English Hymn 1

Track Listings
1. Christ Triumpant, Ever Reigning (Guiting Power)    
2. How Shall I Sing That Majesty [Coe Fen]    
3. Like a Mighty River Flowing (Old Yeavering)    
4. Father, Hear the Prayer We Offer (Cypress Court)    
5. I Vow to Thee, My Country (Thaxted)    
6. We Sing the Praise of Him Who Died (Bow Brickhill)    
7. I, Lord of Sea and Sky (Here I Am, Lord)    
8. All My Hope on God If Founded (Michael)    
9. Give Me the Wings of Faith (San Rocco)    
10. Lord Jesus Christ (Living Lord)    
11. For All the Saints (Sine Nomine)    
12. My Song Is Love Unknown (Love Unknown)    
13. Praise the Lord of Heaven (Vicars' Close)    
14. Glorious Things of Thee Are Spoken (Abbot's Leigh)    
15. Come Down, O Love Divine (Down Ampney)    
16. Hark What a Sound, and Too Divine for Hearing (Highwood)    
17. King of Glory, King of Peace (Redland)    
18. Holy Spirti, Ever Dwelling [Salisbury]    
19. For the Fruit of His Creation [East Acklam]    
20. Lead, Kindly Light (Alberta)    
See all 22 tracks on this disc

English Hymn 1, Music, Peter Appleford, Malcolm Archer, John Barnard, Michael Baughen, Barry Ferguson, William H. Harris, Basil Harwood, Gustav Holst, Herbert Howells, John Ireland, Francis Jackson, Ken Naylor, Sir Sydney Hugo Nicholson, Daniel L. Schutte, Cyril Taylor, Sir Richard Runciman Terry, Noel Tredinnick, Ralph Vaughan Williams, Derek Williams, Rupert Gough, Choral, Choral Music, Christmas, Classical, Classical Collections-Artist Desc., Classical Music, Classical Vocals, Holiday, Hymn, Miscellaneous, Miscellaneous Music, Secular Choral Music with Orchestra
Instruments of the Orchestra
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Manufacturer: Naxos
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  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Treasures of English Church Music
Average customer rating: 5 out of 5 stars
  • My favorite album. English church music at its finest.
  • The grand tradition of English music
  • music of great beauty
  • Excellent Selection, Excellent Performance
  • Best all-in-one English music CD ever
Treasures of English Church Music

Manufacturer: Collegium
ProductGroup: Music
Binding: Audio CD

All Works by BrittenAll Works by Britten | Britten, Sir Benjamin | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
Byrd, WilliamByrd, William | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
Dering, RichardDering, Richard | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by ElgarAll Works by Elgar | Elgar, Sir Edward | ( E ) | Featured Composers, A-Z | Classical | Styles | Music
Gibbons, OrlandoGibbons, Orlando | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
Howells, HerbertHowells, Herbert | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
Purcell, HenryPurcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by RutterAll Works by Rutter | Rutter, John | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by SheppardAll Works by Sheppard | Sheppard, John | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by TallisAll Works by Tallis | Tallis, Thomas | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by TavenerAll Works by Tavener | Tavener, John Kenneth | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by TavernerAll Works by Taverner | Taverner, John | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
Vaughan Williams, RalphVaughan Williams, Ralph | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by WaltonAll Works by Walton | Walton, Sir William | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
Vocal & SongVocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems
GeneralGeneral | Vaughan Williams, Ralph | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
GeneralGeneral | Sacred & Religious | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
Lullabies & BerceuseLullabies & Berceuse | Vocal Non-Opera | Opera & Vocal | Styles | Music
AnthemsAnthems | Vocal Non-Opera | Opera & Vocal | Styles | Music
ChorusesChoruses | Vocal Non-Opera | Opera & Vocal | Styles | Music
HymnsHymns | Vocal Non-Opera | Opera & Vocal | Styles | Music
MotetsMotets | Vocal Non-Opera | Opera & Vocal | Styles | Music
OratoriosOratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
PartsongsPartsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music
PsalmsPsalms | Vocal Non-Opera | Opera & Vocal | Styles | Music
GeneralGeneral | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
GeneralGeneral | Christian & Gospel | Styles | Music
A CappellaA Cappella | Folk | Styles | Music
ClassicalClassical | Indie Music | Stores | Music
Similar Items:
  1. The Music of St. Paul's Cathedral
  2. A Vaughan Williams Hymnal
  3. Praise to the Lord - Hymns From St. Paul's Cathedral
  4. The Psalms of David from Kings Choir of Kings College, Cambridge, Vol. 1
  5. Abide With Me

ASIN: B0000031I6
Release Date: 1995-12-12

Tracks:

  1. Music Of The Latin Rite: Ave Maria
  2. Music Of The Latin Rite: Loquebantur variis linguis
  3. Music Of The Latin Rite: Miserere mei
  4. Haec dies
  5. Music Of The Latin Rite: Ave verum corpus
  6. Music Of The Reformation: If Ye Love Me
  7. Music Of The Reformation: Hide Not Thou Thy Face
  8. Music Of The Reformation: Lord, For Thy Tender Mercy's Sake
  9. Music Of The Reformation: O Clap Your Hands
  10. Music Of The Reformation: Bow Thine Ear
  11. Music Of The Reformation: Hosanna To The Son Of David
  12. Music Of The Restoration: Lord, How Long Wilt Thou Be Angry
  13. Music Of The Restoration: Thou Knowest, Lord
  14. Music Of The Restoration: Hear My Prayer, O Lord
  15. The Anglican Revival And The Twentieth Century: Beati quorum via
  16. The Anglican Revival And The Twentieth Century: This Joyful Eastertide
  17. The Anglican Revival And The Twentieth Century: Sing Lullaby
  18. The Anglican Revival And The Twentieth Century: A Spotless Rose
  19. The Anglican Revival And The Twentieth Century: What Cheer?
  20. The Anglican Revival And The Twentieth Century: O Taste And See
  21. The Anglican Revival And The Twentieth Century: A Hymn To The Virgin
  22. The Anglican Revival And The Twentieth Century: Jesus Christ The Apple Tree
  23. The Anglican Revival And The Twentieth Century: Faire Is The Heaven
  24. Anthems And Introits: Rejoice In The Lord
  25. Anthems And Introits: Remember Not, Lord, Our Offences
  26. Anthems And Introits: Come, Let's Rejoice
  27. Anthems And Introits: When David Heard
  28. Anthems And Introits: I Sat Down Under His Shadow
  29. Anthems And Introits: These Are They That Follow The Lamb
  30. Latin Motets: Christe Jesu, pastor bone
  31. Latin Motets: O beatum et sacrosanctum diem
  32. Latin Motets: Nunc dimittis
  33. Latin Motets: O vos omnes
  34. Latin Motets: Factum est silentium
  35. Latin Motets: Justorum animae
  36. Settings Of Hymns And Other Poetry: Hail, Gladdening Light
  37. Settings Of Hymns And Other Poetry: A Hymn To The Mother Of God
  38. Settings Of Hymns And Other Poetry: Hymn For The Dormition Of The Mother Of God
  39. Settings Of Hymns And Other Poetry: They Are At Rest
  40. Settings Of Hymns And Other Poetry: A Litany
  41. Settings Of Hymns And Other Poetry: Nolo mortem peccatoris
  42. Settings Of Hymns And Other Poetry: O nata lux
  43. Settings Of Hymns And Other Poetry: Loving Shepherd Of Thy Sheep
  44. Prayer Settings: The Lord's Prayer
  45. Prayer Settings: In manus tuas
  46. Prayer Settings: Bring Us, O Lord God

