Walton: String Quartet No2; Prokofiev: String Quartet No. 2 in F major
Editorial Reviews
Amazon.com
I'm not always happy with the Hollywood String Quartet's legendary recordings of romantic music. But 20th-century music was their specialty, and this disc is a dazzler. The group digs into all three pieces with tremendous verve and the amazingly well matched ensemble that was their trademark. Personally, I'd rank the works on the disc in this order: first, Hindemith, a gritty post-World War I masterpiece; second, Prokofiev, a touchingly expressive work; and third, Walton, pseudo-modernistic dishwater. Walton loved this performance of his Quartet, so at least it's being done right. The recording is clear and realistic '50s mono, the program generous (73:37). --Leslie Gerber
Walton: String Quartet No2; Prokofiev: String Quartet No. 2 in F major, Music, Eleanor Aller, Paul Hindemith, Sergey Prokofiev, William Walton, Hollywood String Quartet, Paul Robyn, Felix Slatkin, Paul Shure, Chamber, Classical, Classical Artists, Classical Music, Quartet for Four String Instruments
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The Hollywood String Quartet Plays Prokofiev, Hindemith, Walton
Manufacturer: Testament UK
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ASIN: B000003XIX
Release Date: 1994-11-21 |
Tracks:
- String Quartet No. 2 In F Op. 92: Allegro Sostenuto
- String Quartet No. 2 In F Op. 92: Adagio
- String Quartet No. 2 In F Op. 92: Allegro - Andante molto - Allegro
- String Quartet No. 3 In C Op. 22: Fugato (Sehr langsame Viertel)
- String Quartet No. 3 In C Op. 22: Schnelle Achtell (Senh energisch)
- String Quartet No. 3 In C Op. 22: Ruhige Viertel (Stets fliessend)
- String Quartet No. 3 In C Op. 22: Massing schnelle Viertel
- String Quartet No. 3 In C Op. 22: Rondo (Gemachlich und Grazie)
- String Quartet In A Minor: Allegro
- String Quartet In A Minor: Presto
- String Quartet In A Minor: Lento
- String Quartet In A Minor: Allegro molto
Amazon.com
I'm not always happy with the Hollywood String Quartet's legendary recordings of romantic music. But 20th-century music was their specialty, and this disc is a dazzler. The group digs into all three pieces with tremendous verve and the amazingly well matched ensemble that was their trademark. Personally, I'd rank the works on the disc in this order: first, Hindemith, a gritty post-World War I masterpiece; second, Prokofiev, a touchingly expressive work; and third, Walton, pseudo-modernistic dishwater. Walton loved this performance of his Quartet, so at least it's being done right. The recording is clear and realistic '50s mono, the program generous (73:37). --Leslie Gerber
Average customer rating:
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Mystery Classics
Manufacturer: Delos Records
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ASIN: B0000006UO
Release Date: 1996-07-16 |
Tracks:
- Toccata In D Minor: The Phantom At The Organ
- Vales Of Dreams: Vale Of Dreams
- Night Winds
- The Firebird (Introduction): In The Dark Of Night
- The Firebird (Dance Of Kashchei's Retinue): The Evil Sorcerer
- Bagatelle No. 1: Mysterious Encounter
- Bagatelle No. 4: The Forbidden Garden
- Contrasts: Agent In Peril
- Fantasia, Largo: Lost In The Rain Forest
- Berceuse: The Firebird's Spell
- Quintet, Op. 39, V: The Intruder
- Serenade, Op. 12, II: The Deserted Encampment
- Song Of The Nightingale: The Mysterious Bird
- Prince Ivan & The Frog Princess: Apparitions
- Prince Ivan & The Frog Princess: Poltergeists
- The Snow Queen: Hobgoblins
- Carol Rosenberger: Ghosts
- Gargoyles And Chimeras
- Quartet In F, III: Dark Moon
Average customer rating:
- WRONG ITEM
- Fast.
