Conducts Rossini & Mendelssohn
Track Listings
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1. Barcarolle and Siciliana
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2. Intermezzo
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3. Tarantella
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4. Gazza Ladra
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5. Scala Di Seta
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6. Semiramide
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7. William Tell Overture
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8. Ruy Blas
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9. Nocturne
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10. Wedding March
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Conducts Rossini & Mendelssohn, Music, Felix Mendelssohn, Ottorino Respighi, Gioachino Rossini, Sir Thomas Beecham, London Philharmonic Orchestra, Classical, Italian Romantic Opera, Opera, Orchestral, Orchestral Music, Romantic Incidental Music for Orchestra, Romantic Overture for Orchestra, Transcription for Orchestra
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Boult Conducts Coates
Manufacturer: Lyrita
ProductGroup: Music
Binding: Audio CD
Delius, Frederick
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Similar Items:
- Eric Coates: The Three Men Dancing; Dancing Nights; Two Symphonic Rhapsodies; Etc.
- Finzi: Nocturne; Severn Rhapsody; Eclogue; etc
- Boult Conducts Ireland
- Grace Williams: Sea Sketches; Fantasia; Carillons; Penillion
- E.J. Moeran: Sinfonietta; Symphony; Overture for a Masque
ASIN: B000M5B6ME
Release Date: 2007-04-10 |
Tracks:
- The Merrymakers Overture
- 1. In A Country Lane
- 2. On The Edge Of The Lake
- 3. At The Dance
- 1. In The Country
- 3. Evening In Town
- 3. March 'Queen Elizabeth'
- The Three Bears Phantasy
- March 'The Dam Busters'
- Children's March 'Over The Hills And Far Away'
- Marche Caprice
- Hamlet: Funeral March
- The Wasps: March Past Of The Kitchen Utensils'
- Soirees Musicales: March
- Suite In E Flat Op.28 No.1: March
Album Description
A splendid program of Eric Coates favorites, filled out with a stirring parade of marches by all the great British composers! Sir Adrian Boult (1889-1983) was one of the greatest, most beloved, and longest-lived of all British conductors. He made countless acclaimed recordings, not only of British music but certainly specializing in it. He was personally acquainted with many of the composers whose music he led.
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- Get Mercury Living Presence Before Its Dead
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Antal Dorati Conducts Rossini & Verdi Overtures
Manufacturer: Mercury Living Presence / Polygram Records
ProductGroup: Music
Binding: Audio CD
All Works by Verdi
| Verdi, Giuseppe
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All Works by Rossini
| Rossini, Gioacchino
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Overtures
| Theatrical, Incidental & Program Music
| Forms & Genres
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General Modern
| Modern, 20th, & 21st Century
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General
| Classical
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Minnesota Orchestra
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Italian
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ASIN: B0000057MH
Release Date: 1994-11-15 |
Tracks:
- La Forza del Destino
- Nabucco
- I Vespri Siciliani
- La Traviata: Prelude To Act I
- La Traviata: Prelude To Act III
- La Gazza Ladra
- La Scala di Seta
- La Cenerentola
- Il Barbiere di Siviglia
- L'Italiana in Algeri
- Il Signor Bruschino
Customer Reviews:
Get Mercury Living Presence Before Its Dead.......2003-08-04
When I first started collecting classical CDs, I only had a few Mercury Living Presence (MLP) titles. In my quest to get the absolute best, or at least a definitive recording, of the major works of the standard repertoire, MLP discs rarely topped the critics' lists. In fact, only three MLP recordings have been earmarked as "Essential Recordings" by amazon -- Tchaikovsky's 1812 Overture, Byron Janis performing Rachmaninov's 2nd & 3rd Piano Concertos, and Yehudi Menuhin performing Bartok's 2nd Violin Concerto, all three with Antal Dorati as conductor. It is also safe to say that three other titles are equally essential for their historical value alone. They are Tchaikovsky's Swan Lake by Dorati (the first recording of the complete ballet), Janis performing Liszt's Piano Concertos (the first recordings made in the Soviet Union by American technicians, musical staff and equipment), and Kubelik's Chicago Symphony performance of Pictures at an Exhibition (one of, if not the single best mono recording ever, and the one that led the New York Times critic to coin the phrase "Living Presence," from which the label named its series). But how does a CD line go from having a half-dozen must have recordings, to being this reviewer's all-time favorite classical label?
