Ben Heppner - My Secret Heart ~ Songs of parlour, stage and screen

Editorial Reviews
Amazon.com
With his 1999 Met triumph as Tristan--the most taxing of all Wagner's tenor roles--Canadian singer Ben Heppner has fully earned his heralded position as the great new Heldentenor of our time. His Lohengrin is a signature role, while his album German Romantic Opera has been nominated for a Grammy. Yet Heppner also commands tremendous versatility--and of a much more engaging character than that of the typical crossover effort--using his powerful, bronze-tinged tenor to tender and charming effect in My Secret Heart. This is a collection of songs roughly from the period between the two world wars, when music began to reach mass audiences via radio and screen. Many of these are almost forgotten gems--emblems of a vanished era--but once had wide cultural currency: the World War II hit "We'll Gather Lilacs," the radio show Family Hour's theme tune "Let My Song Fill Your Heart," and the oft-recorded 1919 ballad "The World Is Waiting for the Sunrise." Heppner, with his sturdy beauty of tone and sweet, natural-sounding vibrato, breathes new life into this genre. He handles the idiom's unabashed schmaltz with charm and brings a lilting urbanity to two Noël Coward tunes, with especially bittersweet refinement in "I'll Follow My Secret Heart." --Thomas May

Ben Heppner - My Secret Heart ~ Songs of parlour, stage and screen, Music, Charles Gilbert Spross, Vittorio Giannini, Ernest Charles, Ivor Novello, Sir Noel Coward, Eric Coates, Teresa Clotilde del Riego, Mana-Zucca, Ernst Seitz, Haydn Wood, Sammy Fain, Sigmund Romberg, Rudolf Friml, Brodszky/Cahn, London Philharmonic Orchestra, Jonathan Tunick, Ben Heppner, Del Riego, Nicholas Brodszky, Noel Coward, 20th/21st Century Music for Voice and Keyboard, American Operetta, Classical, Classical Artists, Classical Music, Classical Vocals, Miscellaneous, Miscellaneous Music, Miscellaneous Vocal Music, Music Theater, Musical Theater, Opera, Solo Voice(s) and Orchestra, Vocal, Vocal Music

My Secret Heart - Songs of Parlour, Stage and Screen
Average customer rating:

Almost too much lavender and roses, but a delight anyway

Mr. Heppner Must Have A Large Parlour!

He can keep his secret to himslef

What a 'crossover' album should be!

This cd has left me speechless, wow!

My Secret Heart - Songs of Parlour, Stage and Screen
Ben Heppner , Vittorio Giannini , Ernest Charles , Ivor Novello , Sir Noel Coward , Eric Coates , Teresa Clotilde del Riego , Mana-Zucca , Ernst Seitz , and Haydn Wood
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B00002JXEC
Release Date: 1999-11-09

Tracks:

Let All My Life Be Music
Sing To My Heart A Song
Let My Song Fill Your Heart
Love Is My Reason For Living
Someday My Heart Will Awake
I'll See You Again
We'll Gather Lilacs
Bird Songs At Eventide
Homing
I Love Life
The World Is Waiting For The Sunrise
Roses Of Picardy
I'll Be Seeing You
Serenade
Love Me Tonight
Be My Love
The Desert Song
I'll Follow My Secret Heart

Amazon.com

With his 1999 Met triumph as Tristan--the most taxing of all Wagner's tenor roles--Canadian singer Ben Heppner has fully earned his heralded position as the great new Heldentenor of our time. His Lohengrin is a signature role, while his album German Romantic Opera has been nominated for a Grammy. Yet Heppner also commands tremendous versatility--and of a much more engaging character than that of the typical crossover effort--using his powerful, bronze-tinged tenor to tender and charming effect in My Secret Heart. This is a collection of songs roughly from the period between the two world wars, when music began to reach mass audiences via radio and screen. Many of these are almost forgotten gems--emblems of a vanished era--but once had wide cultural currency: the World War II hit "We'll Gather Lilacs," the radio show Family Hour's theme tune "Let My Song Fill Your Heart," and the oft-recorded 1919 ballad "The World Is Waiting for the Sunrise." Heppner, with his sturdy beauty of tone and sweet, natural-sounding vibrato, breathes new life into this genre. He handles the idiom's unabashed schmaltz with charm and brings a lilting urbanity to two Noël Coward tunes, with especially bittersweet refinement in "I'll Follow My Secret Heart." --Thomas May