Customer Reviews:

5 out of 5 stars My favorite album. English church music at its finest........2005-10-06

Whether you have a couple dozen albums of English choral music or whether you're looking for an introduction to English choral music, this two CD collection is a must. Here you will find a wide selection of sacred favorites, from Gregorian chant to Ralph Vaughan Williams. It's a misnomer to call it "Anglican," since this would exclude (in addition to, of course, the pre-Reformation Latin hymns) the likes of Thomas Tallis and William Byrd -- both Catholics that kept to the ancient faith despite Elizabeth's (albeit relatively mild) persecutions. Tallis and Byrd set the standard in the 16th century for the distinctive "Englishness" (as opposed to Continental European) style of English choral music, with its soaring majesty yet somehow coupled with a subtle and sustained beauty (as opposed to the Continental ups and downs and often tiresome exaggerations). For those of us in the English-speaking world, this is our heritage. Let's treasure it. As for the recording itself, the mixing is superb. While listening, it's quite easy to imagine yourself in the beautiful King's College Chapel or perhaps heaven itself.

5 out of 5 stars The grand tradition of English music.......2005-09-23

Recorded in the Lady Chapel of Ely Cathedral, the Cambridge Singers under the direction of John Rutter produced a duo of discs dedicated to Music of the English Church previously issued as two separate discs, 'Hail, Gladdening Light', and its companion piece, 'Faire is the Heaven'. The discs here are straight copies of those discs; hence, if you have those already, there is no need to purchase this - on the other hand, if you do not have the other discs, this is a bargain.

--Music--
This is all unaccompanied music, sung in a cathedral chapel acoustically suited for such music. The first disc has four primary sections: Music of the Latin Rite; Music of the Reformation; Music of the Restoration; and Anglican Revival and the twentieth century. The most famous composers in English music history -- Tallis, Byrd, Gibbons -- combine with later masters such as Purcell, Stanford, Howells, Walton, Britten and Vaughan Williams to form a truly masterful collection. These are anthems, hymns and other liturgical pieces that have remained important in Anglican worship, and can be often heard in situ on Sundays around the world. However, the Cambridge Singers bring their special music talent to the task, producing a good standard bearer for music of the English Church.

On the second disc, there are six Latin motets, set by composers such as Taverner, Howells, Stanford, Vaughan Williams, Philips and Dering. Anthens and Introits include notables Tomkins and Purcell, and lesser-known composers such as Amner, Bairstow and Goss. Hymns span the range from old to modern, including a hymn by John Rutter himself. The disc ends with three prayer settings, including one by the underappreciated John Sheppard, and another from William Harris, whose hymn serves as the title to the companion disc. These anthems and hymns show a powerful range of music, yet show a consistent tone also that makes it rather distinctive of the music of the English church.

The group's power and grace is second to none, particularly when singing this kind of music in a place such as Ely Cathedral, arguably the most natural of settings possible.

--Liner Notes--
The notes for this recording include the titles and words of each anthem or hymn. The notes for each piece also includes brief biographical information of the composer, and unique information about each work, when particular composers are represented more than once. One thing conspicuously missing is much biographical information about John Rutter, or any descriptive information about the Cambridge Singers apart from the most basic of information.

--John Rutter--
Rutter was born in London and educated at Clare College, Cambridge. This was where his career as a composer, arranger and conductor began. His early work was with groups at King's College Chapel at Cambridge as well as the Bath Choir and Philharmonic Orchestra. He has worked for the BBC providing music for educational series such as 'The Archaeology of the Bible Lands', until in 1979 he began forming the Cambridge Singers, and has continued a remarkable career of performance and recording as their director ever since.

--The Cambridge Singers--
The Cambridge Singers are a mixed choir of voices, many of whom were members of choir of Rutter's college, Clare College, Cambridge. While they specialise in English and Latin liturgical pieces, they have a wide range of recordings that span from modern compositions (including a remarkable requiem by Rutter) to English folk songs of the Middle Ages. Many are former members of the choir of Clare College and other Cambridge collegiate choirs (hence the name, Cambridge Singers). In the quarter-century since the founding, the Cambridge Singers have produced an impressive body of recordings.

5 out of 5 stars music of great beauty.......2005-04-24

Pop one of these CDs into your car stero, turn up the volume and feel yourself drift into a sublime peace. Can music manifest the existence of God?

5 out of 5 stars Excellent Selection, Excellent Performance.......2004-07-28

This two-CD compilation by the Cambridge Singers is truly very good. The repertoire is very diverse and only the best representations of composers and time periods are performed. ALthough most of the pieces were not written with a mixed choir in mind, the Cambridge Singers sing it so well you would not have had any idea. Their performances are careful and exquisite.