The answer: consistently magical performances, captured in brilliant golden-age stereo sound, that offer a slightly different take on your typical interpretation of the great works. While MLP titles may not offer the best standard account of a work, they always surprise you and open you up to all the possibilities that the music has to offer. For example, this performance of Verdi and Rossini Overtures by Dorati may not be the consensus first choice recording -- there are many other more comprehensive sets available, including those by Muti (see my review) and Chailly. But I constantly come back to this disc for a different perspective, and its vibrancy and splendor never disappoint me. Maybe that is why collectors prize these recordings, because they are a breath of fresh air in a homogenized world of listening. Of course, collectors love a challenge too, and MLP CDs are becoming increasingly hard to find. It has taken years for me to finally find all of the MLP CDs released to date, and unfortunately I don't think there will be any new releases forthcoming. So collectors, and even those who aspire to be, should pick up as many Mercury Living Presence discs as possible now, before they all die.
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Popovers II: Frederick Fennell conducts Carousel Waltz
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
Ballets
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Waltzes
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Gliere, Reinhold
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| Rachmaninov, Sergei
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Similar Items:
- Handel-Harty: Water Music; Music for the Royal Fireworks; Mozart: Eine kleine Nachtmusik No13
- Hi-Fi A La Espanola/Popovers
- Baroque Masterpieces for the Harpsichord
- Fennell: Suites 1 & 2 / Folk Song Suite / Toccata Marziale
ASIN: B0000057MS
Release Date: 1995-09-19 |
Tracks:
- Carousel: Waltz From Carousel
- Le Cid: Aubade
- Le Cid: Aragonaise
- Minuet
- Henry VIII Dances: Morris Dance
- Henry VIII Dances: Shepherd's Dance
- Henry VIII Dances: Torch Dance
- Cotillon Suite
- William Tell: Passo A Sei From William Tell
- Dance Of The Tumblers
- Prelude In G Minor
- Dance Of The Russian Sailors
- Procession Of The Nobles
- Schwanda: Polka And Fugue From Schwanda
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- Thank you, BBC and IMG Artists !!!
- Horenstein conducting Mahler 6th: The soul & meaning in the notes
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Horenstein Conducts Rossini, Mahler & Nielsen
Manufacturer: BBC Legends
ProductGroup: Music
Binding: Audio CD
All Works by Mahler
| Mahler, Gustav
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- Mahler: Symphony No. 8
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- Mahler: Symphony No. 9 / Schubert: Symphony No. 8
- Mahler: Das Lied von der Erde
- Mahler: Symphony No.1 In D
ASIN: B000GRUU0M
Release Date: 2006-09-19 |
Tracks:
- Simiramide: Overture - Jascha Horenstein
- I. Allegro Energico, Ma Non Troppo. Heftig, Aber Markig - Jascha Horenstein
- II. Scherzo. Wuchtig-Trio Altvaterisch. Grazioso - Jascha Horenstein
- III. Andante Moderato - Jascha Horenstein
Tracks:
- IV. Finale. Sostenuto-Allegro Moderato-Allegro Energico - New Philharmonia Orchestra
- I. Tempo Giusto-Adagio Non Troppo - New Philharmonia Orchestra
- II. Allegro-Un Poco Piu Mosso-Presto-Andante Un Poco Tranquillo Allegro (Tempo I) - New Philharmonia Orchestra
- Jascha Horenstein In Conversation With Deryck Cooke - Jascha Horenstein
Customer Reviews:
Thank you, BBC and IMG Artists !!!.......2007-07-11
This very generous 2 cd set contains a very good Mahler 6th and possibly even better Nielsen 5th, as well as a nicely played Rossini overture, all conducted by Jascha Horenstein. What is somewhat unusual in the case of the Mahler and Nielsen is that there are previously issued recordings of both pieces with which to compare these newly issued performances. There was and is a Mahler 6th with the Stockholm Philharmonic and a Nielsen 5th with the New Philharmonia Orchestra (the very same orchestra here), both on the British Unicorn label. To make a long story short, I believe that the BBC recordings are both better than the Unicorn recordings, although it should be said that the sound quality on the Unicorn releases is better than the BBC. Although I have heard technically better performances of the Mahler 6th, Horenstein's way with this work remains utterly convincing. With the Nielsen 5th, there are no such reservations. The New Philharmonia give of their very best, and this results in a performance that can hold its own against any. I should mention that the second cd also contains an interview with Horenstein in which he talks about the Nielsen 5th specifically.
