Editorial Reviews
Amazon.com
Vastly different in style and concept, Zoltan Kodály's romantically garbed Missa Brevis (for choir and organ) and Ralph Vaughan Williams's medieval-shrouded Mass in G Minor (for unaccompanied double choir and four soloists) lately seem to have gone missing from the production lists of record companies. When a choir of this caliber manages to record them, we have to notice. The results are mostly satisfactory, and often exceptional, especially the uniform tone and the pleasingly focused treble sound. In the Vaughan Williams, this choir experiences the same problems every other choir has with this music, i.e., keeping textural balance, maintaining intonation, and sustaining the longer melodic phrases. Aside from a few minor lapses, the performance is assured and well-balanced, with some very powerful expressive moments. The Kyrie and Agnus Dei seem ever so slightly rushed, which keeps things together, but deprives us of the significantly more effective meditative mood a slower tempo would allow. The Kodály is lush and full-bodied, enhanced by fine organ work by choirmaster Gerre Hancock. --David Vernier
Masses from St. Thomas, Music, Zoltan Kodaly, Ralph Vaughan Williams, Gerre Hancock, Choral, Classical, Classical Composers, Classical Music, Classical Vocals, Modern Mass, Romantic Mass
Average customer rating:
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Masses from St. Thomas - Kodaly: Missa Brevis; Vaughan Williams: Mass in G
Manufacturer: Koch Int'l Classics ProductGroup: Music Binding: Audio CD ASIN: B00000I9N3 Release Date: 1999-03-23 |
Tracks:
Amazon.com
Vastly different in style and concept, Zoltan Kodály's romantically garbed Missa Brevis (for choir and organ) and Ralph Vaughan Williams's medieval-shrouded Mass in G Minor (for unaccompanied double choir and four soloists) lately seem to have gone missing from the production lists of record companies. When a choir of this caliber manages to record them, we have to notice. The results are mostly satisfactory, and often exceptional, especially the uniform tone and the pleasingly focused treble sound. In the Vaughan Williams, this choir experiences the same problems every other choir has with this music, i.e., keeping textural balance, maintaining intonation, and sustaining the longer melodic phrases. Aside from a few minor lapses, the performance is assured and well-balanced, with some very powerful expressive moments. The Kyrie and Agnus Dei seem ever so slightly rushed, which keeps things together, but deprives us of the significantly more effective meditative mood a slower tempo would allow. The Kodály is lush and full-bodied, enhanced by fine organ work by choirmaster Gerre Hancock. --David VernierCustomer Reviews:
Fine recording from an excellent choir.......2001-06-27
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