The American Cello: Concertos for Cello

Track Listings
1. Samuel Barber: Concerto for Cello and Orchestra (Op. 22): Allegro moderato    
2. Andante sostenuto    
3. Molto allegro ed appassionato    
4. Chen Yi: Eleanor's Gift (Concerto for Cello and Orchestra)--World premiere recording    
5. Behzad Ranjbaran: Concerto for Cello and Orchestra: Allegro    
6. Adagio cantabile    
7. Allegro vivace    

Editorial Reviews
Album Description
Two of the three concertos on this recording were composed on commission from New Heritage Music, a publicly supported non-profit organization which promotes the creation of works inspired by persons, events and ideas central to history. Chen Yi and Behzad Ranjbaran feel a particular connection to individuals striving for self-realization, as they were each born in countries where they suffered the lack of the freedoms that Americans hold dear. Both on this basis and artistically, they proved to be ideal choices to create musical works celebrating the adoption of the Universal Declaration of Human Rights by the United Nations (Chen) and the life and thought of Thomas Jefferson (Ranjbaran). According to New Heritage criteria, neither work is intended to be narrative or programmatic; rather, they reflect the artists’ creative responses to an event or idea that has personal significance. By contrast, Barber’s Cello Concerto was not commissioned with any patriotic or historical intention; yet it can hardly fail to have reflected the intensity and angst of the world situation – the last months of World War II and the first few months of the peace – amidst which it was written, the more so because the composer was wearing the uniform of an American soldier at the time. The three works on this program are thus linked by the struggle for human rights and freedom, experienced through singular, individual life experience of the loss of those rights or through participation, in uniform, in worldwide armed conflict on behalf of those rights. Chen Yi, born in China, experienced first hand the lack of those rights. She is one of several talented Chinese composers to have moved to the United States after having been caught up in the terrors of the Cultural Revolution, with its express intent of suppressing China’s intellectual life. She came to the United States in 1986, and studied with Alexander Goehr and earned her Doctor of Musical Arts degree at Columbia University in 1993. In 1998, she became Lorena Searcey Cravens/Millsap/Missouri Distinguished Professor in Composition at the Conservatory of the University of Missouri-Kansas City. Behzad Ranjbaran began his musical studies early when he entered the Tehran Music Conservatory at the age of nine. Following his graduation, he came to the United States as a young violinist to continue his studies at Indiana University, with composition as a secondary major. He went to Juilliard for a doctorate in composition. His teachers were David Diamond, Vincent Persichetti and Joseph Schwantner. He has remained on the Juilliard faculty ever since.

The American Cello: Concertos for Cello, Music, Paul Tobias, Samuel Barber, Yi Chen, Behzad Ranjbaran, Joann Falletta, Virginia Symphony, Cello Concerto, Chamber Music & Recitals, Classical, Classical Artists, Concerto
Mstislav Rostropovich: Cello Concertos
Average customer rating: 5 out of 5 stars
  • Early, youthful Rostropovich, who is 80 this year.
Mstislav Rostropovich: Cello Concertos

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Rostropovich, Master Cellist
  2. The Glory of Rostropovich: 80th Birthday Tribute
  3. Prokofiev: Sinfonia Concertante; Miaskovsky: Cello Concerto
  4. Brahms: The Cello Sonatas
  5. Schubert, Debussy / Rostropovich, Britten

ASIN: B000M05VMK
Release Date: 2007-04-10

Tracks:

  1. Allegro Non Troppo
  2. Allegretto Con Moto
  3. Tempo Primo
  4. I. Nicht Zu Schnell
  5. II. Langsam
  6. III. Sehr Lebhaft
  7. Song Of The Troubadour Op.71

Tracks:

  1. Introduction And Polonaise Brillante Op.3
  2. Intermezzo
  3. Chorus Of The Polovtsian Maidens/Dance Of The Polovtsian Maidens
  4. Adagio
  5. Elfentanz Op.39
  6. An Einsamer Quelle
  7. IV. Nicht Zu Rasch
  8. I. Mit Humor ('Vanitas, Vanitatum')
  9. III. Nicht Schnell, Mit Viel Ton Zu Spielen
  10. Aria 'Vouchsafe, O Lord'
  11. Moto Perpetuo Op.11

Customer Reviews:

5 out of 5 stars Early, youthful Rostropovich, who is 80 this year........2007-07-14

First the most important stuff: sound quality through out is very good to excellent.