Horenstein conducting Mahler 6th: The soul & meaning in the notes .......2006-09-24
Couples of years ago I've read a few passages On the net about performance made in the UK by the great conductor Jescha Horenstein on Gustav Mahler masterpiece sixth Symphony. At that time I've started hearing Horenstein's recordings on Mahler and I thought to my self it must be a great one. Fortunately the performance was never on CD or record. It was however as I've heard in the BBC archives waiting to be revived for the audience. I hoped BBC Legends label will get it out of the archive like they did with Horenstein's Mahler 7th, 8th, 9th and Das Lied Von Der Erde. Now after years of waiting the performance was finally released by BBC Legends.
First I must say the passages I'm writing are according to my own personal taste and view on Horenstein's performance. I believe no one see Mahler 6th in the same manner (that to say on any classical work), since then one will prefer his recording according to his taste, in interpretation and Orchestral playing and even sound. Every aspect is to change one thought about the work and the performance. We must also understand that we don't have one ultimate view on any classical work. There is no one ideal model. That may only lies in the Composer musical score. Every recording represent new way of hearing the work.
Follow the years I've heard many recordings on Mahler 6th. I remember starting from Bernstein DG recording, then Tennstedt, Boulez, Szell, T. Sanderling and Barbirolli on EMI. Every recording has its own highlights. Of the recordings mentioned I can say the two which I liked the most are the Szell one and Barbirolli. Two recording which are so different from each other but both have their impact. I'm still looking forward hearing many other recording on Mahler 6th but until then I know I have one recording which to my belief stand among the finest.
Horenstein performance was recorded live in concert that took place in Winter Gardens, Bournemouth, 10 January 1969. This performance was made with the Bournemouth Symphony Orchestra. First of all I must say the sound is in good form, nothing to complain about. I can't really say what is so great in Horenstein's performance; this is something every listener should experience for himself. However I will tell as a whole why I believe his performance is so great.
Horenstein is always aware to the drama in the symphony. He is able finding the tragic soul which is in Mahler notes and markings. The lonely tragic soul seeking for meaning and comfort in life could be sensed in every moment. Horenstein grasp a unique and masterly interpretation. He keeps the balance between the heart and mind throughout the whole journey. The music never sounds too sentimental and on the other hand never cold. There is however something clinical in Horenstein interpretation. We experience the music, in some kind, as observers. Without being too much involved, never aphetic. It is like hearing distant sounds of a massive battle going on between forces. The lonely soldier as been separate from his force and he is now marching forward, getting closer and closer to the place where the battle take place. To some, such interpretation will not do it; it is all question of personal taste as I've already said earlier.
It is in Horenstein hands that I truly felt one time experience. It is only near the end of the performance when it is made clear where Horenstein was aiming from the beginning. At that time it can be felt you've been told a story by a master teller. The teller vision is truly revealed and you fell like being taken under a spell, hypnotized to the very last moment.
The playing of the Bournemouth Symphony Orchestra is also truly great. Horenstein draws from the orchestra dark colors to match his vision on the work. Throughout the performance you can hear many orchestral details. This aspect is mostly heard in the last movement. Horenstein take the movement slowly and shapes every moment with patient and space bringing from the score many details.
For conclusion I must say hearing Horenstein performance was almost like hearing the symphony for the first time. His performance is unique in the growing discography of Mahler masterpiece. Here, I believe we have the evidence of conductor was able capturing the meaning behind the notes, the very naked soul of the music. Horenstein, in is own way found his own meaning in Mahler music.
I recommended this CD for every one who interested in Mahler music. This is for me one of the finest recordings ever made on this symphony or on any other Mahler Symphony. The CD also contains a fine bonus: Rossini's Semiramide Overture and superb Nielsen 5th.
