Mahler: Symphony No. 2 & Totenfeier
Editorial Reviews
Amazon.com
Chailly's admirable Mahler 2nd is distinguished by the superb playing of the Concertgebouw, but it's marred by a somewhat opaque recording and by one of the slowest last movements on disc. In itself, the latter is not a fatal flaw, merely an idiosyncratic personal touch, which listeners will accept as insightful or reject as a misjudged letdown. Even there, however, numerous passages are done with sensitivity to Mahler's instructions and the soprano-mezzo duet is gorgeous. The characterful scherzo movement is a highlight, as expected from an orchestra whose wind section is second to none. Another highlight is Petra Lang's singing of Urlicht, the fourth movement's song from Youth's Magic Horn, where she's perfection itself. The filler is a welcome oddity, Mahler's Totenfeier (Funeral Rites), an early version of the Symphony's first movement. Chailly's is a provocative, interesting version of a great work that can take many differing viewpoints. --Dan Davis
Mahler: Symphony No. 2 & Totenfeier, Music, Gustav Mahler, Riccardo Chailly, Melanie Diener, Petra Lang, Royal Concertgebouw Orchestra, Classical, Classical Composers, Classical Music, Orchestral, Orchestral & Symphonic, Romantic Symphony, Romantic Tone Poem/Symphonic Poem for Orchestra, Symphonic
Average customer rating:
- Superb
- Powerful and Moving
- Barber's adagio
- My inner beauty
- Oscar Wilde plays Barber?
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Barber's Adagio
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Barber: Adagio for Strings, Op. 11/Orchestral Music; Leonard Slatkin
- Mussorgsky: Pictures at an Exhibition; Night on Bald Mountain
- Copland: Appalachian Spring/Fanfare For The Common Man/El Salón México/Danzón Cubano
- Gershwin: Rhapsody In Blue/An American In Paris
- Prokofiev: Peter And The Wolf/Saint-Saëns: The Carnival Of The Animals
ASIN: B0000025TX
Release Date: 1990-10-25 |
Tracks:
- Adagio For Strings, Op. 11
- Fantasia On A Theme Of Thomas Tallis
- Fantasia On 'Greenleaves'
- String Quartet No. 1,. Op. 11: 'Andante Cantabile' - Tchaikovsky
- Symphony No. 5 In C Sharp Minor: 'Adagietto'
Customer Reviews:
Superb.......2007-05-15
Bernstein's usual wonderful interpretations of 5 pieces.
This is probably the best performance of Barber's Adagio you can find and I have heard them all. One other note is Williams' Fantasia on a theme by Thomas Tallis... it is spellbinding. This cd is definately worth the price if you are into slower strings.
Powerful and Moving.......2007-02-07
Barber's Adagio for Strings has become my favorite piece of music ever since hearing this recording several years ago. I definitely recommend this for anyone who likes violin music.
Barber's adagio.......2007-02-01
This sounds like a great recording of the Adagio adopted for orchestra.
I personally discovered another cd called Cathedral Classics recorded by Dale Warland Singers which gives a superior recording of the same music.
Dale Warland gives an unmatched quality that is available on the Internet.
My inner beauty.......2007-01-20
This music brings thoughts to my mind. I relax and think about good memories. But something in the music makes me sad sometimes and I can't stop listening to it because it is so beautiful. I want this CD to be played at my funeral. Only because it would bring good thoughts to people who know me now, but also just because it is so serene.
Oscar Wilde plays Barber?.......2005-07-12
Apparently, Thomas R. Brown is the only reviewer who has actually listened to this disc.
The performance of the Barber is not only the worst performance of the Adagio that I've ever heard; it's probably the worst performance of any piece by a major orchestra that I've ever heard, live or recorded. The complete lack of synchronization between the various string sections is embarrassing; the sloppy entrances are distracting and graceless. The orchestra sloshes from phrase to phrase like water in a bucket being carried over rough terrain. One wonders whether Bernstein was bothering to conduct at all, or was making everyone guess. This performance would have been unacceptable from my Youth Orchestra 25 years ago.
The other tracks are considerably better, but it's hard to make up for such a pathetic effort on the lead track.
Average customer rating:
- Good selection
- thunderous applause
- Good Music at a Great Price
- You will like this!
