Tchaikovsky: The Snow Maiden, Op. 12
Editorial Reviews
Amazon.com
This title usually brings to mind Rimsky-Korsakov's opera of the same name, but Tchaikovsky's 1873 incidental music for Alexander Ostrovsky's play Snegurochka deserves recognition. Replete with beautiful tunes--some by Tchaikovsky and others adapted by him from Russian folk sources--this is a welcome addition for those with a fondness for Russian opera. This Naxos recording offers hearty, knowledgeable singing and playing from the Moscow Capella and Moscow Symphony Orchestra, conducted by Igor Golovchin. Both mezzo- soprano Elena Okolysheva and tenor Arkady Mishenkin have the characteristic back-of-the-throat Slavic production; while his sound is a bit too tight for comfort, she's a pleasure to hear in this repertoire. --Sarah Bryan Miller
Tchaikovsky: The Snow Maiden, Op. 12, Music, Pyotr Il'yich Tchaikovsky, Igor Golovchin, Igor Golovschin, Elena Okolycheva, Moscow Symphony Orchestra, Arkady Mishenkin, Classical, Classical Composers, Classical Music, Orchestral, Orchestral & Symphonic, Romantic Incidental Music for Orchestra
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Best of the best!
- The Best Classical Compilation Ever Created
|
CBS Dinner Classics: Dinner for Two
Manufacturer: Sony
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Similar Items:
- CBS Dinner Classics: Romance
- CBS Dinner Classics: Sunday Brunch, Vol. 2
- Dinner Classics: The Italian Album
- Dinner Classics: The Sunday Brunch Album
- Dinner Classics: The French Album
ASIN: B00000277H
Release Date: 1991-01-09 |
Tracks:
- Vocalise, Op.34, No.14
- Nocturne In E-Flat Major, Op.9, No.2
- Nocturne For String Orchestra
- Sadko: Song Of India
- Scheherazade, Op.35: The Tale Of The Young Prince And The Young Princess: III - Andantino
- The Snow Maiden, Op.12: Melodrama
- Symphony No.2 In E Minor, Op.27: III - Adagio
- Etude In E Major, Op.10, No.3
- None But The Lonely Heart, Op.6, No.6
- On Wings Of Song, Op.34, No.2
- String Quartet, No.1, Op.11: Andante Cantabile
- Liebestraum (Dream Of Love)
Customer Reviews:
Best of the best!.......2006-12-31
I have listened to most of the CBS Masterworks Dinner Classics series and have 3 favorites, which I never tire of. Those 3 are: Dinner for Two, The Italian Album and The French Album. Sunday Brunch would be a close 4th. All these albums have the most lyrical and soothing music, all performed by top rate orchestras. I've bought 40 or 50 classical tapes/CDs over the years, but I keep going back to these Dinner Classics favorites. Dinner for Two is the best of the best! You will never get tired of this most awesome music!
The Best Classical Compilation Ever Created.......2001-04-19
This CD includes some of the most beautiful classical music ever composed, from well known pieces to almost obscure works, resulting in a compilation disc that is yet to be surpassed. The music is perfect for a romantic evening, background for an intimate party or simply personal reflection and relaxation. The music is superbly orchestrated and performed with pure grace.