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Herbert von Karajan Conducts Smetana, Liszt, and others
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD
Waltzes
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| Liszt, Franz
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ASIN: B00000E2VM
Release Date: 1990-10-25 |
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Serafin conducts Donizetti, Verdi & Rossini
Donizetti , Verdi , Rossini , and Serafin
Manufacturer: Medici Masters
ProductGroup: Music
Binding: Audio CD
ASIN: B000RZFPTE
Release Date: 2007-08-28 |
Product Description
Arrival of the Queen of Sheba/Handel--Leonore overture No. 3/ Beethoven--The Hebrides/Mendelssohn--Academic festival overture/Brahms--Overture to Figaro/Mozart--Overture to Rosamunde/Schubert--Overture to La gazza ladra/Rossini--Le Carnaval romain/Berlioz. ASV DCA 557 (1985)
Product Description
Rossini: Barber of SEville, William Tell, Il Signor Bruschino, Semiramide, William Tell (Passo a sei); Verdi: La Forza de destino, Luisa Miller, Aida (Digitally remastered)
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Conducts Rossini & Mendelssohn
Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD
All Works by Respighi
| Respighi, Ottorino
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All Works by Rossini
| Rossini, Gioacchino
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All Works by Mendelssohn
| Mendelssohn, Felix
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Incidental Music
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Overtures
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General Modern
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| Historical Periods
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London Philharmonic Orchestra
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Italian
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ASIN: B000006JTF
Release Date: 1994-07-26 |
Tracks:
- Barcarolle and Siciliana
- Intermezzo
- Tarantella
- Gazza Ladra
- Scala Di Seta
- Semiramide
- William Tell Overture
- Ruy Blas
- Nocturne
- Wedding March
Tracks:
- L'Apprenti Sorcier - Philharmonia Orchestra
- Pavane Pour Une Infante Defunte - Philharmonia Orchestra
- Danza De Los Vecinos - Philharmonia Orchestra
- Danza Del Molinero - Philharmonia Orchestra
- Danza Final - Philharmonia Orchestra
- I. Lever Du Jour - Philharmonia Orchestra
- II. Pantomime - Philharmonia Orchestra
- III. Danse Generale - Philharmonia Orchestra
- Overture: L'assedio Di Corinto - Orchestra Stabile Accademia Di Santa Cecilia
- I. Allegro Agitato - Orchestra Stabile Accademia Di Santa Cecilia
- II. Polachetta - Orchestra Stabile Accademia Di Santa Cecilia
- III. Romanza - Orchestra Stabile Accademia Di Santa Cecilia
- IV. Tarantella - Orchestra Stabile Accademia Di Santa Cecilia
Customer Reviews:
From the review in Gramophone.......2006-12-28
"This is the third disc in Testament's very desirable series of Cantelli re-issues (a CD of Debussy and another of Brahms/Wagner have already been published). 'L'apprenti sorcier' is given an absolutely fantastic performance, with breathtaking playing from the Philharmonia. Cantelli was an exceedingly demanding conductor, and even in such a fiendishly difficult showpiece as this there is knife-edge precision and clarity in the playing, and the atmosphere is tense and exciting. Poor Dennis Brain was made to suffer in the 'Pavane' recording, for he had to repeat his horn solo time and time again before the young maestro was satisfied with the orchestra's performance. The playing is still immaculate, however, and Ravel's delicate inspiration is beautifully realized. The second 'Daphnis Suite' flowers exquisitely in Cantelli's hands, and the Falla pieces have an abundance of flair and colour. All these pieces have been made to yield excellent sound for recordings originally made between 1952 and 1956.
"The same cannot be said of the Santa Cecilia items, where the quality is a good few years behind the state of the art as it was in 1949. Nor is the orchestra a match for the Philharmonia. Nevertheless, these performances have only been issued on Italian 78s before now, and are important early examples of Cantelli's art which few will have heard. The Rossini overture has all the drive and excitement that one would expect, and Casella's 'Paganiniana' is very strongly played, too. This suite in four movements (sensibly written so as to fit perfectly on to two 78rpm records) is no masterpiece, but quite entertaining, and Cantelli admired it sufficiently to include it in his second concert with Toscanini's NBC Symphony Orchestra."
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