5 out of 5 stars Best all-in-one English music CD ever.......2004-04-20

This is a re-release, as one set, of two of my favorite CDs ever: "Faire is the Heaven" and "Hail Gladdening Light" by the Cambridge singers. This is a fabulous compilation of everyone's favorite works from the English Cathedral tradition, all the way from Taverner (16th century) to Tavener (21st century). The selection of works is great and touches all the most important genres. The performance is exquisite, elegant, faultless. The Cambridge Singers have a softer, less edgy sound than the Tallis Scholars, and are more expressive, which may make them easier for some people to listen to, especially for the more recent works. They are no less musical. The Parsons Ave Maria alone brings one to tears. If you want an introduction to English church music, this is the CD to start with. Also makes a great gift, if you already love this music and want to introduce someone else to it.
Mendelssohn: The Masterworks [Box Set]
Average customer rating: 4.5 out of 5 stars
  • Uneven quality but great value
  • A superb collection of Mendelssohn
Mendelssohn: The Masterworks [Box Set]

Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD

OctetsOctets | Chamber Music | Classical | Styles | Music
QuartetsQuartets | Chamber Music | Classical | Styles | Music
QuintetsQuintets | Chamber Music | Classical | Styles | Music
TriosTrios | Chamber Music | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
ConcertinosConcertinos | Concertos | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
SonatinasSonatinas | Sonatas | Forms & Genres | Classical | Styles | Music
RomanticRomantic | Symphonies | Forms & Genres | Classical | Styles | Music
Incidental MusicIncidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
OverturesOvertures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
Theatrical, Incidental & Program MusicTheatrical, Incidental & Program Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
Vocal & SongVocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
PianoPiano | Keyboard | Instruments | Classical | Styles | Music
ClarinetClarinet | Reeds & Winds | Instruments | Classical | Styles | Music
CelloCello | Strings | Instruments | Classical | Styles | Music
ViolaViola | Strings | Instruments | Classical | Styles | Music
ViolinViolin | Strings | Instruments | Classical | Styles | Music
GeneralGeneral | Strings | Instruments | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
GeneralGeneral | Sacred & Religious | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
All Works by MendelssohnAll Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
OratoriosOratorios | Opera & Vocal | Styles | Music
AnthemsAnthems | Vocal Non-Opera | Opera & Vocal | Styles | Music
CantatasCantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
ChorusesChoruses | Vocal Non-Opera | Opera & Vocal | Styles | Music
HymnsHymns | Vocal Non-Opera | Opera & Vocal | Styles | Music
MassesMasses | Vocal Non-Opera | Opera & Vocal | Styles | Music
MotetsMotets | Vocal Non-Opera | Opera & Vocal | Styles | Music
OratoriosOratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
PsalmsPsalms | Vocal Non-Opera | Opera & Vocal | Styles | Music
Te DeumTe Deum | Vocal Non-Opera | Opera & Vocal | Styles | Music
Blowout Box SetsBlowout Box Sets | Classical Music Blowout | Stores | Music
More Titles at Least 20% OffMore Titles at Least 20% Off | Classical Music Blowout | Stores | Music
All Classical Music BlowoutAll Classical Music Blowout | Classical Music Blowout | Stores | Music
Mendelssohn, FelixMendelssohn, Felix | ( M ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Opera & VocalOpera & Vocal | Classical Music Blowout | Stores | Music
Similar Items:
  1. Dvorák: The Masterworks [Box Set]
  2. Haydn: The Masterworks [Box Set]
  3. Vivaldi: The Masterworks (Box Set)
  4. Brahms: The Masterworks (Box Set)
  5. Schubert: The Masterworks [Box Set]

ASIN: B00062FLJ2
Release Date: 2004-11-30

Customer Reviews:

4 out of 5 stars Uneven quality but great value.......2007-04-30

Brilliant Classics has found a niche with their extremely low-price multi-disc collections of the work of a single composer or performer. The Bach, Mozart and Chopin Complete Editions are legitimately considered to be artistic and economical triumphs. But the Masterworks series are more uneven. Currently available from Amazon France at about a buck per CD, they're still a bargain for those interested in quickly building a music library. But it's worth keeping a few things in mind. Unlike the Bach and Mozart Editions, these are not always historically informed performances. In this Mendelssohn set, the Hanover Band puts in a cameo (in Calm Sea and Prosperous Voyage), but most of the ensembles use modern instruments, techniques and proportions. This doesn't always work out, as in the case of the ponderously heavy recordings of the String Symphonies by an apparently full complement of Gewandhausorchester Leipzig strings (Mendelssohn likely wrote these early works for a much smaller group). The caliber of the performances varies too, ranging from good to poor, and from marquis musicians such as Dietrich Fischer-Dieskau to a few Dutch who-dats. The chamber musicians generally acquit themselves well (though the Octet recording is marred by an engineering flaw in the last movement, distortion, at least on my copy). But the symphonies suffer from some substandard performances, such as the Italian Symphony's live recording with not only audience noise but also ensemble flaws such as a distracting clarinet squeak in the first movement's recapitulation. Another strike is the lack of program notes. Brilliant's Complete Editions provide a booklet or CD-ROM with program notes, but here you'll need to do your own research.

Despite these shortcomings, this set is still good value (at least at Amazon France's current price of 31 Euros). And it's a fine way to become acquainted with Mendelssohn's music.

5 out of 5 stars A superb collection of Mendelssohn.......2007-03-24

Let me preface this by saying that most of these works were not new to me - I own many other Mendelssohn CDs and have enjoyed his compositions for some time now. Also, this set is available much cheaper elsewhere, particularly from European retailers.
The symphonies are well-performed. 'Reformation' is an inspired live recording. The 12 string symphonies, written in Mendelssohn's youth, are also included. The concertos are exceptional - the violin concerto is as good as you'll find anywhere. The oratorios Elijah and Paulus are included, as well as the complete chamber works and a diverse assortment of choral works. The last few discs include the Lied ohne worte, the epic organ sonatas, and excellent renditions of A Midsummer Night's Dream and Fingal's Cave. While there are a few sketchy performances in the choral and chamber works, the performances and recordings are generally very solid, and the body of work couldn't be better.
Choral Moods
Average customer rating: 5 out of 5 stars
  • Heavenly
  • The Holy Grail of Choral Recordings
  • One Small Correction
  • Gorgeous music, gorgeous performances
  • Stunning collection suitable for music nuts or newbies alike
Choral Moods