- Good for the novice
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25 Thunderous Classics
Manufacturer: Vox (Classical)
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ASIN: B00004Y6SQ
Release Date: 2000-09-05 |
Tracks:
- Also Sprach Zarathustra (Sunrise) - R. Strauss
- Mars (The Planets) - Holst
- Overture 1812 - Tchaikovsky
- Entry Of The Gladiadtors - Fucik
- Sabre Dance - Khachaturian
- Procession Of The Sardar - Ippolitov Ivanov
- Night On Bald Mountain - Mussorgsky
- Anvil Chor (II Trovatore) - Verdi
- The Thunderer March - Sousa
- Thunder & Lightening Polka - J. Strauss
- Prelude To Act III : Lohengrin - Wagner
- The Ride Of The Valkryies - Wagner
- Montagues & Capulets (Romeo & Juliet Ballet Suite) - Prokofiev
- The Storm: Symphony No. 6 In F Major, 'Pastorale' - Beethoven
- Rondeau - Edward Carroll
- Overture: Fireworks Music - Handel
- March To The Scaffold: Symphonie Fantastique - Berlioz
- LesToreadors - Bizet
- William Tell Overture: Finale - Rossini
- Revolutionary Study - Abbey Simon
- Fanfare For The Common Man - Copland
- Sym No. 1 'Titan' IV Sturmisch Bewegt (Excerpt) - Mahler
- Augurs Of Spring From Rite Of Spring - Stravinsky
- Russian Dance From Petrouchka - Stravinsky
- The Great Gate At Kiev From Pictures At An Exhibition - Mussorgsky
Customer Reviews:
Good selection.......2005-10-02
I bought this CD to use in my classroom as listening examples. I'm not just a super big fan of some of the performances, but they are all good and for the price you can't beat it. That's why I gave it 5 stars. It's worth more than it costs by far.
thunderous applause.......2005-08-31
This is a who's-who of great pieces of music you have heard all of your life, and never knew the names and stories! I listened to it over and over in the car and had my own concert! A friend borrowed it to add music to his Home Movies and it was perfect!
Good Music at a Great Price.......2004-03-06
I bought this CD mostly for "Entry of the Gladiators," which everyone will recognize as classic circus music. The performance on this CD (by Erich Kunzel and the Cincinnati Pops) is the best available version of Entry of the Gladiators. The rest of the CD offers mostly excerpts of classical music.
You will like this!.......2004-02-19
I had purchased an abundance of the "Favorites" collection and some were better than others.
This CD is at the top of them all. They may be short, but not that short. Wondrous music.
I can almost guarantee that you will like this music.
Well worth the price!
Good for the novice.......2002-06-08
The recordings on this disc are pretty good. However, the editors selected only the *loud* parts, as indicated by the title. I was pretty disappointed to find that the pieces are, in many cases, edited to reflect the most famous themes, etc, instead of including the whole work. In general, I would recommend this to the classical music novice, or someone who wants to expand their knowledge of classical music in general. Those who already are familiar with these pieces will probably feel gypped.
Average customer rating:
- The Most Relaxing Classical Album In the World Eveer, Volume II
- Great music listein to while you read in bed
- A must buy for the non-snobbish classical music fan.
- A bliss of spirit.
