English Hymn 1
Track Listings
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1. Christ Triumpant, Ever Reigning (Guiting Power)
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2. How Shall I Sing That Majesty [Coe Fen]
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3. Like a Mighty River Flowing (Old Yeavering)
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4. Father, Hear the Prayer We Offer (Cypress Court)
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5. I Vow to Thee, My Country (Thaxted)
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6. We Sing the Praise of Him Who Died (Bow Brickhill)
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7. I, Lord of Sea and Sky (Here I Am, Lord)
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8. All My Hope on God If Founded (Michael)
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9. Give Me the Wings of Faith (San Rocco)
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10. Lord Jesus Christ (Living Lord)
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11. For All the Saints (Sine Nomine)
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12. My Song Is Love Unknown (Love Unknown)
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13. Praise the Lord of Heaven (Vicars' Close)
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14. Glorious Things of Thee Are Spoken (Abbot's Leigh)
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15. Come Down, O Love Divine (Down Ampney)
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16. Hark What a Sound, and Too Divine for Hearing (Highwood)
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17. King of Glory, King of Peace (Redland)
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18. Holy Spirti, Ever Dwelling [Salisbury]
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19. For the Fruit of His Creation [East Acklam]
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20. Lead, Kindly Light (Alberta)
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See all 22 tracks on this disc
English Hymn 1, Music, Peter Appleford, Malcolm Archer, John Barnard, Michael Baughen, Barry Ferguson, William H. Harris, Basil Harwood, Gustav Holst, Herbert Howells, John Ireland, Francis Jackson, Ken Naylor, Sir Sydney Hugo Nicholson, Daniel L. Schutte, Cyril Taylor, Sir Richard Runciman Terry, Noel Tredinnick, Ralph Vaughan Williams, Derek Williams, Rupert Gough, Choral, Choral Music, Christmas, Classical, Classical Collections-Artist Desc., Classical Music, Classical Vocals, Holiday, Hymn, Miscellaneous, Miscellaneous Music, Secular Choral Music with Orchestra
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
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- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
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Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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- Study of Orchestration, Third Edition
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- My favorite album. English church music at its finest.
- The grand tradition of English music
- music of great beauty
- Excellent Selection, Excellent Performance
- Best all-in-one English music CD ever
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Treasures of English Church Music
Manufacturer: Collegium
ProductGroup: Music
Binding: Audio CD
All Works by Britten
| Britten, Sir Benjamin
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Byrd, William
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| Rutter, John
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| Sheppard, John
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| Tallis, Thomas
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| Taverner, John
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| Walton, Sir William
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Similar Items:
- The Music of St. Paul's Cathedral
- A Vaughan Williams Hymnal
- Praise to the Lord - Hymns From St. Paul's Cathedral
- The Psalms of David from Kings Choir of Kings College, Cambridge, Vol. 1
- Abide With Me
ASIN: B0000031I6
Release Date: 1995-12-12 |
Tracks:
- Music Of The Latin Rite: Ave Maria
- Music Of The Latin Rite: Loquebantur variis linguis
- Music Of The Latin Rite: Miserere mei
- Haec dies
- Music Of The Latin Rite: Ave verum corpus
- Music Of The Reformation: If Ye Love Me
- Music Of The Reformation: Hide Not Thou Thy Face
- Music Of The Reformation: Lord, For Thy Tender Mercy's Sake
- Music Of The Reformation: O Clap Your Hands
- Music Of The Reformation: Bow Thine Ear
- Music Of The Reformation: Hosanna To The Son Of David
- Music Of The Restoration: Lord, How Long Wilt Thou Be Angry
- Music Of The Restoration: Thou Knowest, Lord
- Music Of The Restoration: Hear My Prayer, O Lord
- The Anglican Revival And The Twentieth Century: Beati quorum via
- The Anglican Revival And The Twentieth Century: This Joyful Eastertide
- The Anglican Revival And The Twentieth Century: Sing Lullaby
- The Anglican Revival And The Twentieth Century: A Spotless Rose
- The Anglican Revival And The Twentieth Century: What Cheer?
- The Anglican Revival And The Twentieth Century: O Taste And See
- The Anglican Revival And The Twentieth Century: A Hymn To The Virgin
- The Anglican Revival And The Twentieth Century: Jesus Christ The Apple Tree
- The Anglican Revival And The Twentieth Century: Faire Is The Heaven
- Anthems And Introits: Rejoice In The Lord
- Anthems And Introits: Remember Not, Lord, Our Offences
- Anthems And Introits: Come, Let's Rejoice
- Anthems And Introits: When David Heard
- Anthems And Introits: I Sat Down Under His Shadow
- Anthems And Introits: These Are They That Follow The Lamb
- Latin Motets: Christe Jesu, pastor bone
- Latin Motets: O beatum et sacrosanctum diem
- Latin Motets: Nunc dimittis
- Latin Motets: O vos omnes
- Latin Motets: Factum est silentium
- Latin Motets: Justorum animae
- Settings Of Hymns And Other Poetry: Hail, Gladdening Light
- Settings Of Hymns And Other Poetry: A Hymn To The Mother Of God
- Settings Of Hymns And Other Poetry: Hymn For The Dormition Of The Mother Of God
- Settings Of Hymns And Other Poetry: They Are At Rest
- Settings Of Hymns And Other Poetry: A Litany
- Settings Of Hymns And Other Poetry: Nolo mortem peccatoris
- Settings Of Hymns And Other Poetry: O nata lux
- Settings Of Hymns And Other Poetry: Loving Shepherd Of Thy Sheep
- Prayer Settings: The Lord's Prayer
- Prayer Settings: In manus tuas
- Prayer Settings: Bring Us, O Lord God
Customer Reviews:
My favorite album. English church music at its finest........2005-10-06
Whether you have a couple dozen albums of English choral music or whether you're looking for an introduction to English choral music, this two CD collection is a must. Here you will find a wide selection of sacred favorites, from Gregorian chant to Ralph Vaughan Williams. It's a misnomer to call it "Anglican," since this would exclude (in addition to, of course, the pre-Reformation Latin hymns) the likes of Thomas Tallis and William Byrd -- both Catholics that kept to the ancient faith despite Elizabeth's (albeit relatively mild) persecutions. Tallis and Byrd set the standard in the 16th century for the distinctive "Englishness" (as opposed to Continental European) style of English choral music, with its soaring majesty yet somehow coupled with a subtle and sustained beauty (as opposed to the Continental ups and downs and often tiresome exaggerations). For those of us in the English-speaking world, this is our heritage. Let's treasure it. As for the recording itself, the mixing is superb. While listening, it's quite easy to imagine yourself in the beautiful King's College Chapel or perhaps heaven itself.