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

All Works by AllegriAll Works by Allegri | Allegri, Gregorio | ( A ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BarberAll Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BerliozAll Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BrahmsAll Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
Byrd, WilliamByrd, William | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Fauré, Gabriel | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Franck, César | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by GounodAll Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Michael HaydnAll Works by Michael Haydn | Haydn, Michael | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
Hildegard of BingenHildegard of Bingen | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by HolstAll Works by Holst | Holst, Gustav | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
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  1. Choral Masterpieces
  2. Agnus Dei: Music of Inner Harmony
  3. The Only Choral CD You'll Ever Need
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ASIN: B00000DFKO
Release Date: 1998-10-13

Tracks:

  1. Miserere Mei, Deus
  2. Deutsche Messe D.872: Sanctus
  3. Hear My Prayer, Oh Lord
  4. Timor Et Tremor
  5. Videntes Stellam
  6. Psalm 13, OP.27
  7. O Salutaris Hostia
  8. Salvette Flores
  9. Evening Hymn
  10. L'enfance du Christ: Shepherd's Farewell
  11. Ave Maria
  12. Advent Responsory
  13. Ave Maria OP.93
  14. Edi Beo Thu, Hevene Quene
  15. Missa Cum Iubilo (Gregorian Chant): Kyrie
  16. Missa Cum Iubilo (Gregorian Chant): Gloria
  17. Missa Cum Iubilo (Gregorian Chant): Sanctus & Benedictus
  18. Missa Cum Iubilo (Gregorian Chant): Agnus Dei
  19. Requiem: In Paradisum
  20. Agnus Dei

Tracks:

  1. Nunc Dimittis
  2. Mass In G: Agnus Dei
  3. Ave Verum Corpus Op. 65 No. 1
  4. O Ignis Spiritus Paracliti
  5. Hear My Prayer
  6. Ave Maria
  7. Panis Angelicus
  8. Eternal Father
  9. Vom Himmel Hoch
  10. Ave Maria
  11. Messe basse: Kyrie
  12. Messe basse: Sanctus
  13. Messe basse: Benedictus
  14. Messe basse: Agnus Dei
  15. Rejoice, Rejoice
  16. Salve Regina, Op. 67 No. 1
  17. Ave, Verum Corpus
  18. Laudi Alla Vergine Maria
  19. Tenebrae Facta Sunt
  20. O Sacrum Convivium

Customer Reviews:

5 out of 5 stars Heavenly.......2007-03-29

This is the most uplifting music I have encountered. The angelic sounds of this choral group help me stay sane on California highways!

5 out of 5 stars The Holy Grail of Choral Recordings.......2006-07-03

This was the first choral CD I've ever purchased when I started becomming involved with choir during my senior year of high school five years ago. My director was telling the choir that he had finally found his copy at a music store and referred to it as the "Holy Grail" of choral recordings. So, I went out to find my own copy and I'm still blown away by it today. I've even given copies as gifts. The music is certainly relaxing and such, but what I most value from it is the spiritual magic. The Choir of Trinity College, Cambridge (then and now my favorite choir in the world) brings every composition to life in such a way that's pure, elegant, and deep. Listening to this music and enjoying this choir has allowed me to set my own standard of singing and compositional excellence.

5 out of 5 stars One Small Correction.......2004-03-06

I keep finding new things to love on this CD, including the fact that it has the first recording I found of Gabriel Faure's beautiful Soprano (or Soprano/Alto) duet Ave Maria., Opus 93. The same recording appears on another CD where the singers are named. The above description of this selection unaccountably adds a baritone. Incidentally, Faure also composed a shorter SATB Ave Maria, which John Rutter has recorded.

I only wish the recording included the complete text of Psalm 50/51 from Gregorio Allegri's Miserere Mei Deus. This might come from John Rutter's recently edited score, published by Oxford Press, if I'm not mistaken. I, for one, do not find this selection (or indeed the entire recording) too long and I believe that the embellishments at the end (mentioned in another review) are probably correct when considering performance conventions of the time of its composition.

5 out of 5 stars Gorgeous music, gorgeous performances.......2003-06-19

I am a semi-professional singer with a BA in Music, and I bought this CD with some trepidation because it looked like one of those dreadful "pop classical" compilations that are everywhere lately. But it had lots of great repertoire all in on place, so I decided to risk it, and I was not disappointed! In fact, this is now one of my favorite choral CDs.

As usual, the Choir of Trinity College delivers stunning performances, and the music itself is just gorgeous. Lots of "church" favorites from a wide range of musical periods. The mood of the CD is definitely on the mellow side, but it's perfect for those quiet moods. I love this CD -- highly recommended!

5 out of 5 stars Stunning collection suitable for music nuts or newbies alike.......2002-03-18

Even as an avid fan of classical music with very picky tastes, there was just so much good music packed on these two (cheap!) discs for me to take in at once!
The perfectly balanced and locked chords can really give you chills.

I gave this CD as a present to a good friend of mine who was not so familiar with the genre, with tremendous results. I think this would make a great gift to anyone with the slightest inclination towards classical music.
Lay Aside All Earthly Cares: Orthodox Choral Works in English
Average customer rating: 5 out of 5 stars
  • Just heavenly
Lay Aside All Earthly Cares: Orthodox Choral Works in English

Manufacturer: Cappella Romana
ProductGroup: Music
Binding: Audio CD

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ASIN: B000AXWHE4
Release Date: 2005-09-13

Tracks:

  1. Bless the Lord, O my soul
  2. O gladsome Light
  3. Lord, now let Thy servant
  4. Rejoice, Virgin Theotokos
  5. Praise the Name of the Lord
  6. The Great Doxology, No.1
  7. Bless the Lord, O my soul
  8. The Second Antiphon
  9. Only begotten Son
  10. Holy God, No.2
  11. Alleluia, No.1
  12. Cherubic Hymn (Special melody: The thief beheld)
  13. A mercy of peace
  14. It is truly meet
  15. Our Father / One is holy / Praise the Lord, No.1
  16. Praise the Lord from the heavens, No.2
  17. I will receive the cup, No.2
  18. Their proclamation has gone out, No.2
  19. Rejoice in the Lord
  20. Receive the Body of Christ, No.1,2,1
  21. Blessed be the name of the Lord
  22. Psalm
  23. All of creation
  24. Troparion for the Sunday of Orthodoxy
  25. Let my prayer arise
  26. Now the Powers of heaven
  27. Taste and see
  28. Thy bridal chamber
  29. The wise thief, No.2
  30. The wise thief, No.3
  31. Let all mortal flesh
  32. What shall we call you, Mary

