Tower: Fanfares for the Uncommon Woman

Editorial Reviews
Amazon.com
The title of this extraordinary collection of orchestral gems suggests both parody of and homage to Aaron Copland's Fanfare for the Common Man. But Joan Tower, as always, has her own artistic vision and nothing here is either a parody of or homage to anyone. There are five Fanfares and a tasty Duet for Orchestra. The main work here is a Concerto for Orchestra (1991), a dazzling exhibition of energetic exchanges between various orchestral groups that seems designed, like Paul Hindemith's Concerto for Orchestra (but not Bartók's), for smaller forces. This way the instrumental pairings stand out. But give credit here to Marin Alsop, the conductor, and the Colorado Symphony Orchestra for making these works both lucid and vibrant. This disc clearly belongs in any collection of late-20th-century music. --Paul Cook

Tower: Fanfares for the Uncommon Woman, Music, Joan Tower, Marin Alsop, Colorado Symphony Orchestra, 20th/21st Century Orchestral Music, Chamber, Chamber Music, Classical, Classical Composers, Classical Music, Concerto, Orchestral, Orchestral & Symphonic
Tower: Fanfares for the Uncommon Woman
Average customer rating: 3.5 out of 5 stars
  • Speeds your pulse, then lingers in your memory
  • more fanfares no one needs.
 Tower: Fanfares for the Uncommon Woman

Manufacturer: Koch Int'l Classics
ProductGroup: Music
Binding: Audio CD

All Works by TowerAll Works by Tower | Tower, Joan | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
MarchesMarches | Miscellaneous | Styles | Music
Classic Big BandClassic Big Band | Swing Jazz | Jazz | Styles | Music
Similar Items:
  1. Joan Tower: Instrumental Music
  2. Joan Tower: Concertos
  3. Joan Tower: Silver Ladders / Island Prelude for Oboe and String Quartets / Island Rhythms / Music for Cello and Orchestra / Sequoia
  4. Joan Tower: Made in America
  5. Black Topaz - Joan Tower

ASIN: B00000JIND
Release Date: 1999-09-21

Tracks:

  1. Fanfare No. 1 For The Uncommon Woman
  2. Concerto for Orchestra
  3. Fanfare No. 5 For The Uncommon Woman
  4. Fanfare No. 2 For The Uncommon Woman
  5. Fanfare No. 4 For The Uncommon Woman
  6. Duets for Orchestra
  7. Fanfare No. 3 For The Uncommon Woman

Amazon.com

The title of this extraordinary collection of orchestral gems suggests both parody of and homage to Aaron Copland's Fanfare for the Common Man. But Joan Tower, as always, has her own artistic vision and nothing here is either a parody of or homage to anyone. There are five Fanfares and a tasty Duet for Orchestra. The main work here is a Concerto for Orchestra (1991), a dazzling exhibition of energetic exchanges between various orchestral groups that seems designed, like Paul Hindemith's Concerto for Orchestra (but not Bartók's), for smaller forces. This way the instrumental pairings stand out. But give credit here to Marin Alsop, the conductor, and the Colorado Symphony Orchestra for making these works both lucid and vibrant. This disc clearly belongs in any collection of late-20th-century music. --Paul Cook

Customer Reviews:

5 out of 5 stars Speeds your pulse, then lingers in your memory.......2005-11-02

Joan Tower's music has passion, personality and energy to spare. This album is a fine showcase of her music for orchestra, and though not easy listening, it's certainly among the most approachable and involving serious music of recent decades.

2 out of 5 stars more fanfares no one needs........2005-03-13

I would think those who proclaim the paradigm of feminism would want to chart a territory strickly their own rather than coming to terms with a man's macho world within establishment venues and repertoire;a world of testasterone filled expressions past down through chauvinistic HIS story. Tower with all these numerous "Fanfares" likes to Bop us with her ruler,like Sister Mary Mary(my grade school teacher) over the the head with her presence,and spirit. The Musical Sisterhood is hear to stay,with national organizations to boot; forget macho head games of high modernity dodecaphonic music or worse yet the meta-EGO of Stockhausen's clones and their lot. The reference is obvious to Copland's celebrated "Fanfare for the Common Man" a work for brass and percussion proclaiming in a very small way the Democracies of the West with the fall of tyrannies first Fascism then Soviet Communism, (where is the common man today with corrupt Enron tyrannies stealing pension funds)
Tower's exergue(orientation) here is a bit overextended I think, she should pursue her own musical language not simply "tail-end" the man's repertoire,her early works had dabbled in 12 Tone language in a modest way, it was like a language she didn't feel comfortable in. She feels comfortable in the comfortable with a Eastern Establishment lyricism a la Thompson,Rorem,Schuman,Hansonpouring her spirit tried and tested traditional forms.I though feminism is about innovation and challenge? but the Concerto features moments of brilliant orchestrations,yet not quite original nor innovative enough to sustain interest past one-single hearing.
And Why numerous"Fanfares" isn't one enough?,Well post-modernity is at work here,something unavoidable for either sex the idea of "franchise" if one is good like a McDonald's chain,well do another!!rubber stamp out the fanfares!!, we all need more of it.
Why not write on opera on the struggles of women in the last century or current century women from Rwanda, or Darfur,or Palestine or past HER story Harriet Tubman,Mother Teresa,the Mothers of the Plaza de Mayo,or the Armagh Women in Ireland,Rosa Luxemburg.

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