The grand tradition of English music.......2005-09-23
Recorded in the Lady Chapel of Ely Cathedral, the Cambridge Singers under the direction of John Rutter produced a duo of discs dedicated to Music of the English Church previously issued as two separate discs, 'Hail, Gladdening Light', and its companion piece, 'Faire is the Heaven'. The discs here are straight copies of those discs; hence, if you have those already, there is no need to purchase this - on the other hand, if you do not have the other discs, this is a bargain.
--Music--
This is all unaccompanied music, sung in a cathedral chapel acoustically suited for such music. The first disc has four primary sections: Music of the Latin Rite; Music of the Reformation; Music of the Restoration; and Anglican Revival and the twentieth century. The most famous composers in English music history -- Tallis, Byrd, Gibbons -- combine with later masters such as Purcell, Stanford, Howells, Walton, Britten and Vaughan Williams to form a truly masterful collection. These are anthems, hymns and other liturgical pieces that have remained important in Anglican worship, and can be often heard in situ on Sundays around the world. However, the Cambridge Singers bring their special music talent to the task, producing a good standard bearer for music of the English Church.
On the second disc, there are six Latin motets, set by composers such as Taverner, Howells, Stanford, Vaughan Williams, Philips and Dering. Anthens and Introits include notables Tomkins and Purcell, and lesser-known composers such as Amner, Bairstow and Goss. Hymns span the range from old to modern, including a hymn by John Rutter himself. The disc ends with three prayer settings, including one by the underappreciated John Sheppard, and another from William Harris, whose hymn serves as the title to the companion disc. These anthems and hymns show a powerful range of music, yet show a consistent tone also that makes it rather distinctive of the music of the English church.
The group's power and grace is second to none, particularly when singing this kind of music in a place such as Ely Cathedral, arguably the most natural of settings possible.
--Liner Notes--
The notes for this recording include the titles and words of each anthem or hymn. The notes for each piece also includes brief biographical information of the composer, and unique information about each work, when particular composers are represented more than once. One thing conspicuously missing is much biographical information about John Rutter, or any descriptive information about the Cambridge Singers apart from the most basic of information.
--John Rutter--
Rutter was born in London and educated at Clare College, Cambridge. This was where his career as a composer, arranger and conductor began. His early work was with groups at King's College Chapel at Cambridge as well as the Bath Choir and Philharmonic Orchestra. He has worked for the BBC providing music for educational series such as 'The Archaeology of the Bible Lands', until in 1979 he began forming the Cambridge Singers, and has continued a remarkable career of performance and recording as their director ever since.
--The Cambridge Singers--
The Cambridge Singers are a mixed choir of voices, many of whom were members of choir of Rutter's college, Clare College, Cambridge. While they specialise in English and Latin liturgical pieces, they have a wide range of recordings that span from modern compositions (including a remarkable requiem by Rutter) to English folk songs of the Middle Ages. Many are former members of the choir of Clare College and other Cambridge collegiate choirs (hence the name, Cambridge Singers). In the quarter-century since the founding, the Cambridge Singers have produced an impressive body of recordings.
music of great beauty.......2005-04-24
Pop one of these CDs into your car stero, turn up the volume and feel yourself drift into a sublime peace. Can music manifest the existence of God?
Excellent Selection, Excellent Performance.......2004-07-28
This two-CD compilation by the Cambridge Singers is truly very good. The repertoire is very diverse and only the best representations of composers and time periods are performed. ALthough most of the pieces were not written with a mixed choir in mind, the Cambridge Singers sing it so well you would not have had any idea. Their performances are careful and exquisite.
Best all-in-one English music CD ever.......2004-04-20
This is a re-release, as one set, of two of my favorite CDs ever: "Faire is the Heaven" and "Hail Gladdening Light" by the Cambridge singers. This is a fabulous compilation of everyone's favorite works from the English Cathedral tradition, all the way from Taverner (16th century) to Tavener (21st century). The selection of works is great and touches all the most important genres. The performance is exquisite, elegant, faultless. The Cambridge Singers have a softer, less edgy sound than the Tallis Scholars, and are more expressive, which may make them easier for some people to listen to, especially for the more recent works. They are no less musical. The Parsons Ave Maria alone brings one to tears. If you want an introduction to English church music, this is the CD to start with. Also makes a great gift, if you already love this music and want to introduce someone else to it.