- The Ultimate Violinistic Reference for All of Us!
|
Heifetz Collection, Volume 5 (1939-1946)
Manufacturer: RCA
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ASIN: B000003FII
Release Date: 1997-06-17 |
Tracks:
- Concerto For Violin And Cello, Op. 102: Allegro
- Concerto For Violin And Cello, Op. 102: Andante
- Concerto For Violin And Cello, Op. 102: Vivace non troppo
- Concerto, Op. 61: Allegro, ma non troppo
- Concerto, Op. 61: Larghetto
- Concerto, Op. 61: Rondo: Allegro
Tracks:
- Concerto in B Minor: Andante tranquillo
- Concerto in B Minor: Presto capriccioso alla napolitana
- Concerto in B Minor: Vivace
- Concerto For Violin, Piano, & String Quartet, Op.21 In D: Decide; Calme; Anime
- Concerto For Violin, Piano, & String Quartet, Op.21 In D: Sicilienne: Pas vite
- Concerto For Violin, Piano, & String Quartet, Op.21 In D: Grave
- Concerto For Violin, Piano, & String Quartet, Op.21 In D: Tres anime
- Gavotte, Op.32, No.3
- March, Op.12,No.1 In F Minor
- Etude-tableau, Op.39, No.2 In A Minor
- Daisies, Op.38, No.3
- Oriental Sketch, Op.2, No.2
Customer Reviews:
WRONG ITEM.......2002-08-01
It's marked wrong volume.On the picture you have vol.5,not vol.4
Fast........2001-06-29
Yes. He did play fast. Yes, he played every note. Yes, he is in tune. But as the previous reviewer notes (with 5 stars nonetheless), the Beethoven has to be the most emotionally detached ever recorded. Is this following "the composer's intentions"? Given the other works Beethoven wrote during the same period, it seems extremely unlikely.
This is a "radical, off-the-wall" rendering, rather than a traditionalist one. No amount of technique can cover up for that fact. And the reality is it is not even very musical. Listen to the divinity of the Menuhin/Furtwangler recording, or that of Kreisler, or even, much more recently, Hilary Hahn's, and one easily sees that Heifetz is way off base. Yes, I admire his technique, greatly, but it is technique used for no discernible or serviceable purpose. It is a waste of talent, or not worth listening to more than once.
The Ultimate Violinistic Reference for All of Us!.......1998-09-18
My comments will emphasize the value of the concerto recordings:
1. BEETHOVEN Concerto in D. The old Victor 78 set (which sounded harsh and tinny) had a large diamond on the cover, and this reissue is indeed a gemstone, since its sound quality has been immeasurably improved! But the interpretation is one of the more severe and emotionally detached on records. I understand that 2 years ago, Seth Winner, the Toscanini archivist, discovered alternate takes of the first movement that may well be slower and more expressive than the approved sides used for this recording: watch the skies for them! Until then, be sure to acquire this set and not a cheezy bootleg fake-stereo from an unofficial source. I found this transfer, in a careful A-B comparison, to be identical to that contained in Vol 41 of the Toscanini Collection on RCA / BMG.
I must note that Josef Krips played the concerto once with Heifetz, and came backstage afterwards in a state of awe and astonishment. "He played EVERY NOTE...every single one!" said the amazed conductor, who was used to the usual violinistic tactic of skittering around in the fast passagework to cover up uneven playing. Here, too, every note is played -- honestly and with perfect judgment for values and dynamics -- and it is a glorious experience.
2. BRAHMS Double Concerto. Heifetz and Feuermann are of one mind in this classic and highly controlled interpretation, the antithesis of the heart-on-sleeve Walter / Francescatti Sony CD recording from 1959. Yet Ormandy and his Philadelphians are a shade stolid compared to other versions with Toscanini, Reiner, Fricsay, or Furtwaengler.
3. WALTON: Violin Concerto. This 1942 premiere recording of the great concerto commissioned by Heifetz features the Cincinnati Symphony led by the esteemed and highly- talented British conductor Eugene Goossens. This excellent- sounding record has always been my all-time FAVORITE version of the piece, dating back to my own copy on 78s. It surpasses Heifetz' 1950 remake, and just about every other of the dozens of alternative interpretations I have audited.
4. CHAUSSON: Concerto. This chamber work is a unique item in the repertoire, and has been recorded many times in memorable versions. The Heifetz sounds clear and clean, but is typical of his small ensemble performances: a bit fleet and unfeeling, sailing along with surface perfection in place, but lacking in more reflective qualities. Yet this was a phonographic classic, and has been well transferred in this all- mono honest restoration.
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