Average customer rating:
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Tchaikovsky: The Snow Maiden, Op. 12
Manufacturer: Naxos
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| Tchaikovsky, Peter Ilyich
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Similar Items:
- Tchaikovsky: Piano Music, Vol. 1
- Tchaikovsky: The Snow Maiden
- Tchaikovsky: Piano Music, Vol.2
- Tchaikovsky: Serenade for Strings
ASIN: B0000014FK
Release Date: 2000-10-06 |
Tracks:
- The Snow Maiden, Op. 12: 1. Introduction
- The Snow Maiden, Op. 12: 2. Dance And Chorus Of Birds
- The Snow Maiden, Op. 12: 3. Monolgue Of Frost
- The Snow Maiden, Op. 12: 4. Shrovetide Procession Chorus
- The Snow Maiden, Op. 12: 5a. Melodrama
- The Snow Maiden, Op. 12: 5b. Entr'acte
- The Snow Maiden, Op. 12: 6. Lel's First Song
- The Snow Maiden, Op. 12: 7. Lel's Second Song
- The Snow Maiden, Op. 12: 8. Entr'acte
- The Snow Maiden, Op. 12: 9. Chorus Of Blind Gusli-Players
- The Snow Maiden, Op. 12: 10. Melodrama
- The Snow Maiden, Op. 12: 11. Chorus Of People And Courtiers
- The Snow Maiden, Op. 12: 12. Girls' Round Dance (Khovorod)
- The Snow Maiden, Op. 12: 13. Dance Of The Tumblers
- The Snow Maiden, Op. 12: 14b. Lel's Third Song
- The Snow Maiden, Op. 12: 15. Brussilo's Song
- The Snow Maiden, Op. 12: 16. Appearance Of The Forest Spirit And Apparition Of The False Snow Maiden
- The Snow Maiden, Op. 12: 17b. Declamation Of The Fairy Of Spring
- The Snow Maiden, Op. 12: 18. Tsar Berendey's March And Chorus
- The Snow Maiden, Op. 12: 19. Finale
Amazon.com
This title usually brings to mind Rimsky-Korsakov's opera of the same name, but Tchaikovsky's 1873 incidental music for Alexander Ostrovsky's play Snegurochka deserves recognition. Replete with beautiful tunes--some by Tchaikovsky and others adapted by him from Russian folk sources--this is a welcome addition for those with a fondness for Russian opera. This Naxos recording offers hearty, knowledgeable singing and playing from the Moscow Capella and Moscow Symphony Orchestra, conducted by Igor Golovchin. Both mezzo- soprano Elena Okolysheva and tenor Arkady Mishenkin have the characteristic back-of-the-throat Slavic production; while his sound is a bit too tight for comfort, she's a pleasure to hear in this repertoire. --Sarah Bryan Miller
Customer Reviews:
It was very awesome!!!.......1998-12-01
Everyone should own this CD
Average customer rating:
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Sounds, Shapes, and Symbols
Manufacturer: Equilibrium Records
ProductGroup: Music
Binding: Audio CD
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| Persichetti, Vincent
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| Shostakovich, Dmitri
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ASIN: B0000AUHSG
Release Date: 2003-08-26 |
Average customer rating:
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Tempered Steel
Manufacturer: Mark Custom
ProductGroup: Music
Binding: Audio CD
All Works by Grainger
| Grainger, Percy Aldridge
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| Hindemith, Paul
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ASIN: B0000365MW
Release Date: 2002-01-01 |
Tracks:
- Gavorkna Fanfare
- Die Regimentskinder, Marsch Op. 169
- Blue Shades
- Walking Tune
- Gumsucker's March
- Tempered Steel
- Dance of the Jesters
- Symphonic Metamorphosis on Themes by Carl Maria Von Weber: Allegro
- Symphonic Metamorphosis on Themes by Carl Maria Von Weber: ...
- Symphonic Metamorphosis on Themes by Carl Maria Von Weber: Andantino
- Symphonic Metamorphosis on Themes by Carl Maria Von Weber: March
- Tico Tico
- Honey Boys on Parade [March]
Average customer rating:
- A very nice find. Best aspects of Russian music.
- The best "unknown" Tchaikovsky piece ever written
- When a Genius Writes Inconsequential Music
|
Tchaikovsky: The Snow Maiden
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD
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| Tchaikovsky, Peter Ilyich
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Similar Items:
- Tchaikovsky: Cherevichki
- Tchaikovsky: The Snow Maiden, Op. 12
- Tchaikovsky: Opricnik
- Tchaikovsky: Complete String Quartets
- Tchaikovsky: Complete Suites
ASIN: B000000AVR
Release Date: 1994-11-29 |
Tracks:
- Introduction
- Tanets i Khor Ptits
- Monolog Moroza
- Provody Maslenitsy
- Melodrama
- Entr'acte
- Pervala pesnia Lelia
- Vtoraia pesnia Lelia
- Entr'acte
- Khor slepykh gusliarov
- Melodrama
- Khor naroda i tsaredvortsev
- Khorovod Devushek
- Jester's Dance
- Tret'ia pesnia Lelia
- Tret'ia pesnia Lelia
- Pesnia Brusily
- Appearance Of The Wood Bird
- Entr'acte
- Deklamatsia vensy
- Marsh Tsaria Berendeia I Khor
- Final
Customer Reviews:
A very nice find. Best aspects of Russian music........2007-03-10
I almost invariably avoid Tchaikovsky's musical works, probably based on the hangovers from listening to the highly contrived '1812 Overture' and some, on the other hand, of his dullish instrumental pieces. But, if there is anything the Russians can do right, it's music for drama, especially when it includes choral pieces. And the vocal and choral pieces in this 'minor' work are simply engaging. And, the hefty 80 minute duration is nothing to sneeze at.
