J.S. Bach: Cantatas Vol. 19
Editorial Reviews
Album Description
The acclaimed series of complete Bach cantatas with the Amsterdam Baroque conducted by Ton Koopman, originally begun on the now-defunct Erato label, has been revived by Challenge Classics. Ton Koopman and his choir and orchestra continue to uphold a standard of tremendous vividness and joy in their immaculate performances of Bach's most impressive opus. The Amsterdam Baroque Orchestra, founded in 1979 by Ton Koopman, are a group of musicians from all over the world, with a particular passion for the Baroque. Their recordings have won numerous awards. The Amsterdam Baroque Choir, founded in 1992, consists mainly of young Dutch professional singers. Born in Zwolle, Holland, in 1944, Ton Koopman decided very early in his musical studies to specialize in the 17th and 18th centuries, using authentic instruments combined with a performing style based on sound scholarship. Begun in 1994, this series was awarded the 1997 Deutsche Schallplattenpreis "Echo Klassik" in Germany. The series will continue to feature the scholarly contributions of Professor Christoph Wolff, one of the world's leading experts on the music of Bach. Each set includes a thick, informative booklet. The cantatas of volume 19 can be divided into three groups. Four works (BWV 72, 88, 129 and 193) belong to the third Leipzig series, lasting from 1725 to 1727; five (BWV 145, 159, 171, 174 and 188) belong to the group known as the Picander cycle of 1728-29, which was not completed or has not survived complete; two works (BWV 51 and 117) belong to the period after 1730, in which Bach composed new church cantatas only sporadically. His first five years as Thomaskantor cost Johann Sebastian Bach unusual effort, as he had undertaken composing church cantatas appointed for each Sunday more or less by himself. He was not contractually obliged to do so, but he adhered quite strictly to this plan at least for two years and loosened it a little for the thrid yearly cycle! , which was spread over two or three years. Even so, Bach never got stuck in a routine, as he was constantly discovering new facets of the canata genre.
J.S. Bach: Cantatas Vol. 19, Music, Zomer, Piau, Peters, Stam, Koopman, Cantata, Choral, Classical, Classical Composers, Classical Vocals
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J.S. Bach: Cantatas Vol. 19
Zomer , Piau , Peters , Stam , and Koopman
Manufacturer: Challenge Classics
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Koopman, Ton
| ( K )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Cantatas
| Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Cantatas
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Classical
| Imports
| Stores
| Music
Similar Items:
- J.S. Bach: Cantatas Vol. 18
- J.S. Bach: Cantatas, Vol. 20
- Bach: Cantatas, Vol. 21
- J.S. Bach: Cantatas, Vol. 17
- J.S. Bach: Cantatas, Vol. 22
ASIN: B000ARAKV2
Release Date: 2005-10-11 |
Tracks:
- Chorus: 'Gelobet Sei Der Herr, Mein Gott, Mein Licht'
- Aria (Bass): 'Gelobet Sei Der Herr, Mein Gott, Mein Heil'
- Aria (Soprano): 'Gelobet Sei Der Herr, Mein Gott, Mein Trost'
- Aria (Alto): 'Gelobet Sei Der Herr, Mein Gott, Der Ewig Lebet'
- Chorale: 'Dem Wir Das Heilig Itzt Mit Freuden Lassen Klingen'
- Arioso And Recitative (Bass, Alto): 'Sehet! Komm, Schaue Doch, Mein Sinn'
- Aria With Chorale (Alto, Sopranos): 'Ich Folge Dir Nach'
- Recitative (Tenor): 'Nun Will Ich Mich, Mein Jesu'
- Aria (Bass): 'Es Ist Vollbracht'
- Chorale: 'Jesu, Deine Passion Ist Mir Lauter Freude'
- Sinfonia
- Aria (Alto): 'Ich Liebe Den Hochsten Von Ganzem Gemute'
- Recitative (Tenor): 'O Liebe, Welcher Keine Gleich!'
- Aria (Bass): 'Greifet Zu, Fasst Das Heil, Ihr Glaubenshande'
- Chorale: 'Herzlich Lieb Hab Ich Dich, O Herr'
- Chorus: 'Alles Nur Nach Gottes Willen'
- Recitative And Arioso (Alto): 'O Selger Christ, Der Allzeit Seinen Willen'
- Aria (Alto): 'Mit Allem, Was Ich Hab Und Bin'
- Recitative (Bass): 'So Glaube Nun!'