Average customer rating:
- Uneven quality but great value
- A superb collection of Mendelssohn
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Mendelssohn: The Masterworks [Box Set]
Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD
Octets
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Quartets
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| Mendelssohn, Felix
| ( M )
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Oratorios
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Cantatas
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| Classical Music Blowout
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Similar Items:
- Dvorák: The Masterworks [Box Set]
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ASIN: B00062FLJ2
Release Date: 2004-11-30 |
Customer Reviews:
Uneven quality but great value.......2007-04-30
Brilliant Classics has found a niche with their extremely low-price multi-disc collections of the work of a single composer or performer. The Bach, Mozart and Chopin Complete Editions are legitimately considered to be artistic and economical triumphs. But the Masterworks series are more uneven. Currently available from Amazon France at about a buck per CD, they're still a bargain for those interested in quickly building a music library. But it's worth keeping a few things in mind. Unlike the Bach and Mozart Editions, these are not always historically informed performances. In this Mendelssohn set, the Hanover Band puts in a cameo (in Calm Sea and Prosperous Voyage), but most of the ensembles use modern instruments, techniques and proportions. This doesn't always work out, as in the case of the ponderously heavy recordings of the String Symphonies by an apparently full complement of Gewandhausorchester Leipzig strings (Mendelssohn likely wrote these early works for a much smaller group). The caliber of the performances varies too, ranging from good to poor, and from marquis musicians such as Dietrich Fischer-Dieskau to a few Dutch who-dats. The chamber musicians generally acquit themselves well (though the Octet recording is marred by an engineering flaw in the last movement, distortion, at least on my copy). But the symphonies suffer from some substandard performances, such as the Italian Symphony's live recording with not only audience noise but also ensemble flaws such as a distracting clarinet squeak in the first movement's recapitulation. Another strike is the lack of program notes. Brilliant's Complete Editions provide a booklet or CD-ROM with program notes, but here you'll need to do your own research.
Despite these shortcomings, this set is still good value (at least at Amazon France's current price of 31 Euros). And it's a fine way to become acquainted with Mendelssohn's music.
A superb collection of Mendelssohn.......2007-03-24
Let me preface this by saying that most of these works were not new to me - I own many other Mendelssohn CDs and have enjoyed his compositions for some time now. Also, this set is available much cheaper elsewhere, particularly from European retailers.
The symphonies are well-performed. 'Reformation' is an inspired live recording. The 12 string symphonies, written in Mendelssohn's youth, are also included. The concertos are exceptional - the violin concerto is as good as you'll find anywhere. The oratorios Elijah and Paulus are included, as well as the complete chamber works and a diverse assortment of choral works. The last few discs include the Lied ohne worte, the epic organ sonatas, and excellent renditions of A Midsummer Night's Dream and Fingal's Cave. While there are a few sketchy performances in the choral and chamber works, the performances and recordings are generally very solid, and the body of work couldn't be better.
Average customer rating:
- Heavenly
- The Holy Grail of Choral Recordings
- One Small Correction
- Gorgeous music, gorgeous performances
- Stunning collection suitable for music nuts or newbies alike
|
Choral Moods
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
All Works by Allegri
| Allegri, Gregorio
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| Barber, Samuel
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| Berlioz, Hector
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| Brahms, Johannes
| ( B )
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| ( B )
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| ( F )
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| Haydn, Michael
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| Mendelssohn, Felix
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| Poulenc, Francis
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| Praetorius, Michael
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| ( P )
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| Saint-Saëns, Camille
| ( S )
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- Choral Masterpieces
- Agnus Dei: Music of Inner Harmony
- The Only Choral CD You'll Ever Need
- Tears from Heaven
- Agnus Dei II: Music to soothe the soul
ASIN: B00000DFKO
Release Date: 1998-10-13 |
Tracks:
- Miserere Mei, Deus
- Deutsche Messe D.872: Sanctus
- Hear My Prayer, Oh Lord
- Timor Et Tremor
- Videntes Stellam
- Psalm 13, OP.27
- O Salutaris Hostia
- Salvette Flores
- Evening Hymn
- L'enfance du Christ: Shepherd's Farewell
- Ave Maria
- Advent Responsory
- Ave Maria OP.93
- Edi Beo Thu, Hevene Quene
- Missa Cum Iubilo (Gregorian Chant): Kyrie
- Missa Cum Iubilo (Gregorian Chant): Gloria
- Missa Cum Iubilo (Gregorian Chant): Sanctus & Benedictus
- Missa Cum Iubilo (Gregorian Chant): Agnus Dei
- Requiem: In Paradisum
- Agnus Dei
Tracks:
- Nunc Dimittis
- Mass In G: Agnus Dei
- Ave Verum Corpus Op. 65 No. 1
- O Ignis Spiritus Paracliti
- Hear My Prayer
- Ave Maria
- Panis Angelicus
- Eternal Father
- Vom Himmel Hoch
- Ave Maria
- Messe basse: Kyrie
- Messe basse: Sanctus
- Messe basse: Benedictus
- Messe basse: Agnus Dei
- Rejoice, Rejoice
- Salve Regina, Op. 67 No. 1
- Ave, Verum Corpus
- Laudi Alla Vergine Maria
- Tenebrae Facta Sunt
- O Sacrum Convivium
Customer Reviews:
Heavenly.......2007-03-29
This is the most uplifting music I have encountered. The angelic sounds of this choral group help me stay sane on California highways!
