La Corona

Track Listings

1. La Corona

Editorial Reviews
Album Description
By his mid-twenties Gluck was already writing operas, set to the libretti of revered Italian dramatist Pietro Metastasio. By 1750 he had settled in Vienna. The young composer was soon engaged at the Burgtheater in Vienna to tailor French operas and opera-comiques to Austrian taste (frequently inserting selections of his own music). The Hapsburg royal family, Empress Maria Theresa in particular, was very fond of the composer. Gluck had composed music for regal birthdays and namedays and participated in the celebrations for the second marriage of the eldest son Archduke Joseph in January 1765. For the wedding festivities Gluck had been commissioned to supply a short opera with Metastasio's libretto. Four of Maria Theresa's daughters were accomplished musicians and sang in that new work, Il Parnaso confuso (available on TROY655). This was such a success that another work was commissioned: La Corona. But due to the Emperor's sudden death, the work was not presented;! Gluck never heard it, and it was not performed until our own time. The work, based on a Greek myth dealing with a dispute over who shot the fatal blow during a hunt for a wild boar terrorizing a kingdom, has a clarity and a directness which is both refreshing and new. Gluck's stated credo, "I believe that my greatest labor should be devoted to seeking a beautiful simplicity, to avoid making displays of difficulty at the expense of clearness" applies very well to this lovely score. Opera lovers will rejoice at this presentation, another in this wonderful series featuring Julianne Baird and her stellar companions. And, as a delightful bonus, two examples of Gluck's relatively small chamber output are included as the perfect encores.

Tracks:

Tremo Fra' Dubbi Miei
Di Questa Centra In Seno
Misera, Dov Son!...Ah! Non Son Io Che Parlo
Ciascum Siegua il Suo Stile...Maggior Follia
Quel Chiaro Rio
Ah, Taci, Barbaro...Come Potesti, Oh Dio!
Se Mai Senti Spirarti Sul Volto
Berenice, Che Fai?

Amazon.com's Best of 2001

On this recording of eight unfamiliar arias by Gluck, Cecilia Bartoli once again demonstrates her peerless vocalism and communicative power. Using texts by Pietro Metastasio, the leading librettist of his day, from whose poetry the disc's title is taken, Gluck composed music of heartwarming and heartbreaking beauty. The arias encompass an infinite variety of style, mood, character, and expression, and Bartoli's mastery of them is complete. The sheer beauty of her voice and her consummately effortless coloratura are unique: endless cascading runs, ranging from below the staff to high D's and E-flat's, flow out flawlessly placed and articulated, like strings of perfect, shining pearls. But what makes her singing so fascinating and unforgettable is Bartoli's ability to color and change her voice to fit the music, going in an instant from lighthearted parody to tempestuous fury, half-mad desperation, and lamentatious pleading. Equally captivating is her ability to create real characters by purely vocal means. The pyrotechnics are stunning, the fiery outbursts thrilling, but it is the slow, lyrical, inward arias that are most moving and memorable. She can spin out a long melody like a golden thread, with a focused, centered sound and a concentrated intensity of expression that cast an irresistible spell over ear and heart. Most of these arias are in da capo form, but she ornaments the repeats freely and imaginatively without becoming excessive. The Berlin Academy for Ancient Music, playing on period instruments tuned to a low A, supports her with a wonderfully clear, transparent sound and great stylistic empathy. --Edith Eisler

Customer Reviews:

An informed performance of rare works that really shines.......2005-08-02

I think this is the best singing by Bartoli that I've heard since she recorded Idomeneo with Placido Domingo in the early 90's. It is historically informed and well played by the orchestra. The arias are rare gems that sparkle and are moving.

It is definitely a must have for all fans of Bartoli along, and not just the early-music crowd but all lovers of classical music.

Bravo!

Think twice before buying it.......2004-06-27

I used to give Ms Bartoli infinite credit, so I bought this Gluck album without much hesitation. Yet the dissapointment it brought was double: i) the passion of Ms Bartoli's interpretation overflows too often at the wrong place and ii) this selection of pieces proves that Gluck was not always inspired enough to hit the good string, having also produced dull, insipid musak. I think the composer has to bear most of the responsibility for this failed project. 3 stars for Ms Bartoli alone.