- Aria (Soprano): 'Mein Jesus Will Es Tun'
- Chorale: 'Was Mein Gott Will, Das Gescheh Allzeit'
Tracks:
- Chorus: 'Gott, Wie Dein Name, So Ist Auch Dein Ruhm'
- Aria (Tenor): 'Herr, So Weit Die Wolken Gehen, Gehet Deines Namens Ruhm'
- Recitative (Alto): 'Du Susser Jesus-Name Du'
- Aria (Soprano): 'Jesus Soll Mein Erstes Wort In Dem Neuen Jahre Heissen'
- Recitative (Bass): 'Und Da Du, Herr, Gesagt'
- Chorale: 'Lass Uns Das Jahr Vollbringen Zu Lob Dem Namen Dein'
- Aria (Soprano): 'Jauchzet Gott In Allen Landen'
- Recitative (Soprano): 'Wir Beten Zu Dem Tempel An'
- Aria (Soprano): 'Hochster, Mache Deine Gute Ferner Alle Morgen Neu'
- Chorale/Aria (Soprano): 'Sei Lob Und Preis Mit Ehren/Helleluja'
- Aria (Duet: Soprano, Tenor): 'Ich Lebe, Mein Herze, Zu Deinem Ergotzen'
- Recitative (Tenor): 'Nun Fordre, Moses, Wie Du Willt'
- Aria (Bass): 'Merke, Mein Herze, Bestandig Nur Dies'
- Recitative (Soprano): 'Mein Jesus Lebt'
- Chorale: 'Drum Wir Auch Billig Frohlich Sein'
- Sinfonia (Reconstruction: Ton Koopman)
- Aria (Tenor): 'Ich Habe Meine Zuversicht'
- Recitative (Bass): 'Gott Meint Es Gut Jedermann'
- Aria (Alto): 'Unerforschlich Ist Die Weise'
- Recitative (Soprano): 'Die Macht Der Welt Verlieret Sich'
- Chorale: 'Auf Meinen Lieben Gott Trau Ich In Agnst Und Not'
Tracks:
- First Part: Aria (Bass): 'Siehe, Ich Will Viel Fischer Aussenden'
- First Part: Recitative (Tenor): 'Wie Leichtlich Konnte Doch Der Hochste Uns Entbehren'
- First Part: Aria (Tenor): 'Nein, Nein! Gott Ist Alle Zeit Geflissen'
- Second Part: Recitative (Tenor): 'Jesus Sprach Zu Simon'
- Second Part: Arioso (Bass): 'Furchte Dich Nicht'
- Second Part: Aria (Duet: Soprano, Alto): 'Beruft Gott Selbst'
- Second Part: Recitative (Soprano): 'Was Kann Dich Denn In Deinem Wandel Schrecken'
- Second Part: Chorale: 'Sing, Bet Und Geh Auf Gottes Wegen'
- Chorus: 'Sei Lob Und Ehr Dem Hochsten Gut'
- Recitative (Bass): 'Es Danken Dir Die Himmelsheer'
- Aria (Tenor): 'Was Unser Gott Geschaffen Hat'
- Chorale: 'Ich Rief Dem Herrn In Meiner Not'
- Recitative (Alto): 'Der Herr Ist Noch Und Nimmer Nicht'
- Aria (Bass): 'Wenn Trost Und Hulf Ermangeln Muss'
- Aria (Alto): 'Ich Will Dich All Mein Leben Lang'
- Recitative (Tenor): 'Ihr, Die Ihr Christi Namen Nennt'
- Chorale: 'So Kommet Vor Sein Angesicht'
- Chorus: 'Ihr Tore Zu Zion'
- Recitative (Soprano): 'Der Huter Israel Entschlaft Noch Schlummert Nicht'
- Aria (Soprano): 'Gott, Wir Danken Deiner Gute'
- Recitative (Alto): 'O Leipziger Jerusalem'
- Aria (Alto): 'Sende Herr, Den Segen Ein'
- Recitative (Bass): 'Nun, Herr, So Weihe Selbst Das Regiment'
- Chorus: 'Ihr Tore Zu Zion'
Album Description
The acclaimed series of complete Bach cantatas with the Amsterdam Baroque conducted by Ton Koopman, originally begun on the now-defunct Erato label, has been revived by Challenge Classics. Ton Koopman and his choir and orchestra continue to uphold a standard of tremendous vividness and joy in their immaculate performances of Bach's most impressive opus. The Amsterdam Baroque Orchestra, founded in 1979 by Ton Koopman, are a group of musicians from all over the world, with a particular passion for the