Sullivan: Iolanthe
Editorial Reviews
Amazon.com
Iolanthe has one of the funniest lines in all of Gilbert and Sullivan. As the Peers (as in the House of Lords) enter, they sing: "Bow! Bow! Ye lower middle classes; Bow! Bow! Ye tradesmen bow ye masses; Blow the Trumpets! Bang the brasses! Tan Taran Tarah Chin Boom!" OK, so you had to have been there; but trust me, it's a riot. Anyway, this "fairy"-story parody on the undine theme, about a fairy who loves a mortal, is a typically frothy confection of biting social satire and innocent sentiment. The performance by the D'Oyly Carte company is about as close to the original production as we're likely to get. --David Hurwitz
Sullivan: Iolanthe, Music, Donald Adams, Arthur Sullivan, Isidore Godfrey, D'Oyly Carte Chorus & Orchestra, Gillian Knight, New Symphony Orchestra of London, Alan Styler, Dawn Bradshaw, Jennifer Toye, John Reed, Kenneth Sandford, Mary Sansom, Pauline Wales, Thomas Round, Yvonne Newman, British Operetta, Classical, Classical Music, Opera, Opera / Operetta / Oratorio, Opera/Operetta
Average customer rating:
- The best? I think not.
- can't understand the words
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Similar Items:
- The Ultimate Gilbert & Sullivan Collection
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- The Complete Annotated Gilbert & Sullivan
ASIN: B00004W5AD
Release Date: 2000-08-08 |
Tracks:
- H.M.S. Pinafore: Ov - Orch Of The D'Oyly Carte Opr/John Owen Edwards
- H.M.S. Pinafore: We Sail The Ocean Blue - Tom McVay/Gordon Sandison/Yvonne Barclay
- H.M.S. Pinafore: Never Mind The Why And Wherefore - Tom McVay/Gordon Sandison/Yvonne Barclay
- The Yeomen Of The Guard: When Maiden Loves She Sits And Sighs - Janine Roebuck
- The Yeomen Of The Guard: Here's A Man Of Jollity - Chor Of The D'Oyly Carte Opr
- Iolanthe: Tripping Hither, Tripping Thither - Yvonne Patrick/Madeliene Mitchell/Chor Of The D'Oyly Carte Opr
- Iolanthe: The Law Is The True Embodiment - Richard Suart/Chor Of The D'Oyly Carte Opr
- Iolanthe: When I Went To The Bar - Richard Suart
- Iolanthe: Strephon's A Member Of Parliament! - Chor Of The D'Oyly Carte Opr
- Iolanthe: When Britain Really Rul'd The Waves - Lawrence Richard/Chor Of The D'Oyly Carte Opr
- Iolanthe: Finale Act Two: Soon As We May - Chor Of The D'Oyly Carte Opr
- The Pirates Of Penzance: Ov - Orch Of The D'Oyly Carte Opr/John Pryce-Jones
- The Pirates Of Penzance: Poor Wand'ring One - Marilyn Hill Smith/Chor Of The D'Oyly Carte Opr
- The Pirates Of Penzance: I Am The Very Model - Eric Robertson/Chor Of The D'Oyly Carte Opr
- The Pirates Of Penzance: When The Foeman Bares His Steel - Simon Masterton Smith/Marilyn Hill Smith/Patricia Cameron/Eric Robertson/Chor Of The D'Oyly Carte...
- The Pirates Of Penzance: With Cat-Like Tread - Gareth Jones/Chor Of The D'Oyly Carte Opr
- The Mikado: If You Want To Know Who We Are - Chor Of The D'Oyly Carte Opr
- The Mikado: The Flowers That Bloom In The Spring - Bonaventura Bottone/Eric Roberts/Deborah Rees/Thora Ker/Malcom Rivers
- The Mikado: On A Tree By A River - Eric Roberts
- Patience: The Soldiers Of Our Queen - Donald Maxwell/Chor Of The D'Oyly Carte Opr
- Patience: If You Want A Receipt For That Popular Mystery - Donald Maxwell/Chor Of The D'Oyly Carte Opr
- Patience: Am I Alone And Unobserved - Simon Butteriss
- Patience: If You're Anxious For To Shine - Simon Butteriss
- The Gondoliers: We're Called Gondolieri - David Fieldsend/Alan Oke
- The Gondoliers: From The Sunny Spanish Shore - Richard Suart/Jill Pert/Elizabeth Woollett/Philip Casey
- The Gondoliers: For Ev'ry One Who Feels Inclined - David Fieldsend/Alan Oke/Chor Of The D'Oyly Carte Opr
- The Gondoliers: Take A Pair Of Sparkling Eyes - David Fieldsend
- The Gondoliers: Dance A Cachucha - Chor Of The D'Oyly Carte Opr
Customer Reviews:
The best? I think not........2004-01-11
This disc includes some songs that, while I like them, are not what people might consider the "best" of G&S. Of course, anything by G&S is good, it's still not the "best of the best."
There has got to be something that better represents the G&S canon.
can't understand the words.......2004-01-08
Don't know about those other reviewers, but I just can't make out very much of the lyrics. Maybe those folk have better CD players or better hearing, but it's pretty much a blur to me. I strongly recommend "The Ultimate Gilbert and Sullivan" instead.
Average customer rating:
- Not the best sung but among the best in characterization
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ASIN: B0001E5U8C
Release Date: 2004-04-20 |
Tracks:
- HMS Pianfore: Overture
- HMS Pinafore, Act One: We Sail the Ocean Blue
- HMS Pinafore, Act One: Hail, Men O' War's Men
- HMS Pinafore, Act One: I'm Called Little Buttercup
- HMS Pinafore, Act One: But Tell Me, Who's the Youth
- HMS Pinafore, Act One: The Nightingale Sighed for the Moon's ...
- HMS Pinafore, Act One: A Maiden Fair to See
- HMS Pinafore, Act One: My Gallant Crew, Good Morning
- HMS Pinafore, Act One: I Am the Captain of the Pianfore
- HMS Pinafore, Act One: Sir, You Are Sad
- HMS Pinafore, Act One: Sorry Her Lot Who Loves Too Well
- HMS Pinafore, Act One: Over the Bright Blue Sea
- HMS Pinafore, Act One: I Am the Monarch of the Sea
- HMS Pinafore, Act One: When I Was a Lad I Served a Term
- HMS Pinafore, Act One: A British Tar Is a Soaring Soul
- HMS Pinafore, Act One: Refrain, Audacious Tar
- HMS Pinafore, Act One: Can I Survive This Overbearing?
- HMS Pinafore, Act One: Oh Joy, Oh Rapture Unforeseen
- HMS Pinafore, Act One: This Very Night
- HMS Pinafore, Act One: Let's Give Three Cheers
- HMS Pinafore, Act One: Entr'acte
- HMS Pinafore, Act Two: Fair Moon to Thee I Sing
- HMS Pinafore, Act Two: Things Are Seldom What They Seem
- HMS Pinafore, Act Two: The Hours Creep on Apace
- HMS Pinafore, Act Two: Never Mind the Why and Wherefore
- HMS Pinafore, Act Two: Kind Captain, I've Important Information
- HMS Pinafore, Act Two: Carefully on Tiptoe Stealing
- HMS Pinafore, Act Two: Pretty Daughter of Mine
- HMS Pinafore, Act Two: He Is an Englishman
- HMS Pinafore, Act Two: In Uttering a Reprobation
- HMS Pinafore, Act Two: Farewell My Own
- HMS Pinafore, Act Two: A Many Years Ago
- HMS Pinafore, Act Two: Oh Joy, Oh Rapture Unforeseen
Tracks:
- Ruddigore: Overture
- Ruddigore, Act One: Fair Is Rose as Bright May Day
- Ruddigore, Act One: Sir Rupert Murgatroyd
- Ruddigore, Act One: If Somebody There Chacned to Be
- Ruddigore, Act One: I Know a Youth Who Loves a Little Maid
- Ruddigore, Act One: From the Briny Sea
- Ruddigore, Act One: I Shipp'd d'Ye See, In a Revenue Sloop
- Ruddigore, Act One: My Boy, You May Take It from Me
- Ruddigore, Act One: If Well His Suit Has Sped
- Ruddigore, Act One: In Sailing O'er Life's Ocean Wide
- Ruddigore, Act One: Cheerily Carols the Lark
- Ruddigore, Act One: To a Garden Fulls of Posies
- Ruddigore, Act One: Welcome Gentry for Your Entry
- Ruddigore, Act One: Oh, Why Am I Moody and Sad?
