Beethoven: Complete Sonatas Vol. 2 - Sonatas 11-22

Editorial Reviews
Amazon.com
Lipkin's performances are uneven. He is regrettably inconsistent in his use of repeats. (This listener wants them all.) He tames the early Sonatas, playing graciously but without their startling innovative quality. Most of the works in the Op. 20s are beautifully performed, although the opening movement of the "Moonlight" is too dreamy and slow and the finale too mild. Op. 26 and 28 are wonderful, and so are similarly lyrical, contemplative pieces like Op. 81a and Op. 101. The big challenges are met with limited success. The "Waldstein" and "Appassionata" lack excitement; the "Hammerklavier" is fine until the final fugue, which comes across with little power. Op. 109 and 110 are very much underplayed, and then Op. 111 is a bold, visionary performance. Go figure. The supplementary materials include a long, informative essay by Ted Libbey, a brief bio of the performer, and scores of all of the music, although in a rather heavily edited edition. This isn't the ultimate recording of Beethoven's piano sonatas (go to Goode on Nonesuch for a modern recording, Schnabel on Naxos and Nat on EMI on EMI for unique insights). But it certainly offers a lot of material for 34 bucks! --Leslie Gerber [This review refers to the uniquely packaged complete Lipkin Beethoven cycle contained on one CD-ROM.]

Beethoven: Complete Sonatas Vol. 2 - Sonatas 11-22, Music, Ludwig van Beethoven, Seymour Lipkin, Chamber Music & Recitals, Classical, Classical Artists, Keyboard, Romantic Sonata/Sonatina for Keyboard
Beethoven: Piano Sonatas (Complete), Vol. 1 (Box Set)
Average customer rating: 5 out of 5 stars
  • Great sound quality and performance!
  • Beethoven would approve!
 Beethoven: Piano Sonatas (Complete), Vol. 1 (Box Set)

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

All Works by BeethovenAll Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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ASIN: B0000013I7
Release Date: 1994-02-15

Tracks:

  1. Grave - Allegro Di Molto E Con Brio
  2. Adagio Cantabile
  3. Rondo: Allegro
  4. Adagio Sostenuto
  5. Allegretto
  6. Presto
  7. Allegro Assai
  8. Andante Con Moto
  9. Allegro Ma Non Troppo - Presto

Tracks:

  1. Allegro
  2. Adagio
  3. Menuetto. Allegretto
  4. Prestissimo
  5. Allegro Vivace
  6. Largo Appassionato
  7. Scherzo. Allegretto
  8. Rondo. Grazioso
  9. Allegro Con Brio
  10. Adagio
  11. Scherzo. Allegro
  12. Allegro Assai

Tracks:

  1. Allegro Molto E Con Brio
  2. Adagio Molto
  3. Finale: Prestissimo
  4. Allegro
  5. Allegretto
  6. Presto
  7. Presto
  8. Largo E Mesto
  9. Menuetto. Allegro
  10. Rondo. Allegro
  11. Presto Alla Tedesca
  12. Andante
  13. Vivace

Tracks:

  1. Andante Con Variazioni
  2. Scherzo. Allegro Molto
  3. Marcia Funebre Sulla Morte D'Un Eroe
  4. Allegro
  5. Allegro Vivace
  6. Adagio Grazioso
  7. Rondo. Allegretto
  8. Allegro
  9. Scherzo. Allegretto Vivace
  10. Menuetto. Moderato E Grazioso
  11. Presto Con Fuoco

Tracks:

  1. Allegro Con Brio
  2. Adagio Con Molta Expressione
  3. Menuetto
  4. Rondo. Allegretto
  5. Allegro
  6. Scherzo. Assai Vivace - Presto - Tempo I
  7. Adagio Sostenuto. Appassionato E Con Molto Sentimento
  8. Largo - Allegro
  9. Allegro Risoluto. Fuga E Tre Voci, con Alcune Licenze

Customer Reviews:

5 out of 5 stars Great sound quality and performance!.......2006-11-27

These Naxos performances of Jeno Jando are great. As one critic said, "these are remarkably even and consistent from sonata to sonata." Agreed. I love that Jando's readings are fast and loud, and taking virtually every repeat. I couldn't help but think, this is how Beethoven must have done them. This set is right at the top of my list, and the sound quality is the amazing, the best I've ever heard.

Other sets worth exploring:
Schnabel (EMI) - essential.
O'Conor (Telarc) - a mellow way to view the sonatas, and a great alternative to Jando.

5 out of 5 stars Beethoven would approve!.......2004-06-07

I just finished listening to the complete Beethoven Piano sonatas by Jeno Jando (a couple of 5 disc boxes) and give them a big thumbs up, way up!! These are really powerful, accurate and well recorded performances, actually the best sounding recording of a piano I have ever heard. Just amazing.
I also would recommend these sets even if they cost three times as much, especially when the playing can easily compete with full-priced sets.
Stylistically, the performances are amazingly consistent from sonata no. 1 to sonata 32. Jando's interpretations tends to be honest rather than ego driven (you hear more of what Beethoven wanted, and less from the messenger) and taking nearly every repeat.
Like the reviewer before me, I also read along with the scores and I too was amazed by how precisely Jeno Jando sticks to Beethoven`s markings. Bravo!!