These two CD's are two Westminster vinyl albums, one from 1953 and the other from 1954, with a short Paganini with no known recording history thrown in to extend these two CD's, which are "short in time" for CD's. The first CD runs under 45 minutes, but the double CD set is priced accordingly and is a bargain.
Several of the album cuts were never released on a CD before this set, which celebrates Rostopovich's 80th birthday, Of course they are all mono recordings. While listening to the music you will never miss the stereo, as the high sound quality through out permits Rostropovich to shine.
Westminster was the best vinyl source for anything Russian classical way back when, only to be, perhaps, out done by the recent Yedang CD's.
These performances show a young developing celloist, already a master of the cello...exubriant and at the same time..warm and moving ..quite suprising and most rewarding.
Mistislav is my favorite celloist. If he touches you, I recommend these early satisfying recordings.
5 stars for the recordings, 4 stars for the compilation.
MacDowell: Piano Concertos
Average customer rating: 4.5 out of 5 stars
  • A budget issue that's worth full-price
  • Great Performance
  • Glorious MacDowell Piano Concerti Given Expert Performances
MacDowell: Piano Concertos

Manufacturer: Naxos American
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. MacDowell: Suites Nos. 1 & 2, Hamlet & Ophelia / Ulster Orchestra, Yuasa
  2. MacDowell: Piano Music, Vol. 1
  3. Edward MacDowell: Piano Music, Vol. 3
  4. MacDowell: Piano Works
  5. Edward MacDowell: Piano Music, Vol. 4

ASIN: B00004YYR0
Release Date: 2001-01-16

Tracks:

  1. Pno Con No.1 in a, Op.15: Maestoso - Allegro Con Fuoco
  2. Pno Con No.1 in a, Op.15: Andante Tranquillo
  3. Pno Con No.1 in a, Op.15: Presto
  4. Pno Con No.2 in d, Op.22: Larghetto Calmato
  5. Pno Con No.2 in d, Op.22: Presto Giocoso
  6. Pno Con No.2 in d, Op.22: Largo - Molto Allegro
  7. Witches' Dance, Op.17 No.2
  8. Romance, Op.35 - Aisling Drury Byrne

Customer Reviews:

4 out of 5 stars A budget issue that's worth full-price.......2007-06-24

Chalk up another offering from Naxos classics that is highly competitive with full-price issues. The big treat here is the First Piano Concerto, historically overshadowed by MacDowell's 2nd. Most reviewers tend to give the work short shrift, dismissing it as inferior to the later concerto. I disagree. The main theme in the 1st movement is one of those haunting melodies that will stick with you for days afterward. Even though one hardly ever hears the 1st in the concert hall, many pianists have recorded the two concerti together -- even back in the LP days when each work fit neatly on one side of the record. Stephen Prutsman does this concerto proud, and is given great support by the Irish players. IMHO, the only recording that gives him a run for his money is the old Eugene List performance on Westminster (with the Vienna State Opera Orchestra conducted by Carlos Chavez, of all people.)

In the 2nd concerto, the competition is more fierce. Again, Prutsman does very well, and he shapes the three movements nicely. Many people like Earl Wild and Van Cliburn in this repertoire. I agree about Wild, but Cliburn has never sent me over the horizon, either in his recording for RCA or in the concert hall (I've seem him do this piece twice, 15 years apart -- both times his performance didn't linger long in the memory). There are of course numerous other recordings of the 2nd you can sample. Whatever you do, stay away from Seta Tanyel on Hyperion ... the tempo in the beginning of the final movement is so s-l-o-w, I laughed out loud when I heard it. I know it's marked "largo", but this is ridiculous! Frankly, I'm surprised conductor Martyn Brabbins was part of that recording project. He is normally so "spot on" in conducting romantic piano concerti ... Ms. Tanyel probably insisted on doing it this way (just like her slow Scharwenka concertos, also disappointing). One wonders why Brabbins didn't just put his baton down and walk off the stage!

Anyway, you certainly can't go wrong with the Naxos. Indeed, it would be worth purchasing at twice its budget price.

5 out of 5 stars Great Performance.......2005-01-24

The piano has great reverberation and really sticks out in this recording. The pianist in addition, gives an exceptional performance.