- Ruddigore, Act One: You Understand?
- Ruddigore, Act One: Hail the Bride of Seventeen Summers
- Ruddigore, Act One: When the Buds Are Blossoming
- Ruddigore, Act One: Hold, Bride and Bridegroom
- Ruddigore, Act One: Oh, Happy the Lily
- Ruddigore, Act Two: I Once Was as Meek as a New-Born Lamb
- Ruddigore, Act Two: Happily Coupled Are We
- Ruddigore, Act Two: In Bygone Days I Hade Thy Love
- Ruddigore, Act Two: Painted Emblems of a Race
- Ruddigore, Act Two: When the Night Wind Howls
- Ruddigore, Act Two: He Yields! He Yields!
- Ruddigore, Act Two: I Once Was a Very Abandoned Person
- Ruddigore, Act Two: My Eyes Are Fully Open
- There Grew a Little Flower
- Ruddigore, Act Two: Oh, Happy the Lily
Tracks:
- Patience: Overture
- Patience, Act One: Twenty Lovesick Maidens We
- Patience, Act One: Still Brooding on Their Mad Infatuation
- Patience, Act One: I Cannot Tell What This Love May Be
- Patience, Act One: The Soldiers of Our Queen
- Patience, Act One: In a Doleful Train...Twenty Lovesick Maidens We
- Patience, Act One: When I First Put This Uniform On
- Patience, Act One: Am I Alone and Unoberved?
- Patience, Act One: Long Years Ago, Fourteen Maybe
- Patience, Act One: Prithee Pretty Maiden
- Patience, Act One: Let the Merry Cymbals Sound
- Patience, Act One: Now Tell Us, We Pray You
- Patience, Act One: Your Maiden Hearts
- Patience, Act One: Come Walk Up and Purchase With Avidity
- Patience, Act One: True Love Must Single-Hearted Be
- Patience, Act One: I Hear the Soft Note...But Who Is This?
- Patience, Act Two: Sad Is That Woman's Lot
- Patience, Act Two: Turn, Oh Turn in This Direction
- Patience, Act Two: A Magnet Hung in Hardware Shop
- Patience, Act Two: Love Is a Plaintive Song
- Patience, Act Two: So Go to Him and Say to Him
- Patience, Act Two: It's Clear That Medieval Art Alone Retains Its Zest
- Patience, Act Two: If Saphir I Choose to Marry
- Patience, Act Two: When I Go Out of Door
- Patience, Act Two: I'm a Waterloo House Young Man
- Patience, Act Two: After Much Debate Internal
- Mikado: Overture
Tracks:
- Mikado, Act One: If You Want to Know Who We Are
- Mikado, Act One: Gentlemen, I Pray You Tell Me
- Mikado, Act One: A Wand'ring Minstrel, I
- Mikado, Act One: Our Great Mikado, Virtuous Man
- Mikado, Act One: Young Man, Despair
- Mikado, Act One: And Have I Journey'd for a Month
- Mikado, Act One: Behold the Lord High Executioner!
- Mikado, Act One: As Some Day It May Happen
- Mikado, Act One: Comes a Train of Little Ladies
- Mikado, Act One: Three Little Maids from School
- Mikado, Act One: So Please You, Sir, We Much Regret
- Mikado, Act One: Were You Not Ko-Ko Plighted?
- Mikado, Act One: I Am So Proud
- Mikado, Act One: With Aspect Stern
- Mikado, Act One: Your Revels Cease!
- Mikado, Act One: The Hour of Gladness
- Mikado, Act Two: Braid the Raven Hair
- Mikado, Act Two: The Sun, Whose Rays Are All Ablaze
- Mikado, Act Two: Brightly Dawns Our Wedding Day
- Mikado, Act Two: Here's a How-De-Do!
- Mikado, Act Two: Miya Sama, Miya Sama
- Mikado, Act Two: A More Humane Mikado
- Mikado, Act Two: The Criminal Cried
- Mikado, Act Two: See How the Fates Their Gifts Allot
- Mikado, Act Two: The Flowers That Bloom in the Spring
- Mikado, Act Two: Alone, And Yet Alive!
- Mikado, Act Two: Hearts Do Not Break
- Mikado, Act Two: On a Tree by a River a Little Tom-Tit
- Mikado, Act Two: There Is Beauty in the Bellow of the Blast
- Mikado, Act Two: For He's Gone and Married Yum-Yum
Tracks:
- Trial by Jury: Hark the Hour of Ten Is Sounding
- Trial by Jury: Now, Jurymen, Hear My Advice
- Trial by Jury: Is This the Court of the Exchequer?
- Trial by Jury: When First My Old, Old Love I Knew
- Trial by Jury: Silence in Court...All Hail, Great Judge
- Trial by Jury: When I, Good Friends, Was Called to the Bar
- Trial by Jury: Swear Thou the Jury
- Trial by Jury: Where Is the Plaintiff?
- Trial by Jury: Comes the Broken Flower
- Trial by Jury: Oh, Never, Never, Never
- Trial by Jury: May It Please You, M'Lud!
- Trial by Jury: That She Is Reeling Is Plain to Me
- Trial by Jury: Oh Gentlemen, Listen
- Trial by Jury: That Seems a Reasonable Proposition
- Trial by Jury: A Nice Dilemma We Have Here
- Trial by Jury: I Love Him, I Love Hin
- Trial by Jury: The Question, Gentlemen Is One of Liquor
- Trial by Jury: Oh Joy Unbounded
- Pirates of Penzance: Overture
- Pirates of Penzance, Act One: Pour, Oh Pour the Pirate Sherry
- Pirates of Penzance, Act One: When Frederic Was a Little Lad
- Pirates of Penzance, Act One: Oh, Better Far to Live and Die (I Am ...)
- Pirates of Penzance, Act One: Oh, False One, You Have Deceived Me!
- Pirates of Penzance, Act One: What Shall I Do?...Climbing Over ...
- Pirates of Penzance, Act One: Stop, Ladies, Pray!
- Pirates of Penzance, Act One: Oh, Is There Not One Maiden Breast?
- Pirates of Penzance, Act One: Oh, Sisters, Deaf to Pity's Name
- Pirates of Penzance, Act One: Poor Wandering One
- Pirates of Penzance, Act One: What Ought We to Do?
- Pirates of Penzance, Act One: Stay, We Must Not Lose Our Senses
- Pirates of Penzance, Act One: Here's a First-Rate Opportunity
- Pirates of Penzance, Act One: Hold, Monsters!
- Pirates of Penzance, Act One: I Am the Very Model of a Modern ...
- Pirates of Penzance, Act One: Oh, Men of Dark and Dismal Fate
- Pirates of Penzance, Act One: I'm Telling a Terrible Story
- Pirates of Penzance, Act One: Oh, Master, Hear One Word
- Pirates of Penzance, Act One: Pray Observe the Magnanimity
Tracks:
- Pirates of Penzance, Act Two: Oh, Dry the Glistening Tear
- Pirates of Penzance, Act Two: Then, Frederic, Let Your Escort ...
- Pirates of Penzance, Act Two: When the Foeman Bares His Steel
- Pirates of Penzance, Act Two: Now for the Pirates' Lair!
- Pirates of Penzance, Act Two: Young Frederic!
- Pirates of Penzance, Act Two: When You Had Left Our Pirate Fold
- Pirates of Penzance, Act Two: Away, Away! My Heart's on Fire
- Pirates of Penzance, Act Two: All Is Prepared
- Pirates of Penzance, Act Two: Stay, Frederic, Stay!
- Pirates of Penzance, Act Two: Ah, Leave Me Not to Pine
- Pirates of Penzance, Act Two: In 1940 I of Age Shall Be
- Pirates of Penzance, Act Two: No, I'll Be Brave!
