Gurdjieff/de Hartman: Music for Piano, vol.1: Asian Songs & Rhythms
Editorial Reviews
Amazon.com
Skeptics might regard George Ivanovich Gurdjieff as a dilettante: interested in spirituality and the arts but only as they regarded his own following. But the piano works he composed with Thomas de Hartmann in the mid-1920s reveal tremendous depth. Born in the Caucasus and travelling into Asia throughout his life, Gurdjieff absorbed enough Asian musical and dance traditions to give these 49 piano miniatures--the sibling of another two-CD set, Music of the Sayyids and Dervishes--convincing depth. De Hartmann, who departed from Gurdjieff's circle in 1929--two years after these works were formulated--likely added the low-end harmonics and carefully dusky textures. But Gurdjieff is likely responsible for the rhythmic moodiness of these pieces. Given that they were pedagogic, in a very loose sense, they seem elementary at times. But they're always colored by a fine concatenation of modernist elements and seemingly indigenous Asian and Mediterranean elements. --Andrew Bartlett --This text refers to an out of print or unavailable edition of this title.
Gurdjieff/de Hartman: Music for Piano, vol.1: Asian Songs & Rhythms, Music, Georges Gurdjieff, Laurence Rosenthal, Gunter Appenheimer, Linda Daniel-Spitz, Charles Ketcham, Thomas de Hartmann, Classical, Classical Composers, Classical Music, Orchestral & Symphonic
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Gurdjieff/de Hartman: Music for Piano, vol.1: Asian Songs & Rhythms
Georges Gurdjieff , Laurence Rosenthal , Charles Ketcham , and Thomas de Hartmann
Manufacturer: Wergo Germany
ProductGroup: Music
Binding: Audio CD
General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Classical
| Imports
| Stores
| Music
ASIN: B000024ZQL
Release Date: 1998-10-27 |
Tracks:
- First Series: No.1: Greek Melody
- First Series: No.2: Greek Round Dance
- First Series: No.3: Greek Song
- First Series: No.4: Kurd Melody (Moderato Con Moto)
- First Series: No.5: Oriental Song (Allegro Con Brio)
- First Series: No.6: Persian Song (Allegretto)
- First Series: No.7: Atarnakh, Kurd Song
- First Series: No.8: Tibetan Melody (Giocoso)
- First Series: No.9: (Untitled) (Marche Alerte)
- First Series: No.10: (Untitled) (Lento, Quasi Recitativo)
- First Series: No.11: (Untitled) (Andante Con Moto)
- First Series: No.12: (Untitled)
- First Series: No.13: Duduki (Andantino)
- First Series: No.14: Untitled
- First Series: No.15: Armenian Melody (Allegretto Grazioso)
- First Series: No.16: Song Of the Molokans (Con Moto)
- First Series: No.17: Kurd Shepard Melody (Alla Breve, Lento E Liberamente)
- Second Series: No.18: Song Of The Aisors (Andante Con Moto)
- Second Series: No.19: Kurd Sheperd's Dance (Allegro Ma Non Troppo)
- Second Series: No.20: Song Of The Fisherwomen (Andantino)
- Second Series: No.21: Allegretto (Allegretto Commodo)
- Second Series: No.22: (Untitled)
- Second Series: No.23: Mamasha
- Second Series: No.24: Persian Dance
- Second Series: No.25: Song Of Ancient Rome
- Second Series: No.26: (Untitled)
Tracks:
- Second Series: No.27: Armenian Song (Andantino)
- Second Series: No.28: (Untitled) (Poco Marciale)
- Second Series: No.29: Ancient Greek Melody (Poco Marciale. Con Anima)
- Second Series: No.30: Long Ago In Mikhailov (Andantino)
- Second Series: No.31: Oriental Melody (Allegro Assai)
- Second Series: No.32: Assyrian Women Mourners (Andante Funebre)
- Third Series: No.33: Kurd Melody From Isfahan
- Third Series: No.34: Hindu Melody (Allegro Ma Non Troppo)
- Third Series: No.35: (Untitled)
- Third Series: No.36: Armenian Song
- Third Series: No.37: Greek Melody
- Third Series: No.38: Afghan Melody
- Third Series: No.39: (Untitled) (Moderato)
- Third Series: No.40: (Untitled)
- Third Series: No.41: Kurd Melody (Allegretto)
- Third Series: No.42: Ancient Greek Melody
- Third Series: No.43: Ancient Greek Dance
- Third Series: No.44: Greek Song
- Third Series: No.45: Arabian Dance
- Third Series: No.46: Greek Melody (Marciale)
- Third Series: No.47: (Untitled)
- Third Series: No.48: Tibetan 'Masques', No.1 (Moderato Pesante)
- Third Series: No.49: Tibetan 'Masques', No.2 (Vivace Con Brio)
Amazon.com
Skeptics might regard George Ivanovich Gurdjieff as a dilettante: interested in spirituality and the arts but only as they regarded his own following. But the piano works he composed with Thomas de Hartmann in the mid-1920s reveal tremendous depth. Born in the Caucasus and travelling into Asia throughout his life, Gurdjieff absorbed enough Asian musical and dance traditions to give these 49 piano miniatures--the sibling of another two-CD set, Music of the Sayyids and Dervishes--convincing depth. De Hartmann, who departed from Gurdjieff's circle in 1929--two years after these works were formulated--likely added the low-end harmonics and carefully dusky textures. But Gurdjieff is likely responsible for the rhythmic moodiness of these pieces. Given that they were pedagogic, in a very loose sense, they seem elementary at times. But they're always colored by a fine concatenation of modernist elements and seemingly indigenous Asian and Mediterranean elements. --Andrew Bartlett
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