Customer Reviews:

Almost too much lavender and roses, but a delight anyway.......2006-08-29

These are beloved popular songs from our grandparents' generation that are redolent of lavender an tears. Their sentimentality couldn't be more out of fashion, but Ben Heppner steps forward, like Mario Lanza before him, to offer thrills amidst the honeyed scents. He's totally sincere, and you'd have to be Alberich or Don Pizarro to react with anything but a melting heart. God, I'm falling into the same vocabulary as these songs. No need to blush, though, with such a great singer at hand.

Mr. Heppner Must Have A Large Parlour!.......2005-02-22

I purchased this CD after hearing Mr. Heppner in recital singing "Homing" for an encore. This small gem written by Teresa Del Riego is a haunting song about loneliness. We learn from the notes-- they are very informative with bios on the composers included here as well as the words to the lyrics-- that she composed this ballad in 1917, the year her husband was killed in France just before the ending of World War I. There are other lovelies here as well: "I Love Life", "We'll Gather Lilacs", "The World Is Waiting For The Sunrise" as well as music by Noel Coward, Sigmund Romberg and Rudolf Friml. Heppner also sings "I'll Be Seeing You." It's such a relief to hear someone other than Liberace do that number since it was the song that he always used to close his television show in the 50's and unfortunately made into a syrupy cliche.

Mr. Heppner says these are songs of the parlour, stage and silver screen. His glorious voice which appears to be a combination of steel and gold fills a recital hall easily. He would need a huge parlour to sing in as well.

This CD is quite wonderful. There are no dull cuts. Since the songs are all about love, this would make a great February 14 gift.

He can keep his secret to himslef.......2003-12-13

This is OBNOXIOUS, this dude should be in operas. i am speechless, he is one loud mouthed dude!

What a 'crossover' album should be!.......2001-09-01

In general, I hate it when classical singers make 'crossover' recordings. Usually the singer has no idea how to sing 'pop' material in anything like the proper style - even someone who is singing it because he or she genuinely likes the music and not just to milk cash from the unsuspecting masses. But there are always exceptions to a rule, and this CD is one of them. Ben Heppner here scales down his huge operatic voice and shows his 'secret heart', a more intimate side of his musical personality.

There is no question that Heppner is one of the greatest tenors of our age. He is often compared with his fellow Canadian Jon Vickers (with whom he shares much of his repertory) but especially here, he is beginning to remind me more and more of Jussi Bjorling, and I can think of no higher compliment. Part of this is because Bjorling actually sang quite a bit of repertory similar to what Heppner sings here, but more importantly, both voices have an ideal combination of power and sweetness. Heppner's is essentially a very lyric voice despite its large size, and he is capable of great tonal beauty and sensitivity. This not only makes his Wagner, Giordano, and Berlioz very special, but makes him equally adept with the gentle little gems he sings on this disc. He is helped somewhat by the fact that these songs, most of which were written in the very early part of the 20th century, are a lot closer to the 'classical' style than more modern pop. But what really makes Heppner perfect for this material is his total identification with the texts, his tenderness, and his utter sincerity. Also, his diction is superb - you won't need the printed texts to understand what he is singing. In the hands of a lesser singer, some of these old fashioned songs would be absolute treacle. But an artist like Heppner can raise up even 'substandard' compositions and give them the aura of greatness.