The Holy Grail of Choral Recordings.......2006-07-03
This was the first choral CD I've ever purchased when I started becomming involved with choir during my senior year of high school five years ago. My director was telling the choir that he had finally found his copy at a music store and referred to it as the "Holy Grail" of choral recordings. So, I went out to find my own copy and I'm still blown away by it today. I've even given copies as gifts. The music is certainly relaxing and such, but what I most value from it is the spiritual magic. The Choir of Trinity College, Cambridge (then and now my favorite choir in the world) brings every composition to life in such a way that's pure, elegant, and deep. Listening to this music and enjoying this choir has allowed me to set my own standard of singing and compositional excellence.
One Small Correction.......2004-03-06
I keep finding new things to love on this CD, including the fact that it has the first recording I found of Gabriel Faure's beautiful Soprano (or Soprano/Alto) duet Ave Maria., Opus 93. The same recording appears on another CD where the singers are named. The above description of this selection unaccountably adds a baritone. Incidentally, Faure also composed a shorter SATB Ave Maria, which John Rutter has recorded.
I only wish the recording included the complete text of Psalm 50/51 from Gregorio Allegri's Miserere Mei Deus. This might come from John Rutter's recently edited score, published by Oxford Press, if I'm not mistaken. I, for one, do not find this selection (or indeed the entire recording) too long and I believe that the embellishments at the end (mentioned in another review) are probably correct when considering performance conventions of the time of its composition.
Gorgeous music, gorgeous performances.......2003-06-19
I am a semi-professional singer with a BA in Music, and I bought this CD with some trepidation because it looked like one of those dreadful "pop classical" compilations that are everywhere lately. But it had lots of great repertoire all in on place, so I decided to risk it, and I was not disappointed! In fact, this is now one of my favorite choral CDs.
As usual, the Choir of Trinity College delivers stunning performances, and the music itself is just gorgeous. Lots of "church" favorites from a wide range of musical periods. The mood of the CD is definitely on the mellow side, but it's perfect for those quiet moods. I love this CD -- highly recommended!
Stunning collection suitable for music nuts or newbies alike.......2002-03-18
Even as an avid fan of classical music with very picky tastes, there was just so much good music packed on these two (cheap!) discs for me to take in at once!
The perfectly balanced and locked chords can really give you chills.
I gave this CD as a present to a good friend of mine who was not so familiar with the genre, with tremendous results. I think this would make a great gift to anyone with the slightest inclination towards classical music.
Average customer rating:
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Lay Aside All Earthly Cares: Orthodox Choral Works in English
Manufacturer: Cappella Romana
ProductGroup: Music
Binding: Audio CD
Vocal & Song
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ASIN: B000AXWHE4
Release Date: 2005-09-13 |
Tracks:
- Bless the Lord, O my soul
- O gladsome Light
- Lord, now let Thy servant
- Rejoice, Virgin Theotokos
- Praise the Name of the Lord
- The Great Doxology, No.1
- Bless the Lord, O my soul
- The Second Antiphon
- Only begotten Son
- Holy God, No.2
- Alleluia, No.1
- Cherubic Hymn (Special melody: The thief beheld)
- A mercy of peace
- It is truly meet
- Our Father / One is holy / Praise the Lord, No.1
- Praise the Lord from the heavens, No.2
- I will receive the cup, No.2
- Their proclamation has gone out, No.2
- Rejoice in the Lord
- Receive the Body of Christ, No.1,2,1
- Blessed be the name of the Lord
- Psalm
- All of creation
- Troparion for the Sunday of Orthodoxy
- Let my prayer arise
- Now the Powers of heaven
- Taste and see
- Thy bridal chamber
- The wise thief, No.2
- The wise thief, No.3
- Let all mortal flesh
- What shall we call you, Mary
Customer Reviews:
Just heavenly.......2007-01-30
An extraordinary, original collection of vocal music that defies categorization. An inspiring pleasure to own.
Average customer rating:
- Fine Contribution
- lovely performance
- Wonderful performances of stirring music
|
English Song Series 3
Vaughan Williams , Rolfe , Johnson , and Duke Quartet
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00007FKQL
Release Date: 2003-02-18 |
Tracks:
- It Was A Lover And His Lass
- The Lawyer
- The Splendour Falls
- The Water Mill
- Tired
- Silent Noon
- Searching For Lambs
- Nocturne
- Joy, Shipmate, Joy!
- Lord, Come Away
- Come Love, Come Lord
- Five Mystical Songs: I. Easter
- Five Mystical Songs: II. I Got Me Flowers
- Five Mystical Songs: III. Love Bade Me Welcome
- Five Mystical Songs: IV. The Call
- Five Mystical Songs: V. Antiphon
- On Wenlock Edge: I. On Wenlock Edge
- On Wenlock Edge: II. From Far, From Eve And Morning
- On Wenlock Edge: III. Is My Team Ploughing?
- On Wenlock Edge: IV. Oh, When I Was In Love With You
- On Wenlock Edge: V. Bredon Hall
- On Wenlock Edge: VI. Clun
- Dirge For Fidele
Customer Reviews:
Fine Contribution.......2006-09-03
A fine compilation of Vaughn Williams' songs. Sung very well indeed by Johnson and Keenlyside with excellent accompaniment. This CD really shows the full range of Vaughn Williams vocal writing. This whole series is an admirable undertaking.
lovely performance.......2006-03-24
This is a very nice compilation of Vaughan Williams' vocal music, some of which is not easy to find on CD. The performers do an excellent job. Nice voices, and the music is sensitively sung. A really good value.