- Pirates of Penzance, Act Two: Though in Body and in Mind
- Pirates of Penzance, Act Two: When a Felon's Not Engaged in His ...
- Pirates of Penzance, Act Two: A Rollicking Band of Pirates We
- Pirates of Penzance, Act Two: With Cat-Like Tread
- Pirates of Penzance, Act Two: Hush, Hush! Not a Word
- Pirates of Penzance, Act Two: Sighing Softly to the River
- Pirates of Penzance, Act Two: And What Is This, And What Is That?
- Pirates of Penzance, Act Two: Frederic Here! Oh Joy!
- Pirates of Penzance, Act Two: Poor Wandering Ones
- Iolanthe: Overture
- Iolanthe, Act One: Tripping Hither, Tripping Thither
- Iolanthe, Act One: Iolanthe!
- Iolanthe, Act One: Good Morrow, Good Mother
- Iolanthe, Act One: Fare Thee Well, Attractive Stranger
- Iolanthe, Act One: Good Morrow, Good Lover
- Iolanthe, Act One: None Shall Part Us from Each Other
- Iolanthe, Act One: Loudly Let the Trumpet Bray!
- Iolanthe, Act One: The Law Is the True Embodiment
- Iolanthe, Act One: My Well-Loved Lord and Guardian Dear
- Iolanthe, Act One: Of All the Young Ladies I Know
- Iolanthe, Act One: Nay, Tempt Me Not
- Iolanthe, Act One: Spurn Not the Nobly Born
- Iolanthe, Act One: My Lords, It May Not Be
- Iolanthe, Act One: A Shepherd I
- Iolanthe, Act One: When I Went to the Bar as a Very Young Man
Tracks:
- Iolanthe, Act One: When Darkly Looms the Day
- Iolanthe, Act One: Oh, Shameless One, Tremble!
- Iolanthe, Act One: In Babyhood Upon Her Lap I Lay
- Iolanthe, Act One: For Riches and Rank That You Befall
- Iolanthe, Act One: To You I Give My Heart
- Iolanthe, Act One: Tripping, Hither, Tripping Thither
- Iolanthe, Act One: The Lady of My Love
- Iolanthe, Act One: Go Away, Madam
- Iolanthe, Act One: Oh, Chancellor Unwary
- Iolanthe, Act One: Young Strephon Is the Kind of Lout (With ...)
- Iolanthe, Act Two: When All Night Long a Chap Remains
- Iolanthe, Act Two: Strephon's a Member of Parliament
- Iolanthe, Act Two: When Britain Really Ruled the Waves
- Iolanthe, Act Two: In Vain to Us You Plead
- Iolanthe, Act Two: Oh, Foolish Fay
- Iolanthe, Act Two: Though P'r'aps I May Incur Your Blame
- Iolanthe, Act Two: Love, Unrequited, Robs Me of My Rest
- Iolanthe, Act Two: When You're Lying Awake With a Dismal Headache
- Iolanthe, Act Two: If You Go in, You're Sure to Win
- Iolanthe, Act Two: If We're Weak Enough to Tarry
- Iolanthe, Act Two: My, Lord, A Suppliant at Your Feet I Kneel
- Iolanthe, Act Two: He Loves! If in the Bygone Years
- Iolanthe, Act Two: It May Not Be
- Iolanthe, Act Two: Soon as We May
- Gondoliers: Overture
- Gondoliers, Act One: List and Learn, Ye Dainty Roses
- Gondoliers, Act One: Good Morrow, Pretty Maids
- Gondoliers, Act One: For the Merriest Fellows Are We
- Gondoliers, Act One: Buon'giorno, Signorine
- Gondoliers, Act One: We're Called Gondolieri
- Gondoliers, Act One: And Now to Choose Our Brides
- Gondoliers, Act One: Thank You, Gallant Gondolieri
Tracks:
- Gondoliers, Act One: From the Sunny Spanish Shore
- Gondoliers, Act One: In Enterprise of Martial Kind (The Duke of ...)
- Gondoliers, Act One: O Rapture When Alone Together
- Gondoliers, Act One: There Was a Time
- Gondoliers, Act One: I Stole the Prince
- Gondoliers, Act One: But, Bless My Heart
- Gondoliers, Act One: Try We Life-Long
- Gondoliers, Act One: Bridegroom and Bride
- Gondoliers, Act One: When a Merry Maiden Marries
- Gondoliers, Act One: Kind Sirm You Cannot Have the Heart
- Gondoliers, Act One: Do Not Give Way
- Gondoliers, Act One: Then One of Us Will Be a Queen
- Gondoliers, Act One: Replaying, We Sing
- Gondoliers, Act One: For Everyone Who Feels Inclined
- Gondoliers, Act One: Come, Let's Sway
- Gondoliers, Act One: Then Away We Go to an Island Fair
- Gondoliers, Act Two: Of Happiness the Very Pith
- Gondoliers, Act Two: Rising Early in the Morning
- Gondoliers, Act Two: Take a Pair of Sparkling Eyes
- Gondoliers, Act Two: Here We Are, At the Risk of Our Lives
- Gondoliers, Act Two: Dance a Cachucha, Fandango, Bolero
- Gondoliers, Act Two: There Lived a King
- Gondoliers, Act Two: In a Contemplative Fashion
- Gondoliers, Act Two: With Ducak Pomp and Ducal Pride
- Gondoliers, Act Two: On the Day When I Was Wedded
- Gondoliers, Act Two: To Help Unhapppy Commoners
- Gondoliers, Act Two: Small Titles Abd Orders
- Gondoliers, Act Two: I Am a Courtier Grave and Serious
- Gondoliers, Act Two: Here Is a Case Unprecedented
- Gondoliers, Act Two: Now Let the Loyal Lleges Gather Round
- Gondoliers, Act Two: The Royal Prince
Tracks:
- Yeomen of the Guard: Overture
- Yeomen of the Guard, Act One: When Maiden Loves
- Yeomen of the Guard, Act One: Tower Warders, Under Orders
- Yeomen of the Guard, Act One: When Our Gallant Norman Foes
- Yeomen of the Guard, Act One: Alas, I Waver to and Fro
- Yeomen of the Guard, Act One: Is Life a Boon?
- Yeomen of the Guard, Act One: Here's a Man of Jollity
- Yeomen of the Guard, Act One: I Have a Song to Sing, O!
- Yeomen of the Guard, Act One: How Say You, Maiden, Will You Wed?
- Yeomen of the Guard, Act One: I've Jibe and Joke
- Yeomen of the Guard, Act One: 'Tis Done! I Am a Bride!
- Yeomen of the Guard, Act One: Were I Thy Bride
- Yeomen of the Guard, Act One: Oh, Sergeant Meryll, Is It True?
- Yeomen of the Guard, Act One: Forbear My Friends
- Yeomen of the Guard, Act One: The Prisoner Comes to Meet His Doom
- Yeomen of the Guard, Act Two: Night Has Spread Her Pall Once More
- Yeomen of the Guard, Act Two: Oh! A Private Buffoon Is a Light-Hearted
- Yeomen of the Guard, Act Two: Hereupon We're Both Agreed
- Yeomen of the Guard, Act Two: Free from His Fetters Grim
- Yeomen of the Guard, Act Two: Strange Adventure!
- Yeomen of the Guard, Act Two: Hark! What Was That, Sir?
- Yeomen of the Guard, Act Two: A Man Who Would Woo a Fair Maid
- Yeomen of the Guard, Act Two: When a Wooer Goes A-Wooing
Tracks:
- Yeomen of the Guard, Act Two: Comes the Pretty Young Bride
- Yeomen of the Guard, Act Two: Hold, Pretty One!
- Yeomen of the Guard, Act Two: All Thought of Leonard Meryll Set Aside
- H.M.S. Pinafore
- Yeomen of the Guard
- Di Ballo: Overture - Birmingham Symphony Orchestra,
- Pineapple Poll Ballet Suite, Scene One: Opening Dance
- Pineapple Poll Ballet Suite, Scene One: Poll's Dance and Pas de Deux
- Pineapple Poll Ballet Suite, Scene One: Belaye's Solo
- Pineapple Poll Ballet Suite, Scene One: Pas de Trois
- Pineapple Poll Ballet Suite, Scene One: Finale
- Pineapple Poll Ballet Suite, Scene Two: Poll's Solo
- Pineapple Poll Ballet Suite, Scene Two: Jasper's Solo
- Pineapple Poll Ballet Suite, Scene Two: Belaye's Solo and Sailor's ...