- Boring
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The Most Relaxing Classical Album In the World Ever, Volume II
Gabriel Faure , Frederic Chopin , Antonio Vivaldi , Gustav Mahler , Claude Debussy , Sir Neville Marriner , Maris Jansons , Lorin Maazel , Sir Adrian Boult , Miklos Rozsa , Riccardo Muti , Stephen Cleobury , Sir John Barbirolli , New Philharmonia Orchestra , Philharmonia Orchestra & Chorus , Academy of St. Martin in the Fields , and Berlin Philharmonic
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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ASIN: B00002439O
Release Date: 2003-03-11 |
Tracks:
- Sheep May Safely Graze - Sir Neville Marriner
- Serenade In G 'Eine Kleine Nachtmusik' - Sir Neville Marriner
- Violin Concerto No.1 In G Minor, Op.26 - II. Adagio - Yedudi Menuhin
- Nocturne No.2 In E Flat Op.9 No.2 - John Ogdon
- Miserere Mei, Deus - Stephen Cleobury
- Schindler's List - Tasmin Little
- Traumerei - Dame Moura Lympany
- Dance Of The Sylphs - Sir Neville Marriner
- Water Music - Berlin Philharmonic Orchestra
- Symphony No.9: II. Largo - Oslo Philharmonic Orchestra
- Jean De Florette - Toots Thielemans
- Concerto For Lute And Two Violins - II. Largo - Anthony Bailes
- Cello Concerto In E Minor Op.85 - III. Adagio - Jacqueline De Pre
- Waltz No.15 In A Flat - Dame Moura Lympany
- Romance - Piers Lane
- Pavane - Maurice Handford
- Woodbrook - Micheal O Suilleabhain
- Time To Say Goodbye - Orchestra
Tracks:
- The Four Seasons - Concerto No.1 In E 'Spring' - Yehundi Menuhin
- Dance Of The Blessed Spirits - New Philharmonia Orchestra
- Double Violin Concerto In D Minor - II. Largo Ma Non Tanto - Yehudi Menuhin
- Prelude No.7 In A Op.28 No.7 - Tzimon Barto
- Cantique De Jean Racine - MONKS AND CHOIRBOYS OF DOWNSIDE ABBEY
- The Lark Ascending - Hugh Bean
- 'Pathetique Sonata Op.13 - II. Adagio Cantabile - Leonard Pennario
- Pie Jesu - Choir Of King's College, Cambridge
- Salut D'Amour - Richard Hickox
- La Fille Aux Cheveux De Lin (The Girl With Flaxen Hair) - Dame Moura Lympany
- The Coventry Carol - Medeval Babes
- Pavane For A Dead Princess - New Philharmonia Orchestra
- Liebestraum No.3 In A Flat - John Ogdon
- Panis Angelicus - Elisabeth Schwarzkopf
- Piano Concerto No.2 In F Op.102 - II. Andante - Dmitri Alexeev
- Agnus Dei - Peter Barley
- Symphony No.5 In C Sharp Minor - IV. Adagietto - New Philharmonia Orchestra
- My Heart Will Go On - Orchestra
Customer Reviews:
The Most Relaxing Classical Album In the World Eveer, Volume II.......2006-08-28
Good selection of music, poorly performed and badly arranged. Good album for a tag sale. Same comment applies for Volume I.
Great music listein to while you read in bed.......2005-08-21
I have listened to this CD for the last several years before going to sleep at night. I love classical music, and this is great music to help make my soul feel at peace and unwind after a taxing day.
A must buy for the non-snobbish classical music fan........2004-10-22
I bought Vol. 1 of this series and was quite satisfied, but I have to say I'm more than satisfied with this one. If you can just mellow out and enjoy some great pieces, you'll love this CD. #15 on Disc 2 is almost worth the price alone!
A bliss of spirit........2004-09-18
That's disc will open You a wonderful, beautiful world of sounds, their harmony & emotion : you'll feel your heart full of
Joy, Tears, Love.
Good LUCK!
Boring.......2004-05-11
Yes this CD will put you to sleep in minutes. Its the most boring uninspiring classical music. The first CD was very good but this Vol. 2 is like most movie sequels....AWFUL !
Average customer rating:
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The Most Soothing Lullabies In The Universe
Manufacturer: Denon Records
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Similar Items:
- National Geographic: Lullabies - Dream Songs from Around the World
- Traditional Lullabies
- Bach at Bedtime: Lullabies for the Still of the Night
- Lullaby: A Collection
- Lullaby Favorites: Music for Little People
ASIN: B0001NBNE8
Release Date: 2004-04-06 |
Tracks:
- CHOPIN: Piano Concerto No. 1, Larghetto
- DEBUSSY: Clair de Lune
- MANFREDINI: Concerto grosso in C, I. Largo (Pastorale)
- MOZART: Eine Kleine Nachtmusik, Andante
- BEETHOVEN: Moonlight Sonata, Adagio
- BACH: Goldberg
- SIBELIUS: Swan of Tuonela
- LISZT: Liebestraume
- SCHUMANN: Dreaming
- MASSENET: Meditation from "Thais"
- VAUGHAN WILLIAMS: Greensleeves
Tracks:
- HANDEL-WEINER: Sicilienne
- A. CORELLI: Concerto grosso in G, Pastorale
- VERDI: "When the evening becomes peaceful"
- CHOPIN: Three Preludes
- MOZART: Clarinet Concerto in A, II. Adagio
- BRAHMS: Piano Sonata No. 3, II. Andante espressivo
- TCHAIKOVSKY: Swan Lake (excerpt)
- MENDELSSOHN: Three Songs Without Words
- MAHLER: Symphony No. 3, IV. Sehr Langsam
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- What to Listen for in Music
- Study of Orchestration, Third Edition
- The Life and Works of Ludwig van Beethoven
- The Life and Works of Frédéric Chopin
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- mahler symphony#4
- Not the best performance of this symphony
- Amazingly fresh and vital
- Because I have dissed the 1990 DG Bernstein/Wittek Mahler #4
- Still one of the most musical Mahler Fourths.