Customer Reviews:

5 out of 5 stars Just heavenly.......2007-01-30

An extraordinary, original collection of vocal music that defies categorization. An inspiring pleasure to own.
English Song Series 3
Average customer rating: 4.5 out of 5 stars
  • Fine Contribution
  • lovely performance
  • Wonderful performances of stirring music
English Song Series 3
Vaughan Williams , Rolfe , Johnson , and Duke Quartet
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00007FKQL
Release Date: 2003-02-18

Tracks:

  1. It Was A Lover And His Lass
  2. The Lawyer
  3. The Splendour Falls
  4. The Water Mill
  5. Tired
  6. Silent Noon
  7. Searching For Lambs
  8. Nocturne
  9. Joy, Shipmate, Joy!
  10. Lord, Come Away
  11. Come Love, Come Lord
  12. Five Mystical Songs: I. Easter
  13. Five Mystical Songs: II. I Got Me Flowers
  14. Five Mystical Songs: III. Love Bade Me Welcome
  15. Five Mystical Songs: IV. The Call
  16. Five Mystical Songs: V. Antiphon
  17. On Wenlock Edge: I. On Wenlock Edge
  18. On Wenlock Edge: II. From Far, From Eve And Morning
  19. On Wenlock Edge: III. Is My Team Ploughing?
  20. On Wenlock Edge: IV. Oh, When I Was In Love With You
  21. On Wenlock Edge: V. Bredon Hall
  22. On Wenlock Edge: VI. Clun
  23. Dirge For Fidele

Customer Reviews:

4 out of 5 stars Fine Contribution.......2006-09-03

A fine compilation of Vaughn Williams' songs. Sung very well indeed by Johnson and Keenlyside with excellent accompaniment. This CD really shows the full range of Vaughn Williams vocal writing. This whole series is an admirable undertaking.

4 out of 5 stars lovely performance.......2006-03-24

This is a very nice compilation of Vaughan Williams' vocal music, some of which is not easy to find on CD. The performers do an excellent job. Nice voices, and the music is sensitively sung. A really good value.

5 out of 5 stars Wonderful performances of stirring music.......2003-04-27

This CD contains some of Vaughan Williams' best vocal music. The singers are superb and the accompanist is sensitive.

I love the whole CD, but adore
Searching For Lambs, which is a touching love song, set for violin and tenor duet
Silent Noon
It Was A Lover and His Lass
Antiphon, the last song in the set of Five Mystical Songs. It is a great song of faith, set by an infamous agnostic. The Church would be the poorer without Vaughan Williams wonderful hymns and arrangements of hymns. [I also recommend Vaughan Williams' Hymnal and Pilgrm's Progress.].

I bought this set to hear On Wenlock Edge and am not disappointed. It is a great song cycle.

By the way, this bargain-priced CD includes all the song texts.

One of my favourite vocal CDs. Highly recommended.
Hail, Gladdening Light: Music of the English Church
Average customer rating: 5 out of 5 stars
  • One of the basics, plain and simple.
  • Eternal light
  • As Good As It Gets
  • Wonderful!
  • Rutter's Cambridge Singers at their best
Hail, Gladdening Light: Music of the English Church

Manufacturer: Collegium
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000031HJ
Release Date: 1991-12-05

Tracks:

  1. Rejoice In The Lord
  2. Remember Not, Lord, Our Offences
  3. Come, Let's Rejoice
  4. When David Heard
  5. I Sat Down Under His Shadow
  6. These Are They That Follow The Lamb
  7. Christe Jesu, Pastor Bone
  8. O Beatum Et Sacrosanctum Diem
  9. Nunc Dimittis
  10. O Vos Omnes
  11. Factum Est Silentium
  12. Justorum Animae
  13. Hail, Gladdening Light
  14. A Hymn To The Mother Of God
  15. Hymn For The Dormition Of The Mother Of God
  16. They Are At Rest
  17. A Litany
  18. Nolo Mortem Peccatoris
  19. O Nata Lux
  20. Loving Shephard Of Thy Sheep
  21. The Lord's Prayer
  22. In Manus Tuas
  23. Bring Us, O Lord God

Customer Reviews:

5 out of 5 stars One of the basics, plain and simple........2005-10-17

I can hardly ever seem to find any choral CD anywhere that truly hits the spot, and the reason is clearly that this was one of my very first. Nobody who loves English cathedral music or English choral singing in general should be without this disc, it is a basic. Aside from the approaching the highest possible standards of choral singing and being an exemplar of the stereotypical English choral sound (straight-tone sopranos, not straight-tone EVERYONE, clear and floating tenors, etc.), most of the tracks on this recording are total gems.

Of particular note are the Howells and Vaughan Williams, several of the Renaissance pieces, probably the best rendition of Tavener's Hymn to the Mother of God out there, "A Litany" by Walton, and Harris' "Bring Me, O Lord God" is a stunningly gorgeous end to the CD that will give you chills.

5 out of 5 stars Eternal light.......2005-09-23

Recorded in the Lady Chapel of Ely Cathedral, the Cambridge Singers under the direction of John Rutter produced a duo of discs dedicated to Music of the English Church with this title, 'Hail, Gladdening Light', and its companion piece, 'Faire is the Heaven'. The title of this disc derives from modern hymn (Charles Wood, in the early twentieth century) set to a more ancient text - a good example of the pairing of the ancient and the modern, the traditional and the timely.

--Music--
This is all unaccompanied music, sung in a cathedral chapel acoustically suited for such music. There are six Latin motets, set by composers such as Taverner, Howells, Stanford, Vaughan Williams, Philips and Dering. Anthens and Introits include notables Tomkins and Purcell, and lesser-known composers such as Amner, Bairstow and Goss. Hymns span the range from old to modern, including a hymn by John Rutter himself. The disc ends with three prayer settings, including one by the underappreciated John Sheppard, and another from William Harris, whose hymn serves as the title to the companion disc. These anthems and hymns show a powerful range of music, yet show a consistent tone also that makes it rather distinctive of the music of the English church.

The group's power and grace is second to none, particularly when singing this kind of music in a place such as Ely Cathedral, arguably the most natural of settings possible.