The only other complete set that I have is Schnabels on EMI. These Naxos sets are the first ones in many years, out of many boxes, that I felt are worth keeping as well.

Jeno Jando's Beethoven on Naxos is a great deal, at any price.
Complete Beethoven Edition, Vol. 5: The 32 Piano Sonatas
Average customer rating: 5 out of 5 stars
  • Wilhelm Kempff Plays the Beethoven Piano Sonatas
  • Dollar for Dollar, the Best Beethoven Sonatas on CD
  • A great set, but...
  • The Definitive Beethoven Sonatas
 Complete Beethoven Edition, Vol. 5: The 32 Piano Sonatas

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

All Works by BeethovenAll Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
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Similar Items:
  1. Complete Beethoven Edition, Vol. 7: Violin Sonatas
  2. Complete Beethoven Edition, Vol. 11: Early String Quartets
  3. Complete Beethoven Edition, Vol. 2: Concertos
  4. Complete Beethoven Edition, Vol. 9: Piano Trios
  5. Complete Beethoven Edition, Vol. 4: Fidelio/Leonore

ASIN: B000001GZ8
Release Date: 1997-10-14

Tracks:

  1. No.1 f-moll op. 2 No. 1: 1: Allegro
  2. No.1 f-moll op. 2 No. 1: 2 : Adagio
  3. No.1 f-moll op. 2 No. 1: 3 : Menuetto. Allegretto
  4. No.1 f-moll op. 2 No. 1: 4 : Prestissimo
  5. No.2 A-dur op. 2 No. 2: 1 : Allegro vivace
  6. No.2 A-dur op. 2 No. 2: 2 : Largo appassionato
  7. No.2 A-dur op. 2 No. 2: 3 : Scherzo. Allegretto
  8. No.2 A-dur op. 2 No. 2: 4 : Rondo. Grazioso
  9. No.4 Es-dur op.7: 1 : Allegro molto e con brio
  10. No.4 Es-dur op.7: 2 : Largo, con gran espressione
  11. No.4 Es-dur op.7: 3 : Allegro
  12. No.4 Es-dur op.7: 4 : Rondo. Poco allegretto e grazioso

Tracks:

  1. No. 3 C-dur op. 2 No. 3: I. Allegro con brio
  2. No. 3 C-dur op. 2 No. 3: II. Adagio
  3. No. 3 C-dur op. 2 No. 3: III. Scherzo, Allegro
  4. No. 3 C-dur op. 2 No. 3: IV. Allegro assai
  5. No. 5 c-moll op. 10 No. 1: I. Allegro molto e con brio
  6. No. 5 c-moll op. 10 No. 1: II. Adagio molto
  7. No. 5 c-moll op. 10 No. 1: III. Finale. Prestissimo
  8. No. 6 F-dur op. 10 No. 2: I. Allegro
  9. No. 6 F-dur op. 10 No. 2: II. Allegretto
  10. No. 6 F-dur op. 10 No. 2: III. Presto
  11. No. 7 D-dur op. 10 No. 3: I. Presto
  12. No. 7 D-dur op. 10 No. 3: II. Largo e mesto
  13. No. 7 D-dur op. 10 No. 3: III. Menuetto. Allegro
  14. No. 7 D-dur op. 10 No. 3: IV. Rondo. Allegro

Tracks:

  1. No. 8 C-moll op. 13 - Pathetique: I. Grave - Allegro di molto e con brio
  2. No. 8 C-moll op. 13 - Pathetique: II. Adagio cantabile
  3. No. 8 C-moll op. 13 - Pathetique: III. Rondo. Allegro
  4. No. 9 E-dur op. 14 No. 1: I. Allegro
  5. No. 9 E-dur op. 14 No. 1: II. Allegretto
  6. No. 9 E-dur op. 14 No. 1: III. Rondo. Allegro comodo
  7. No. 10 G-dur op. 14 No. 2: I. Allegro
  8. No. 10 G-dur op. 14 No. 2: II. Andante
  9. No. 10 G-dur op. 14 No. 2: III. Scherzo. Allegro assai
  10. No. 11 B-dur op. 22: I. Allegro con brio
  11. No. 11 B-dur op. 22: II. Adagio con molta espressione
  12. No. 11 B-dur op. 22: III. Menuetto
  13. No. 11 B-dur op. 22: IV. Rondo. Allegretto

Tracks:

  1. No. 12 As-dur op. 26: I. Andante con Variations - Beethoven
  2. No. 12 As-dur op. 26: II. Scherzo. Allegro molto - Beethoven
  3. No. 12 As-dur op. 26: III. Marcia funebre sulla morte d'un Eroe - Beethoven
  4. No. 12 As-dur op. 26: IV. Allegro - Beethoven
  5. No. 13 Es-dur op. 27 No. 1: I. Andante - Beethoven
  6. No. 13 Es-dur op. 27 No. 1: II. Allegro molto e vivace - Beethoven
  7. No. 13 Es-dur op. 27 No. 1: III. Adagio con expressione - Beethoven
  8. No. 13 Es-dur op. 27 No. 1: IV. Allegro vivace - Beethoven
  9. No. 14 cis-moll op. 27 No. 2 Mondschein-Sonate in C sharp minor 'Moonlight': I. Adagio sostenuto - Beethoven
  10. No. 14 cis-moll op. 27 No. 2 Mondschein-Sonate in C sharp minor 'Moonlight': II. Allegretto - Beethoven
  11. No. 14 cis-moll op. 27 No. 2 Mondschein-Sonate in C sharp minor 'Moonlight': III. Presto agitato - Beethoven
  12. No. 15 D-dur op. 28 Pastorale: I. Allegro - Beethoven
  13. No. 15 D-dur op. 28 Pastorale: II. Andante - Beethoven
  14. No. 15 D-dur op. 28 Pastorale: III. Scherzo. Allegro vivace - Beethoven
  15. No. 15 D-dur op. 28 Pastorale: IV. Rondo. Allegro, ma non troppo - Beethoven

Tracks:

  1. No. 16 G-dur op. 31 No. 1: I. Allegro vivace
  2. No. 16 G-dur op. 31 No. 1: II. Adagio grazioso
  3. No. 16 G-dur op. 31 No. 1: III. Rondo. Allegretto
  4. No. 17 d-moll op. 31 No. 1 - Sturm - Sonate: I. Largo - Allegro
  5. No. 17 d-moll op. 31 No. 1 - Sturm - Sonate: II. Adagio
  6. No. 17 d-moll op. 31 No. 1 - Sturm - Sonate: III. Allegretto
  7. No. 18 Es-dur op. 31 No. 3: I. Allegro
  8. No. 18 Es-dur op. 31 No. 3: II. Scherzo. Allegretto vivace
  9. No. 18 Es-dur op. 31 No. 3: III. Menuetto. Moderato e grazioso
  10. No. 18 Es-dur op. 31 No. 3: IV. Presto con fuoco
  11. No. 19 g-moll op. 49 No. 2: I. Andante
  12. No. 19 g-moll op. 49 No. 2: II. Rondo. Allegro

Tracks:

  1. No. 20 G-dur op. 49 No.2: I. Allegro , ma non troppo
  2. No. 20 G-dur op. 49 No.2: II. Tempo di Menuetto linkerkant
  3. No. 21 C-dur op. 53: I. Allegro con Brio
  4. No. 21 C-dur op. 53: II. Introduzione. Adagio molto - attacca:
  5. No. 21 C-dur op. 53: III. Rondo. Allegretto moderato
  6. No. 22 F-dur op. 54: I. In tempo d'un Menuetto
  7. No. 22 F-dur op. 54: II. Allegretto
  8. No. 23 f-moll op. 57 - Appassionata: I. Allegro assai
  9. No. 23 f-moll op. 57 - Appassionata: II. Andate con moto - attacca:
  10. No. 23 f-moll op. 57 - Appassionata: III. Allegro, ma non troppo - Presto
  11. No. 24 Fis-dur op. 78: I. Adagio cantabile - Allegro, ma non troppo
  12. No. 24 Fis-dur op. 78: I. Allegro vivace

Tracks:

  1. No. 25 G-dur op. 78: I. Presto alla tedesca
  2. No. 25 G-dur op. 78: II. Andante
  3. No. 25 G-dur op. 78: III. Vivace
  4. No. 26 Es-dur op. 81a - Les Adieux: I. Das Lebewohl (Les Adieux). Adagio - Allegro
  5. No. 26 Es-dur op. 81a - Les Adieux: II. Abwesenheit (L'Absence). Andante espressivo
  6. No. 26 Es-dur op. 81a - Les Adieux: III. Das Wiedersehn (Le Retour). Vivacissimamente
  7. No. 27 e-moll op.90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
  8. No. 27 e-moll op.90: II. Nicht zu geschwind und sehr singbar vorzutragen
  9. No. 29 B-dur op. 106 - Grosse Sonate fur das Hammerklavier: I. Allegro
  10. No. 29 B-dur op. 106 - Grosse Sonate fur das Hammerklavier: II. Scherzo. Assai vivace
  11. No. 29 B-dur op. 106 - Grosse Sonate fur das Hammerklavier: III. Adagio sostenuto. Appassionato e con molto sentimento
  12. No. 29 B-dur op. 106 - Grosse Sonate fur das Hammerklavier: IV. Largo - Allegro risoluto

Tracks:

  1. No. 28 A-dur op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo afdruk
  2. No. 28 A-dur op. 101: II.Lebhaft, marschmig. Vivace alla marcia
  3. No. 28 A-dur op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto - attacca:
  4. No. 28 A-dur op. 101: IV. Geschwinde, doch nicht zu sehr und mit Entschlossenheit. Allegro
  5. No. 30 E-dur op. 109: I. Vivace, ma non troppo
  6. No. 30 E-dur op. 109: II. Prestissimo
  7. No. 30 E-dur op. 109: III. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo) gevlekt
  8. No. 31 As-dur op. 110: I. Moderato cantabile molto espressivo
  9. No. 31 As-dur op. 110: II. Allegro molto
  10. No. 31 As-dur op. 110: III. Adagio, ma non troppo - Fuga. Allegro ma non troppo
  11. No. 32 c-moll op. 111: I. Maestoso - Allegro con brio ed appassionato
  12. No. 32 c-moll op. 111: II. Arietta. Adagio molto semplice e cantabile

Amazon.com

Wilhelm Kempff was the premier German pianist of the postwar period, so it's no surprise that he was considered one of the supreme interpreters of Beethoven. He recorded complete sets of the sonatas and concertos twice, and just about all the rest of the chamber music with piano as well. A classicist by nature, his approach to Beethoven was clear and poised rather than impulsive, but never lacking in sheer power or virtuosity when necessary. His last cycle of Beethoven sonatas is rightly regarded as his musical testament. Even if the mono recordings offered a few more exciting moments in a couple of works, you can't go wrong here--there isn't dud in the lot. --David Hurwitz

Customer Reviews:

5 out of 5 stars Wilhelm Kempff Plays the Beethoven Piano Sonatas.......2005-08-16

Beethoven's "Daybook" includes the following famous entry: "The starry heavens above; the moral law within -- Kant!" Beethoven was alluding to Kant's statement in the "Critique of Practical Reason" of the two things that filled him with awe. But, in a simple way, Beethoven's statement could be read to show two related ways of understanding his music: the first as heroic, heaven-storming and outward directed and the second as inward, reflective, and meditative. Some of Beethoven's music can be seen as occupying one or the other end of the polarity while much of the music somehow occupies both ends.

The same holds true as a rough approach to the interpretation of Beethoven's music -- including the 32 piano sonatas. Some performers emphasize the dramatic, rugged and virtuosic characteristics of the music. Other performers emphasize the music's inward, introspective qualities. The great German pianist Wilhelm Kempff's classic recording of the complete piano sonatas is clearly within the latter approach. Kempff (1895 -- 1991) recorded the complete Beethoven sonata-cycle twice, the first in the 1950's and the second in the 1960's. The latter version was reissued on eight CDs by Deutsche Gramophonne as part of its 87-CD Complete Beethoven Edition. I had the original version on LP and purchased the CD set when LPs became obsolete. I recently had the opportunity to relisten to Kempff's performances in their entirety.

Kempff's readings of the sonatas are highly personal and introspective. His tempos tend to be slow and fluid, the pedal is used a great deal, phrasing is highly legato, and the volume is subdued and restrained. This is a metaphysical thoughtful reading of Beethoven which probes within. It is a moving and convincing way of rendering the sonatas; and I came away from my experience with a renewed devotion to this music. I have attempted about half of the sonatas myself over the years on the piano.

Beethoven's sonatas date from his youthful days in Bonn before his 1792 move to Vienna (the two sonatas of opus 49) to about 1822 (opus 111). Thus they occupied him for almost the entirety of his creative life. In listening to this complete set, the listener can follow Beethoven's development essentially chronologically and learn more first-hand about the sonatas than can be gained from reading many studies.

Separate from a chronological approach, listeners interested in a complete set of the sonatas will probably have some familiarity with some of the better-known named sonatas, such as the "Pathetique", opus 13, the "Moonlight", opus 27 no. 2, the "Waldstein" opus 53 or the "Appassionata" opus 57. After falling in love with some of these works, many listeners will want to explore the entire set of 32 sonatas.

Kempff brings his own personal, introspective readings to each of these familiar works. He does best, I think, with the rondo finale of the "Waldstein", with the "Moonlight" and with the two final movements of the "Tempest" sonata, opus 31 no. 2. His readings of these works on the whole will offer fresh insight into these great sonatas.

I think the greatest attraction of this set is the opportunity it affords to explore some of Beethoven's less frequently performed works. Again, Kempff is at his best in works of an introspective character. Thus, those coming to the sonata cycle for the first time will enjoy his performances of the opus 26 sonata, of opus 78, 79, and 81a ("Les Adieux) of opus 90, and of opus 101, 109, and 110. Opus 90, 101, and 109 are among my favorites of the cycle, and Kempff plays them soulfully and beautifully.

There is yet another group of sonatas that are still less well-known but receive excellent readings on this set. This group includes two early sonatas, opus 2 no 3 and opus 7, the opus 22 sonata, opus 27 no. 1 (the companion to the more famous "Moonlight"),opus 31 no. 3, the enigmatic opus 54, and, of course, the "Hammerklavier" sonata and the final sonata, opus 111. Each listeners choices and favorites among the 32 will vary and change with time and repeated hearings. This collection is an excellent introduction to all of them.

