Fuchs: Piano Concerto, Op. 27; Kiel: Piano Concerto, Op. 30

Editorial Reviews
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Robert Fuchs (1847-1927) and Friedrich Kiel (1821-1885) both composed directly in Beethoven's shadow, although Fuchs was also a close friend of, and was influenced by, Brahms. These two concertos are big and Romantic, and will excite and please fans of highly symphonic works in which the interplay between piano and a grand orchestra is exciting and outstanding. The earlier work has a nice, somewhat self-indulgent, but melodic first movement, a loving middle movement and a razzle-dazzle finale. Fuchs' concerto also features a last movement which is stunning in its virtuosity, an opener which is dramatic enough to immediately grab the listener, and a centerpiece which is enchanting. Martin Roscoe plays both concerti brilliantly and Brabbins leads the BBC Scottish Symphony Orchestra with great energy. The sound is broad and realistic. Highly recommended. --Robert Levine

Fuchs: Piano Concerto, Op. 27; Kiel: Piano Concerto, Op. 30, Music, Robert Fuchs, Friedrich Kiel, Martyn Brabbins, Glasgow BBC Scottish Symphony Orchestra, Martin Roscoe, Chamber Music & Recitals, Classical, Classical Composers, Classical Music, Concerto
Fuchs: Piano Concerto, Op. 27; Kiel: Piano Concerto, Op. 30
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    Fuchs: Piano Concerto, Op. 27; Kiel: Piano Concerto, Op. 30

    Manufacturer: Hyperion UK
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
    Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Chamber Music | Classical | Styles | Music
    ClassicalClassical | Imports | Stores | Music
    Similar Items:
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    ASIN: B000088E0S
    Release Date: 2003-03-11

    Amazon.com

    Robert Fuchs (1847-1927) and Friedrich Kiel (1821-1885) both composed directly in Beethoven's shadow, although Fuchs was also a close friend of, and was influenced by, Brahms. These two concertos are big and Romantic, and will excite and please fans of highly symphonic works in which the interplay between piano and a grand orchestra is exciting and outstanding. The earlier work has a nice, somewhat self-indulgent, but melodic first movement, a loving middle movement and a razzle-dazzle finale. Fuchs' concerto also features a last movement which is stunning in its virtuosity, an opener which is dramatic enough to immediately grab the listener, and a centerpiece which is enchanting. Martin Roscoe plays both concerti brilliantly and Brabbins leads the BBC Scottish Symphony Orchestra with great energy. The sound is broad and realistic. Highly recommended. --Robert Levine

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