Wonderful performances of stirring music.......2003-04-27
This CD contains some of Vaughan Williams' best vocal music. The singers are superb and the accompanist is sensitive.
I love the whole CD, but adore
Searching For Lambs, which is a touching love song, set for violin and tenor duet
Silent Noon
It Was A Lover and His Lass
Antiphon, the last song in the set of Five Mystical Songs. It is a great song of faith, set by an infamous agnostic. The Church would be the poorer without Vaughan Williams wonderful hymns and arrangements of hymns. [I also recommend Vaughan Williams' Hymnal and Pilgrm's Progress.].
I bought this set to hear On Wenlock Edge and am not disappointed. It is a great song cycle.
By the way, this bargain-priced CD includes all the song texts.
One of my favourite vocal CDs. Highly recommended.
Average customer rating:
- One of the basics, plain and simple.
- Eternal light
- As Good As It Gets
- Wonderful!
- Rutter's Cambridge Singers at their best
|
Hail, Gladdening Light: Music of the English Church
Manufacturer: Collegium
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Dering, Richard
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ASIN: B0000031HJ
Release Date: 1991-12-05 |
Tracks:
- Rejoice In The Lord
- Remember Not, Lord, Our Offences
- Come, Let's Rejoice
- When David Heard
- I Sat Down Under His Shadow
- These Are They That Follow The Lamb
- Christe Jesu, Pastor Bone
- O Beatum Et Sacrosanctum Diem
- Nunc Dimittis
- O Vos Omnes
- Factum Est Silentium
- Justorum Animae
- Hail, Gladdening Light
- A Hymn To The Mother Of God
- Hymn For The Dormition Of The Mother Of God
- They Are At Rest
- A Litany
- Nolo Mortem Peccatoris
- O Nata Lux
- Loving Shephard Of Thy Sheep
- The Lord's Prayer
- In Manus Tuas
- Bring Us, O Lord God
Customer Reviews:
One of the basics, plain and simple........2005-10-17
I can hardly ever seem to find any choral CD anywhere that truly hits the spot, and the reason is clearly that this was one of my very first. Nobody who loves English cathedral music or English choral singing in general should be without this disc, it is a basic. Aside from the approaching the highest possible standards of choral singing and being an exemplar of the stereotypical English choral sound (straight-tone sopranos, not straight-tone EVERYONE, clear and floating tenors, etc.), most of the tracks on this recording are total gems.
Of particular note are the Howells and Vaughan Williams, several of the Renaissance pieces, probably the best rendition of Tavener's Hymn to the Mother of God out there, "A Litany" by Walton, and Harris' "Bring Me, O Lord God" is a stunningly gorgeous end to the CD that will give you chills.
Eternal light.......2005-09-23
Recorded in the Lady Chapel of Ely Cathedral, the Cambridge Singers under the direction of John Rutter produced a duo of discs dedicated to Music of the English Church with this title, 'Hail, Gladdening Light', and its companion piece, 'Faire is the Heaven'. The title of this disc derives from modern hymn (Charles Wood, in the early twentieth century) set to a more ancient text - a good example of the pairing of the ancient and the modern, the traditional and the timely.
--Music--
This is all unaccompanied music, sung in a cathedral chapel acoustically suited for such music. There are six Latin motets, set by composers such as Taverner, Howells, Stanford, Vaughan Williams, Philips and Dering. Anthens and Introits include notables Tomkins and Purcell, and lesser-known composers such as Amner, Bairstow and Goss. Hymns span the range from old to modern, including a hymn by John Rutter himself. The disc ends with three prayer settings, including one by the underappreciated John Sheppard, and another from William Harris, whose hymn serves as the title to the companion disc. These anthems and hymns show a powerful range of music, yet show a consistent tone also that makes it rather distinctive of the music of the English church.
The group's power and grace is second to none, particularly when singing this kind of music in a place such as Ely Cathedral, arguably the most natural of settings possible.
--Liner Notes--
The notes for this recording include the titles and words of each anthem or hymn. The notes for each piece also includes brief biographical information of the composer, and unique information about each work, when particular composers are represented more than once. One thing conspicuously missing is any biographical information about John Rutter, or any descriptive information about the Cambridge Singers apart from the most basic of information (only two sentences!).
--John Rutter--
Rutter was born in London and educated at Clare College, Cambridge. This was where his career as a composer, arranger and conductor began. His early work was with groups at King's College Chapel at Cambridge as well as the Bath Choir and Philharmonic Orchestra. He has worked for the BBC providing music for educational series such as 'The Archaeology of the Bible Lands', until in 1979 he began forming the Cambridge Singers, and has continued a remarkable career of performance and recording as their director ever since.
--The Cambridge Singers--
The Cambridge Singers are a mixed choir of voices, many of whom were members of choir of Rutter's college, Clare College, Cambridge. While they specialise in English and Latin liturgical pieces, they have a wide range of recordings that span from modern compositions (including a remarkable requiem by Rutter) to English folk songs of the Middle Ages. Many are former members of the choir of Clare College and other Cambridge collegiate choirs (hence the name, Cambridge Singers). In the quarter-century since the founding, the Cambridge Singers have produced an impressive body of recordings.
