Masses from St. Thomas

Editorial Reviews
Amazon.com
Vastly different in style and concept, Zoltan Kodály's romantically garbed Missa Brevis (for choir and organ) and Ralph Vaughan Williams's medieval-shrouded Mass in G Minor (for unaccompanied double choir and four soloists) lately seem to have gone missing from the production lists of record companies. When a choir of this caliber manages to record them, we have to notice. The results are mostly satisfactory, and often exceptional, especially the uniform tone and the pleasingly focused treble sound. In the Vaughan Williams, this choir experiences the same problems every other choir has with this music, i.e., keeping textural balance, maintaining intonation, and sustaining the longer melodic phrases. Aside from a few minor lapses, the performance is assured and well-balanced, with some very powerful expressive moments. The Kyrie and Agnus Dei seem ever so slightly rushed, which keeps things together, but deprives us of the significantly more effective meditative mood a slower tempo would allow. The Kodály is lush and full-bodied, enhanced by fine organ work by choirmaster Gerre Hancock. --David Vernier

Masses from St. Thomas, Music, Zoltan Kodaly, Ralph Vaughan Williams, Gerre Hancock, Choral, Classical, Classical Composers, Classical Music, Classical Vocals, Modern Mass, Romantic Mass
Masses from St. Thomas - Kodaly: Missa Brevis; Vaughan Williams: Mass in G
Average customer rating: 4 out of 5 stars
  • Fine recording from an excellent choir
Masses from St. Thomas - Kodaly: Missa Brevis; Vaughan Williams: Mass in G

Manufacturer: Koch Int'l Classics
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Kodály, Zoltán | ( K ) | Featured Composers, A-Z | Classical | Styles | Music
Vaughan Williams, RalphVaughan Williams, Ralph | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Vaughan Williams, Ralph | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
ASIN: B00000I9N3
Release Date: 1999-03-23

Tracks:

  1. Missa Brevis: Introitus - Maestoso
  2. Missa Brevis: Kyrie - Amdante
  3. Missa Brevis: Gloria - Allegro
  4. Missa Brevis: Credo - Allegro moderato
  5. Missa Brevis: Sanctus - Larghetto
  6. Missa Brevis: Benedictus - Tranquillo
  7. Missa Brevis: Agnus Dei - Adagio
  8. Missa Brevis: Ite, missa est - Maestoso
  9. Mass In G Minor: Kyrie - Slow
  10. Mass In G Minor: Gloria in excelsis - Moderato
  11. Mass In G Minor: Credo - Con moto
  12. Mass In G Minor: Sanctus, Osanna I - Lento, Moderato maestoso
  13. Mass In G Minor: Benedictus, Osanna II - Moderato tranquillo, Moderato maestoso
  14. Mass In G Minor: Agnus Dei - Moderato

Amazon.com

Vastly different in style and concept, Zoltan Kodály's romantically garbed Missa Brevis (for choir and organ) and Ralph Vaughan Williams's medieval-shrouded Mass in G Minor (for unaccompanied double choir and four soloists) lately seem to have gone missing from the production lists of record companies. When a choir of this caliber manages to record them, we have to notice. The results are mostly satisfactory, and often exceptional, especially the uniform tone and the pleasingly focused treble sound. In the Vaughan Williams, this choir experiences the same problems every other choir has with this music, i.e., keeping textural balance, maintaining intonation, and sustaining the longer melodic phrases. Aside from a few minor lapses, the performance is assured and well-balanced, with some very powerful expressive moments. The Kyrie and Agnus Dei seem ever so slightly rushed, which keeps things together, but deprives us of the significantly more effective meditative mood a slower tempo would allow. The Kodály is lush and full-bodied, enhanced by fine organ work by choirmaster Gerre Hancock. --David Vernier

Customer Reviews:

4 out of 5 stars Fine recording from an excellent choir.......2001-06-27

The St. Thomas Choir of Men and Boys is considered to be the most outstanding choral ensemble in the Anglican musical tradition in the United States today, and this recording shows us why. The sound of the choir is focused and clear as they deliver these two challenging masses. Several soloists appear throughout the recording (including boy trebles) and they range from good to excellent. I had to listen a few times to begin to actually "feel" the music itself (I tend to prefer earlier music so these modern pieces were not entirely my style), but after a while the music began to grow on me, and I have especially come to enjoy the Williams mass, which is at times hauntingly beautiful. The CD liner notes include excellent detailed information about the composers, the choir, choir school, and the Choirmaster/Organist, Gerre Hancock. If you are not already familiar with this choir, you are in for a treat. I would also highly recommend their "Most Sacred Banquet" and "O God, My Heart Is Ready" recordings, which present some fine selections of traditional Anglican music. You can get both from Amazon.com, or directly from St. Thomas Church, Fifth Avenue, NY.

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