Baroque. Their recordings have won numerous awards. The Amsterdam Baroque Choir, founded in 1992, consists mainly of young Dutch professional singers. Born in Zwolle, Holland, in 1944, Ton Koopman decided very early in his musical studies to specialize in the 17th and 18th centuries, using authentic instruments combined with a performing style based on sound scholarship. Begun in 1994, this series was awarded the 1997 Deutsche Schallplattenpreis "Echo Klassik" in Germany. The series will continue to feature the scholarly contributions of Professor Christoph Wolff, one of the world's leading experts on the music of Bach. Each set includes a thick, informative booklet. The cantatas of volume 19 can be divided into three groups. Four works (BWV 72, 88, 129 and 193) belong to the third Leipzig series, lasting from 1725 to 1727; five (BWV 145, 159, 171, 174 and 188) belong to the group known as the Picander cycle of 1728-29, which was not completed or has not survived complete; two works (BWV 51 and 117) belong to the period after 1730, in which Bach composed new church cantatas only sporadically. His first five years as Thomaskantor cost Johann Sebastian Bach unusual effort, as he had undertaken composing church cantatas appointed for each Sunday more or less by himself. He was not contractually obliged to do so, but he adhered quite strictly to this plan at least for two years and loosened it a little for the thrid yearly cycle! , which was spread over two or three years. Even so, Bach never got stuck in a routine, as he was constantly discovering new facets of the canata genre.
Average customer rating:
|
J.S. Bach: Cantatas, Vol. 17
Manufacturer: Challenge Classics
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Koopman, Ton
| ( K )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Cantatas
| Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Cantatas
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Classical
| Imports
| Stores
| Music
Similar Items:
- J.S. Bach: Cantatas Vol. 18
- J.S. Bach: Cantatas, Vol. 16
- J.S. Bach: Cantatas Vol. 19
- Bach: Complete Cantatas, Vol. 14
- J.S. Bach: Cantatas, Vol. 15
ASIN: B0007M8HYC
Release Date: 2005-03-15 |
Tracks:
- Sinfonia - Ton Koopman
- Arioso: 'Gott Soll Allein Mein Herze Haben' - Ton Koopman
- Aria: 'Gott Soll Allein Mein Herze Haben' - Ton Koopman
- Recitative: 'Was Ist Die Liebe Gottes?' - Ton Koopman
- Aria: 'Stirb In Mir, Welt' - Ton Koopman
- Recitative: 'Doch Meint Es Auch Dabei' - Ton Koopman
- Choral: 'Du Susse Liebe, Schenk Uns Deine Gunst' - he Amsterdam Baroque Choir
- Aria: 'Liebster Jesu, Mein Verlangen' - Johannette Zomer
- Recitative: 'Was Ists, Dass Du Mich Gesuchet?' - Klaus Mertens
- Aria: 'Hier In Meines Vaters Statte' - Klaus Mertens
- Recitative: 'Ach! Heiliger Und Grosser Gott' - Klaus Mertens
- Aria: 'Nun Verschwinden Alle Plagen' - Klaus Mertens
- Choral: 'Mein Gott, Offne Mir Die Pforten' - he Amsterdam Baroque Choir
- Chorale And Aria: 'Ach Gott, Wie Manches Herzeleid' - Klaus Mertens
- Recitative: 'Verfolgt Dich Gleich Die Arge Welt' - Klaus Mertens
- Aria: 'Ich Bin Vergnugt In Meinem Leiden' - Johannette Zomer