There are many recordings of the set of 32 sonatas and many approaches to the interpretation of Beethoven. I have lived with my set of Kempff for a long time and still am moved and inspired by his playing of this inexhaustible music. Listeners wanting to get to know this great body of work will find much to cherish in these performances by Wilhelm Kempff.

Robin Friedman

5 out of 5 stars Dollar for Dollar, the Best Beethoven Sonatas on CD.......2001-03-16

Beethoven's piano sonatas were one of humanity's great achievements. They have been recorded by many pianists including Artur Schnabel, Alfred Brendel, Richard Goode, and John O'Connor--and nearly every pianist of note has recorded at least a few of the most popular sonatas.

What makes the Kempff set work best for me is the lack of a dogmatic, cookie cutter approach to the music. Kempff approaches each piece as a masterwork in its own right. The tempos are more sensible than those adopted by most other pianists, particularly in the slower movements. For example, in the Hammerklavier Sonata, most pianists cannot resist the urge to play the Adagio almost as a Largo--ignoring the fact that such a tempo would have made the movement incomprehensible on a piano of Beethoven's time--which had a quick tonal decay. Speaking of tone, Kempff has an especially beautiful sound--a product of his 19th century training. The phrasing is more flexible than today's "red light, green light" stop and go approach, and Kempff, unlike so many of today's pianists, never lets musical point making get in the way of the big picture, structually.

Although Kempff was getting along in years when these recordings were made--the 1960s--he is fully up to the technical hurdles these sonatas contain. The only disappointment on this set is in the "Appassionata" Sonata, where Kempff's clear headed approach does not suit this rage filled piece. For that particular piece, it's best to go with Richter's RCA recording. On the whole, this is the best set of Beethoven Sonatas currently available on CD--and it's at bargain price!

4 out of 5 stars A great set, but..........2000-05-19

the mono set is clearly preferable, both as to performance and sound. All the attributes ascribed to the stereo set are present in even greater abundance in the mono set from the early 50s and the sound is more natural and warm than here. Problem is, it is difficult to find now. But do seek it out. This stereo set is probably still a "5" on an absolute scale, but the earlier set is just that much better.

5 out of 5 stars The Definitive Beethoven Sonatas.......2000-05-12

Kempff recorded the complete cycle of Beethoven sonatas no fewer than three times. This, his last, is quite possibly the most refined set of Beethoven sonatas as far as overall consistency and polish. Many other sets show great promise in either the most popular sonatas or else in one particular period. (Richard Goode's late sonatas, for instance, are stellar, but some of the earlier works come across as dry and pedantic). From the Haydn-esque op. 2, to the Sonate Pathétique, the thunderous Hammerklavier and intense opp. 109, 110 and 111, all of the sonatas are executed with extreme clarity, authority and thoughtfulness. (Actually, the clarity is one of my few complaints in this set as occasionally passages feel a little detached, but rarely). Even the two "easy" sonatas of op. 49 are excellent; intermediate student pieces no longer. Some of the slow movements are taken a little faster than I would prefer, although there is hardly ever a sense of urgency. Kempff's dynamic range and large capacity for every imaginable articulation is also exploited to its very finest. There is no clearer Waldstein available, period. Even the so-called "warhorses" like the Moonlight are not tiresome in this set; some other recordings sound like the pianist has played them too many times and is sick to death of it, but you will never feel that here. For freshness and detail in all of these monuments of the piano sonata, this is the set to have.
Beethoven: Complete Piano Sonatas, Vol. 2
Average customer rating: 2 out of 5 stars
  • The sound is terrible indeed.
  • Brilliant Performances -- Terrible Sound
 Beethoven: Complete Piano Sonatas, Vol. 2

Manufacturer: Classica D'oro
ProductGroup: Music
Binding: Audio CD

All Works by BeethovenAll Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
SonatinasSonatinas | Sonatas | Forms & Genres | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
ASIN: B00005OC7T
Release Date: 2001-10-02

Tracks:

  1. Pno Son No.8 in c, Op.13 'Pathetique': Grave-Allegro Molto E Con Brio
  2. Pno Son No.8 in c, Op.13 'Pathetique': Adagio Cantabile
  3. Pno Son No.8 in c, Op.13 'Pathetique': Rondo: Allegro
  4. Pno Son No.9 in E, Op.14 No.1: Allegro
  5. Pno Son No.9 in E, Op.14 No.1: Allegretto
  6. Pno Son No.9 in E, Op.14 No.1: Rondo: Allegro Comodo
  7. Pno Son No.10 in G, Op.14 No.2: Allegro
  8. Pno Son No.10 in G, Op.14 No.2: Andante
  9. Pno Son No.10 in G, Op.14 No.2: Scherzo: Allegro Assai
  10. Pno Son No.12 in A flat, Op.26: Andante Con Vars
  11. Pno Son No.12 in A flat, Op.26: Scherzo: Allegro Molto
  12. Pno Son No.12 in A flat, Op.26: Marcia Funebre: Andante Maestoso
  13. Pno Son No.12 in A flat, Op.26: Allegro