As Good As It Gets.......2003-05-27
What a beautiful CD of English sacred music. I can't imagine a more perfect group of musicians than John Rutter and the Cambridge singers to capture the full range of emotional and spiritual expression in these selections. This is as good as sacred music performance gets.
Wonderful!.......1999-05-08
This CD is the most touching and beautiful collection of music from my homeland: it moves me beyond words.
Rutter's Cambridge Singers at their best.......1998-09-12
Spanning the centuries from Tallis to Tavener, this collection is well-chosen and shows off the skills of the choir and its conductor. If you are a devotee of the "straight-tone" choir (as the Cambridge Singers always are), any of their CDs would be delight. However, this one (and a similar one, "Faire is the Heaven") is almost like a good back-rub: leaving you relaxed, invigorated, and wanting more. (Assuming English church music is on your short list of favorite genres.)
Of special note are the title cut, Rutter's own "Loving Shepherd", and the last, "Bring Us, O Lord" by Harris. They are exquisitely conducted and sung. You want the last 6-8 measures of "Loving Shepherd" to last forever.
Average customer rating:
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RCA Red Seal Century: Soloists and Conductors
Manufacturer: RCA
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ASIN: B00005OLDB
Release Date: 2001-10-23 |
Tracks:
- Sicilienne And Rigaudon - Mischa Elman/Percy Kahn
- Nocturne in G, Op.37 No.2 - Vladimir de Pachmann
- Ste No.1 in D, Op.43 - IV: March Miniature - Boston SO/Karl Muck
- Vn Con in D, Op.35 - II: Canzonetta - Fritz Kreisler/Carl Lamson
- Litanei, D.343 - Alfred Cortot
- Gotterdammerung - Closing Scene - Leopold Stokowski
- Ste, Op.15 - Valse - Harold Bauer/Ossip Gabrilowitsch
- Mazurka in D, Op.33 No.2 - Ignace Jan Paderewski
- Vn Partita No.3 in E, BWV 1006 - I: Prld - Sergei Rachmaninoff
- Etude in a, Op.25 No.11 'Winter Wind' - Josef Lhevinne
- Jalousie - Tango Tzigane - Boston Pops Orch/Arthur Fiedler
- Vc Con No.2 in e, Op.30 - II: Lento - Andante Tranquillo (Abridged) - Emanuel Feuermann/Albert Hirsh
- Schon Rosmarin - William Primrose/David Stimer
- Ser in C, Op.48 - II: Waltz - Boston SO/Serge Koussevitzky
- Beatrice Et Benedict - Ov - Boston SO/Charles Munch
- Messiah, Pt.II, No.44 - Hallelujah Chor - Hugh Porter/Robert Shaw Chorale/Robert Shaw
- Carnival Of The Animals: The Swan - Gregor Piatigorsky/Ralph Berkowitz
- Don Pasquale - Ov - NBC SO/Arturo Toscanini
- Mazurka In a, Op.7 No.2 - William Kapell
- Cancion De Cuna (Cradle Song) - Jose Iturbi
Tracks:
- Prld in c#, Op.45 - Arthur Rubinstein
- Fant On Themes From Bizet's Carmen - Vladimir Horowitz
- Fant in c, BWV 906 - Wanda Landowska
- Coppelia - Prld: Mazurka - Boston SO/Pierre Monteux
- Colas Breugnon, Op.24: Ov - Chicago SO/Fritz Reiner
- Porgy And Bess - Jascha Heifetz
- A Woman Is A Sometime Thing - Jascha Heifetz
- Five Bagatelles - No.1: Allegro - Julian Bream
- I Vespri Siciliani-Ballet: The Four Seasons: Winter - New Philharmonia Orch/James Levine
- L'Isle Joyeuse - Van Cliburn
- La Flute De Pan: Pan And The Birds - James Galway
- Rosamunde, D.797 - Ballet Music No.II - Cologne RSO/Gunter Wand
- Fantasiestuck, Op.73 No.3 - Rasch Und Mit Feuer - Richard Stoltzman
- Light In Darkness - Evelyn Glennie
- Fanfare For The Uncommon Woman, No.1 - Saint Louis SO/Leonard Slatkin
- Transcendental Etude No.5 'Feux Follets' - Evgeny Kissin
- A Hymn To New England - Boston Pops Orch/Keith Lockhart
- Fanfare For The Common Man - San Francisco Sym/Michael Tilson Thomas
Average customer rating:
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Percy Grainger: The Complete Piano Music
Manufacturer: Nimbus Records
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Similar Items:
- Boccherini: Clavier Quintets (Complete)
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ASIN: B0000037AX
Release Date: 1997-11-18 |
Tracks:
- Handel In The Strand
- Bridal Lullaby
- English Waltz
- Mock Morris
- To A Nordic Princess
- In A Nutshell-Ste: I. Arrival Platform Humlet
- In A Nutshell-Ste: II. Gay But Wistful
- In A Nutshell-Ste: III. Pastoral
- In A Nutshell-Ste: IV. 'The Gum-Suckers' March
- Peace
- Saxon Twi-Play
- Andante Con Moto
- Children's March
- The Immovable Do
- Sailor's Song
- Colonial Song
- Walking Tune
- Harvest Hymn
- In Dahomey
Tracks:
- b flat Pno Con (Opening)
- Cradle-Song
- Love Walked In
- Second Pno Con (3rd Movt)
- Now, O Now, I Needs Must Part
- Nimrod
- Ramble On The Last Love-Duet
- Chinese Melody-Beautiful Fresh Flower
- Paraphrase On The Flower Waltz
- Lullaby From 'Tribute To Foster'
- American Song-The Rag-Time Girl
- 'Blithe Bells'
- Fugue In a
- The Man I Love
Tracks:
- Country Gardens
- The Merry King
- Molly On The Shore
- Irish Tune From County Derry
- Knight And Shepard's Daughter
- The Nightingale And The Two Sisters
- Jutish Medley