- Pineapple Poll Ballet Suite, Scene Two: Poll's Solo
- Pineapple Poll Ballet Suite, Scene Two: Entry of Belaye With ...
- Pineapple Poll Ballet Suite, Scene Two: Reconciliation
- Pineapple Poll Ballet Suite, Scene Two: Grand Finale
Customer Reviews:
Not the best sung but among the best in characterization.......2005-07-09
Between 1949 and 1951, the D'Oyly Carte Company was very busy recording nine of the Gilbert & Sullivan works onto mono LPs for the Decca label (or the London, as it was known over here), with comic lead Martyn Green in all but "Trial By Jury." After he left the company, Green was supplanted by Peter Pratt, who recorded the comic lead roles in "The Sorcerer" and "Princess Ida." All of these have waited a long time to appear on CDs and several companies have taken advantage of the copyright lapse to issue them at very high prices and at least one at very budget ones.
But now I find that all of the 1949-1951 sets are available on the Avid Entertainment label as a boxed set of 10 discs (AMSC 780-789). To keep things compact, the Avid people unavoidably had to place on the same disc Act I of one opera after Act II of the one before. There is also orchestral bonus material towards the end including orchestral selections from "Pinafore" and "Yeomen of the Guard," Sullivan's salute to the dance "Overture Di Ballo," and the entire score of the G&S-based ballet "Pineapple Poll."
Green is good and even better are the bottomless basso of Richard Watson, the most famous Mikado of them all Darrell Fancourt, and the sympathetic contralto of Ella Halman. Only tenor Leonard Osborne does not come over very well on recordings, although he was very good on stage. No true "Savoyard" will want to be without this collection.
Those who are perfectly happy with less will want "Gilbert & Sullivan: Highlights and Overtures" (AMSC 800), a double-CD set in which there are 27 selections from the complete recordings and the 9 overtures, plus "Overture Di Ballo." A great starter kit to introduce newcomers to the magic of the G&S team.
Average customer rating:
- Don't underestimate those "unknown" Operettas!!
- A few details
- Wonderful set, if a little inconsistent at times.
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Similar Items:
- The Complete Annotated Gilbert & Sullivan
- Gilbert & Sullivan - Operettas / Pro Arte Orchestra · Sir Malcolm Sargent
- Gilbert & Sullivan - H.M.S. Pinafore / Trial By Jury - David Hobson, Anthony Warlow, Colette Mann, Tiffany Speight, John Bolton Wood, Richard Alexander, Opera Australia, State Theatre, The Arts Centre Melbourne
- Operas of Gilbert and Sullivan
- Gilbert & Sullivan - Master Collection (Opera World)
ASIN: B00008LJEO
Release Date: 2003-05-13 |
Customer Reviews:
Don't underestimate those "unknown" Operettas!!.......2005-07-07
This is, as far as I know - the only way of buying the "official" recordings of "The Grand Duke" and "Utopia" - which seem to be otherwise out of print!! Several of the others are not that easy to get either.
In any case - most people getting this set will already have the Mikado, and very probably Pirates and Pinafore for that matter, so you're really getting it for the others.
So just for the record - someone has to say this!
The Mikado is (of course) a wonderful piece, but it enjoys its long running status as the most successful of all the G&S operettas very largely for "extra-musical" reasons. It is visually so wonderful, with all those great authentic costumes, and the whole idea of satirising English institutions by pretending they are Japanese is of course brilliantly funny.
Again, Pirates and Pinafore enjoy a lot of their acclaim simply because we have heard them so often. And at least part of the initial success of these (admittedly very funny and entertaining) pieces was the vogue for "nautical drama" on the popular Victorian stage.
Iolanthe, Ruddigore, and Yoemen are all MUCH stronger musically than any of what another reviewer here keeps calling the "trilogy". Patience, Princess Ida, and the Gondoliers all excel either "nautical" operetta, at least musically, although not, perhaps, the Mikado. And I have had a lot of fun listening to my recording of the Sorcerer - although I think most at least of the other G&S operettas are even more interesting.
As for "Trial by Jury" it is really another thing altogether - but in its kind the most perfect thing either Gilbert or Sullivan had anything to do with!
This leaves Utopia and the Grand Duke.
Both of these were produced after the long running friendship between G&S had soured, and they have been sadly neglected ever since. Utopia is none the less both musically beautiful and very funny, and well worth taking an effort to come to grips with. The main point of the satire (which many commentators and reviewers seem to miss) is the way that the English language and British (especially English) institutions were being adopted, often rather uncritically, by countries around the world (most, but not all, of them members of the British Empire, of course). India is perhaps the country Gilbert had most in mind, but you could set it in any of a dozen other countries. The residual problems this has left in the post-colonial world ensure that this work is still far from dated. In some ways this operetta is about globalisation! What could possibly be LESS dated than that!
The Grand Duke, on the other hand, is a bit of an odd man out - I suppose you still have to say it is the weakest of all the G&S efforts. It's the ONLY one that didn't score a very respectable run on its first outing. Surprisingly, however, if an attempt is made to duplicate the musical and (especially) dialogue cuts that G&S would have done themselves if they had not by this time been at each other's throats all the time, a very entertaining piece can be made of it. I was very agreeably surprised by the Ohio Light Opera recording, which does just that - and I am coming round to the idea that the only thing really wrong with the Duke is that it is too long.
ANYWAY:
For all people (especially callow youth) who remain convinced that G&S only wrote three operettas worth listening to - all I can say is, buy this set, and give the lesser known ones a chance. Make sure you have a libretto in your hands as you listen, of course. It may even just need a single hearing in some cases, but otherwise, be patient. In the meantime, you really cannot have any conception of what you are missing.
A few details.......2004-03-28
This 24-CD album consists of 12 plastic cases, each with a thin booklet giving background and plot summaries for the works on its 2 enclosed CD's. Most of the album consists of 15 operettas, 2 of which (Cox and Box, The Zoo) have texts not by Gilbert and 7 of which (The Sorcerer, Princess Ida, The Mikado, Ruddigore, Yeomen of the Guard, Utopia Limited, The Grand Duke) omit most of the spoken dialogue. Before listening to any of these operettas that you don't know well, you'll want to obtain a copy of its text so you can read along and not miss any of the words or the wit.
Wonderful set, if a little inconsistent at times........2003-07-07
If you thought that the Sargent set of G&S opera recordings was gargantum enough, then this D'Oyly Carte cycle is even more gargantum. Although it is more expensive (because of the four extra operas that the Sargent cycle did not include), this complete 24-CD set is like a joy to behold. There is a debate as to whether this is better than the Sargent cycle, but I like to think that this is a delight from first disc to last, because of the idiomatic sense of polish that these recordings seem to have, and are given a life that makes them able to breathe well. This is all thanks to Isidore Godfrey and Royston Nash's conducting. I know that the performances may not be entirely consistent (this is evident when you compare the performance and recording quality of Mikado and Pirates with those of Gondoliers and Pinafore), but this is only a matter of personal preference. The 1960s performances were given more sumptuous and well-detailed recordings than the 1970s recordings, made when the performing style was not so fresh. But anyway, I still think that this is definitely a good buy for anyone who loves G&S. Even with the consistency of Sargent's cheaper EMI set, I would still say: do go ahead to invest in the set because of the liveliness and style in this complete G&S cycle that Sargent never (hardly ever) tackles. The only thing is: I would also like to suggest complementing it with the 1957 Decca D'Oyly Carte recordings of Mikado and Pirates, recently released by the Sounds on CD label, so that these recordings can do justice to the enormous spirit of these operas.
Average customer rating:
- Complete Overtures (plus Cox and Box)
- Lovely recording of lovely music
- Simply Splendid!