Tracks:

  1. Pno Son No.11 in B flat, Op.22: Allegro Con Brio
  2. Pno Son No.11 in B flat, Op.22: Adagio Con Molta Espressione
  3. Pno Son No.11 in B flat, Op.22: Menuetto
  4. Pno Son No.11 in B flat, Op.22: Rondo: Allegretto
  5. Pno Son No.13 in E flat, Op.27 No.1 'Quasi Una Fant': Andante - Allegro - Andante
  6. Pno Son No.13 in E flat, Op.27 No.1 'Quasi Una Fant': Allegro Molto E Vivace
  7. Pno Son No.13 in E flat, Op.27 No.1 'Quasi Una Fant': Adagio Con Espressione
  8. Pno Son No.13 in E flat, Op.27 No.1 'Quasi Una Fant': Allegro Vivace
  9. Pno Son No.14 in c#, Op.27 No.2 'Moonlight': Adagio Sostenuto
  10. Pno Son No.14 in c#, Op.27 No.2 'Moonlight': Allegretto
  11. Pno Son No.14 in c#, Op.27 No.2 'Moonlight': Presto Agitato
  12. Pno Son No.15 in D, Op.28 'Pastorale': Allegro
  13. Pno Son No.15 in D, Op.28 'Pastorale': Andante
  14. Pno Son No.15 in D, Op.28 'Pastorale': Scherzo: Allegro Vivace
  15. Pno Son No.15 in D, Op.28 'Pastorale': Rondo: Allegro Ma Non Troppo

Customer Reviews:

2 out of 5 stars The sound is terrible indeed........2003-03-18

I read the last review too late: the sound is indeed terrible. I have been listening to quite a lot of historic recordings like Busoni on the piano, the Liszt's Pupils, Schnabel/Szegeti, Busch/Serkin, Bartok, Rachmaninoff on the piano... etc but none is more unacceptable than this one even in view of it's low price. Go for another version.

2 out of 5 stars Brilliant Performances -- Terrible Sound.......2001-12-31

I don't usually consider myself an audiophile - I'm more concerned with performance than with recording quality. I've loved the Schnabel recordings of Beethoven's piano sonatas for years despite lousy sound, so don't take this as a slight on Schnabel - he's the greatest. If you love Beethoven's piano music and you've not heard his version of the sonatas then you have a real treat in store. Just don't buy this edition.

These CD transfers are really bad. I know they're inexpensive, but they are no bargain, because the music is ruined. At times the sound is just a little muffled and distant (which I could live with to save a few bucks) but then there are passages that sound like you are listening through a garden hose or something. Ack!

Save up and buy the Pearl sets - they sound wonderful (some hiss, but these ARE 78s after all). I did a comparison using Volumes 3 & 4 of this set and the Pearl 'Named Sonatas' sampler and the differences were astonishing. I've not heard the EMI set, which may lie in between sound-wise just as it does price-wise, but I'm still voting for the Pearl sets. Start with the sampler if you have reservations, but check them out!
Beethoven: Sonatas Op 13 'Pathetique', Op 14 Nos 1 & 2, Op 22 (Complete Works for Solo Piano Vol 1) /Brautigam
Average customer rating: 5 out of 5 stars
  • Wonderful playing on a superb instrument
  • Yes, it's THAT good!
  • Beginning of a fabulous Beethovven Sonata cycle?
  • Heralding a breakthrough series of Beethoven keyboard wks
 Beethoven: Sonatas Op 13 'Pathetique', Op 14 Nos 1 & 2, Op 22 (Complete Works for Solo Piano Vol 1) /Brautigam
Ludwig van Beethoven , and Ronald Brautigam
Manufacturer: Bis
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Beethoven: Early Vienna Sonatas - Sonatas Op. 2, Nos. 1-3; Op. 29, Nos. 1-2 (Complete Works for Solo Piano Vol 2) /Brautigam
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ASIN: B00066K0HQ
Release Date: 2005-01-25

Customer Reviews:

5 out of 5 stars Wonderful playing on a superb instrument.......2005-07-01


I debated for a long time before buying this SACD - simply because while I had appreciated other fortepiano recordings I owned, they never replaced recordings on a modern grand piano. Also, of course, I had other versions of these works, particularly the Pathetique.

Still within a few bars of this excellent recording, my fears were banished. The fortepiano Brautigam used (a copy of an original) is one hell of an instrument: no tinkly passagework or lack of sustaining power here. In fact the crushing chord which opens the Pathetique (and reappears later) has more impact in this reading than in virtually any other I've heard.

To be honest I'm amazed this thin-legged instrument featured in the booklet can produce such powerful sounds - or survive such playing! The bass response is remarkable, which coupled with Brautigam's phenomenal articulation (particularly of ornaments which emerge with great clarity) and his urgent tempi makes this a really dramatic performance which I would put near, if not at, the top of my favourite Beethoven sonata recordings. Wisely Brautigam adots a fairly flowing tempo for the Adagio Cantabile as this is one area of keyboard playing where the modern piano has the edge.