- Sussex Mummers' Christmas Carol
- The Rival Brothers
- Near Woodstock Town
- Will Ye Gang To The Hielands, Lizzie Lindsay
- The Brisk Young Sailor
- One More Day My John (Easy Version)
- Rimmer And Goldcastle
- Spoon River
- The Widow's Party
- The Hunter In His Career
- My Robin Is To The Greenwood Gone
- Died For Love
- Scotch Strathspey
- One More Day My John (Complex Version)
- Bristol Town
- Hard-Hearted Barb'ra Helen
- Mo Ninghean Dhu
- Lisbon (Dublin Bay)
- Stalt Vesselil
- O Gin I Were Where Gowrie Rins
- Shepard's Hey
Tracks:
- Four Irish Dances: I. A March-Jig
- Four Irish Dances: II. A Slow Dance
- Four Irish Dances: III. The Leprechaun's Dance
- Four Irish Dances: IV. A Reel
- Nell
- Apres Un Reve
- Pno Con, First Movt
- Tiger-Tiger
- Air And Dance
- Hornpipe
- Toccata And Fugue in d
- Lullaby From 'Tribute To Foster' (Easy Grainger)
- Angelus Ad Virginem
- Klavierstuck in E
- Eastern Intermezzo
- The Bigelow March
- Pno Con, First Movt
- At Twilight
- Klavierstuck in a
- Klavierstuck in B Flat
- Klavierstuck in D
Tracks:
- Children's March: 'Over The Hills And Far Away'
- Up-Country Song (Colonial Song)
- English Dance
- Ye Banks And Braes O' Bonnie Doon
- 'Spoon River'-American Folk Dance
- Train Music
- Zanzibar Boat-Song
- Paganini Varations, No.12
- Green Bushes-Passacaglia On An English Folksong
- William Byrd's Air And Variations For The Virginals 'The Carman's Whistle'
- 'A Dance Rhapsody'
- Girl Crazy: Embraceable You
- The Warriors-Music To An Imaginary Ballet
Customer Reviews:
Every last note..........2006-06-14
A super budget 5 CD collection of all of Grainger's Piano music.
Every last note!
The shipping alone would be $17.00+ for the 5 individual Cds.
Englishman Martin Jones plays these as if he wrote them. He is thoroughly inside this music.
I think his best work to date.
He is joined on CD #5 by Richard Mcmahon and Phillip Martin. Where they rollick in various combos and trios on 1, 2 and 3 pianos. This is exhilerating. Especially on an truly uplifting version of Green Bushes.
The entire set is strongly idiomatic and given a clear, crisp, warm and spacious recording. FIRST CLASS sound.
There are too many highlights to single out, but the In A Nutshell Suite and Green Bushes are especially GOOD!
There is not a bad note or "vibe" on any of these CDs.
Highly recommended for Granger fans and fans of English Piano Music.
Average customer rating:
- A wonderful tradition
- a voice teacher and early music fan
- Truely inspirational!!!!
- Don't let this recording pass you by!
- A Shining Star
|
A Festival of Nine Lessons and Carols
King's College Choir , and Stephen Cleobury
Manufacturer: EMI Classics
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Similar Items:
- O Come All Ye Faithful: Christmas Carols at King's College, Cambridge
- Carols from Trinity
- Noel: Christmas at Kings
- Carols From King's / Choir of King's College, Cambridge · Stephen Cleobury
- Songs of Angels - Christmas Hymns and Carols
ASIN: B00002CF12
Release Date: 1999-11-02 |
Tracks:
- Once In Royal David's City
- Bidding Prayer
- Up! Good Christen Folk, And Listen
- The Truth From Above
- First Lesson
- Adam Lay Yhounden
- Second Lesson
- Sussex Carol
- In The Bleak Mid-Winter
- Third Lesson
- In dulci jubilo
- God Rest You Merry Gentlemen
- Fourth Lesson
- A Tender Shoot
- The Lamb
- Fifth Lesson
- Gabriel's Message
- Joys Seven
- Sixth Lesson
- Dormi, Jesu
- Riu, riu, chiu
Tracks:
- Seventh Lesson
- The Fary fax Carol
- While Shepards Watched
- Eighth Lesson
- I Saw Three Ships
- Illuminare Jerusalem
- Ninth Lesson
- Adeste, fideles
- Prayer And Blessing
- Hark! The Herald Angels Sing
- In dulci Jubilo
Amazon.com
This disc could be more succinctly titled Christmas for Anglophiles. Few sounds are more British than the boy soprano-dominated Choir of King's College in Cambridge. And the group is heard--in some sections recorded live--in an actual Christmastide service amid the generous reverberation of a cathedral acoustic with little more than a tasteful though austere organ accompaniment. The repertoire isn't just conservative, traditional hymns and carols. One is harmonized by Ralph Vaughan Williams, and there are a number of contributions by contemporary composers Thomas Adès, Judith Weir, and John Tavener, all of which are probing, sincere, even personal examples of their art (and some are daringly liberated, harmonically speaking). The downside for some listeners--at least on repeated hearings--is that the entire service is heard, sermons and all. Others may take this in the spirit of a Paul McCreesh liturgical reconstruction, with congregational singing included. --David Patrick Stearns
Customer Reviews:
A wonderful tradition .......2007-01-18
A great experience combining Christmas carols with the reading of Holy Scripture (the lessons). It's a beautiful Christmas worship service in the Anglican tradition. I highly recommend it.