- First Rate G & S
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The Gilbert and Sullivan Overtures
Manufacturer: Naxos
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Similar Items:
- Gilbert & Sullivan - Highlights from The Mikado, The Pirates of Penzance, H.M.S. Pinafore, The Yeomen of the Guard, Trial of Jury
- The Ultimate Gilbert & Sullivan Collection
- The Best of Gilbert & Sullivan
- Topsy-Turvy - The Music of Gilbert & Sullivan: From the Original Motion Picture Soundtrack
ASIN: B00000AEL8
Release Date: 1998-08-25 |
Tracks:
- Cox And Box
- The Sorcerer
- HMS Pinafore
- The Pirates Of Penzance
- Patience
- Iolanthe
- Princess Ida
- The Mikado
- Ruddigore
- The Yeomen Of The Guard
- The Gondoliers
- The Grand Duke
Customer Reviews:
Complete Overtures (plus Cox and Box).......2005-08-12
Trial by Jury doesn't have an overture - being a little one act "opener", and for some reason neither does Utopia Limited - just a short little orchestral prelude. When Utopia is performed, in fact, Sullivan's "Imperial March" is often added to the prelude, to flesh out something like a proper overture.
So this recording does actually include all the overtures - or at least an overture to all the Gilbert and Sullivan Operettas that HAD overtures as such. The undistinguished overture to Cox and Box is thrown in for good measure.
These works, it must be said, are very uneven in quality. Most of them were not actually written by Sullivan - but cobbled together by someone else out of the tunes from the operetta, often at the very last minute. The performances treat the overtures as music in their own right - and at least some of them deserve it. The overtures Sullivan DID write himself (especially the "Yoemen" overture) are fine pieces - as is the overture to "Patience" (written by a very young Eugene d'Albert) and the "Ruddigore" overture (in this case the later one by Toye rather than Clarke's original - but I actually prefer this!)
Several of the others are really very ordinary - although keen G&S fans will at least enjoy the quotations of the famous melodies.
All in all a very pleasant recording - even if you already have all (or most) of the works in question complete.
Lovely recording of lovely music.......2001-11-04
I recommend this recording for all G&S fans. The overtures, including all of the well known ones and a few that are obscure, are very nicely played and nicely recorded.
Simply Splendid!.......2001-07-08
One could not hope for a better collection of Gilbert & Sullivan overtures than these as performed by Andrew Penny and the Royal Ballet Sinfonia. With modern digital sound and spirited ensemble playing, one is left yearning for more. The overtures, though not the complete set, nicely cover many of the most popular G & S operettas. So tuneful are they, you can't help but sing along with the familiar melodies. More installments from this group would be very welcomed indeed. This disc has put a smile on my face and left me in a good mood each time I've played it, which has been often. I particularly enjoy the version of "The Gondolier's" contained on this disc because it includes additional music from the operetta not found on other recordings that I own. This collection is one that you will treasure, and can be recommended whole heartitly!
First Rate G & S.......1999-08-27
Like any true "Savoyard",you will be singing along with the overtures found on this disc.Andrew Penny is a fine conductor and treats the music with the right touch of wit and romance.The "Cox and Box" overture (not a true G & S piece)is a great opener to the disc and putting the overtures in historical order lets the listener follow Sullivan's progression from a follower of Liszt and Mendelsohn to a composer with truly his own voice.My only complaint,and it's a very minor one,is that Penny and Naxos couldn't find room for Sullivan's best concert work,the "Overture DiBallo" on the disc.However the inclusion of the last and rarely performed G & S opera "The Grand Duke" more than makes up for it.I would recomend this to anyone just starting their G & S collection.Great price too!!!!
Average customer rating:
- Classic D'Oyly Carte Opera Company stereo "Iolanthe" from 1960 [II]
- A Masterpiece
- One of Sullivan's finest
- A classic piece of G&S
- Excellent G&S
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Sullivan: Iolanthe
Manufacturer: Polygram Records
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Similar Items:
- Sullivan: Yeomen Of The Guard/Trial By Jury
- Gilbert & Sullivan: The Gondoliers
- Gilbert & Sullivan: H.M.S. Pinafore
- Iolanthe, or the Peer & the Peri: Vocal Score with Dialogue
- Gilbert & Sullivan: The Pirates of Penzance
ASIN: B0000041Q1
Release Date: 1989-07-21 |
Tracks:
- Iolanthe: Overture
- Iolanthe: Act One: Tripping Hither, Tripping Thither
- Iolanthe: Act One: Iolanthe
- Iolanthe: Act One: Good Morrow, Good Mother
- Iolanthe: Act One: Fare Thee Well, Attractive Stranger
- Iolanthe: Act One: Good Morrow, Good Lover
- Iolanthe: Act One: None Shall Part Us
- Iolanthe: Act One: Loudly Let The Trumpet Bray
- Iolanthe: Act One: Entrance Of The Lord Chancellor
- Iolanthe: Act One: The Law Is The Embodiment
- Iolanthe: Act One: My Well-Beloved Lord
- Iolanthe: Act One: Nay, Tempt Me Not
- Iolanthe: Act One: Spurn Not The Nobly Born
- Iolanthe: Act One: Lords, It May Not Be
- Iolanthe: Act One: Said I To Myself, Said I
- Iolanthe: Act One: When Darkly Looms The Day
Tracks:
- Iolanthe: Act Two - When All Night Long A Chap Remains
- Iolanthe: Act Two - Strephon's A Member Of Parliament
- Iolanthe: Act Two - When Britain Really Ruled The Waves
- Iolanthe: Act Two - In Vain To Us You Plead
- Iolanthe: Act Two - Oh, Foolish Fay
- Iolanthe: Act Two - Though P'r'aps I May Incur Your Blame
- Iolanthe: Act Two - Love Unrequited
- Iolanthe: Act Two - If You Go In You're Sure to Win
- Iolanthe: Act Two - If We're WeakEnough To Tarry
- Iolanthe: Act Two - My Lord, A Suppliant At Your Feet
- Iolanthe: Act Two - It May Not Be
- Iolanthe: Act Two - Soon As We May, Off And Away
Amazon.com
Iolanthe has one of the funniest lines in all of Gilbert and Sullivan. As the Peers (as in the House of Lords) enter, they sing: "Bow! Bow! Ye lower middle classes; Bow! Bow! Ye tradesmen bow ye masses; Blow the Trumpets! Bang the brasses! Tan Taran Tarah Chin Boom!" OK, so you had to have been there; but trust me, it's a riot. Anyway, this "fairy"-story parody on the undine theme, about a fairy who loves a mortal, is a typically frothy confection of biting social satire and innocent sentiment. The performance by the D'Oyly Carte company is about as close to the original production as we're likely to get. --David Hurwitz
Customer Reviews:
Classic D'Oyly Carte Opera Company stereo "Iolanthe" from 1960 [II].......2007-04-04
SOURCE: September 1960 studio recording made in London.
SOUND: When new, the series of G&S recordings that included this "Iolanthe" was generally regarded as being at the leading edge of commercial analogue stereo. The digital remastering carried out in the late 1990s was generally successful and the sound on these CDs will be perfectly satisfactory to anyone but hyper-finicky audiophiles.
CAST: Lord Chancellor - John Reed (patter baritone); Earl Mountararat - Donald Adams (bass-baritone); Earl Tolloller - Thomas Round (tenor); Private Willis - Kenneth Sandford (bass-baritone); Strephon - Alan Styler (baritone); Queen of the Fairies - Gillian Knight (mezzo-soprano); Iolanthe - Yvonne Newman (mezzo-soprano); Celia - Jennifer Toye (soprano); Leila - Pauline Wales (soprano); Fleta - Dawn Bradshaw (speaking part); Phyllis - Mary Sansom (soprano). CONDUCTOR: Isadore Godfrey with the D'Oyly Carte Opera Chorus, the New Symphony Orchestra of London and the Band of the Grenadier Guards.
TEXT: With one significant exception, the text of this performance is the standard text adopted by the D'Oyly Carte Company early in the Twentieth Century and performed by them until the company's demise at the hands of the penny-pinching Thatcher government. The standard text contains one major cut from the opening night's score, a song for Strephon called "Fold Your Flapping Wings." The song was not recorded here, although it has been restored in the 1991 recording of the (quite different) New D'Oyly Carte Opera Company.