A word about the sound quality - it's superb in multichannel. Incredibly vivid sound, with the fortepiano placed securely on a perfectly realistic soundstage. Rear channel use is ideal, securing the aural image. As I've mentioned, the bass is perfectly focused, adding real weight to the interpretations. The detail in the mid- and high-registers is also wonderful.

The two op.14 sonatas on the disc are slighter works but given excellent performances - I don't know them as well as the final work, the Sonata No.11 op.22. This is one of my favourites, especially for its amusing theme and variations finale, which here is played rather more dramatically than usual. Richard Goode's performance on Nonesuch has been my benchmark for a few years, but Brautigam is nearly as good (if you'll excuse the pun) - occasionally his non-legato phrasing compromises the droll elegance, though the dramatic interludes in this finale come across more vividly to even things out.

I'd give this a very strong recommendation, and I'll certainly be buying subsequent volumes (the second one is released in August).

If you have worries about the sound of the fortepiano, my advice is don't be concerned, this instrument sounds full and impressive. With Brautigam's virtuosic and thoroughly Beethovenian performances one really hears what early audiences must have experienced with the composer at the keyboard.

5 out of 5 stars Yes, it's THAT good!.......2005-06-08

Another recording of the Beethoven piano sonatas? Well, it had better be pretty special, and have something new to say. And this indeed is an outstanding recording in every way. Fabulous sound quality. Excellent choice of instrument - a fortepiano, yes, but one with incredible range and tone. The ear quickly adjusts to the sound, and the performance is so good you almost forget you are listening to a "period" instrument (actually, it's a modern fortepiano). The performance is exciting, dynamic, emotionally involving, intellectually stimulating...yes, it's THAT good! Buy this disc! Even better than Brautigam's outstanding Haydn and Mozart cycles.

5 out of 5 stars Beginning of a fabulous Beethovven Sonata cycle?.......2005-05-25

This is the only fortepiano recording of Beethoven's music I have ever heard that to me conveys the full power, drama, and clarity of Beethoven's groundbreaking achievements. This is a full range piano sound, just not the sound of the modern concert grand. The playing is absolutely outstanding and I will eagerly anticipate each volume in this cycle, and hope that the concertos will also be forthcoming. A revelatory experience not to be missed!

5 out of 5 stars Heralding a breakthrough series of Beethoven keyboard wks.......2005-05-17

After the first 30 seconds of the op 13 sonata, anyone holding onto the idea that the fortepiano is too lightweight to do justice to Beethoven's mighty sonatas must either repent or leave the room. Ronald Brautigam has once again embarked on a series of solo keyboard recordings in repertoire crowded with classic perfomrances from world famous artists; but, of course, Brautigam uses period instruments.

First, it was a Mozart cycle on BIS that brought Brautigam into the limelight. Before that series was even finished, a Haydn cycle was undertaken. Both series exhibit a tremendous virtuosity while dispelling misconceptions about the potential range of expression from a fortepiano. Brautigam's readings challenge such well known stars as Brendel, Barenboim, Gieseking, Uchida, and more.

But who would expect that Brautigam could approach the genius of a Schnabel, Brendel, Pollini, Gilels, Kempff, Rubinstein, or hordes of other legends whose names have graced dozens of outstanding recorded performances over the decades, and on a fortepiano at that. Make no mistake about it, I do not suggest that Brautigam surpasses any of these hall-of-fame artists, but he certainly joins them.

The first work on this disk, the "Pathetique", speaks well for the remainder of the four sonatas represented here, and hopefully for the rest of the series too. The first movement has incredible dynamic range. Hearing the recording for the first time, I was overwhelmed by the impact of some of the climaxes. Comparing the reading to conventional intrument recordings, I am reminded of being at the top of 13,000 foot high Mount Shasta many years ago. It was breathtaking, but because all of the surrounding hills were so high also, the effect bore no comparison to some overlooks around Death Valley, where 10,000+ high peaks rise up over a valley that is below sea level. With the instrument Brautigam uses in this recording, the quiet passages are like the low points in Death Valley with the climaxes being like the 10,000 foot peaks around the rim of Death Valley. And the effect is magnificent. In the slow movement, Brautigam has even more expressive abilities at his fingertips, capturing the quiet sublimity of Beethoven's textures with much more breadth than would be possible on a modern piano. And the fast rhythms of the finale dance with great excitement.

As always, BIS excels in the recording with awesome accoustics. And, for no extra charge, you get this in a hybrid CD that can be played on a normal CD player, but will yield even finer results on an SACD player if you have/get one.

Lets hope BIS can stay with the series until it finishes. Many record companies have pulled the plugs on long series in recent years. BIS has yet to do so with any of their spectacular complete editions. Keep up the good work, BIS.

