Clearly Three - Trios from the Twentieth Century

Track Listings
1. Ivana Loudová: Italské Trio (Italian Trio) (1988): Ranní procházka Arezzem    
2. Kouzelná Florencie    
3. Milenci z Verony    
4. Paláce v Mantove    
5. Primadóny v La Scale    
6. Rozjíméní v Cerose    
7. Vecer v Benátkách    
8. Benjamín Gutiérrez: Trio (1987): Andante Moderato; Allegro    
9. Christopher Weait: Ten By Three (1983): Omelette au lard; Cassons les oeufs    
10. Lundi, jour du lavage    
11. Renaud    
12. Chanson des fleurs    
13. Le retour du soldat    
14. Dans les hautbans    
15. Michaud a tombé    
16. Germine    
17. Petite boiteuse    
18. En avant!    
19. Gerhard Wuensch: Trio, Opus 1 (1948): Allegro    
20. Andantino    
See all 31 tracks on this disc

Editorial Reviews
Album Description
Among the most appealing chamber music for woodwinds are compositions that blend the tonal colors of the clarinet and bassoon. The repertoire for this pairing of woodwinds, with or without keyboard, is one of the largest among any combination of two mixed woodwinds. The earliest works for clarinet, bassoon and keyboard date from the Classical Period (1750-1825), e.g., Six Sonatas for clarinet, bassoon, and harpsichord by C.P.E. Bach (1714-1788); Fantasie for clarinet, bassoon, and piano by Friedrich Berr (1794-1838); and Six Trios, op. 18 for clarinet, bassoon, and basso continuo by Johann Baptiste Wanhal (1739-1813). Repertoire for this instrumentation grew modestly during the 19th century with works such as Michail Glinka’s often performed Trio Pathétique and Conradin Kreutzer’s Trio. Music for clarinet, bassoon and piano has enjoyed most of its success during the 20th century with a substantial number of composers contributing works, including Heitor Villa-Lobos, Stanislaw Skrowaczewski, Alec Wilder, and Jindrich Feld. Concentrating specifically on 20th/21st century music for this genre, the performers have explored these new compositions, many of which are unpublished, no longer in print, or newly published. Compositions selected were chosen for their appeal to both the audience and the performers, and to showcase the diversity among them.

Clearly Three - Trios from the Twentieth Century, Music, Benjamin Gutiérrez, Christopher Weait, Gerhard Wuensch, Otto Ketting Ivana Loudová, Clearly Three, Kristine Klopfenstein Fletcher (bassoon)","Barbara Wimunc-Pearson (piano) Richard Fletcher (clarinet)", Clearly Three performs an international collection of trios for Clarinet, Bassoon, and Piano; this music is exciting, amusing, and full of passion.
Clearly Three - Trios from the Twentieth Century
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    Clearly Three - Trios from the Twentieth Century

    Manufacturer: Tonheim Records TRCD 105
    ProductGroup: Music
    Binding: Audio CD

    ClassicalClassical | Indie Music | Stores | Music
    GeneralGeneral | Classical | Styles | Music
    ASIN: B0009VS3N6
    Release Date: 2005-03-01

    Tracks:

    1. Ivana Loudov Italskrio (Italian Trio) (1988): Rannrocha Arezzem
    2. Kouzelnlorencie
    3. Milenci z Verony
    4. Pal v Mantove
    5. Primadv La Scale
    6. Rozjn Cerose
    7. Vecer v Ben
    8. BenjamGutiez: Trio (1987): Andante Moderato; Allegro
    9. Christopher Weait: Ten By Three (1983): Omelette au lard; Cassons les oeufs
    10. Lundi, jour du lavage
    11. Renaud
    12. Chanson des fleurs
    13. Le retour du soldat
    14. Dans les hautbans
    15. Michaud a tomb
    16. Germine
    17. Petite boiteuse
    18. En avant!
    19. Gerhard Wuensch: Trio, Opus 1 (1948): Allegro
    20. Andantino
    21. Allegro non troppo
    22. Otto Ketting: Thema en Variaties (1958): Thema
    23. Etude (clarinet and piano)
    24. Cadens (bassoon and piano)
    25. Toccata
    26. Serenade
    27. Mars
    28. Wals
    29. Duo (clarinet and bassoon)
    30. Pastorale
    31. Rumba-finale

    Product Description

    Among the most appealing chamber music for woodwinds are compositions that blend the tonal colors of the clarinet and bassoon. The repertoire for this pairing of woodwinds, with or without keyboard, is one of the largest among any combination of two mixed woodwinds. The earliest works for clarinet, bassoon and keyboard date from the Classical Period (1750-1825), e.g., Six Sonatas for clarinet, bassoon, and harpsichord by C.P.E. Bach (1714-1788); Fantasie for clarinet, bassoon, and piano by Friedrich Berr (1794-1838); and Six Trios, op. 18 for clarinet, bassoon, and basso continuo by Johann Baptiste Wanhal (1739-1813). Repertoire for this instrumentation grew modestly during the 19th century with works such as Michail GlinkaÂ’s often performed Trio Pathétique and Conradin KreutzerÂ’s Trio. Music for clarinet, bassoon and piano has enjoyed most of its success during the 20th century with a substantial number of composers contributing works, including Heitor Villa-Lobos, Stanislaw Skrowaczewski, Alec Wilder, and Jindrich Feld. Concentrating specifically on 20th/21st century music for this genre, the performers have explored these new compositions, many of which are unpublished, no longer in print, or newly published. Compositions selected were chosen for their appeal to both the audience and the performers, and to showcase the diversity among them.

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