If, like me, you enjoy out of the way corners of music history, this is a great find.
The best "unknown" Tchaikovsky piece ever written.......2002-12-16
How anybody can give this beautiful work only three stars is beyond me. Of all Tchaikovsky's infrequently played works, this is easily the best one, full of the beautiful melody that he is famous for. It surpasses the first three Tchaikovsky symphonies as well as the "Manfred Symphony". True, there is some repetition, but the previous reviewer forgets that this is not opera music (the opera of "The Snow Maiden" is by Rimsky-Korsakov, not Tchaikovsky). Tchaikovsky's score for "The Snow Maiden"---written NOT for the Hans Christian Andersen story but for the first production of a Russian fantasy-play by Tchaikovsky's contemporary, 19th century playwight Alexander Ostrovsky, is incidental music written for that play, and incidental music is the direct ancestor of movie background music. It was meant to be played both during the action and between set changes, which were enormously time-consuming in elaborate productions such as this.
Just as a James Bond film repeats the catchy Bond theme more than once during any 007 feature, a composer who writes theatrical music for a play will repeat several of his main themes more than once. And Tchaikovsky was not the only composer to do this; Mendelssohn did it in his music for "A Midsummer Night's Dream" and Grieg did it in his "Peer Gynt" music. What is so awful about Tchaikovsky following their example?
As for the performances and the recorded sound, they are excellent. Neeme Jervi is unsurpassed at bringing unknown music to light, and he has done a masterful job here. The soloists are just fine; I can see no reason for faulting them.
This is an excellent addition to anyone's record collection, especially if they love Tchaikovsky or are passionately interested in 19th century theatrical music for dramatic plays---now if only some intelligent producer would stage this long-forgotten play on PBS, WITH Tchaikovsky's music.
When a Genius Writes Inconsequential Music.......2001-03-16
Tchaikovsky's incidental music for the play "The Snow Maiden" is a relatively early work (opus 12), and as much as it shows at times the genius to come in the later works, it really is a much lesser piece. The real folk melodies Tchaikovsky uses in this set of songs, dances and choruses never seem to rise entirely above the banal (except perhaps the "Jester's Dance," an incredibly lively affair often played by itself). If there is a nice turn of phrase or a nice harmonic progression, it tends to get repeated to death - not like the Tchaikovsky we all know. Surprisingly, the composer thought highly of this work.
Neeme Jarvi conducts this suite with his usual penchant for attending to detail and making it all work together. The Detroit Symphony plays in an engaging, virtuosic manner. The University Musical Society Choral Union (based at the U of M, Ann Arbor), while apparently coached in the Russian tongue, can't quite get it right, and they also don't have much of a pianissimo or much of a sense of the potential for choral subtleties. (But then this music wouldn't exactly inspire me if I were singing in a chorus.) The vocal soloists, Irina Mishura-Lekhtman and Vladimir Grishko, are quite fine throughout.
My advice: Buy this 79-minute CD if the work piques your curiosity, but don't get it if you're after only "A" Tchaikovsky.
Average customer rating:
- Classical Princess- Music for Dress-Up
|
Classical Princess: music for dress-up
Manufacturer: Delos Records
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Similar Items:
- Disney's Princess Collection: The Music of Hopes, Dreams and Happy Endings
- Disney Princess Tea Party
ASIN: B00000070Y
Release Date: 1996-10-24 |
Tracks:
- From Sleeping Beauty: Sleeping Beauty Waltz
- From Sleeping Beauty: Dance Of The Young Girls
- From Sleeping Beauty: Lovely Scene
- Praeludium From Holberg Suite: Entrance Of The Princess
- From Heigh Ho! Mozart: Beauty and the Beast
- From My Keyboard Friends: Sadie's Waltz
- The Nutcracker Suite: Nutcracker Dance
- The Nutcracker Suite: Chinese Dance
- The Nutcracker Suite: Dance of the Reed Pipes
- The Nutcracker Suite: Waltz of the Flowers
- Serenade For Strings: Serenade
- Serenade For Strings: Waltz Time
- From World Of The Harp: The Stream
- From The Red Poppy: Red Poppy Waltz
- From Prince Ivan And The Frog Princess: Waltz of the Prince and Princess
- From Prince Ivan And The Frog Princess: Happily Ever After
- From The Snow Queen: Dance of the ICe Crystals
- From The Snow Queen: Reunion with the Gypsy Girl
- From Romeo And Juliet: The Child Juliet
- Scherzo From Trio No. 1: Joking
Amazon.com
You know the classical compilation business is getting serious when you have artists like conductor Andrew Litton and the Dallas Symphony on a record of music for little kids to play dress-ups by. On this disc, packaged explicitly for that purpose, participants include the Seattle Symphony, the English Chamber Orchestra, and the Los Angeles Chamber Orchestra. Nothing but the best for my kid! The selections were apparently chosen by a girl, pictured on the cover, who looks to be about five or six. She's done a great job. There's lots of Tchaikovsky here, as well as Grieg, Gliere, and Prokofiev. It's great music and the disc, with its cheerful cover, will likely bring a smile to the lips of many adults as well as children. --Gwendolyn Freed
Customer Reviews:
Classical Princess- Music for Dress-Up.......2000-03-07
This beautiful music will inspire me to play Dress-up...and I'm the Mom!