The exception to the standard text in this performance arises from the fact that the original production of "Iolanthe" was offered to the London audience in an ultra-sumptuous production. That production had a full military brass band to play for the spectacular entrance of the peers in Act One. The D'Oyly Carte touring companies, on the other hand, playing year after year throughout the length and breadth of Britain and Ireland, could not afford the luxury of a second band. For them, Sullivan thriftily provided a version of the entrance music that could be played by the pick-up orchestras playing in the pits of provincial theaters. The touring version became the standard version and was played on all prior recordings.
It should be noted that this set was recorded at a time when the record producers elected to break with the long-established practice of omitting spoken words. The labels on both the old Lp album and the earlier version of the CD case proudly proclaimed "Complete with dialogue" and so it was and is. You are free to regard this fact as a welcome addition or as an insufferable nuisance.
COMMENTARY: This recording captures the D'Oyly Carte Opera Company--the production company founded by Gilbert, Sullivan and their producer, Richard D'Oyly Carte--in the height of its 1960s form. At its core were stars still held fondly in the hearts of many G&S afficionados worldwide: John Reed, Kenneth Sandford, Thomas Round, Donald Adams and Gillian Knight. It was certainly a very sound cast and, naturally, the most experienced in the world in the G&S repertory.
This is a performance in the classic D'Oyly Carte tradition which stretches directly back to the days when genial Sullivan conducted from the pit of the Savoy Theatre and glowering Gilbert was the stage director.
The recordings of the original DCOC can be divided into four strata: the electrical recordings of the late 1920s and early 1930s, the mono recordings of the 1950s, the first stereo recordings of the 1960s and the second stereo recordings of the 1970s. Fans debate with considerable heat about the respective merits of the three earlier strata. (Nobody pays much attention to the final one.) The 1960s cast certainly has its adherents. Purely as a matter of personal taste, I prefer the earlier ones, but they are recorded in the "historic" sound not beloved by ears accustomed to the digital era.
This "Iolanthe" is more brisk than the contemporary and rival version conducted by Sir Malcolm Sargent. However the whole Sargent series has been widely criticized from the outset as being unnecessarily lugubrious. What is recorded here is a fair presentation of the tempo of the actual DCOC stage production as I remember it. It is about the same as the 1950s version and, if anything, a bit slower than the 1930s version.
Overall, a good stereo version of "Iolanthe" displaying the absolutely authentic performing tradition for the works of Gilbert and Sullivan.
Five stars.
A Masterpiece.......2006-08-04
"Iolanthe" isn't nearly as famous as "The Pirates of Penzance" or "The Mikado" or "HMS Pinafore" but this Gilbert and Sullivan Musical Play is a masterpiece of equal merit. It is a satire on the English Class System. And it is VERY funny! For example there is track 8 entitled, "Loudly let the trumpet bray". On that track the snobbish Lords are singing to the audience: "Bow ye tradesmen, bow ye masses"...telling all us "masses" and "tradesmen" to bow down to them! The thing that makes this really funny is that these snobbish Lords are a bunch of "silly fellows" who are actually much inferior to "the masses" of their fellow citizens whom they are ordering to bow down to them!
There is much clever and charming dialogue and many clever and tuneful songs. You'll enjoy this CD and you'll look forward to sometime in the future when you can see this charming masterpiece performed on stage in person. Until then, you'll cherish the CD! Email:boland7214@aol.
One of Sullivan's finest.......2003-04-12
Mikado, Pirates, and Pinafore are the most POPULAR of the G&S operettas. Musically, however, the BEST three are Ruddigore, Iolanthe, and Yoemen. If you want to enjoy a total theatre experience one of the first three mentioned might be best (it would certainly be more likely). For a good listen at home - the last three, every time.
This recording is a little dated, technically and performance wise - get hold of a libretto if you can, as the words are not always quite as crystal clear as they might be, and missing any of them would really be too bad.
Until a really good modern recording replaces it - still the best recording of Iolanthe, which means one of the very best operetta recordings you can get!
A classic piece of G&S.......2003-02-16
A wonderful bit of ridiculousness courtesy of Gilbert and Sullivan. This recording is great, and includes the intermediary dialogue. If you like some of the more mainstream Gilbert and Sullivan musicals, such as Pirates of Penzance or the Mikado, then you'll enjoy this one. The story involves a young man named Strephon who is half fairy (from the waist up) and who is in love with Phyllis, a ward in Chancery. Although there are some refrences to British parliament which many American's (myself included) are probably missing out on, it remains an enjoyable and whimsical operetta with a classic happy ending in typical topsy-turvy Gilbert and Sullivan stye.
Excellent G&S.......2000-05-20
The music is simply beautiful; the lyrics are hilarious satire. What a treat for G&S fans. I'm so glad I bought this!
Average customer rating:
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Orchestral Hors d'oeuvres on the Longwood Gardens Organ
Manufacturer: Direct-to-Tape
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ASIN: B000009KX5
Release Date: 1993-05-01 |
Tracks:
- Mendelssohn, arr. Conte: Ruy Blas Overture Op.95
- Sullivan, arr: Conte: Overture to The Pirates ofPenzance
- Debussy, arr. Cellier: Prelude to The Afternoon of aFaun
- Thomas, arr. Westbrook: Entr'acte Gavotte from Mignon
- Sullivan, arr. Conte: Overture to Iolanthe
- Mendelssohn, arr. Nevin: Scherzo from A Midsummer Night'sDream
- Wagner, arr. Wilkins: Pilgrims' Chorus (Tannhuser)
- Dvork, arr. Lemare: Carnival Overture
Album Description
Peter Richard Conte, Grand Court Organist for the Wanamaker Organ, plays a fascinating program of orchestral transcriptions on the Longwood Gardens Organ.
Average customer rating:
- Fun with Lords and Fairies
- Classic D'Oyly Carte Opera Company stereo version of "Iolanthe" from 1960
- The fastest Iolanthe in the world?
|
Gilbert & Sullivan: Iolanthe / D'Oyly Carte Opera Company; Godfrey; New Symphony Orchestra of London
Manufacturer: Decca
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Similar Items:
- Iolanthe, or the Peer & the Peri: Vocal Score with Dialogue
- Gilbert & Sullivan - Iolanthe / Hammond-Stroud, Mills, Collins, Opera World
- Gilbert & Sullivan: The Mikado
- Gilbert & Sullivan: HMS Pinafore
- Gilbert & Sullivan: The Pirates of Penzance
ASIN: B00008LJES
Release Date: 2003-05-13 |
Tracks:
- Overture
- Tripping Hither, Tripping Thither
- Iolanthe
- Good Morrow, Good Mother
- Fare Thee Well, Attractive Stranger
- Good Morrow, Good Lover
- None Shall Part Us
- Loudly Let The Trumpet Bray
- Entrance Of The Lord Chancellor
- The Law Is The Embodiment
- My Well-Beloved Lord
- Nay, Tempt Me Not
- Spurn Not The Nobly Born
- Lords, It May Not Be
- Said I To Myself, Said I
- When Darkly Looms The Day
Tracks:
- When All Night Long A Chap Remains
- Strephon's A Member Of Parliament
- When Britain Really Ruled The Waves
- In Vain To Us You Plead
- Oh, Foolish Fay
- Though P'r'aps I May Incur Your Blame
- Love Unrequited
- If You Go In You're Sure To Win
- If We're Weak Enough To Tarry
- My Lord, A Suppliant At Your Feet
- It May Not Be
- Soon As We May, Off And Away
Customer Reviews:
Fun with Lords and Fairies.......2007-05-12
Iolanthe was the first Gilbert & Sullivan purchase I'd ever made. I did so for my wife, not for myself. Who knew!? Yes, Gilbert & Sullivan music does indeed "sound like Gilbert & Sullivan" music; I have difficulty listening to this music without visualizing any of a number of Monty Python skits. But I had no idea that Gilbert's lyrics were so witty, nor that they were written as social commentary. Hilarious stuff. I am especially pleased that this recording includes the spoken dialogue between the songs. This really brings the music to life for me.
Classic D'Oyly Carte Opera Company stereo version of "Iolanthe" from 1960.......2007-03-22
SOURCE: September 1960 studio recording made in London.