|
Mahler: Symphony No. 4
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Similar Items:
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ASIN: B00000I9GF
Release Date: 1999-03-16 |
Tracks:
- Symphony No. 4 In G Major: Bedachtig. Nicht eilen
- Symphony No. 4 In G Major: Tempo 1
- Symphony No. 4 In G Major: Wieder wie zu Anfang. Sehr gemachlich, behaglich
- Symphony No. 4 In G Major: Wieder plotzlich langsam und bedachtig
- Symphony No. 4 In G Major: In gemachlicher Bewegung. Ohne Hast
- Symphony No. 4 In G Major: Nicht eilen
- Symphony No. 4 In G Major: Ruhevoll
- Symphony No. 4 In G Major: Viel langsamer
- Symphony No. 4 In G Major: Anmutig bewegt
- Symphony No. 4 In G Major: Andante
- Symphony No. 4 In G Major: Vorwarts. Poco piu mosso
- Symphony No. 4 In G Major: Sehr behaglich
- Symphony No. 4 In G Major: Wieder lebhaft
- Symphony No. 4 In G Major: Tempo 1. Sehr zart und geheimnisvoll bis zum Schluss
Customer Reviews:
mahler symphony#4.......2007-01-07
Being a Mahler lover and a fan of leonard Bernstein I was disappointed to find this recording quite pedestrian.There are much better interpretations available.
Not the best performance of this symphony.......2006-09-17
I like Bernstein, and this performance does have some charm to it. However, the rhythms are too choppy, the tempo changes too often, and there is not enough mystery. If you can find it, the very best performance of the Mahler 4th is by Leopold Ludwig and the Staatskapelle Dresden. It was recorded way back in 1957 and remains the best available interpretation, in my opinion. You can read my review of that CD for more details.
Amazingly fresh and vital.......2005-10-26
For years the Gramophone, among other sources of critical approval, has recommended a cautious, enervated Mahler Fourth by Maazel and the vienna Phil., also on Sony. This first Bernstein reading from New York, recorded in 1960, has been passed over, and yet it is amazingly fresh and exciting. Unfortunately, the Fourth has become, as one reviewer said, a lyrical intermezzo positioned between greater works, yet in Bernstein's hands it shines as an extension of the magical world of the Third Symphony, dreamlike and enchanted, full of wonder and spiritual intenisty. I hadn't listend to it for some years, and a recent reacquaintance reminded me that Bernstien earned his credentials as a Maherian, not by extroverted emotion but by having constant insights into Mahler's musical idiom. A great reading, arguably the greatest on disc.
Because I have dissed the 1990 DG Bernstein/Wittek Mahler #4.......2004-12-01
I just want to note that this 1960 remastered version is great. I agree with all the positive comments below, but also want to emphasize that the sound is unusual & wonderful here. The microphones must have been mainly above Bernstein's head to get the unusually broad, clear sonic perspetive. The remastered sound is also of exceptional quality, and the resulting clarity fits the conductor's measured, highly resolved take on the music perfectly. Recommended, and a great bargain.
Still one of the most musical Mahler Fourths........2004-03-23
Despite the different explanations regarding what Mahler is telling us, it is obvious that Bernstein presents the Fourth Symphony in very musically appealing terms. Though typically identified with a broad range of emotional expression, especially in his Mahler interpretations, he actually seems a mite less sensitive or concerned with the sometimes lurking, uneasy aspects of this symphony, (in contrast to Tennstedt, for example). In the opening movement, the description, "dream-like", seems to fit Bernstein's portrayal. Simultaneously, he conveys an attractive lyricism. In the second ("death fiddler") movement, he expresses ample irony, while in the third, he radiates an almost aching beauty. A standout in the fourth movement is soprano Reri Grist, whose memorable performance sounds more child-like than most other sopranos I've heard. A good number of others have sounded "too adult", and some ridiculously so....I expressed high regard for Bernstein's Mahler Second, and not so high regard for his Mahler Fifth. Here, he delivers a reading I find both engrossing and very satisfying. For a long time, this has been and continues to be one of my favorite Mahler Fourths.