--Liner Notes--
The notes for this recording include the titles and words of each anthem or hymn. The notes for each piece also includes brief biographical information of the composer, and unique information about each work, when particular composers are represented more than once. One thing conspicuously missing is any biographical information about John Rutter, or any descriptive information about the Cambridge Singers apart from the most basic of information (only two sentences!).

--John Rutter--
Rutter was born in London and educated at Clare College, Cambridge. This was where his career as a composer, arranger and conductor began. His early work was with groups at King's College Chapel at Cambridge as well as the Bath Choir and Philharmonic Orchestra. He has worked for the BBC providing music for educational series such as 'The Archaeology of the Bible Lands', until in 1979 he began forming the Cambridge Singers, and has continued a remarkable career of performance and recording as their director ever since.

--The Cambridge Singers--
The Cambridge Singers are a mixed choir of voices, many of whom were members of choir of Rutter's college, Clare College, Cambridge. While they specialise in English and Latin liturgical pieces, they have a wide range of recordings that span from modern compositions (including a remarkable requiem by Rutter) to English folk songs of the Middle Ages. Many are former members of the choir of Clare College and other Cambridge collegiate choirs (hence the name, Cambridge Singers). In the quarter-century since the founding, the Cambridge Singers have produced an impressive body of recordings.

5 out of 5 stars As Good As It Gets.......2003-05-27

What a beautiful CD of English sacred music. I can't imagine a more perfect group of musicians than John Rutter and the Cambridge singers to capture the full range of emotional and spiritual expression in these selections. This is as good as sacred music performance gets.

5 out of 5 stars Wonderful!.......1999-05-08

This CD is the most touching and beautiful collection of music from my homeland: it moves me beyond words.

5 out of 5 stars Rutter's Cambridge Singers at their best.......1998-09-12

Spanning the centuries from Tallis to Tavener, this collection is well-chosen and shows off the skills of the choir and its conductor. If you are a devotee of the "straight-tone" choir (as the Cambridge Singers always are), any of their CDs would be delight. However, this one (and a similar one, "Faire is the Heaven") is almost like a good back-rub: leaving you relaxed, invigorated, and wanting more. (Assuming English church music is on your short list of favorite genres.)

Of special note are the title cut, Rutter's own "Loving Shepherd", and the last, "Bring Us, O Lord" by Harris. They are exquisitely conducted and sung. You want the last 6-8 measures of "Loving Shepherd" to last forever.
RCA Red Seal Century: Soloists and Conductors
Average customer rating: Not rated
    RCA Red Seal Century: Soloists and Conductors

    Manufacturer: RCA
    ProductGroup: Music
    Binding: Audio CD

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    Opera & VocalOpera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
    ASIN: B00005OLDB
    Release Date: 2001-10-23

    Tracks:

    1. Sicilienne And Rigaudon - Mischa Elman/Percy Kahn
    2. Nocturne in G, Op.37 No.2 - Vladimir de Pachmann
    3. Ste No.1 in D, Op.43 - IV: March Miniature - Boston SO/Karl Muck
    4. Vn Con in D, Op.35 - II: Canzonetta - Fritz Kreisler/Carl Lamson
    5. Litanei, D.343 - Alfred Cortot
    6. Gotterdammerung - Closing Scene - Leopold Stokowski
    7. Ste, Op.15 - Valse - Harold Bauer/Ossip Gabrilowitsch
    8. Mazurka in D, Op.33 No.2 - Ignace Jan Paderewski
    9. Vn Partita No.3 in E, BWV 1006 - I: Prld - Sergei Rachmaninoff
    10. Etude in a, Op.25 No.11 'Winter Wind' - Josef Lhevinne
    11. Jalousie - Tango Tzigane - Boston Pops Orch/Arthur Fiedler
    12. Vc Con No.2 in e, Op.30 - II: Lento - Andante Tranquillo (Abridged) - Emanuel Feuermann/Albert Hirsh
    13. Schon Rosmarin - William Primrose/David Stimer
    14. Ser in C, Op.48 - II: Waltz - Boston SO/Serge Koussevitzky
    15. Beatrice Et Benedict - Ov - Boston SO/Charles Munch
    16. Messiah, Pt.II, No.44 - Hallelujah Chor - Hugh Porter/Robert Shaw Chorale/Robert Shaw
    17. Carnival Of The Animals: The Swan - Gregor Piatigorsky/Ralph Berkowitz
    18. Don Pasquale - Ov - NBC SO/Arturo Toscanini
    19. Mazurka In a, Op.7 No.2 - William Kapell
    20. Cancion De Cuna (Cradle Song) - Jose Iturbi

    Tracks:

    1. Prld in c#, Op.45 - Arthur Rubinstein
    2. Fant On Themes From Bizet's Carmen - Vladimir Horowitz
    3. Fant in c, BWV 906 - Wanda Landowska
    4. Coppelia - Prld: Mazurka - Boston SO/Pierre Monteux
    5. Colas Breugnon, Op.24: Ov - Chicago SO/Fritz Reiner
    6. Porgy And Bess - Jascha Heifetz
    7. A Woman Is A Sometime Thing - Jascha Heifetz
    8. Five Bagatelles - No.1: Allegro - Julian Bream
    9. I Vespri Siciliani-Ballet: The Four Seasons: Winter - New Philharmonia Orch/James Levine
    10. L'Isle Joyeuse - Van Cliburn
    11. La Flute De Pan: Pan And The Birds - James Galway
    12. Rosamunde, D.797 - Ballet Music No.II - Cologne RSO/Gunter Wand
    13. Fantasiestuck, Op.73 No.3 - Rasch Und Mit Feuer - Richard Stoltzman
    14. Light In Darkness - Evelyn Glennie
    15. Fanfare For The Uncommon Woman, No.1 - Saint Louis SO/Leonard Slatkin
    16. Transcendental Etude No.5 'Feux Follets' - Evgeny Kissin
    17. A Hymn To New England - Boston Pops Orch/Keith Lockhart
    18. Fanfare For The Common Man - San Francisco Sym/Michael Tilson Thomas
    Percy Grainger: The Complete Piano Music
    Average customer rating: 5 out of 5 stars
    • Every last note...
    Percy Grainger: The Complete Piano Music

    Manufacturer: Nimbus Records
    ProductGroup: Music
    Binding: Audio CD

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    Similar Items:
    1. Boccherini: Clavier Quintets (Complete)
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    3. Bach: Complete Works - 155 CD Box Set