5 out of 5 stars Glorious MacDowell Piano Concerti Given Expert Performances.......2001-04-10

Except for a misreading of a bass note in the cadenza in the first movement of the first concerto, Stephen Prutsman plays flawlessly. His virtosity is effortless, and never strained. He does not get in the way of the gratutious orchestral parts, so the balance between soloist and orchestra is exemplary. The first concerto especially sounds fresh and newly-minted. Even though the Wild and Cliburn recordings of the 2nd concerto resonate in the mind, this certainly stands as a fine alternative interpretation, and should be listed alongside them. The other short works are well done, too. Great sound and worth the money!
The American Cello: Concertos for Cello
Average customer rating: 5 out of 5 stars
  • Three Terrific American Cello Concerti, Superbly Played
The American Cello: Concertos for Cello

Manufacturer: Albany Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Ranjbaran: Persian Trilogy
  2. Alan Hovhaness: Symphony No. 60; Guitar Concerto; Khrimian Hairig

ASIN: B0001XAQ8M
Release Date: 2004-04-27

Tracks:

  1. Samuel Barber: Concerto for Cello and Orchestra (Op. 22): Allegro moderato
  2. Andante sostenuto
  3. Molto allegro ed appassionato
  4. Chen Yi: Eleanor's Gift (Concerto for Cello and Orchestra)--World premiere recording
  5. Behzad Ranjbaran: Concerto for Cello and Orchestra: Allegro
  6. Adagio cantabile
  7. Allegro vivace

Album Description

Two of the three concertos on this recording were composed on commission from New Heritage Music, a publicly supported non-profit organization which promotes the creation of works inspired by persons, events and ideas central to history. Chen Yi and Behzad Ranjbaran feel a particular connection to individuals striving for self-realization, as they were each born in countries where they suffered the lack of the freedoms that Americans hold dear. Both on this basis and artistically, they proved to be ideal choices to create musical works celebrating the adoption of the Universal Declaration of Human Rights by the United Nations (Chen) and the life and thought of Thomas Jefferson (Ranjbaran). According to New Heritage criteria, neither work is intended to be narrative or programmatic; rather, they reflect the artists' creative responses to an event or idea that has personal significance. By contrast, Barber's Cello Concerto was not commissioned with any patriotic or historical intention; yet it can hardly fail to have reflected the intensity and angst of the world situation - the last months of World War II and the first few months of the peace - amidst which it was written, the more so because the composer was wearing the uniform of an American soldier at the time. The three works on this program are thus linked by the struggle for human rights and freedom, experienced through singular, individual life experience of the loss of those rights or through participation, in uniform, in worldwide armed conflict on behalf of those rights. Chen Yi, born in China, experienced first hand the lack of those rights. She is one of several talented Chinese composers to have moved to the United States after having been caught up in the terrors of the Cultural Revolution, with its express intent of suppressing China's intellectual life. She came to the United States in 1986, and studied with Alexander Goehr and earned her Doctor of Musical Arts degree at Columbia University in 1993. In 1998, she became Lorena Searcey Cravens/Millsap/Missouri Distinguished Professor in Composition at the Conservatory of the University of Missouri-Kansas City. Behzad Ranjbaran began his musical studies early when he entered the Tehran Music Conservatory at the age of nine. Following his graduation, he came to the United States as a young violinist to continue his studies at Indiana University, with composition as a secondary major. He went to Juilliard for a doctorate in composition. His teachers were David Diamond, Vincent Persichetti and Joseph Schwantner. He has remained on the Juilliard faculty ever since.

Customer Reviews:

5 out of 5 stars Three Terrific American Cello Concerti, Superbly Played.......2004-05-07

Paul Tobias is one of our best cellists, JoAnn Falletta one of our best conductors, and the Virginia Symphony, on the basis of this CD as well as a recent one featuring music of John Powell, lead me to believe that it is a near-the-top American orchestra. Add to that the three disparate but equally fine cello concerti by Samuel Barber, Chen Yi and Behzad Ranjbaran, and you have the makings of a terrific disc. And that's what it is, for sure. I was entranced from start to finish.

The Barber Cello Concerto is probably the least played of his 'Big Three' concerti, the others being the Piano Concerto made so familiar by John Browning's championing it all over the world, and the Violin Concerto which is fairly frequently performed. I've never heard the Cello Concerto in concert, but for many years I've owned the recording made by a favorite cellist of mine, Zara Nelsova, with an orchestra conducted by the composer himself. But it's an old recording and its age is showing. There are recordings featuring cellists Ralph Kirshbaum, Wendy Warner and the ubiquitous Yo-Yo Ma (with David Zinman accompanying) but I don't know any of them. Tobias, though, certainly makes a wonderful case for this arch-romantic concerto, nurturing the long lyrical lines, particularly in the delicious Andante sostenuto second movement, and putting forth the dramatic moments in both outer movements with passion and technical skill in equal measure. I've listened to this performance half a dozen times now and it has not palled.