Can music get any better?.......2003-10-18

Cecilia Bartoli shows in this fantastic CD what a composer Gluck actually was from his early years. The music is fantastic, orchestrated well, and Bartoli delivers wonderful performances of these neglected pieces. Each one is so fantastic and full of life, and Bartoli is surely the one of the greatest artists of her or any time. Let's just hope she continues producing such fantastic work!

Cecilia.......2003-07-06

She is a light,high mezzo-soprano, so it sounds like she's a soprano. I fell in love with the second aria. I could play it over and over again, and the baroque music is very beautiful.

The art of singing, perfected . ........2003-04-01

Can you improve on perfection? Cecilia BARTOLI certainly can . . , and elevates a grateful GLUCK to new heights.
Now how can I top my raves for her VIVALDI Album? Here she
uses her vital energy to float an even more arid project.
And regales us with amazing vocal artistry. A tour-de-force
shining new light on a quasi-forgotten composer, who found
in Cecilia his most valiant knight. The orchestra under
B. Forck a class act. And the graphic presentation/booklet
an achievement in itself, it's a labour of love you'll
feel tempted to leave on your coffee table for conversation.
Make this your CD of the month, and be amazed.

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Passions

Manufacturer: Klavier
ProductGroup: Music
Binding: Audio CD

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ASIN: B000CNE0Z6
Release Date: 2005-12-20

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A Wonderful Recital with Caballe at her Best
no news
Montserrat Caballe's Claim To Fame
Welcome to the Caballe school of singing!

Rarities: Donizetti, Rossini, Verdi

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Leyla Gencer, Vol. 2
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Pacini: Saffo
Bravura Diva
HOMAGE: The Age of the Diva

ASIN: B0002VYE0O
Release Date: 2004-10-12

Customer Reviews:

A Wonderful Recital with Caballe at her Best.......2006-12-10

At the wake of Maria Callas' explorations into the bel canto repertoire, great sopranos such as Joan Sutherland, Leyla Gencer, and most importantly, Montserrat Caballe, dominated the Italian repertoire during their careers to revive the forgotten operas of Donizetti, Bellini, Verdi, and Rossini. I say that Caballe is the most important of these three post-Callas sopranos because more so than any of these divas, she epitomized the true bel canto style needed to make her characterizations come to life. Sutherland had an excellent technique, but her characterizations were sadly lacking in verve, and Leyla Gencer was too often in an undesirable state of voice despite her thespian histrionics. Montserrat had both, and she championed the great operas of Verdi, Puccini, Donizetti, Bellini, Rossini, Massenet, Wagner, Strauss, Mozart, Giordano, Pergolesi, and all the other great, almost-unknown composers who became part of her core repertoire, if there was any at all. Her excellent technique allowed her to continue assuming roles that displayed her magnificent artistry well into her 70's...up to today! Yes, she is still singing, and in fact she is going to be starring in a role in the Vienna Opera next year.

This recital shows Caballe in the repertoire that was arguably her best. Although I found her compelling in some Verdi, I thought that she lacked the spinto sound needed to set those Verdi roles on fire. In this recital, Caballe shows her knack and ability to make the earlier Verdi operas shine. She had a coloratura facility that was simply astounding for an instrument of her particular smoothness, beauty, and timbre, and I believe that her excerpt from Aroldo is a must hear. Her Donizetti is brilliant as well, a highlight being the Parisina and the Belisario excerpts. It makes us wish that there were a Belisario lying around somewhere with her singing. Her Rossini makes us hope for an Armida and a Tancredi. This recording finds her in superb voice, much more so than many of the recordings of her latter years that find her singing with a trademark Caballe bleat. For people who love bel canto and tasteful singing, I think this is a recital that anyone should own.

no news.......2006-02-21

If you have the earlier release of this set (1992 I think), there's really no need to replace it. This current (2004) release was supposedly remastered, but I can hear little if any difference. Amazon shows both versions, but I'd bet the earlier one may well be out of print. You get all the Caballe trademarks here: floated pianissimos, gorgeous mid-range singing - and the usual glottal stops. Even if you're not a big MC fan, the set is worth getting for all those arias you're not likely to hear elsewhere, or done as well.