Beethoven: Complete Sonatas Vol. 2 - Sonatas 11-22
Average customer rating: Not rated
    		Beethoven: Complete Sonatas Vol. 2 - Sonatas 11-22

    Manufacturer: Newport Classic
    ProductGroup: Music
    Binding: Audio CD

    All Works by BeethovenAll Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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    GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
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    GeneralGeneral | Classical | Styles | Music
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    1. Beethoven: Complete Sonatas Vol. 3 - Sonatas 23-32
    2. Beethoven: Complete Sonatas Vol. 1 - Sonatas 1-10

    ASIN: B00022XECM
    Release Date: 2004-05-04

    Tracks:

    1. Sonata no.11 in B flat major, op.22 - Mvt. 1 Allegro con brio
    2. Mvt. 2 Adagio con molta espressione
    3. Mvt. 3 Menuetto
    4. Mvt. 4 Rondo: Allegretto
    5. Sonata no.12 in A flat major, op.26 - Mvt. 1 Andante von variazioni
    6. Mvt. 2 Scherzo: Allegro molto
    7. Mvt. 3 Marcia funebre sulla morte d'un Eroe
    8. Mvt. 4 Allegro
    9. Sonata no.13 in E flat major, op.27 - Mvt. 1 Andante - Allegro - tempo I
    10. Mvt. 2 Allegro molto e vivace
    11. Mvt. 3 Adagio con espressione
    12. Mvt. 4 Allegro vivace
    13. Sonata no.14 in C sharp minor "Moonlight", op.27 no.2 - Mvt. 1 Adagio sostenuto
    14. Mvt. 2 Allegretto
    15. Mvt. 3 Presto agitato

    Tracks:

    1. Sonata no.15 in D major "Pastoral", op.28 - Mvt. 1 Allegro
    2. Mvt. 2 Andante
    3. Mvt. 3 Scherzo: Allegro vivace
    4. Mvt. 4 Rondo: Allegro ma non troppo
    5. Sonata no.16 in G major, op.31, no.1 - Mvt. 1 Allegro vivace
    6. Mvt. 2 Adagio grazioso
    7. Mvt. 3 Rondo: Allegretto - Presto
    8. Sonata no.17 in D minor, op.31, no.2 - Mvt. 1 Largo - Allegro
    9. Mvt. 2 Adagio
    10. Mvt. 3 Allegretto

    Tracks:

    1. Sonata no.18 in E flat major, op.31, no.3 - Mvt. 1 Allegro
    2. Mvt. 2 Scherzo: Allegretto vivace
    3. Mvt. 3 Menuetto: Moderato e grazioso
    4. Mvt. 4 Presto con fuoco
    5. Sonata no.19 in G minor, op.49, no.1 - Mvt. 1 Andante
    6. Mvt. 2 Rondo: Allegro
    7. Sonata no.20 in G major, op.49, no.2 - Mvt. 1 Allegro ma non troppo
    8. Mvt. 2 Tempo di Menuetto
    9. Sonata no.21 in C major "Waldstein", op.53 - Mvt. 1 Allegro con brio
    10. Mvt. 2 Introduzione: Adagio molto
    11. Rondo: Allegretto moderato - Prestissimo
    12. Sonata no.22 in F major, op.54 - Mvt. 1 In Tempo d' un Menuetto
    13. Mvt. 2 Allegretto - Piu Allegro

    Amazon.com

    Lipkin's performances are uneven. He is regrettably inconsistent in his use of repeats. (This listener wants them all.) He tames the early Sonatas, playing graciously but without their startling innovative quality. Most of the works in the Op. 20s are beautifully performed, although the opening movement of the "Moonlight" is too dreamy and slow and the finale too mild. Op. 26 and 28 are wonderful, and so are similarly lyrical, contemplative pieces like Op. 81a and Op. 101. The big challenges are met with limited success. The "Waldstein" and "Appassionata" lack excitement; the "Hammerklavier" is fine until the final fugue, which comes across with little power. Op. 109 and 110 are very much underplayed, and then Op. 111 is a bold, visionary performance. Go figure. The supplementary materials include a long, informative essay by Ted Libbey, a brief bio of the performer, and scores of all of the music, although in a rather heavily edited edition. This isn't the ultimate recording of Beethoven's piano sonatas (go to Goode on Nonesuch for a modern recording, Schnabel on Naxos and Nat on EMI on EMI for unique insights). But it certainly offers a lot of material for 34 bucks! --Leslie Gerber [This review refers to the uniquely packaged complete Lipkin Beethoven cycle contained on one CD-ROM.]
    Beethoven: The Complete Piano Sonatas Vol. 3
    Average customer rating: Not rated
      		Beethoven: The Complete Piano Sonatas Vol. 3

      Manufacturer: Zephyr Records
      ProductGroup: Music
      Binding: Audio CD

      All Works by BeethovenAll Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
      SonatinasSonatinas | Sonatas | Forms & Genres | Classical | Styles | Music
      GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
      Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
      GeneralGeneral | Symphonies | Classical | Styles | Music
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      ASIN: B00000BKF7
      Release Date: 1998-10-13

      Music Review:

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