Fantasies, Ayres and Dances - Elizabethan and Jacobean Consort Music
Editorial Reviews
Amazon.com
If you had to reduce your recordings of 16th-century instrumental music to only one disc (a horrendous thought!), you'd do very well to keep this one. Rarely is any recording of any repertoire so well conceived, programmed, and performed--and rarely is the music so consistently and incredibly beautiful. The age in which this music was created may have been infinitely different from ours, but we dearly need music with such sincerity and heart these days. Lutenist Julian Bream and his period-instrument ensemble draw us into an enchanting world of beautiful, sometimes heartbreaking melodies and lovely harmonies. Occasionally we hear a lively dance, and a few times we hear Robert Tear's plaintive tenor. But mostly it's the viols, Renaissance flute, cittern, and lute performing some of the finest examples of English Renaissance music we're ever likely to hear. --David Vernier
Fantasies, Ayres and Dances - Elizabethan and Jacobean Consort Music, Music, Jane Ryan, Richard Alison, Daniel Bacheler, William Byrd, John Dowland, Jacob van Eyck, Thomas Morley, Richard Nicholson, Peter Philips, Nicholas Strogers, English Traditional, Julian Bream Consort, Nancy Hadden, Julian Bream, Robert Tear, Chamber, Chamber Music, Classical, Classical Music, Lute Solo, Lute Song, Miscellaneous, Miscellaneous Music, Recorder Solo/Sonata, Renaissance Dance Music, Renaissance Instrumental Polyphony, Renaissance Polyphonic Song, Solo Voice(s) and Small Ensemble, Vocal
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Fantasies, Ayres and Dances - Elizabethan and Jacobean Consort Music
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003ERG Release Date: 1990-10-25 |
Tracks:
Amazon.com
If you had to reduce your recordings of 16th-century instrumental music to only one disc (a horrendous thought!), you'd do very well to keep this one. Rarely is any recording of any repertoire so well conceived, programmed, and performed--and rarely is the music so consistently and incredibly beautiful. The age in which this music was created may have been infinitely different from ours, but we dearly need music with such sincerity and heart these days. Lutenist Julian Bream and his period-instrument ensemble draw us into an enchanting world of beautiful, sometimes heartbreaking melodies and lovely harmonies. Occasionally we hear a lively dance, and a few times we hear Robert Tear's plaintive tenor. But mostly it's the viols, Renaissance flute, cittern, and lute performing some of the finest examples of English Renaissance music we're ever likely to hear. --David VernierMusic Review:
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