Victoria - Officium Defunctorum (Office of the Dead)
Editorial Reviews
Amazon.com
Tomás Luís de Victoria's Officium Defunctorum (a.k.a. Requiem) has become enough of a sacred music warhorse to make a jaded reviewer groan, "Not again!" What's more, the work's popularity has skewed the modern public's view of Victoria, giving him a reputation for dark and intense Iberian mysticism when his contemporaries considered him a basically joyous composer (see, for example, the Mass and motet O quam gloriosum). Yet with a well-judged crescendo on the very first chord of the disc, Philip Cave and his choir grab your attention and won't let go. Magnificat performs the Requiem even more cleanly and precisely than do the famously immaculate Tallis Scholars--yet with a warmth and dynamic subtlety the more famous group sometimes lacks. (As it happens, Cave is a Tallis Scholar himself; his singers work regularly with the Sixteen, the Gabrieli Consort, and the like.) Most strikingly, the choir's sound has a dulcet glow that seems to link the Requiem directly with Victoria's more cheerful music. Paul McCreesh and Gabrieli Consort bring out more of the Requiem's drama and intensity (and a better idea of how Victoria intended it to be used), but Magnificat's performance, like no other, captures its sweetness and light. --Matthew Westphal
Victoria - Officium Defunctorum (Office of the Dead), Music, Victoria, Philip Cave, Magnificat, Classical, Classical Composers, Classical Vocals
Average customer rating:
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Victoria - Officium Defunctorum (Office of the Dead)
Victoria , Philip Cave , and Magnificat
Manufacturer: Linn Records
ProductGroup: Music
Binding: Audio CD
Sacred & Religious
| Renaissance (c.1450-1600)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Masses
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Renaissance (c.1450-1600)
| Historical Periods
| Opera & Vocal
| Styles
| Music
ASIN: B00002Z841
Release Date: 1999-11-16 |
Tracks:
- Taedet Animam Meam
- Ego Sum Resurrectio
- Benedictus Dominus Deus
- Introitus: Requiem Aeternam
- Kyrie Eleison
- Graduale: Requiem Aeternam
- Offertorium: Domine Iesu Christe
- Sanctus: Benedictus
- Agnus Dei
- Communio: Lux Aeterna
- Motectum: Versa Est In Luctum
- Absolutio: Libera Me
Amazon.com
Tomás Luís de Victoria's Officium Defunctorum (a.k.a. Requiem) has become enough of a sacred music warhorse to make a jaded reviewer groan, "Not again!" What's more, the work's popularity has skewed the modern public's view of Victoria, giving him a reputation for dark and intense Iberian mysticism when his contemporaries considered him a basically joyous composer (see, for example, the Mass and motet O quam gloriosum). Yet with a well-judged crescendo on the very first chord of the disc, Philip Cave and his choir grab your attention and won't let go. Magnificat performs the Requiem even more cleanly and precisely than do the famously immaculate Tallis Scholars--yet with a warmth and dynamic subtlety the more famous group sometimes lacks. (As it happens, Cave is a Tallis Scholar himself; his singers work regularly with the Sixteen, the Gabrieli Consort, and the like.) Most strikingly, the choir's sound has a dulcet glow that seems to link the Requiem directly with Victoria's more cheerful music. Paul McCreesh and Gabrieli Consort bring out more of the Requiem's drama and intensity (and a better idea of how Victoria intended it to be used), but Magnificat's performance, like no other, captures its sweetness and light. --Matthew Westphal
Average customer rating:
- totally grew on me
- El mejor de los Requiem Renacentistas Hispanos
- Great Singing, Annoying Format and Recording Job
- Haunting...stunningly beautiful singing.
- Excellent
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Victoria: Requiem - Officium defunctorum (1605) / McCreesh, Gabrieli Consort
Tomás Luis de Victoria , Paul McCreesh , and Gabrieli Consort
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD
Sacred & Religious
| Renaissance (c.1450-1600)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
McCreesh, Paul
| ( M )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Masses
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Renaissance (c.1450-1600)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Similar Items:
- Morales: Mass for the Feast of St. Isidore of Seville
- O Quam Gloriosum
- A Venetian Coronation 1595
- Giovanni Gabrieli: Music For San Rocco
- Mass for Christmas Morning
ASIN: B0000057F2
Release Date: 2005-03-21 |
Tracks:
- Requiem: Officium defunctorum: Lectio II ad Matutinum: Taedet animam meam
- Requiem: Officium defunctorum: Introitus: Requiem aeternam
- Requiem: Officium defunctorum: Kyrie
- Requiem: Officium defunctorum: Oratorio
- Requiem: Officium defunctorum: Epistola
- Requiem: Officium defunctorum: Graduale: Requiem aeternam
- Requiem: Officium defunctorum: Tractus: Absolve, Dominine
- Requiem: Officium defunctorum: Sequentia: Dies irae
- Requiem: Officium defunctorum: Evangelium
- Requiem: Officium defunctorum: Offerorium: Domine Iesu Christe
- Requiem: Officium defunctorum: Prefatio
- Requiem: Officium defunctorum: Sanctus
- Requiem: Officium defunctorum: Benedictus
- Requiem: Officium defunctorum: Pater noster
- Requiem: Officium defunctorum: Agnus Dei
- Requiem: Officium defunctorum: Communio: Lux aeterna
- Requiem: Officium defunctorum: Postcommunio
- Requiem: Officium defunctorum: Motectum: Versa est in luctum
- Requiem: Officium defunctorum: Absolutio: Libera me, Domine
Amazon.com essential recording
Victoria's famous Requiem, fully titled Officium defunctorum ("Office for the Dead"), published in 1605, was composed for the funeral of the Dowager Empress Maria (daughter of Charles V, sister of Philip II, wife of Emperor Maximilian) in 1603 in Madrid. Paul McCreesh's recording aims to re-create that service, with prayers and chants (including the well-known Dies irae, not set by Victoria) in their liturgical sequence. This alternation of chant and polyphony gives a good idea--better than would Victoria's polyphony alone--of just how solemn and sumptuous the Empress's funeral was. This wouldn't matter, of course, if the Gabrieli Consort's performance of this bewitchingly melancholy music were anything less than excellent. It's that and more--as the music progresses, the singing becomes more involved and intense; by the time the Sanctus arrives, it is transcendent. --Matthew Westphal
Customer Reviews:
totally grew on me.......2006-01-13
At first I didn't like this recording much because I thought the chants were boring & got in the way of the music, but now they're not so bad. If you like the Tallis Scholars, Orlando Consort or the Sixteen you'll probably like this recording since a few members of the choir on this disc also record with them (Donald Grieg, Robert Harre-Jones, ,Timothy Wilson, Angus Smith, Robert Evans, Francis Steele). The chants, etc don't detract so much from this recording as I first thought; I think I prefer it with them now. The parts with actual singing are outstanding; I've heard other recordings with women sopranos/altos/etc & the sound is usually brighter/lighter; this one has an all-male choir which sounds richer & darker. The opening movements (intro, kyrie, etc) are serene & peaceful, and the sanctus/benedictus are very intense. They're too short though! I don't know if they're supposed to be traditionally but I wish Victoria had more lol.
