Seven Mirrors

Editorial Reviews
Album Description
The work of Cambodian-American composer Chinary Ung (b. 1942) represents one of the more successful attempts to accomplish a musical integration of East and West, resulting in a style that is uniquely his own. In general, Ung’s music is resplendent with lush romantic harmonies, rhythmic complexities, and lyrical melodic passages, an amalgamation that, together with his own idiosyncratic compositional technique, has evolved over the course of time.

Both Asian and Western elements are readily discernible in Spiral VI (1992), probably one of Ung’s best examples of achieving a true integration of these ideas. Spiral VI is constantly changing, expanding, or contracting, and has been described as having a "floating" feeling despite its precise rhythmic notation. Seven Mirrors (1997) is a challenging solo piano work that is comprised of seven short virtuosic movements, each of a different character, but all linked either musically or thematically. Familiar piano gestures reflect postmodern characteristics that prevailed in the last quarter of the twentieth century, and each movement is assigned a fanciful title that "describes" the nature of the music.

Grand Alap (1996) has a fascinating array of sonic effects, both in the instrumental and vocal parts. More than thirteen different percussion instruments are in constant motion under the amplified cello passages, providing continuity and unity to the work.

In the words of the composer, the source of inspiration for Grand Spiral ("Desert Flowers Bloom") (1992) was "the image of a translucent piece of sculpture that is constantly moving and rotating in the desert while reflecting sunlight as perhaps a prism would." The post-impressionist aspect of Grand Spiral should come as no surprise since Debussy was one of Ung’s early heroes of composition. This work shows Ung to be a consummate orchestrator, with an uncanny sense of how to combine instrumental colors in order to produce his desired result. Of related interest: 80412

Seven Mirrors, Music, Walter Gray, Chinary Ung, Harvey Sollberger, Quake, La Jolla Symphony, Rob Tucker, Gloria Cheng, Band, Chamber, Chamber Music, Classical, Classical Composers, Concert/Brass/Marching Band Music, Keyboard, Music for Keyboard, Orchestral & Symphonic
Seven Mirrors
Average customer rating: Not rated
    Seven Mirrors

    Manufacturer: New World Records
    ProductGroup: Music
    Binding: Audio CD

    MarchesMarches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
    General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Symphonies | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Chamber Music | Classical | Styles | Music
    MarchesMarches | Miscellaneous | Styles | Music
    ClassicalClassical | Indie Music | Stores | Music
    Similar Items:
    1. Tristan Murail: Gondwana; Désintégrations; Time and Again

    ASIN: B0007LPDJU
    Release Date: 2005-01-31

    Tracks:

    1. Spiral VI
    2. Seven Mirrors - A Window in the Sky
    3. Seven Mirrors - Dotted Path
    4. Seven Mirrors - Roar, Lion of the Heart
    5. Seven Mirrors - Laughter Passes Over the Earth
    6. Seven Mirrors - Space Between the Fish and the Moon
    7. Seven Mirrors - Tattooing Space-Time
    8. Seven Mirrors - Flying Mirrors
    9. Grand Alap
    10. Grand Spiral ("Desert Flowers Bloom")

    Album Description

    The work of Cambodian-American composer Chinary Ung (b. 1942) represents one of the more successful attempts to accomplish a musical integration of East and West, resulting in a style that is uniquely his own. In general, Ung's music is resplendent with lush romantic harmonies, rhythmic complexities, and lyrical melodic passages, an amalgamation that, together with his own idiosyncratic compositional technique, has evolved over the course of time.

    Both Asian and Western elements are readily discernible in Spiral VI (1992), probably one of Ung's best examples of achieving a true integration of these ideas. Spiral VI is constantly changing, expanding, or contracting, and has been described as having a "floating" feeling despite its precise rhythmic notation. Seven Mirrors (1997) is a challenging solo piano work that is comprised of seven short virtuosic movements, each of a different character, but all linked either musically or thematically. Familiar piano gestures reflect postmodern characteristics that prevailed in the last quarter of the twentieth century, and each movement is assigned a fanciful title that "describes" the nature of the music.

    Grand Alap (1996) has a fascinating array of sonic effects, both in the instrumental and vocal parts. More than thirteen different percussion instruments are in constant motion under the amplified cello passages, providing continuity and unity to the work.

    In the words of the composer, the source of inspiration for Grand Spiral ("Desert Flowers Bloom") (1992) was "the image of a translucent piece of sculpture that is constantly moving and rotating in the desert while reflecting sunlight as perhaps a prism would." The post-impressionist aspect of Grand Spiral should come as no surprise since Debussy was one of Ung's early heroes of composition. This work shows Ung to be a consummate orchestrator, with an uncanny sense of how to combine instrumental colors in order to produce his desired result. Of related interest: 80412
    Room Eleven
    Average customer rating: Not rated
      Room Eleven
      Room Eleven
      ProductGroup: Music
      Binding: Audio CD
      ASIN: B000MZLPKM

      Product Description

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