Average customer rating:
|
Lebendige Vergangenheit: Sara Dolukhanova
Manufacturer: Preiser Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000023ND
Release Date: 1995-02-07 |
Tracks:
- Adriadra: Adriadna's Recitativo and Aria from USSR D-004676
- Flavio: Flavio's Aria from USSR D-004666
- Semiramide: Arsace's Cavatina from USSR D-2859
- Semiramide: Duet of Semeramide and Arsace with G. Sakharova from USSR m 10-42624
- Les Hugenots: Page's Cavatina from USSR D-3265
- Les Hugenots: Page's Rondo from USSR D-3265
- Faust: Siebel's Aria
- Werther: Charlotte's Aria from USSR D-3265
- Samson et Dalila: Dalila's Aria from USSR D-3264
- Don Carlos: Eboli's Aria from USSR D2859
- Knovanshchina: Marpha's Fortune-Telling from USSR D-08057
- Khovanshchina: Marpha's Song from USSR D-08057
- Snegourochka: The First Song of Lel from USSR D-06291-94
- Sadko: Lyubava's Recitativo and Aria from USSR D-08057
- Kashchei the Deathless: Kasheyevna's Aria from USSR D-08057
Average customer rating:
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Tchaikovsky: Serenade for Strings Op48; String Quartet No1, Op11
Manufacturer: Sony
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ASIN: B00000DSLM
Release Date: 1995-09-05 |
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Mystery Classics
Manufacturer: Delos Records
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ASIN: B0000006UO
Release Date: 1996-07-16 |
Tracks:
- Toccata In D Minor: The Phantom At The Organ
- Vales Of Dreams: Vale Of Dreams
- Night Winds
- The Firebird (Introduction): In The Dark Of Night
- The Firebird (Dance Of Kashchei's Retinue): The Evil Sorcerer
- Bagatelle No. 1: Mysterious Encounter
- Bagatelle No. 4: The Forbidden Garden
- Contrasts: Agent In Peril
- Fantasia, Largo: Lost In The Rain Forest
- Berceuse: The Firebird's Spell
- Quintet, Op. 39, V: The Intruder
- Serenade, Op. 12, II: The Deserted Encampment
- Song Of The Nightingale: The Mysterious Bird
- Prince Ivan & The Frog Princess: Apparitions
- Prince Ivan & The Frog Princess: Poltergeists
- The Snow Queen: Hobgoblins
- Carol Rosenberger: Ghosts
- Gargoyles And Chimeras
- Quartet In F, III: Dark Moon
Music Review:
- The Age of Cathedrals
- The Collection
- The Complete 1950's Concerto Recordings [Box set]
- The Dante Troubadours
- The Grand Tour
- The Mask
- The River (Flute and Harp)
- The Sixteen 25th Anniversary Edition
- Three Great Tenors [Import]
- Varese: Arcana/Holst: The Planets
Music Review
music review
Music Review
Planet Reverb
Chaudoir: On The Beach At Night and Other Works for Woodwinds
Beethoven: Sonatas for piano No14; Sonatas for piano No21
Timeless
CD Dance [Import]
De Nachten [Live] [Import]
Carnival 2001
Essentials [Original recording remastered] [Import]
Bigger Than Me [CD-single] [Enhanced] [Import]
Beethoven: Symphonies Nos. 5 & 6
Basie Picks the Winner [Import] [Original recording remastered]
Ay Mama Ines [Import]
Aquele Abraço [Box set]
Classical Music classical-music-29
Early Recordings