Average customer rating:
- very romantic to make love by
- Great Mood Music
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Most Romantic Classical Music in the Universe
Gabriel Faure , Felix Mendelssohn , Pyotr Il'yich Tchaikovsky , Fryderyk Chopin , Franz Liszt , Erik Satie , Robert Schumann , Antonin Dvorak , Gustav Mahler , Sergey Rachmaninov , Leos Janacek , Cesar Franck , George Frideric Handel , Jules Massenet , Sergey Prokofiev , Catalan Traditional , and Various Artists
Manufacturer: Denon Records
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ASIN: B00011V890
Release Date: 2004-01-13 |
Tracks:
- BIZET Aragonaise from Carmen
- DEBUSSY Clair de Lune
- SAINT-SAS The Swan
- BEETHOVEN Moonlight Sonata, Adagio
- TARREGA Recuerdos
- FAURE Aprun rrie
- ,MENDELSSOHN Song without Words Op. 19 #6
- TCHAIKOVSKY Serenade for Strings, Elegia, Larghetto elegaico
- CHOPIN Ballade No. 1
- LISZT Liebestraume
- SATIE Gymnopedies No. 1
- SCHUMANN Abendlied
- MENDELSSOHN Song without Words Op. 62 #5
- DVORAK Serenade for Strings, Larghetto
- BEETHOVEN Fse
Tracks:
- MAHLER Symphony No. 5, Adagietto
- RACHMANINOFF Piano Concerto No. 2, Adagio
- JANACEK Idyll for Strings, Adagio
- FRANCK Violin Sonata, Recitativo-Fantasia
- HANDEL Largo from Xerxes
- CHOPIN Etude in E Major
- TCHAIKOVSKY Swan Lake (excerpt)
- MASSENET Meditation from "Tha
- PROKOFIEV Romeo & Juliet
- TRADITIONAL Nocturne in F
- TCHAIKOVSKY Nocturne in F
- RACHMANINOFF Prelude
Customer Reviews:
very romantic to make love by.......2007-06-11
The music is seductive and promotes an atmosphere of feeling uninhibited when you are making love.
Great Mood Music.......2006-08-11
This is a great CD to compliment any romantic situation. A meal by candle light, champagne on the veranda, or a Jacuzzi for two! Very soothing.
Average customer rating:
- Groundbreaking but partly outdated
- Outstanding Mahler Compilation
- Bernstein or Tennstedt: read on....
- Comparing the two Bernstein Mahler cycles
- Mahler complete symphonies.
|
Mahler: The Complete Symphonies
Dame Janet Baker , Jennie Tourel , Lili Chookasian , Martha Lipton , Israel Philharmonic Orchestra , New York Philharmonic , Hans Vollenweider , Adele Addison , Dame Gwyneth Jones , Erna Spoorenberg , Lee Venora , Lucine Amara , Reri Grist , John Mitchinson , and Richard Tucker
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ASIN: B0000589BP
Release Date: 2001-01-30 |
Tracks:
- Sym No.1 in D 'Titan': Movt I: Langsam. Schleppend. Wie Ein Naturlaut - New York Phil/Leonard Bernstein
- Sym No.1 in D 'Titan': Movt I: Immer Sehr Gemachlich - New York Phil/Leonard Bernstein
- Sym No.1 in D 'Titan': Movt I: Sehr Gemachlich - New York Phil/Leonard Bernstein
- Sym No.1 in D 'Titan': Movt I: Vorwats Dragend - New York Phil/Leonard Bernstein
- Sym No.1 in D 'Titan': Movt II: Kraftig Bewegt - New York Phil/Leonard Bernstein
- Sym No.1 in D 'Titan': Movt II: Trio. Recht Gemachlich - New York Phil/Leonard Bernstein
- Sym No.1 in D 'Titan': Movt II: Tempo Primo - New York Phil/Leonard Bernstein
- Sym No.1 in D 'Titan': Movt III: Feierlich Und Gemessen, Ohne Zu Schleppen - New York Phil/Leonard Bernstein
- Sym No.1 in D 'Titan': Movt III: A Tempo. Ziemlich Langsam - New York Phil/Leonard Bernstein
- Sym No.1 in D 'Titan': Movt III: Sehr Einfach Und Schlicht Wie Eine Volksweise - New York Phil/Leonard Bernstein
- Sym No.1 in D 'Titan': Movt III: Weider Etwas Bewegter, Wie Im Anfang - New York Phil/Leonard Bernstein
- Sym No.1 in D 'Titan': Movt IV: Sturmisch Bewegt - New York Phil/Leonard Bernstein
- Sym No.1 in D 'Titan': Movt IV: Sehr Gesangvoll - New York Phil/Leonard Bernstein
- Sym No.1 in D 'Titan': Movt IV: Wieder Wie Zu Angang. Sturmisch Bewegt - New York Phil/Leonard Bernstein