In our age when thing change so fast, it's good to know that some great traditions continue. This recording is one of them.
a voice teacher and early music fan.......2006-12-06
Listening to this one and one-half hour recording is one way to experience the meaning of Christmas. It must be a joy for those who can attend such a service as the "Festival of nine-lessons and carols". To hear the beautiful voices of the King's College Choir and their marvelous organist, Benjamin Bayl. This is all under the direction of Stephen Cleobury, and provides a treat for music lovers everywhere. The carols are related directly to the scripture readings that tell the Christmas Story in its entirety, all read skillfully by various people involved in the program. They are not lengthy, but quite to the point. The related carols are varied as to composer and mood, running the gamut from the traditional to the more recent such as : 'The Truth from above'(Vaughan Williams)-'Illuminare,Jerusalem' (Judith Weir)- and 'The Lamb' (John Tavener). The soloists include:Edward Moore (treble)-Thomas Bullard (baritone)-Adrian Kelly (tenor)-Edward Harries (treble)-and Julian Perkins (baritone). All sang well as did the entire choir. The English sound, that is boy sopranos and male altos, appeal to me personally and show up very well in this particular group. It's all quite emotional and very moving, especially to those who celebrate Christmas as a religious holiday. I've had this disc for several years, and would not think of celebrating Christmas without listening to it several times during the season.
Truely inspirational!!!!.......2001-12-23
A holiday classic. It has been a tradtion in our family for years. This is the first time I've seen it available on CD. I would highly recommend it to anyone.
Don't let this recording pass you by!.......2001-07-10
Do yourself a favor and buy this CD - even if you don't think you like Christmas music. People stand in line for hours to hear the Choir of King's College's annual Festival of Nine Lessons and Carols, and when you hear this recording, you will understand why. Rarely does a choir sound quite as pure, smooth, and "together" as they do on this recording. The selection of music is wonderful. You get a few traditional favorites like "O Come All Ye Faithful", recorded live with the choir and the congregation singing along (I thought this would annoy me but it really doesn't - it only makes me feel the spirit of the ceremony even more). You also get plenty of wonderful choir-only pieces that you've probably never heard before unless you're a big cathedral music enthusiast. It all begins, of course, with a single choirboy singing the first verse of "Once in Royal David's City". It's impossible for me to pick an absolute favorite from this recording. I find "The Fayrfax Carol" by Thomas Ades to be particularly haunting and beautiful. Vaughan Williams' "The Truth from Above" is also very, very lovely. And how could you not enjoy "Up! Good Christen folk, and listen"? There is also Ord's short, but beautiful, "Adam lay ybounden". I like all of these pieces in and of themselves, but I think having them sung so expertly and sweetly by the choir makes me like them even more.
To top it all off, you get about 20 minutes worth of readings and prayers recorded live at the service, interspersed among all of the music. I suppose this could be seen as the recording's only drawback (people talking), but I think it makes the recording much more authentic as a representation of the world-famous service. The readings make the recording more than just a musical experience, but a complete Christmas experience - which is what the ceremony is supposed to be. Besides, if you really hate the talking, that's what the skip button is for.
Go ahead and buy this -- you'll be very glad you did.
A Shining Star.......2000-11-21
To the other fine and informative reviews here, I would add the following. Though the Festival service and the recording are 80% musical, the "lessons", which are brief scripture passages given moving dramatic readings by college personnel, are the backbone of the Festival and the riverbed through which the carols flow. There is a chronological order to the lessons, beginning in Genesis, and each musical selection is tied to the reading which preceded it. This synthesis makes listening to this CD a very spiritual experience that transports one well beyond what is felt listening to other recorded compilations of carols.
The music is primarily drawn from traditional British Christmas repertoire. Well-known British composers over centuries and King's College's organists and music directors over the past century wrote or arranged most of the selections. Several texts are in Olde English or Latin. Three recent compositions are here, too, but the first priority of the Festival director is clearly the tradition and the history of this service and of Christmas in England. There is nothing, however, "musty" about this CD. The tempi are modern and sprightly where indicated, and the performances are transcendent. The Choir of King's College, directed by Stephen Cleobury, consists of 35 young men chosen by highly competitive audition, and they are among the finest choral ensembles in the world. A superb pipe organ played by Benjamin Bayl is the only supplement to the voices.
The sound of the recording is a major improvement from radio broadcasts and earlier (now out-of-print) releases of this service. For this CD, the four-and-a-half hymns in which the congregation sings with the choir were recorded during services in December 1998. The balance of the recording was made in the same chapel in July 1999, without the congregation present, so the coughing and shuffling heard during live broadcasts and earlier live recordings is happily absent. The only small problem is that the reverberating acoustics of the chapel, though gorgeous, make many lyrics difficult to discern. Keep the booklet handy. Highest recommendation.
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Le Grand Tango
Drunk Enough to Dance