Montserrat Caballe's Claim To Fame.......2005-11-09

Bel canto opera was soprano Montserrat Caballe's claim to fame. Blessed with both a huge and lyrically resplendent voice, she was a refreshing change from the purely dramatic style of singing provided by Maria Callas. Her pianissimi are still talked about even long after they disappeared, her coloratura is dynamic, her stamina and breath control impressive and her orutund, vigorous but beautiful tone made her particularly suited for the roles of queens or strong women- Donizetti's Lucrezia Borgia and Bellini's Norma especially. The other reviewer says she was perfect for the roles of mothers, queens and wives, and this is true because she was able to portray seemingly powerful women dying of love underneath. She would have made an exceptionally terrific Turandot but she never sang the role in her career.Her career in opera spanned the decades of the 60's, 70's and even part of the 80's. The arias from Parisina and Torquato Tasso are indeed outstanding. These operas are obscure bel canto operas by Donizetti, Rossini and even early Verdi operas. These operas will never be staged again and some of them enjoyed only mild success in their original stage premieres in the 19th century. This is the work of young and energetic composers who had not yet mastered character insight and thrilling dramatic elements. Mostly, it's beautiful singing, the actual definiton of the term bel canto. What we get in place of dramatic potency is ornate, lush singing. In the very least, these arias should be sung in recital. Caballe sang numerous bel canto pieces in recital, displaying her gift for this type of singing. She is the very embodiment of bel canto. Not even Joan Sutherland and Beverly Sills, considered her fellow peers in the same "back to bel canto" movement could essay the arias with such grace, elegance and majestic beauty. Sutherland sang with obvious gloss and no real dramatic power, Sills sang beautifully but focused on the significance of text as drama and therefore "spoke" some of her lines or cried or raged instead of singing. Callas was the same way only hers was a bigger voice. Caballe gave us simply beautiful singing. And we thank her for that.

Welcome to the Caballe school of singing!.......2004-12-18

This re-released recitals indisputably rank among Caballe's best recording material. Each "rarity" has something different to offer. In Rossini, Caballe mostly displays her coloratura ability which was not in the same league as Sills', Callas' or Sutherland's but had a magic of its own. One never expects such agilty from such a firm and full voice. The Tancredi scene is my favourite.

In Donizetti, Caballe truly reigns! If only she'd recorded these operas completely. I've always found her sound perfectly suited to roles of wifes, mothers and aristocratic ladies in general. The operas chosen here deal with marrital problems and Caballe is the definition of the Donizzeti roles she sings here! My favs are the Parisina and Torquato Tasso moments. Comparing her and the lighter sopranos who nowadays perform these operas makes one realise that high notes are not the issue here. The full, sumptuous sound of a Monsterrat is what these operas need!

Early Verdi has a lot in common with bel canto and Caballe is again sublime! The Un Giorno extract stands out. It's breathtakingly perfect! Caballe finds meaning in every phrase she sings. But all other tracks are unforgettable as well. Needless to say that the voice at this moment of her carreer was at its best!

These recitals will always have a special place in my opera collection and my heart!

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A Treasury of Gregorian Chants

Manufacturer: Madacy Records
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Release Date: 1995-04-16

Monterverdi: Sacred Vocal Music of Claudio Monteverdi

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Monterverdi: Sacred Vocal Music of Claudio Monteverdi
Claudio Monteverdi , Roy Goodman , Emma Kirkby , David Thomas , Theresa Caudle , Timothy Crawford , Peter Holman , Annette Isserlis , Mark Caudle , Amanda MacNamara , Roy Mowatt , and Ian Partridge
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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Monteverdi: Vespro della Beata Vergine 1610/Venetian Vespers
The Da Vinci Code (Widescreen Two-Disc Special Edition)

ASIN: B000002ZG6
Release Date: 1993-09-01

Tracks:

Su le penne de' venti
Confitebor tibi, Domine
Iste confessor Domini sacratus
Laudate Dominum, o omnes gentes
Confitebor tibi, Domine
Confitebor tibi, Domine
Ab aeterno ordinata sum
Nisi Dominus aedificaverit domun
Deus tuorum militum sors et corona

Amazon.com essential recording

There's no grand, large-scale music on this exceptional disc--only psalms and hymns for soprano, tenor, bass and strings in various combinations. Typical of the music are three settings of "Confitebor tibi, Domine" (Psalm 110): a jaunty but graceful setting for soprano and tenor, with athletic runs and a gorgeous slow ending; a moderate but charged setting for three voices, each singer delivering a verse in turn before joining dramatically at "sanctum et terribile" ("holy and terrible"); and a setting for soprano and strings combining enchanting delicacy with astonishing virtuosity. That description fits the singing of Emma Kirkby perfectly here; Ian Partridge and David Thomas make ideal partners. After fifteen years in release, this remains one of the best Monteverdi records in the catalog. --Matthew Westphal

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GLORIOUS!