- Sym No.1 in D 'Titan': Movt IV: Sehr Langsam - New York Phil/Leonard Bernstein
- Sym No.1 in D 'Titan': Movt IV: Wieder Vorwarts Drangend - New York Phil/Leonard Bernstein
- Sym No.10, 'Adagio': Andante - New York Phil/Leonard Bernstein
- Sym No.10, 'Adagio': Andante Come Prima - New York Phil/Leonard Bernstein
- Sym No.10, 'Adagio': A Tempo (Fliessend) - New York Phil/Leonard Bernstein
- Sym No.10, 'Adagio': Measure 104 - New York Phil/Leonard Bernstein
- Sym No.10, 'Adagio': Measure 194 - New York Phil/Leonard Bernstein
- Sym No.10, 'Adagio': A Tempo - New York Phil/Leonard Bernstein
Tracks:
- Sym No.2 in c 'Resurrection': Movt I: Allegro Maestoso - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
- Sym No.2 in c 'Resurrection': Movt I: Sehr Massig Und Zuruckhaltend - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
- Sym No.2 in c 'Resurrection': Movt I: Schnell - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
- Sym No.2 in c 'Resurrection': Movt I: Tempo I - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
- Sym No.2 in c 'Resurrection': Movt I: Tempo Sostenuto - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
- Sym No.2 in c 'Resurrection': Movt II: Andante Moderato - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
- Sym No.2 in c 'Resurrection': Movt II: Energisch Bewegt - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
- Sym No.2 in c 'Resurrection': Movt II: Wieder In's Tempo Zuruckgehen. Tempo I - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
- Sym No.2 in c 'Resurrection': Movt III: In Ruhig Fliessender Bewegung - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
- Sym No.2 in c 'Resurrection': Movt III: Vorwarts - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
- Sym No.2 in c 'Resurrection': Movt III: Zum Tempo I. Zuruckkehren - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
Tracks:
- Sym No.2 in c 'Resurrection': Movt IV: ' Urlicht' - Sehr Feierlich, Aber Schlicht - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
- Sym No.2 in c 'Resurrection': Movt IV: Etwas Bewegter - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
- Sym No.2 in c 'Resurrection': Movt V: Im Tempo Des Scherzos. Wild Herausfahrend - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
- Sym No.2 in c 'Resurrection': Movt V: Langsam - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
- Sym No.2 in c 'Resurrection': Movt V: Im Anfang Sehr Zuruckgehalten - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
- Sym No.2 in c 'Resurrection': Movt V: Maestoso - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
- Sym No.2 in c 'Resurrection': Movt V: Wieder Zuruckhaltend - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
- Sym No.2 in c 'Resurrection': Movt V: Sehr Langsam Und Gedehnt - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
- Sym No.2 in c 'Resurrection': Movt V: Langsam. Misterioso - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
- Sym No.2 in c 'Resurrection': Movt V: Etwas Bewegter 'O Glaube' - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
- Sym No.2 in c 'Resurrection': Movt V: Mit Aufschwung, Aber Nicht Eilen 'O Schmerz!' - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
- Sym No.2 in c 'Resurrection': Movt V: Piu Mosso 'Sterben' - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
- Sym No.5 in c#: IV. Adagietto. Sehr Langsam - New York PO/Leonard Bernstein
- Sym No.8 in E flat 'Sym Of A Thousand', Part One: Veni, Creator Spiritus! - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
- Sym No.8 in E flat 'Sym Of A Thousand', Part One: Imple Superna Gratia - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