Chen Yi (b. 1953) is a composer well-known to me from her tenure as professor of composition at our local conservatory. She certainly has caught the attention of others, too, having won the coveted Charles Ives Living Award from the American Academy of Arts and Letters for the period 2001-2004. This three-year award carries with it an annual stipend of $75,000 with the stipulation that the winner devote him/herself to composition only during the time period of the award. Her cello concerto, subtitled 'Eleanor's Gift' was inspired by Eleanor Roosevelt's efforts, at the time of the founding of the United Nations, to gain passage of the Universal Declaration of Human Rights. This piece celebrates the fiftieth anniversary of that document's acceptance by the signatories to the UN charter. Chen Yi has a special feeling for this effort since she was a victim during the notorious 'Cultural Revolution' in her native China. The concerto was written for Paul Tobias who premièred it in 1999. The most 'modern' of the three concerti here, it starts with the cello playing an anguished passage high up in its range, sobbing quietly at first and becoming more wide-ranging and passionate as it continues. There are two main themes, described thus by Chen Yi: 'a series of wide expressive leaps, moving angularly up and down in alternation, and a very restrained motive that suggests patient and gradual striving.' These are very easy to pick out when they recur even when they are combined and transformed. Throughout its fifteen minute length the music struggles and perseveres until ultimately a brighter atmosphere wins out, suggesting an optimistic resolution to the struggle, a fitting sonic depiction of the efforts towards human rights. This is a strong and dramatic work and I would hope that it is taken up by other cellists and conductors.

The third concerto here is that of Iranian native, Behzad Ranjbaran, long resident in the US and a member of the Juilliard faculty. In its original form there was a narration that used texts from the writings of Thomas Jefferson. In this recording an alternate version for cello and orchestra alone is presented. It certainly stands on its own very well. In three movements, with several alternations of slow and fast passages, this is a Romantic concerto that at times reminds me of Bloch's 'Schelomo,' probably because, like the Bloch, it includes melismatic thematic material that sounds Middle Eastern. The 16-minute first movement is bold and heroic in effect. It contains virtuosic writing for the cello with use of double stops, trills, arpeggios and extended passages for cello alone. The six-minute second movement is melancholy and haunting (and indeed a version for cello and piano is published separately with the title 'Elegy'); its melodic materials are lusciously romantic. I'm a goner for this kind of writing for cello and orchestra and have to admit that I have listened to it separately probably half a dozen times because it is so memorably melodic. Tobias's cello sings like a mezzo-soprano with undending breath control. Glorious! The third movement, Allegro vivace, is a six-minute romp that reminds us of the heroics of the first movement but moves on to unbridled celebration and features an infectious dotted-rhythm tune that will stick in your mind long after the piece is over. This is one terrific concerto, folks!

This issue is a triumph from throughout its 72 minute length. I recommend it highly. My only problem with it is that I keep playing it over and over again and this keeps me from listening to several other new CDs that have had to remain in their shrink-wrap.

Scott Morrison
500 Classic Masterpieces
Average customer rating: Not rated
    500 Classic Masterpieces

    Manufacturer: Vox (Classical)
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00008FZWM
    Release Date: 1992-11-04
    American Concertos
    Average customer rating: Not rated
      American Concertos

      Manufacturer: Vox (Classical)
      ProductGroup: Music
      Binding: Audio CD

      All Works by HarrisonAll Works by Harrison | Harrison, Lou | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by PistonAll Works by Piston | Piston, Walter | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
      GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
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      ViolaViola | Strings | Instruments | Classical | Styles | Music
      ViolinViolin | Strings | Instruments | Classical | Styles | Music
      GeneralGeneral | Classical | Styles | Music
      ASIN: B000001K5F
      Release Date: 1996-05-21

      Tracks:

      1. Violin Concerto: I. Andante con moto
      2. Violin Concerto: II. Adagio
      3. Violin Concerto: III. Allegro giusto
      4. Concerto For Viola, Strings And Percussion: I. Andante mosso
      5. Concerto For Viola, Strings And Percussion: II. Presto leggiero
      6. Concerto For Viola, Strings And Percussion: III. Lento, leading to IV. Molto allegro
      7. Concerto For Cello, Tape And Orchestra

      Tracks:

      1. Concertmasters For Three Violins And Orchestra
      2. Concerto For Violin And Percussion Orchestra: I. Allegro maestoso
      3. Concerto For Violin And Percussion Orchestra: II. Largo cantabile
      4. Concerto For Violin And Percussion Orchestra: III. Allegro vigoroso poco presto
      5. Concertino For Piano And Chamber Orchestra
      6. Violin Concerto: I. Moderato pesante
      7. Violin Concerto: II. Poco adagio
      8. Violin Concerto: III. Allegro ostinato

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