and Mendelssohn "Italian" Sym. is so well known, one can pause to refute David Hurwitz's abssurd claim that Sinopoli never fulfilled his early promise. This 1984 recording from London came at a time when English critics sniffed at Sinopoli during his tenure with the Philharmonia (a flagging ensemble since Klemperer's death that he revitalized). The same critics continue to look askance; Sinopoli made little impact in the U.S., since his guest aappearances with American orchestras were spotty.
Sinopoli came to conducting by an eccentric route through medical school and psychiatry--he was also a dedicated Egyptologist in his spare time--but Sinoploi was the real thing, a born conductor with amazing musical instincts. It takes such gifts to say something new about the Unfinished, which Sinopoli paces deliberately in both movements (2 or 3 min. slower in each than Klemperer and Bernstein, or even the later Sinopoli, who chose more standard tempos in his remake with the Dresden Staatskapelle for DG). Broadening the tempo allows him to personalize and dramatize every bar. One comes away feeling that new things happened from moment to moment, without a hint of rote repetition. The "Italian" is more conventional in the fast outer movements, but Sinopoli takes time to expressively shape the two middle movements, and the whole symphony is lifted high above routine. The recorded sound is a bit boomy and larger-than-life but quite warm.
This ability to make music seem freshly composed and original is something Sinopoli kept to the end. He left behind superlative opera recordings of Nabucco, Macbeth, Tannhauser, Salome, Tosca, The Flying Dutchman, Ariadne auf Naxos, Elektra, Die Frau Ohne Schatten, and Manon Lescaut (he died on the podium in his fifties conducting Aida), which hardly bespeaks failed promise. Even his Rigoletto and Il Trovatore, both marred by weak casting, are fascinating on his part.
Sinopoli's orcchestral interpretations were more controversial, and especially vexing to the British when he took up Elgar, a sacred monster that one simply doesn't tamper with. But there are quite a number of Mahler and Bruckner recordings that deserve high ratings, along with estimable Schumann, Richard Strauss, and this recording. Sinopoli was also a modernist composer and conducted at least one CD of his own music from an opera about the femme fatale of psychiatry, Lou Andreas Salome.
Overall, I would say that a listener could live with both these readings for life without needing another. I can't give higher praise, and as for dissing Sinopoli beyond the grave, talent will out in the end.
Great Performances of Schubert and Mendlessohn Symphonies.......2001-09-07
Without a doubt, this excellent recording was one of the best Sinopoli did with the Philharmonia Orchestra. Here he gives two vibrant readings of Schubert's "Unfinished" Symphony and Mendlessohn's 4th "Italian" Symphony. The Philharmonia Orchestra's playing is quite refined, with much warmth and brilliance. Most noteworthy is the exceptional playing of the woodwind and string sections. Much to his credit, Sinopoli's conducting is not at all idiosyncratic, but remains faithful to Schubert's and Mendlessohn's scores. Anyone interested in a fine recording of these two symphonies will not be disappointed with this CD.
The best recording of Schubert's "Unfinished," bar none........1999-06-24
Sinopoli's conducting of the Philharmonia is exquisite. Here their lush string section is highlighted against bright brass and some resounding kettle drums. He brings a warm glow to the music's quiet passages, highlighting the symphony's subtle tragic dimension. Slower than Kleiber's interpretation, but with a poetic quality all its own.
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