- Sym No.8 in E flat 'Sym Of A Thousand', Part One: Infirma Nostri Corporis - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
- Sym No.8 in E flat 'Sym Of A Thousand', Part One: Tempo I. (Allegro, Etwas Hastig) - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
- Sym No.8 in E flat 'Sym Of A Thousand', Part One: Infirma Nostri Corporis - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
- Sym No.8 in E flat 'Sym Of A Thousand', Part One: Accende Lumen Sensibus - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
- Sym No.8 in E flat 'Sym Of A Thousand', Part One: Qui Paraclitus Deceris - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
- Sym No.8 in E flat 'Sym Of A Thousand', Part One: Gloria Patri Domino - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
Tracks:
- Sym No.3 in d, Part One: Movt I: Kraftig. Entschieden - John Ware
- Sym No.3 in d, Part One: Movt I: Langsam. Schwer - John Ware
- Sym No.3 in d, Part One: Movt I: Tempo I - John Ware
- Sym No.3 in d, Part One: Movt I: A Tempo - John Ware
- Sym No.3 in d, Part One: Movt I: Immer Dasselbe Tempo (Marsch). Nicht Eilen - John Ware
- Sym No.3 in d, Part One: Movt I: Im Alten Marschtempo (Allegro Moderato) - John Ware
- Sym No.3 in d, Part One: Movt I: Tempo I - John Ware
- Sym No.3 in d, Part Two: Movt II: Tempo Di Menuetto. Sehr Massig - John Ware
- Sym No.3 in d, Part Two: Movt II: A Tempo - John Ware
- Sym No.3 in d, Part Two: Movt II: Ganz Plotzlich Gemachlich. Tempo Di Menuetto - John Ware
- Sym No.3 in d, Part Two: Movt III: Comodo. Scherzando. Ohne Hast - John Ware
- Sym No.3 in d, Part Two: Movt III: Wieder Sehr Gemachlilch, Wie Zu Anfang - John Ware
- Sym No.3 in d, Part Two: Movt III: Etwas Zuruckhaltend - Sehr Gemachlich - John Ware
- Sym No.3 in d, Part Two: Movt III: Tempo I. Mit Geheimnisvolles Hast! - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
- Sym No.3 in d, Part Two: Movt III: Wieder Sehr Gemachlich, Beinahe Langsam - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
- Sym No.3 in d, Part Two: Movt IV: Sehr Langsam. Misterioso. Durchaus Ppp - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
- Sym No.3 in d, Part Two: Movt IV: Piu Mosso Subito - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
- Sym No.3 in d, Part Two: Movt V: Lustig Im Tempo Und Keck Im Ausdruck - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
Tracks:
- Sym No.3 in d, Part Two: Movt VI: Langsam. Ruhevoll. Empfunden - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
- Sym No.3 in d, Part Two: Movt VI: Nicht Mehr So Breit - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
- Sym No.3 in d, Part Two: Movt VI: Tempo I. Ruhevoll! - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
- Sym No.3 in d, Part Two: Movt VI: A Tempo (Etwas Bewegter) - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
- Sym No.3 in d, Part Two: Movt VI: Tempo I - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
- Sym No.3 in d, Part Two: Movt VI: Langsam. Tempo I - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
- Three Ruckert Songs: Ich Atmet Einen Linden Duft - Jennie Tourel
- Three Ruckert Songs: Ich Bin Der Welt Abhanden Gekommen - Jennie Tourel
- Three Ruckert Songs: Um Mitternacht - Jennie Tourel
- Des Knaben Wunderhorn: Das Irdische Leben - Jennie Tourel
- Kindertotenlieder: Nun Will Die Sonn' So Hell Aufgeh'n! - Jennie Tourel
- Kindertotenlieder: Nun Seh' Ich Wohl, Warum So Dunkle Flammen - Jennie Tourel
- Kindertotenlieder: Wenn Dein Mutterlein - Jennie Tourel
- Kindertotenlieder: Oft Denk' Ich, Sie Sind Nur Ausgegangen - Jennie Tourel
- Kindertotenlieder: In Diesem Wetter! - Jennie Tourel
Tracks:
- Sym No.4 in G: Movt I: Bedachtig. Nicht Eilen - Reri Grist
- Sym