SOUND: When new, the series of G&S recordings that includes this "Iolanthe" was generally regarded as being at the leading edge of commercial analogue stereo. The digital remastering carried out in the late 1990s was generally successful and the sound on these CDs will be perfectly satisfactory to anyone but hyper-finicky audiophiles.
CAST: Lord Chancellor - John Reed (patter baritone); Earl Mountararat - Donald Adams (bass-baritone); Earl Tolloller - Thomas Round (tenor); Private Willis - Kenneth Sandford (bass-baritone); Strephon - Alan Styler (baritone); Queen of the Fairies - Gillian Knight (mezzo-soprano); Iolanthe - Yvonne Newman (mezzo-soprano); Celia - Jennifer Toye (soprano); Leila - Pauline Wales (soprano); Fleta - Dawn Bradshaw (speaking part); Phyllis - Mary Sansom (soprano). CONDUCTOR: Isadore Godfrey with the D'Oyly Carte Opera Chorus, the New Symphony Orchestra of London and the Band of the Grenadier Guards.
TEXT: With one significant exception, the text of this performance is the standard text adopted by the D'Oyly Carte Company early in the Twentieth Century and performed by them until the company's demise at the hands of the penny-pinching Thatcher government. The standard text contains one major cut from the opening night's score, a song for Strephon called "Fold Your Flapping Wings." The song was not recorded here, although it has been restored in the 1991 recording of the New D'Oyly Carte Opera Company.
The exception to the standard text in this performance arises from the fact that the original production of "Iolanthe" was offered to the London audience in an ultra-sumptuous production. That production had a full military brass band to play for the spectacular entrance of the peers in Act One. The D'Oyly Carte touring companies, playing year after year throughout the length and breadth of Britain and Ireland, on the other hand, could not afford the luxury of a second band. For them, Sullivan thriftily provided a version of the entrance music that could be played by the pick-up orchestras playing in the pits of provincial theaters. The touring version became the standard version and was played on all prior recording.
It should be noted that this set was recorded at a time when the record producers elected to break with the long-established practice of omitting the spoken words. The labels on both the old Lp album and the current CD case proudly proclaim, "Complete with dialogue" and so it is. You are free to regard this fact as a welcome addition or as an insufferable nuisance.
COMMENTARY: This recording captures the D'Oyly Carte Opera Company--the production company founded by Gilbert, Sullivan and their producer, Richard D'Oyly Carte--at the height of its 1960s form. At its core were stars still held fondly in the hearts of many G&S afficionados: John Reed, Kenneth Sandford, Thomas Round, Donald Adams and Gillian Knight. It was certainly a very sound cast and, naturally, the most experienced in the world in this repertory. This performance is in the classic D'Oyly Carte tradition which stretches back directly to the days when genial Sullivan conducted from the pit of the Savoy Theatre and glowering Gilbert directed the performers on stage.
The recordings of the original DCOC can be divided into four strata: the electrical recordings of the late 1920s and early 1930s, the mono recordings of the 1950s, the first stereo recordings of the 1960s and the second stereo recordings of the 1970s. Fans debate with considerable heat about the respective merits of the three earlier strata. (Nobody pays much attention to the final one.) The 1960s cast certainly has its adherents. Purely as a matter of personal taste, I prefer the earlier ones, but they are recorded in the "historic" sound not beloved by ears accustomed to the digital era.
The previous reviewer was struck by the speed of this performance and even suggested some humorous explanations for it. (Ho-ho-ho.) This "Iolanthe" is unquestionably more brisk than the contemporary and rival version conducted by Sir Malcolm Sargent. From the outset, however the Sargent series was widely criticized as being overly lugubrious. This recording is a fair presentation of the tempo of the actual DCOC stage production as I remember it. It is about the same as the 1950s recorded version and, if anything, a bit slower than the 1930s version.
Overall, this is a good stereo "Iolanthe." It showcases the absolutely authentic performing tradition for the works of Gilbert and Sullivan.
Five stars.
The fastest Iolanthe in the world?.......2004-07-17
This is a recording that shows its age a bit. The women's pronounciation is rather like the Queen's: from another era. It's not surprising I suppose, because this was recorded in 1960. John Reed is good as the Lord Chancellor, as is Kenneth Sandford as the Sentry. However, this production is so rushed! I strongly suspect this was recorded so as to end in time for the cast to get to the pub before last orders.
Another possibility is that it was squeezed to fit a double LP.
Average customer rating:
- Music for the baby!
- Unlistenable
- THIS is music . . .
- A Surefire Method of Loosing the Blues
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Gilbert & Sullivan Weekend
Manufacturer: Decca
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CDs $7 - $10
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ASIN: B0000041X3
Release Date: 1990-10-12 |
Tracks:
- H.M.S Pinafore: Now Give Three Cheers...I Am The Monarch Of the Sea...When I Was A Lad
- H.M.S Pinafore: I'm Called Little Buttercup
- H.M.S Pinafore: Never Mind The Why And Wherefore
- The Mikado: A Wand'ring Minstrel I
- The Mikado: Three Little Maids From School Are We
- The Mikado: As Someday It May Happen
- The Mikado: The Flowers That Bloom In The Spring
- The Mikado: On A Tree By A River A Little Tom-Tit
- The Yeomen Of The Guard: When Our Gallant Norman Foes
- The Yeomen Of The Guard: I Have A Song To Sing, O!
- The Pirates Of Penzance: I Am The Very Model Of A Modern Major-General
- The Pirates Of Penzance: When The Foeman Bares His Steel
- The Pirates Of Penzance: Poor Wand'ring One
- The Pirates Of Penzance: When A Felon's Not Engaged In His Employment
- Iolanthe: Loudly Let The Trumpet Bray
- Iolanthe: If You Go In You're Sure To Win
- The Gondoliers: We're Called Gondolieri
- The Gondoliers: In Eenterprise Of Maritial Kind
- The Gondoliers: Take A Pair Of Sparkling Eyes
- The Gondoliers: Dance A Cachucha, Fandango, Bolero
Customer Reviews:
Music for the baby!.......2006-10-14
I am the caregiver for my newborn grandson who is VERY VERY fussy. There are all kinds of CDs with soothing music for the babies, BUT I happened to hear that opera was a great listen for the little ears and this one is the best. It has high voices and very low bass voices lots of BOOMs and arias. When I first put it on for him, (in the middle of a loud cry), he quieted down almost as soon as the first stanza was over. He now smiles and waves his little arms and legs around when I turn it on. He Listens and loves this CD, and so do I! The words are hard to understand but the sounds are marvelous. If you know of any mother/father who is wanting music for a small baby/child, tell them about Gilbert and Sullivan (and they will enjoy it, too).
Unlistenable.......2005-11-11
The voices are wonderful, but the recording is so faulty that only the two tracks from Iolanthe sound at all okay. At first I thought it was my equipment, then realized that the CD was at fault. And I bought one for myself and one for a friend! I adore Gilbert & Sullivan and D'Oyly Carte is the best, but this particular CD shouldn't be offered for sale.
THIS is music . . ........2005-07-21
. . . not rap, not rock, not pop. Light opera! I love Arthur Sullivan's music, even though I'm 11, and I love this CD! The tunes are really catchy, and I'm usually singing one to myself. Not many people my age like light opera, but to me, it's the best music there is. Don't be afraid that you won't like this CD. You'll love it, even though it's hard to understand at sometimes. You might want to listen to some of the songs first to see if you like it. After all, not everyone likes opera.
A Surefire Method of Loosing the Blues.......2000-03-03
This recording, done in a studio, allows the listener to "hear" all the words of all the patter songs. John Reed is just excellent as Koko, the Modern Major General, the Monarch of the Sea. Highlights come from Iolanthe, HMS Pinefore, Yeomen, Mikado, Gondoliers. A truly wonderful experience to be enjoyed over and over.
Average customer rating:
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Gilbert & Sullivan: Greatest Hits
Manufacturer: Decca
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Binding: Audio CD
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Similar Items:
- Singin' in the Rain (Two-Disc Special Edition)
ASIN: B00022LJKG
Release Date: 2004-05-11 |
Tracks:
- Overture
- Three Little Maids From School Are We
- A Wand'ring Minstrel I
- On A Tree By A River A Little Tom Tit
- Behold The Lord High Executioner
- As Someday It May Happen That A Victim Must Be Found
- Here's A How-De-Do!