- Recitative: 'Kann Es Die Welt Nicht Lassen' - Johannette Zomer
- Chorale And Aria: 'Ich Hab Fur Mir Ein Schwere Reis' - Klaus Mertens
- Aria: 'Ich Bin Vergnugt Mit Meinem Glucke' - Sandrine Piau
- Recitative: 'Gott Ist Mir Ja Nichts Schuldig' - Sandrine Piau
- Aria: 'Ich Esse Mit Freuden Mein Weniges Brot' - Sandrine Piau
- Recitative: 'Im Schweisse Meine Angesichts' - Sandrine Piau
- Choral: 'Ich Leb Indes Dir Vergnuget - he Amsterdam Baroque Choir
Tracks:
- Chorus: 'Es Erhub Sich Ein Streit' - he Amsterdam Baroque Choir
- Recitative: 'Gottlob! Der Drache Liegt' - Klaus Mertens
- Aria: 'Gott Schickt Uns Mahanaim Zu' - Sandrine Piau
- Recitative: 'Was Ist Der Schnode Mensch' - Jorg Durmuller
- Aria: 'Bleibt, Ihr Engel, Bleibt Bei Mir' - Jorg Durmuller
- Recitative: 'Lasst Uns Das Angesicht' - Sandrine Piau
- Chorale: 'Lass Dein Engel Mit Mir Fahren' - he Amsterdam Baroque Choir
- Aria: 'Meine Seufzer, Meine Tranen' - Paul Agnew
- Recitative: 'Mein Liebster Gott Lasst Mich Annoch' - Bogna Bartosz
- Chorale: 'Derr Gott, Der Mir Hat Versprochen' - he Amsterdam Baroque Choir
- Recitative: 'Mein Kummer Nimmet Zu' - Sandrine Piau
- Aria: 'Achzen Und Erbarmlich Weinen' - Klaus Mertens
- Chorale: 'So Sei Nun, Seele, Deine' - he Amsterdam Baroque Choir
- 'Ich Will Den Kreuzstab Gerne Tragen' - Klaus Mertens
- Recitative: 'Mein Wandel Auf Der Welt' - Klaus Mertens
- Aria: 'Endlich Wird Mein Joch' - Klaus Mertens
- Recitative And Arioso: 'Ich Stehe Fertig Und Bereit' - Klaus Mertens
- Chorale: 'Komm, O Tod, Du Schlafes Bruder' - he Amsterdam Baroque Choir
Tracks:
- Sinfonia - Ton Koopman
- Aria: 'Geist Und Seele Wird Verwirret' - Nathalie Stutzmann
- Recitative: 'Ich Wundre Mich' - Nathalie Stutzmann
- Aria: 'Gott Hat Alles Wohlgemacht' - Nathalie Stutzmann
- Sinfonia - Ton Koopman
- Recitative: 'Ach, Starker Gott, Lass Mich Doch Dieses Stets Bedenken' - Nathalie Stutzmann
- Aria: 'Ich Wunsche Nur Bei Gott Leben' - Nathalie Stutzmann
- Chorus: 'Wer Dank Opfert, Der Preiset Mich' - he Amsterdam Baroque Choir
- Recitative: 'Es Muss Die Ganze Welt' - Bogna Bartosz
- Aria: 'Herr, Deine Gute Reicht' - Sandrine Piau
- Recitative: 'Einer Aber Unter Ihnen' - Christoph Pregardien
- Aria: 'Welch Ubermass Der Gute Schenkst Du Mir!' - Christoph Pregardien
- Recitative: 'Sieh Meinen Willen An' - Klaus Mertens
- Chorale: 'Wie Sich Ein Vatr Erbarmet' - he Amsterdam Baroque Choir
- Aria: 'Selig Ist Der Mann' - Klaus Mertens
- Recitative: 'Ach! Dieser Susse Trost!' - Sybilla Rubens
- Aria: 'Ich Wunschte Mir Den Tod' - Sybilla Rubens
- Recitative: 'Ich Reiche Dir Die Hand' - Klaus Mertens
- Aria: 'Ja, Ich Kann Die Feinde Schlagen' - Klaus Mertens
- Recitative: 'In Meinem Schoss Liegt Ruh' Und Leben' - Klaus Mertens
- Aria: 'Ich Ende Behende Mein Irdisches Leben' - Sybilla Rubens
- Chorale: 'Richte Dich, Liebste, Nach Meinem Gefallen Und Glaube' - he Amsterdam Baroque Choir
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- Meditations for a Quiet Dawn
- Mozart: Eine kleine Natchmusik/Serenata notturna/Posthorn Serenade/Haffner Serenade
- Peter Mennin: Symphony No. 5 and Symphony No. 6
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