In the more upbeat songs, Heppner sings with the thrilling, heroic tone that has made him in demand in every opera house in the world. He makes 'Let All My Life Be Music' into his personal mission statement. 'Homing' was also a favorite of another great Wagnerian tenor, namely Lauritz Melchior. 'I Love Life!', complete with splendid high C, is sung with enough cheer and vigor to bring anybody out of a depression. But this repertory is often gentle and introspective, and Heppner can also easily fine down his voice to a splendid pianissimo, drawing you in and enticing you to pay attention as opposed to banging you over your head like many other tenors do. Ivor Novello's 'Love is My Reason For Living' and Ernest Charles' 'Let My Song Fill Your Heart' are light, gracious Viennese waltzes. The familiar 'Roses of Picardy', 'Bird Songs at Eventide' and 'I'll Be Seeing You' are also sung sweetly and caressingly. Two more Novello songs are among the best tracks on the album. 'Someday My Heart Will Awake', is soft, gentle, and nostalgic, rising to a passionate conclusion. 'We'll Gather Lilacs' is obviously a love song from Heppner to his wife Karen (to whom the entire album is dedicated), full of yearning and deeply moving.

The operetta selections are even more special. In the Serenade from 'The Student Prince', which is alone worth the price of the CD, Heppner makes something truly thrilling of the declaration 'Oh, hear my longing cry!/Oh, love me or I die!', and ends with not one but two spectacular high Cs. What a pity that the chances of him ever recording the entire operetta are so slim! The cajolingly sung title song from 'The Desert Song' is almost as fine, as is 'Love Me Tonight' from 'The Vagabond King'. Finally, the title song 'I'll Follow My Secret Heart', with yet another brilliant high C, makes a splendid finish to this very enjoyable album.

I should also give credit to noted composer and orchestrator Jonathan Tunick for his warm, rich, and perfectly scaled arrangements of these songs. Like Heppner, he finds the perfect mood for each piece and never engages in schmaltz that one might expect from some of this material. The only complaint I have about this disc is the one I have about many contemporary CDs - why is there only 54 minutes of music on a medium that can hold almost 80 minutes? There are assuredly more than 18 songs Heppner could have recorded in this vein. I would have liked to have seen more operetta items in particular. Although I suppose they couldn't have recorded the Drinking Song from 'The Student Prince' as well as the Serenade without a chorus, it would have been nice if 'Deep In My Heart, Dear' had been included. Still, the quality of what is there far outweighs the quantity. The excellent documentation, in German and French as well as English, includes a personal note from Heppner, biographies of all the composers as well as Heppner and Tunick, and complete song texts. The cover shows Heppner surrounded by red velvet, designed, amusingly enough, by Red Herring Productions!

Whether you're an opera lover who wants to hear a great tenor in a lighter mood, or a fan of early 20th century popular music who is curious to see what it sounds like sung by a genuinely great voice, this disc is essential. It is an excellent introduction to Heppner's artistry if you haven't experienced it before, and after listening to it you might want to try some of his opera CDs, both solo recitals and complete recordings. There are few voices that could serve as a better introduction for a neophyte to the wonderful world of opera. If only more 'crossover' singers (both classical and pop) had Heppner's musical integrity...

This cd has left me speechless, wow!.......2001-02-18

Air give me air, I need lots of air, air, air.......This cd has caused me a lot of adverse breathing.

The things that I have read about Ben have been very true. He really is a lot more than I ever bargained for. He is THAT GOOD.

I need to go out on a limb and say that he is the best tenor I have ever heard. In my wildest dreams I never thought anyone could be that good.

For this cd Ben choose to sing a lot of standards. Bravo! This is my kind of music. Ben did an excellent job crooning us with his golden voice. He knew when to hold back and when to sing at full strength. This is marvelous how he worked each song to get the full meaning out of it.

The only complaint I have is there was not enough of the good olde songs that I wanted to hear Ben sing. I know it's hard to please all the people all the time and I understand where Ben was coming from.

This cd is a must for the fans of beautiful opera singers who crossover with popular music.

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