Anton Bruckner: Symphony No. 4 - Esa-Pekka Salonen
Editorial Reviews
Amazon.com essential recording
Esa-Pekka Salonen is an amazing conductor. He has won a sterling reputation as an interpreter of contemporary music, but here he turns in a totally idiomatic, magnificently poised Bruckner performance. The Los Angeles brass play with a burnished glow recalling the great Central European orchestras, only with more security, while the strings have all the weight that Bruckner demands. The interpretation is magisterially slow--rather like the old Karl Bohm/Vienna Philharmonic version--but never dragging. The quiet string tremolos, solemn brass chorales, and romantic horn calls have all the atmosphere and poetry that one could ask for. On evidence here, Salonen is rapidly becoming one of today's podium giants. --David Hurwitz
USA Today
In his first Bruckner recording ... [Salonen lets] the musical paragraphs in this massive symphony dictate the speed that suits them. Though highly listenable, the results aren't quite the sort of revelation Salonen often delivers....
Anton Bruckner: Symphony No. 4 - Esa-Pekka Salonen
Anton Bruckner: Symphony No. 4 - Esa-Pekka Salonen, Music, Anton Bruckner, Los Angeles Philharmonic Orchestra, Esa-Pekka Salonen, Classical, Classical Music, Orchestral & Symphonic, Romantic Symphony, Symphonic
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Anton Bruckner: Symphony No. 4 - Esa-Pekka Salonen
Anton Bruckner , Los Angeles Philharmonic Orchestra , and Esa-Pekka Salonen Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000009MGX Release Date: 1998-07-28 |
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Amazon.com essential recording
Esa-Pekka Salonen is an amazing conductor. He has won a sterling reputation as an interpreter of contemporary music, but here he turns in a totally idiomatic, magnificently poised Bruckner performance. The Los Angeles brass play with a burnished glow recalling the great Central European orchestras, only with more security, while the strings have all the weight that Bruckner demands. The interpretation is magisterially slow--rather like the old Karl Bohm/Vienna Philharmonic version--but never dragging. The quiet string tremolos, solemn brass chorales, and romantic horn calls have all the atmosphere and poetry that one could ask for. On evidence here, Salonen is rapidly becoming one of today's podium giants. --David HurwitzCustomer Reviews:
Don't bother with this one--.......2006-07-25
A performance of a rising (or an already risen) star..........2005-07-12
It's the Pavillion, nothing else...!.......2002-08-06
Bruckner DEMANDS space, a crisp, even bland approach, room to breathe, and I don't feel this recording can deliver that. As a benchmark here, compare to, say, a typical Bruckner-Karajan recording with the Berlin- or especially the Vienna Philharmonic!
Having said that, the playing here is energetic, almost ferrocious sometimes, and the orchestra really catches fire in movements 3&4. But they are fighting against the awkward opaque acoustics of the Dorothy Chandler Pavillion. Most notably the strings suffer in this environment, and what still worked well for Mahler's horn-oriented 3rd, becomes a drag for the string-heavy Bruckner 4. Record it again, Esa-Pekka, at the new Walt Disney Hall.
Overall, by no means a bad cd, but the acoustics of the Pavillion are less than helpful here.
Large-scale performance of a large-scale work.......2002-01-20
It is given the appropriate large-scale treatment on this recording by the Los Angeles Philharmonic Orchestra under its current music director Esa-Pekka Salonen. Starting with the familiar string tremelos (a feature Bruckner often borrowed from the opening of the Beethoven Ninth) and horn calls, the symphony is one of vastness and bigness, a virtual Wall of Sound. The celebrated scherzo is extraordinary, and the orchestra's recording of the whole piece verges on almost explosive violence (Footnote: this is actually the second time this orchestra has recorded Bruckner 4; the first was in 1966 under Zubin Mehta [this recording, to my knowledge, has never been available on CD]).
The still-young Salonen gets the most out of the L.A. Philharmonic, and this recording certainly challenges the justifiably acclaimed 1973 recording by Karl Bohm and the Vienna Philharmonic. This is a must-have recording for those who really are into large-scale symphonic works.
First the music.......2000-06-27
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