El mejor de los Requiem Renacentistas Hispanos.......2005-04-03
Una obra sublime, brillante
llena del misticismo y el
fervor Hispanico. Este es
uno de los mejores "Officium
Defunctorum" proveniente de Espana.
Tomas Luis de Victoria es uno
de los mejores exponentes del arte
musical sacro, lo que lo hace uno
los miembros de "La triada Espanola"
los otros dos compositores son Guerrero
y Morales. El Requiem de 1603 de Tomas
Luis de VIctoria fue compuesto para las
exequias de la emperatriz Maria de Austria.
En esta grabaccion el director Paul McCreesh
nos presenta la obra como fue presentada en
las exequias de la emperatriz, el director
incluye algunos cantos gregorianos asi como
lo hizo Victoria en aquel entonces, tal
practica colabora a completar la liturgia.
Este es un disco de maxima recomendaccion
el conjunto Gabrielli Consort hace
un trabajo formidable...
Great Singing, Annoying Format and Recording Job.......2002-03-09
This disc of the "Requiem" contains some of the best singing I have ever heard, and the interpretation of Victoria's music is unmatched for dramatic intensity. However, (and for me these are significant howevers), both the presentation and recording job are problematic. Like many of McCreesh's recordings, this is a reconstruction. If you have never been at a Catholic high Mass in the old style, or are a liturgical historian, it may be interesting, once or twice, to hear the context in which the "Requiem" originally was heard. That being said, though, the ordinary chants, including the chanted readings, are frankly ordinary, utilitarian, tedious, and of minimal musical interest. The one exception here is the "Dies Irae", sung in its entirety. All told, you have to program out about 25% of this disc to listen to just the Victoria music. The other caveat is that for some reason the sibilant sounds, and the t's and p's, are REALLY prominent in the mix. If you've got equipment that can minimize this, you're way ahead, sonically.
Haunting...stunningly beautiful singing........2002-01-06
The all male chorus of the Gabrielli Consort under the direction of McCreesh sing with impeccable beauty. The ethereal quality apt for a Requiem setting is perfectly realized conveying effectively a pious reverent quality suitable for this piece.
Excellent.......2001-03-21
This is an outstanding recording of some gorgeous polyphony, and the quality of McCreesh's falsettos is sometimes breathtaking, always top-notch. In addition, some of the details of the performance are surprising, especially for listeners brought up on excellent but monochromatic renditions of Renaissance choral music. The low string drone-- which, as far as I can tell, is played on some version of the hurdy-gurdy-- only enhances some of the polyphonic sections, and certainly adds to the interest of most of the monophonic chants. Which brings me to my one caveat: while McCreesh's recontextualizing projects are, with few exceptions, fascinating, I have to admit that when I put this disc on, I almost always skip around to reach the polyphonic tracks. From a musicological point of view, there is nothing to be lost and everything to be gained by recentering the "work" in its likely contemporary musical and liturgical setting. It is, however, always a question of degrees: should one only listen to the work in a chuch? after someone has died? It's silly to ask, I know, but it's just as silly to deny the fact that, for a modern "concert" audience, appreciation of the Missa is going to proceed along different lines. Having said that, I can still recommend this issue with few reservations.
Average customer rating:
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Victoria: Officium Defunctorum [Germany]
Escolania & Capella De Musica Montserrat
Manufacturer: Deutsche Harmonia Mun
ProductGroup: Music
Binding: Audio CD
General
| Classical
| Styles
| Music
ASIN: B0009W4M30
Release Date: 2005-07-25 |
Tracks:
- Requiem - I. Introitus: Requiem Aeternam
- Requiem - Ii. Kyrie
- Requiem - Iii. Graduale: Requiem Aeternam
- Requiem - Iv. Offertorium: Domine Jesu Christe
- Requiem - V. Sanctus Und Benedictus
- Requiem - Vi. Agnus Dei
- Requiem - Vii. Communio: Lux Aeterna
- Motectum 'Versa Est In Luctum' 6 Vocum
- Responsorium 'Libera Me, Domine' 6 Vocum
- Lectio Ii: 'Taedet Animam Meam' 4 Vocum
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