From Monteverdi to Vivaldi

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Fugues | Forms & Genres | Classical | Styles | Music

Baroque (c.1600-1750) | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

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ASIN: B00007ITAJ
Release Date: 2003-05-06

Tracks:

Dixit Dominus A 8 - David Thomas
Confitebor Tibi A 3 - David Thomas
Beatus Vir A 6 - David Thomas
Laudate Pueri A 5 - David Thomas
Laudate Dominum A 5 - David Thomas
Deus Tuorum Militum A 5 - David Thomas
Magnificat A 8 (Completed Par Andrew Parrott) - David Thomas
Jubilet, Motet Solo (In Dialogo) - David Thomas
Salve Regina A 5 - David Thomas

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Intonation Del Nono Tono (Intonationi D'Organo, 1593) - John Toll
In Ecclesiis A 14 (Symphoniae Sacrae 11, 1615) - John Toll
Adoramus Te, Christe A 6 (Motetti In Lode D'Iddio Nostro Signore, 1623) - John Toll
O Quam Pulchra Es (Ghirlanda Sacra, 1625) - John Toll
Sonata Seconda (Sonate Concertante, Libro Secondo, 1629) - John Toll
Exulta, Filia Sion (Arie De Diversi, 1624) - John Toll
Sonata Da Chiesa A 3, Op.8 No8 'La Bevilaqua' (Sonata, Libro III, Opera 8, 1663) - (Allegro - Adagio - Allegro - Adagio - Presto Allegro) - John Toll
Crucifixus A 10 - John Toll
Aria: 'Clarae Stellae, Scintillate' - John Toll
Recitativo: 'Coeli Repleti Iam Novo Splendore' - John Toll
Aria: 'Nunc Jubilare' - John Toll
Alleluia - John Toll
Crucifixus A 6 - John Toll
Currite Populi (Ghirlanda Sacra, 1625) - John Toll
Christe, Adoramus Te (Mottetti In Lode D'Iddio Nostro Signore, 1620) - John Toll
Canzon VIII A 8 (Canzoni E Sonate, 1615) - John Toll
Fuga Del Nono Tono - John Toll
Magnificat A 14 (Symphoniae Sacrae II, 1615) - John Toll

Tracks:

Altri Canti Di Marte E Di Sua Schiera - John Toll
Ninfa Che Scalza Il Piede E Sciolto Il Crine - John Toll
Chi Voi Haver Felice E Lieto Il Core - John Toll
Hor Ch'El Ciel E La Terra E'L Vento Tace - John Toll
Lamento Della Ninfa: Non Havea Febo Ancora - John Toll
Altri Canti D'Amor, Tenero Arcierio - John Toll
Su, Pastorelli Vezzosi - John Toll
Vago Augelletto Che Cantando Vai - John Toll
Ballo: Volgendo Il Ciel Per I'Immortal Sentiero - John Toll

Tracks:

I Allegro - Alison Bury
II Largo E Pianissimo Sempre - Alison Bury
III Danza Pastorale: Allegro - Alison Bury
I Allegro Non Molto - Alison Bury
II Adagio - Alison Bury
III Presto: Tempo Impetuoso D'Estate - Alison Bury
I Allegro - Alison Bury
II Adagio Molto: Ubriachi Dormienti - Alison Bury
III Allegro: La Caccia - Alison Bury
I Allegro Non Molto - Alison Bury
II Largo - Alison Bury
III Allegro - Alison Bury
I Allegro - Alison Bury
II Largo - Alison Bury
III Allegro - Alison Bury
I Allegro - Alison Bury
II Andante - Alison Bury
III Presto - Alison Bury
I Presto - Alison Bury
II Adagio - Alison Bury
III Allegro - Alison Bury

Tracks:

Kyrie (Canto Gregoriano: Missa Cum Jubilis) - Nancy Argenta
I Gloria In Excelsis - Nancy Argenta
II Et In Terra Pax - Nancy Argenta
III Laudamus Te - Nancy Argenta
IV Gratias Agimus Tibi - Nancy Argenta
V Propter Magnam Gloriam Tuam - Nancy Argenta
VI Domine Deus - Nancy Argenta
VII Domine Fili Unigenite - Nancy Argenta
VIII Domine Deus, Agnus Dei - Nancy Argenta
IX Qui Tollis Peccata Mundi - Nancy Argenta
X Qui Sedes Ad Dexteram Patris - Nancy Argenta
XI Quoniam Tu Solus Sanctus - Nancy Argenta
XII Cum Sancto Spiritu - Nancy Argenta
Sinfonia In B Minor 'Al Santo Sepoicro' RV 169 - Nancy Argenta
Laetatus Sum (Salmo 21) RV 607 - Nancy Argenta
Ave Maris Stella, Hymnus (Canto Gregoriano) - Nancy Argenta
I Magnificat Anima Mea - Nancy Argenta
II Et Exsultavit - Nancy Argenta
III Et Misericordia - Nancy Argenta
IV Fecit Potentiam - Nancy Argenta
V Esurientes Implevit - Nancy Argenta
VI Suscepit Israel - Nancy Argenta
VII Sicut Locutus Est - Nancy Argenta
VIII Gloria Patri - Nancy Argenta
IX Salve Regina (Antiphona, Canto Gregoriano) - Nancy Argenta
Laudate Dominum Omnes Gentes (Salmo 116) RV 606 - Nancy Argenta
Sonata In E Flat Major 'Al Santo Sepoicro' RV 130 - Nancy Argenta
In Exitu Israel (Salmo 113) RV 604 - Nancy Argenta

Customer Reviews:

GLORIOUS!.......2006-03-28

Wow- is the first word that comes to mind in regards to this boxed set. This set is what made me fall in love with the Taverner Consort under the direction of Andrew Parrott. His interpretations of such hits as Gabrielli's "In eclesiis" and Vivaldi's "Four Seasons" have breathed new life into this genre. I've not heard the solo of "The Four Seasons" played with as much zeal, as much independent, stylized freedom. Oh! I almost forgot- Andrew's rendition of Vivaldi's "Gloria" is not to be missed. While not as robust as a choral setting, this version lands ever so sweetly on the ear. This is a must-have boxed set and a great introduction to Andrew Parrot and the Taverner Consort.

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Domenico Scarlatti: Lettere amorose

Manufacturer: Virgin / Angel Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

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ASIN: B00008LM34
Release Date: 2003-08-05

Tracks:

Recitativo: Piangete, Occhi Dolenti
Aria: Sono Amante
Recitativo Accompagnato: Lumi, Non Piu
Aria: Messaggier Di Questo Foglio
Sonata In A Major K 208: Andante E Cantabile
Sonata In A Minor K 532: Allegro
Recitativo: Tinte A Note Di Sangue
Aria: Tuo Mi Chiami
Recitativo: Almen, Se D'altro Amante
Aria: Se Mi Dirai
Sonata In F Minor, K 466: Andante Moderato
Sonata In B Flat Major, K 248: Allegro
Sonata In E Flat Major, K 508: Allegro
Recitativo: Scritte Con Falso Inganno
Aria: Che Vuol Dir
Recitativo Accompagnato: Dimmi, Lingua Bugiarda
Aria: Vorresti, Si, Vorresti
Sonata In D Major, K 511: Allegro
Sonata In D Major K 492: Presto
Sonata In G Major, K 412: Allegro
Sonata In G Major, K 521: Allegro
Duetto: Se L'alma Non T'adora
Recitativo: Addio, Consorte Amato
Duetto: Empia Man Ci Divide

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I Hear America Singing

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

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A Cappella | Folk | Styles | Music
ASIN: B000001K6V
Release Date: 1996-05-21

Tracks:

Prelude For Voices
Carols Of Death: The Last Invocation
Carols Of Death: The Unknown Region
Carols Of Death: To All, To Each
Perceptions: Thought
Perceptions: Beautiful Women & Old Age
Perceptions: Each Of Us
Perceptions: To The States
Perceptions: A Farm Picture
Perceptions: Whoever You Are
Perceptions: To You
Five Rounds On Famous Words: Health
Thrift
Five Rounds On Famous Words: Caution
Five Rounds On Famous Words: Beauty
Five Rounds On Famous Words: Haste
Mail Order Madrigals: Attention, Ladies!
Mail Order Madrigals: Superfluous Hair
Mail Order Madrigals: Sweet Refreshing Sleep
Mail Order Madrigals: Dr. Worden's Pills
Esses: Suggestions
Esses: Serenata
Esses: Stillness
Esses: Sing-A-Ling
Orpheus With His Lute

Tracks:

Letters From Paris: Spring
Letters From Paris: The French Telephone
Letters From Paris: Summer
Letters From Paris: Colette
Letters From Paris: a. Interlude; b. Autumn
Letters From Paris: The Sex Of The Automobile
Letters From Paris: Winter
Letters From Paris: Mistenguett
Letters From Paris: Spring Again
In Time Of Pestilence: Adieu, Farewell Earth's Bliss
In Time Of Pestilence: Rich Men Trust Not In Wealth
In Time Of Pestilence: Beauty IS But A Flower
In Time Of Pestilence: Strenth Stoops Unto The Grave
In Time Of Pestilence: Wit With His Wantoness
In Time Of Pestilence: Haste Therefoe Each Degree
Give All to Love
Missa Brevis: Kyrie
Missa Brevis: Gloria
Missa Brevis: Sanctus
Missa Brevis: Benedictus; Agnus Dei

Tracks:

A Wreath Of Blessings: A House Blessing
A Wreath Of Blessings: Irish Blessing
A Wreath Of Blessings: Augustine's World
A Wreath Of Blessings: A Glasse Of Blessings
A Wreath Of Blessings: Chester Cathedral Blessing
Voices Of Peace: Agnus Dei
Voices Of Peace: Prayer Of St. Francis Of Assisi
Voices Of Peace: Pray For The Peace Of Jerusalem
Voices Of Peace: Peace
Voices Of Peace: Shalom! Pax Et Bonum
The Leaden Echo And The Golden Echo
Holy Sonnets - La Corona: La Corona
Holy Sonnets - La Corona: Annunciation
Holy Sonnets - La Corona: Nativitie
Holy Sonnets - La Corona: Temple
Holy Sonnets - La Corona: Crucifying
Holy Sonnets - La Corona: Resurrection
Holy Sonnets - La Corona: Ascention
Let's Touch The Sky: Anyone Lived In A Pretty How Town
Let's Touch The Sky: Love IS Thicker Than Forget
Let's Touch The Sky: If Ups The Word

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Gluck: Italian Arias
Cecilia Bartoli , and Gluck
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Arias | Opera & Vocal | Styles | Music

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ASIN: B000079BGB
Release Date: 2003-01-14

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A GOOD SINGER!
***It's really good***
A GOOD CD

La Corona de Mi Padre
Adan Sanchez
Manufacturer: Sony International
ProductGroup: Music
Binding: Audio CD

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Release Date: 2000-08-08

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Primer Amor
Bandido Generoso
Cosas Que No Son
Julian Del Real
Flor De Dalia
Dos Seres Que Se Aman
Los Hermanos Quintana
La Primavera
Jose Heredia

Customer Reviews:

A GOOD SINGER!.......2001-12-29

The contents of this CD is great. All of the songs are nice and I think that if Adan Sanchez continues like that (the way he is doing things and his mentality) he would become a great singer like his father...not only because he is Chalino's son but because he has talent of his own; therefore, he is opening his own doors to fame. This guy is going to make it big...he is going to reach fame to the extreme...I really recommend people to buy his CD's they will enjoy them and love them. Good luck to you, Adan, I really hope you accomplish all of your goals.

LA UNICA,

La Perikera

***It's really good***.......2001-03-25

I really like this CD I baught it cause after seeing Adan in a concert he sang "Flor De Dalia" to me in my ear (he has areally nice voice), that of course is my favorite song. This CD has alot of really nice songs and a really good corrido para el señor Challino Sanchez. Well te felicito Adan and I wish you all the luck in the world from ºººMariººº.

A GOOD CD.......2000-12-02

I THINK ADAN DID A GOOD JOB ON THIS CD. i GO TO SCHOOL WITH HIM. iHOPE HIS CD BECOMES BIG LIKE HIS DADS DID.

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