- The Flowers That Bloom In The Spring, Tra La
- There Is A Beauty In The Bellow Of The Blast
- For He's Gone And Married Yum-Yum
- When I Was A Lad - Isidore Godfrey
- I'm Called Little Buttercup - Isidore Godfrey
- Never Mind The Why And Wherefore - Isidore Godfrey
- We Sail The Ocean Blue - Isidore Godfrey
- My Gallant Crew...I Am The Captain Of The Pinafore - Isidore Godfrey
- I Have A Song To Sing, O!
- Overture
- With Cat-Like Tread
- Poor Wand'ring One!
- I Am The Very Model Of A Modern Major-General
- When The Foeman Bares His Steel
- When A Felon's Not Engaged In His Employment
- Loudly Let The Trumpet Bray
Average customer rating:
- A Wonderful Performance
- ARTICULATE MIKADO
- Finally, a worthy recording of the Mikado!
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Gilbert & Sullivan: The Mikado (Complete); Iolanthe (Highlights)
Manufacturer: Class. for Pleas. Us
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Similar Items:
- Gilbert & Sullivan: H.M.S. Pinafore / Mackerras, Welsh National Opera
- Gilbert & Sullivan: The Pirates of Penzance
- South Park - The Complete Ninth Season
- Double Indemnity (Universal Legacy Series)
ASIN: B00009KHY0
Release Date: 2003-09-02 |
Tracks:
- Overture - John Holmes
- Act 1: If You Want To Know Who You Are - John Holmes
- Act 1: Gentlemen, I Pray You Tell Me - John Holmes
- Act 1: A Wand'ring Minstrel, I - John Holmes
- Act 1: Our Great Mikado, Virtuous Man - John Holmes
- Act 1: Young Man, Despair - John Holmes
- Act 1: And Have I Journey'd For A Month - John Holmes
- Act 1: Behold The Lord High Executioner! - John Holmes
- Act 1: As Some Day It May Happen - John Holmes
- Act 1: Comes A Train Of Little Ladies - John Holmes
- Act 1: Three Little Maids From School - John Holmes
- Act 1: So Please You, Sir, We Much Regret - John Holmes
- Act 1: Were You Not To Ko-Ko Plighted - John Holmes
- Act 1: I Am So Proud - John Holmes
- Act 1: With Aspect Stern - John Holmes
- Act 1: Your Revels Cease - John Holmes
- Act II: Braid The Raven Hair - John Holmes
- Act II: The Sun, Whose Rays Are All Ablaze - John Holmes
- Act II: Brightly Dawns Our Wedding Day - John Holmes
- Act II: Here's A How-De-Do! - John Holmes
- Act II: Miya Sama, Miya Sama - John Holmes
- Act II: A More Humane Mikado - John Holmes
Tracks:
- Act II: The Criminal Cried - John Holmes
- Act II: See How The Fates Their Gifts Allot - John Holmes
- Act II: The Flowers That Bloom In The Spring - John Holmes
- Act II: Alone, And Yet Alive - John Holmes
- Act II: Hearts Do Not Break - John Holmes
- Act II: On A Tree By A River A Little Tom-Tit - John Holmes
- Act II: There Is Beauty In The Bellow Of The Blast - John Holmes
- Act II: For He's Gone And Married Yum-Yum - John Holmes
- Overture - Elizabeth Harwood
- Act I: None Shall Part Us From Each Other - Elizabeth Harwood
- Act I: Loudly Let The Trumpet Bray! - Elizabeth Harwood
- Act I: Nay, Tempt Me Not...Spurn Not The Nobly Born - Elizabeth Harwood
- Act I: When I Went To The Bar As A Very Young Man - Elizabeth Harwood
- Act I: When Next Your Houses Do Assemble - Elizabeth Harwood
- Act II: When All Night Long A Chap Remains (Sentry Song) - Elizabeth Harwood
- Act II: Strephon's A Member Of Parliament - Elizabeth Harwood
- Act II: When Britain Really Ruled The Waves - Elizabeth Harwood
- Act II: Oh, Foolish Fay - Elizabeth Harwood
- Act II: Love, Unrequited, Robs Me Of My Rest - Elizabeth Harwood
- Act II: When You're lying Awake With A Dismal Headache (Nightmare's Song) - Elizabeth Harwood
- Act II: If You Go In, You're Sure To Win - Elizabeth Harwood
- Act II: If We're Weak, Enough To Tarry - Elizabeth Harwood
- Act II: My Lord, A Suppliant At Your Feet I Kneel - Elizabeth Harwood
- Act II: It May Not Be - Elizabeth Harwood
- Act II: Soon As We May, Off And Away - Elizabeth Harwood
Customer Reviews:
A Wonderful Performance.......2007-03-31
This is an an authentic, accessible, entertaining, and deeply satisfying performance. Although I like all of the principal singers, my two favorite are Clive Revill as Ko-Ko and Jean Allister as Katisha. For me, the key to a successful Gilbert and Sullivan performance is that it is not only funny, but also touching. In my opinion, Revill and Allister score high in both departments. In their final scene together, they are both vulnerable and hilarious at the same time. One small detail about this recording that bothers me slightly is that the overture has been rewritten. It is a nice medley, but I miss the original. I understand that Sullivan did not write it, but it is based on his tunes and I've always liked it. But don't let that stop you from getting this recording. I consider it to be the best Mikado on record.
ARTICULATE MIKADO.......2007-01-31
Articulate - both in diction and in musical interpretation - this re-release of the 1960's Sadlers Wells recording of Gilbert and Sullivan's MIKADO is quite delightful. The care and loving detail, which were the keystones of SWO's productions of G & S and operettas in the 1960s onstage, are preserved here in Alexander Faris's splendidly gutsy interpretation of the most popular of all the Savoy Operas; if his speeds are at times too leisurely, all can be forgiven just to hear the superb soloists; the expert diction of Denis Dowling as Pooh-Bah; the heroic tones of John Wakefield as the Wandering Minstrel; Marion Studholme singing the best "Sun Whose Rays" you will ever here on disc; Jean Allister as a correctly dominating Katisha, (hurray - a real contralto!), with a superb glissando in "Beauty and the Bellow"; the glorious Pat Kern as Pitti-Sing making so much more of the traditional soubrette; John Heddle Nash giving a singing and acting lesson with Pish-Tush's only solo; and the droll Clive Revill so completely at ease in the comic role of Ko-Ko, (though it is strange that his running out of breath at the end of his verse in the Act Two trio was not corrected!) I have to say that this recording of THE MIKADO puts all other D'Oyly Carte and Glyndeboune recordings in the shade, and the inclusion of highlights from Sadlers Wells IOLANTHE from 1962 is just an added bonus - the overture in this is simply stunning, and how good to hear Eric Shilling, Heather Begg, and Elizabeth Harwood obviously enjoying themselves so much singing Sullivan's most musical of scores.
Finally, a worthy recording of the Mikado!.......2004-03-03
It really does make a difference, when performing Gilbert and Sullivan, to use singers who can act rather than the other way round. Every soloist here utilizes a very forward, "in-the-mask" vocal placement, which not only reduces the need to force, but helps to render their diction crystal-clear. Sample Jean Allister's Katisha. No plummy, oratorio contralto tones for her. Here is all the waspish, incisive malevolence that is already there in the writing; she just reveals it by singing and pronouncing the texts in a light and unforced manner. This approach helps to restore the vim and vigor to an opera that can often seem tired and "played-out" to modern ears. If the recording has any weakness, it may possibly be found in the Yum-yum and Nanki-Poo. Marion Studholme is perhaps more shrill than is necessary, while John Wakefield seems to have wandered in from a performance of Dream of Gerontius. These are minor quibbles, however. The overall excellence of the performance quells any doubts, with Alexander Faris' conducting a model of transparent clarity. The Iolanthe excerpts are also well-done, but it's Mikado that is the jewel here. Don't hesitate; buy it today!
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