    ASIN: B0000037AX
    Release Date: 1997-11-18

    Tracks:

    1. Handel In The Strand
    2. Bridal Lullaby
    3. English Waltz
    4. Mock Morris
    5. To A Nordic Princess
    6. In A Nutshell-Ste: I. Arrival Platform Humlet
    7. In A Nutshell-Ste: II. Gay But Wistful
    8. In A Nutshell-Ste: III. Pastoral
    9. In A Nutshell-Ste: IV. 'The Gum-Suckers' March
    10. Peace
    11. Saxon Twi-Play
    12. Andante Con Moto
    13. Children's March
    14. The Immovable Do
    15. Sailor's Song
    16. Colonial Song
    17. Walking Tune
    18. Harvest Hymn
    19. In Dahomey

    Tracks:

    1. b flat Pno Con (Opening)
    2. Cradle-Song
    3. Love Walked In
    4. Second Pno Con (3rd Movt)
    5. Now, O Now, I Needs Must Part
    6. Nimrod
    7. Ramble On The Last Love-Duet
    8. Chinese Melody-Beautiful Fresh Flower
    9. Paraphrase On The Flower Waltz
    10. Lullaby From 'Tribute To Foster'
    11. American Song-The Rag-Time Girl
    12. 'Blithe Bells'
    13. Fugue In a
    14. The Man I Love

    Tracks:

    1. Country Gardens
    2. The Merry King
    3. Molly On The Shore
    4. Irish Tune From County Derry
    5. Knight And Shepard's Daughter
    6. The Nightingale And The Two Sisters
    7. Jutish Medley
    8. Sussex Mummers' Christmas Carol
    9. The Rival Brothers
    10. Near Woodstock Town
    11. Will Ye Gang To The Hielands, Lizzie Lindsay
    12. The Brisk Young Sailor
    13. One More Day My John (Easy Version)
    14. Rimmer And Goldcastle
    15. Spoon River
    16. The Widow's Party
    17. The Hunter In His Career
    18. My Robin Is To The Greenwood Gone
    19. Died For Love
    20. Scotch Strathspey
    21. One More Day My John (Complex Version)
    22. Bristol Town
    23. Hard-Hearted Barb'ra Helen
    24. Mo Ninghean Dhu
    25. Lisbon (Dublin Bay)
    26. Stalt Vesselil
    27. O Gin I Were Where Gowrie Rins
    28. Shepard's Hey

    Tracks:

    1. Four Irish Dances: I. A March-Jig
    2. Four Irish Dances: II. A Slow Dance
    3. Four Irish Dances: III. The Leprechaun's Dance
    4. Four Irish Dances: IV. A Reel
    5. Nell
    6. Apres Un Reve
    7. Pno Con, First Movt
    8. Tiger-Tiger
    9. Air And Dance
    10. Hornpipe
    11. Toccata And Fugue in d
    12. Lullaby From 'Tribute To Foster' (Easy Grainger)
    13. Angelus Ad Virginem
    14. Klavierstuck in E
    15. Eastern Intermezzo
    16. The Bigelow March
    17. Pno Con, First Movt
    18. At Twilight
    19. Klavierstuck in a
    20. Klavierstuck in B Flat
    21. Klavierstuck in D

    Tracks:

    1. Children's March: 'Over The Hills And Far Away'
    2. Up-Country Song (Colonial Song)
    3. English Dance
    4. Ye Banks And Braes O' Bonnie Doon
    5. 'Spoon River'-American Folk Dance
    6. Train Music
    7. Zanzibar Boat-Song
    8. Paganini Varations, No.12
    9. Green Bushes-Passacaglia On An English Folksong
    10. William Byrd's Air And Variations For The Virginals 'The Carman's Whistle'
    11. 'A Dance Rhapsody'
    12. Girl Crazy: Embraceable You
    13. The Warriors-Music To An Imaginary Ballet

    Customer Reviews:

    5 out of 5 stars Every last note..........2006-06-14

    A super budget 5 CD collection of all of Grainger's Piano music.
    Every last note!
    The shipping alone would be $17.00+ for the 5 individual Cds.
    Englishman Martin Jones plays these as if he wrote them. He is thoroughly inside this music.
    I think his best work to date.
    He is joined on CD #5 by Richard Mcmahon and Phillip Martin. Where they rollick in various combos and trios on 1, 2 and 3 pianos. This is exhilerating. Especially on an truly uplifting version of Green Bushes.
    The entire set is strongly idiomatic and given a clear, crisp, warm and spacious recording. FIRST CLASS sound.
    There are too many highlights to single out, but the In A Nutshell Suite and Green Bushes are especially GOOD!
    There is not a bad note or "vibe" on any of these CDs.
    Highly recommended for Granger fans and fans of English Piano Music.
    A Festival of Nine Lessons and Carols
    Average customer rating: 5 out of 5 stars
    • A wonderful tradition
    • a voice teacher and early music fan
    • Truely inspirational!!!!
    • Don't let this recording pass you by!
    • A Shining Star
    A Festival of Nine Lessons and Carols
    King's College Choir , and Stephen Cleobury
    Manufacturer: EMI Classics
    ProductGroup: Music
    Binding: Audio CD

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    Similar Items:
    1. O Come All Ye Faithful: Christmas Carols at King's College, Cambridge
    2. Carols from Trinity
    3. Noel: Christmas at Kings
    4. Carols From King's / Choir of King's College, Cambridge · Stephen Cleobury
    5. Songs of Angels - Christmas Hymns and Carols

    ASIN: B00002CF12
    Release Date: 1999-11-02

    Tracks:

    1. Once In Royal David's City
    2. Bidding Prayer
    3. Up! Good Christen Folk, And Listen
    4. The Truth From Above
    5. First Lesson
    6. Adam Lay Yhounden
    7. Second Lesson
    8. Sussex Carol
    9. In The Bleak Mid-Winter
    10. Third Lesson
    11. In dulci jubilo
    12. God Rest You Merry Gentlemen
    13. Fourth Lesson
    14. A Tender Shoot
    15. The Lamb
    16. Fifth Lesson
    17. Gabriel's Message
    18. Joys Seven
    19. Sixth Lesson
    20. Dormi, Jesu
    21. Riu, riu, chiu

    Tracks:

    1. Seventh Lesson
    2. The Fary fax Carol
    3. While Shepards Watched
    4. Eighth Lesson
    5. I Saw Three Ships
    6. Illuminare Jerusalem
    7. Ninth Lesson
    8. Adeste, fideles
    9. Prayer And Blessing
    10. Hark! The Herald Angels Sing
    11. In dulci Jubilo

    Amazon.com

    This disc could be more succinctly titled Christmas for Anglophiles. Few sounds are more British than the boy soprano-dominated Choir of King's College in Cambridge. And the group is heard--in some sections recorded live--in an actual Christmastide service amid the generous reverberation of a cathedral acoustic with little more than a tasteful though austere organ accompaniment. The repertoire isn't just conservative, traditional hymns and carols. One is harmonized by Ralph Vaughan Williams, and there are a number of contributions by contemporary composers Thomas Adès, Judith Weir, and John Tavener, all of which are probing, sincere, even personal examples of their art (and some are daringly liberated, harmonically speaking). The downside for some listeners--at least on repeated hearings--is that the entire service is heard, sermons and all. Others may take this in the spirit of a Paul McCreesh liturgical reconstruction, with congregational singing included. --David Patrick Stearns

    Customer Reviews:

    5 out of 5 stars A wonderful tradition .......2007-01-18

    A great experience combining Christmas carols with the reading of Holy Scripture (the lessons). It's a beautiful Christmas worship service in the Anglican tradition. I highly recommend it.

    In our age when thing change so fast, it's good to know that some great traditions continue. This recording is one of them.

    5 out of 5 stars a voice teacher and early music fan.......2006-12-06

    Listening to this one and one-half hour recording is one way to experience the meaning of Christmas. It must be a joy for those who can attend such a service as the "Festival of nine-lessons and carols". To hear the beautiful voices of the King's College Choir and their marvelous organist, Benjamin Bayl. This is all under the direction of Stephen Cleobury, and provides a treat for music lovers everywhere. The carols are related directly to the scripture readings that tell the Christmas Story in its entirety, all read skillfully by various people involved in the program. They are not lengthy, but quite to the point. The related carols are varied as to composer and mood, running the gamut from the traditional to the more recent such as : 'The Truth from above'(Vaughan Williams)-'Illuminare,Jerusalem' (Judith Weir)- and 'The Lamb' (John Tavener). The soloists include:Edward Moore (treble)-Thomas Bullard (baritone)-Adrian Kelly (tenor)-Edward Harries (treble)-and Julian Perkins (baritone). All sang well as did the entire choir. The English sound, that is boy sopranos and male altos, appeal to me personally and show up very well in this particular group. It's all quite emotional and very moving, especially to those who celebrate Christmas as a religious holiday. I've had this disc for several years, and would not think of celebrating Christmas without listening to it several times during the season.

    5 out of 5 stars Truely inspirational!!!!.......2001-12-23

    A holiday classic. It has been a tradtion in our family for years. This is the first time I've seen it available on CD. I would highly recommend it to anyone.

    5 out of 5 stars Don't let this recording pass you by!.......2001-07-10

    Do yourself a favor and buy this CD - even if you don't think you like Christmas music. People stand in line for hours to hear the Choir of King's College's annual Festival of Nine Lessons and Carols, and when you hear this recording, you will understand why. Rarely does a choir sound quite as pure, smooth, and "together" as they do on this recording. The selection of music is wonderful. You get a few traditional favorites like "O Come All Ye Faithful", recorded live with the choir and the congregation singing along (I thought this would annoy me but it really doesn't - it only makes me feel the spirit of the ceremony even more). You also get plenty of wonderful choir-only pieces that you've probably never heard before unless you're a big cathedral music enthusiast. It all begins, of course, with a single choirboy singing the first verse of "Once in Royal David's City". It's impossible for me to pick an absolute favorite from this recording. I find "The Fayrfax Carol" by Thomas Ades to be particularly haunting and beautiful. Vaughan Williams' "The Truth from Above" is also very, very lovely. And how could you not enjoy "Up! Good Christen folk, and listen"? There is also Ord's short, but beautiful, "Adam lay ybounden". I like all of these pieces in and of themselves, but I think having them sung so expertly and sweetly by the choir makes me like them even more.

    To top it all off, you get about 20 minutes worth of readings and prayers recorded live at the service, interspersed among all of the music. I suppose this could be seen as the recording's only drawback (people talking), but I think it makes the recording much more authentic as a representation of the world-famous service. The readings make the recording more than just a musical experience, but a complete Christmas experience - which is what the ceremony is supposed to be. Besides, if you really hate the talking, that's what the skip button is for.

    Go ahead and buy this -- you'll be very glad you did.

    5 out of 5 stars A Shining Star.......2000-11-21

    To the other fine and informative reviews here, I would add the following. Though the Festival service and the recording are 80% musical, the "lessons", which are brief scripture passages given moving dramatic readings by college personnel, are the backbone of the Festival and the riverbed through which the carols flow. There is a chronological order to the lessons, beginning in Genesis, and each musical selection is tied to the reading which preceded it. This synthesis makes listening to this CD a very spiritual experience that transports one well beyond what is felt listening to other recorded compilations of carols.

    The music is primarily drawn from traditional British Christmas repertoire. Well-known British composers over centuries and King's College's organists and music directors over the past century wrote or arranged most of the selections. Several texts are in Olde English or Latin. Three recent compositions are here, too, but the first priority of the Festival director is clearly the tradition and the history of this service and of Christmas in England. There is nothing, however, "musty" about this CD. The tempi are modern and sprightly where indicated, and the performances are transcendent. The Choir of King's College, directed by Stephen Cleobury, consists of 35 young men chosen by highly competitive audition, and they are among the finest choral ensembles in the world. A superb pipe organ played by Benjamin Bayl is the only supplement to the voices.

    The sound of the recording is a major improvement from radio broadcasts and earlier (now out-of-print) releases of this service. For this CD, the four-and-a-half hymns in which the congregation sings with the choir were recorded during services in December 1998. The balance of the recording was made in the same chapel in July 1999, without the congregation present, so the coughing and shuffling heard during live broadcasts and earlier live recordings is happily absent. The only small problem is that the reverberating acoustics of the chapel, though gorgeous, make many lyrics difficult to discern. Keep the booklet handy. Highest recommendation.

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