American Character
Track Listings
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1. Five Pieces for Piano
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2. Three Waltzes
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3. Six Character Pieces, Op. 7
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4. Two Caprices
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5. Three Pieces for Children
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6. Chanson Orientale
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7. Nocturne in D-Flat
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8. The Aspen
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Editorial Reviews
Album Description
Peter Kairoff writes: "The music of George Whitefield Chadwick is not nearly as well known as it ought to be. Although widely respected and admired in his lifetime, his music fell into relative obscurity after his death, and is only recently performed once more with any frequency. His piano music, in particular, has suffered from neglect: very few of the pieces on this disc have ever been recorded before. Why this should be so remains something of a mystery, for many of Chadwicks piano works display the same inventiveness, charm and craftsmanship found in his orchestral and chamber works. The title of this disc American Character reflects the fact that all of Chadwicks piano music is written in the style of the Character Piece: brief, memorable evocations of one particular mood or image. Chadwick was certainly able to craft large-scale forms when he wanted to, as he did in his symphonies and chamber works to great effect. But his piano works are all on a! smaller scale, like Mendelssohns Songs Without Words, Griegs Lyric Pieces, and so many other piano pieces of the nineteenth century. And like those models. Chadwicks piano music often evokes the world of Art Song, that wonderful and evocative fusion of poetry and music which was so popular in the nineteenth century. Like Art Song, these piano pieces capture a single vivid mood or visual image: a rushing stream, an aspen tree shuddering in the breeze, or even a group of noisy frogs. At his death in 1931, Chadwick was hailed by the influential critic Olin Downes in The New York Times as the composer who "represents most completely the body of serious American music." Taste shifted, of course, and all too soon Chadwicks music was forgotten, or dismissed as old fashioned. But now taste seems to be shifting back, and we are better able to appreciate the creativity, craftsmanship, and charm of a composer who himself was something of an American Character."
American Character, Music, George Whitefield Chadwick, Peter Kairoff, Chamber Music & Recitals, Character/Single-Movement/Miscellaneous Work for Keyboard, Classical, Classical Composers, Coll. of Character/Single-Movement/Misc. Works for Keyb., Collection of Dance-Based Music for Keyboard, Collection of Etudes, Studies, or Exercises for Keyboard, Etude for Keyboard, Keyboard, Nocturne for Keyboard
Average customer rating:
- Ultimate music for every time of day and every mood
- Would give 5 stars if sound quality where better
- Great collection for a great price
- 20 Fabulous Discs
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Rhapsody in Blue - Ultimate Piano Collection [20 CD Set]
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ASIN: B00012QLSW
Release Date: 2003-12-09 |
Tracks:
- Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble
- Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble
- Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble
Tracks:
- Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Allegro - Vilmos Fischer, Vienna Mozart Ensemble
- Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Andante - Vilmos Fischer, Vienna Mozart Ensemble
- Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Andante ... - Vilmos Fischer, Vienna Mozart Ensemble
- Piano Concerto No. 17 in G Major, K.453: Allegro - Vilmos Fischer, Vienna Mozart Ensemble
- Piano Concerto No. 17 in G Major, K.453: Andante - Vilmos Fischer, Vienna Mozart Ensemble
- Piano Concerto No. 17 in G Major, K.453: Allegretto - Vilmos Fischer, Vienna Mozart Ensemble
Tracks:
- Piano Sonata in a Major K.331: Andante Grazioso: Thema/Variation 1 - Margarete Babinsky
- Piano Sonata in a Major K.331: Menuetto - Margarete Babinsky
- Piano Sonata in a Major K.331: Alla Turca (Allegretto) - Margarete Babinsky
- Piano Sonata in F Major K.332: Allegro - Margarete Babinsky
- Piano Sonata in F Major K.332: Adagio - Margarete Babinsky
- Piano Sonata in F Major K.332: Allegro Assai - Margarete Babinsky
- Piano Sonata in C Major K.330: Allegro Moderato - Margarete Babinsky
- Piano Sonata in C Major K.330: Andante Cantabile - Margarete Babinsky
- Piano Sonata in C Major K.330: Allegretto - Margarete Babinsky
- 12 Variations K.265: Ah, Vous Dirai-Je, Maman: Theme/Variation ... - Margarete Babinsky
Tracks:
- Concerto in C Major for Piano and Orchestra: Allegro - Capella Coloniensis, Maria Luisa Tanzini
- Concerto in C Major for Piano and Orchestra: Larghetto - Capella Coloniensis, Maria Luisa Tanzini
- Concerto in C Major for Piano and Orchestra: Rondo - Allegro - Capella Coloniensis, Maria Luisa Tanzini
- Concerto for Piano and Orchestra No. 4 in G Major: Allegro Moderato - Nicolai Evrov, Sofia Philharmonic Orchestra
- Concerto for Piano and Orchestra No. 4 in G Major: Adagio Cantabile - Nicolai Evrov, Sofia Philharmonic Orchestra
- Concerto for Piano and Orchestra No. 4 in G Major: Rondo - Presto - Nicolai Evrov, Sofia Philharmonic Orchestra
- Concerto in C Major for Piano and Orchestra: Allegro Con Spirito - Ivan Drenikov, Sofia Soloists Chamber Ensemble
- Concerto in C Major for Piano and Orchestra: Adagio E Cantabile - Ivan Drenikov, Sofia Soloists Chamber Ensemble
- Concerto in C Major for Piano and Orchestra: Presto - Ivan Drenikov, Sofia Soloists Chamber Ensemble
Tracks:
- Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
- Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
- Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
- Overture Coriolan Op.62 - Dresdner Philharmonic
- Overture Leonore No.2, Op.72 - Dresdner Philharmonic
Tracks:
- Op.13, No. 8 in C Minor Pathetique: Grave - Allegro - Di Molto E ... - Istvan Szekely
- Op.13, No. 8 in C Minor Pathetique: Adagio Cantabile - Istvan Szekely
- Op.13, No. 8 in C Minor Pathetique: Rondo - Allegro - Istvan Szekely
- Op.27, No. 14 in C Sharp Minor Moonlight: Adagio Sostenuto - Istvan Szekely
- Op.27, No. 14 in C Sharp Minor Moonlight: Allegretto - Istvan Szekely
- Op.27, No. 14 in C Sharp Minor Moonlight: Presto Agitato - Istvan Szekely
- Op.57, No. 23 in F Minor Appassionata: Allegro Assai - Istvan Szekely
- Op.57, No. 23 in F Minor Appassionata: Andante Con Moto - Istvan Szekely
- Op.57, No. 23 in F Minor Appassionata: Allegro Ma Non Troppo - Presto - Istvan Szekely
- Rondo a Capriccio Op.129: Die Wut er Den Verlorenen - Jennd
Tracks:
- Piano Concerto No. 1 in E Minor, Op.11: Allegro Maestoso - Budapest Philharmonic Orchestra, Sandor Falvai
- Piano Concerto No. 1 in E Minor, Op.11: Romanze. Larghetto - Budapest Philharmonic Orchestra, Sandor Falvai
- Piano Concerto No. 1 in E Minor, Op.11: Rondo. Vivace - Budapest Philharmonic Orchestra, Sandor Falvai
- Piano Concerto No. 2 in F Minor, Op.21: Maestoso - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland
- Piano Concerto No. 2 in F Minor, Op.21: Larghetto - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland
- Piano Concerto No. 2 in F Minor, Op.21: Allegro Vivace - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland
Tracks:
- Piano Sonata No. 2 in B Flat Minor Op.35: Grave - Doppio Movimento [Liv - Ivo Pogoreuch
- Piano Sonata No. 2 in B Flat Minor Op.35: Scherzo [Live] - Ivo Pogoreuch
- Piano Sonata No. 2 in B Flat Minor Op.35: Marche Fune. Lento [Live] - Ivo Pogoreuch
- Piano Sonata No. 2 in B Flat Minor Op.35: Finale. Presto [Live] - Ivo Pogoreuch
- Piano Sonata No. 3 in B Minor Op.58: Allegro Maestoso [Live] - Garrick Ohlsson
- Piano Sonata No. 3 in B Minor Op.58: Molto Vivace [Live] - Garrick Ohlsson
- Piano Sonata No. 3 in B Minor Op.58: Largo [Live] - Garrick Ohlsson
- Piano Sonata No. 3 in B Minor Op.58: Presto Ma Non Tanto [Live] - Garrick Ohlsson
- Mazurkas Op.59: No. 1 in a Minor [Live] - Ivo Pogoreuch
- Mazurkas Op.59: No. 2 in a Flat [Live] - Ivo Pogoreuch
- Mazurkas Op.59: No. 3 in F Sharp [Live] - Ivo Pogoreuch
Tracks:
- Nocturne in B Major Op.9, No. 3 [Live] - Jean Marc Luisada
- Etude in G Flat Major Op.10, No. 5 [Live] - Jean Marc Luisada
- Etude in B Minor Op.25, No. 1 [Live] - Jean Marc Luisada
- Scherzo No. 1 in B Minor Op. 20 [Live] - Jean Marc Luisada
- Scherzo No. 2 in B Flat Minor Op. 31 [Live] - Jean Marc Luisada
- Waltz No. 1 in E Flat Major Op. 18 [Live] - Jean Marc Luisada
- Four Mazurkas Op.24: No. 1 in G Minor [Live] - Jean Marc Luisada
- Four Mazurkas Op.24: No. 2 in C Major [Live] - Jean Marc Luisada
- Four Mazurkas Op.24: No. 3 in a Flat Major [Live] - Jean Marc Luisada
- Four Mazurkas Op.24: No. 4 in B Flat Minor [Live] - Jean Marc Luisada
- Four Mazurkas Op.30: No. 1 in C Minor [Live] - Kemal Gekic
- Four Mazurkas Op.30: No. 2 in B Minor [Live] - Kemal Gekic
- Four Mazurkas Op.30: No. 3 in D Flat Major [Live] - Kemal Gekic
- Four Mazurkas Op.30: No. 4 in C Sharp Minor [Live] - Kemal Gekic
Tracks:
- Piano Concerto in a Minor Op.54: Allegro Affettuoso - Berlin Radio Symphony Orchestra, Heidrun Holtman
- Piano Concerto in a Minor Op.54: Intermezzo. Andantino Grazioso - Berlin Radio Symphony Orchestra, Heidrun Holtman
- Piano Concerto in a Minor Op.54: Allegro Vivace - Berlin Radio Symphony Orchestra, Heidrun Holtman
- Introduction and Allegro Appassionato Op.92 - Berlin Radio Symphony Orchestra, Heidrun Holtman
- Concerto Allegro With Introduction Op.134 - Berlin Radio Symphony Orchestra, Heidrun Holtman
Tracks:
- Rustle of Spring Op.32, No.6 - Jennd
- Novelette in F Major Op.21, No.1 - Jennd
- Songs Without Words: E Major Op.19, No.1 - Jennd
- Songs Without Words: F Sharp Minor Op.30, No.6 - Jennd
- Songs Without Words: Duetto in F Major Op.38, No.6 - Jennd
- Songs Without Words: G Major Op.62, No.1 - Jennd
- Songs Without Words: Spring Song in a Major Op.62, No.6 - Jennd
- Intermezzo in a Major, Op.76, No.6 - Jennd
- Intermezzo in a Minor Op.76, No.7 - Jennd
- Intermezzo in a Major Op.118, No.2 - Jennd
- Intermezzo in E Flat Minor Op.118, No.6 - Jennd
- Lyric Pieces: Arietta Op.12, No.1 - Jennd
- Lyric Pieces: Folkevise Op.12, No.5 - Jennd
- Lyric Pieces: Butterfly Op.43, No.1 - Jennd
- Lyric Pieces: To Spring Op.43, No.6 - Jennd
- Lyric Pieces: Notturno Op.54, No.4 - Jennd
- Lyric Pieces: Bryllupsdag Pa Troldhaugen Op.65, No.6 - Jennd
- Saisons Op.37b, No. 6 Juin Barcarolle - Jennd
- Chant Sans Paroles: Souvenir de Hapsal Op.2, No.3 - Jennd
- Melody in F Op.3, No.1 - Jennd
- Humoresque in G Flat Major Op.101, No.7 - Jennd
Tracks:
- Impromptu in B Flat Major D.935, No.3: Theme: Andante - Jennd
- Impromptu in B Flat Major D.935, No.3: Variation 1 - Jennd
- Impromptu in B Flat Major D.935, No.3: Variation 2 - Jennd
- Impromptu in B Flat Major D.935, No.3: Variation 3 - Jennd
- Impromptu in B Flat Major D.935, No.3: Variation 4 - Jennd
- Impromptu in B Flat Major D.935, No.3: Variation 5 - Jennd
- Impromptu in B Flat Major D.935, No.3: Pito - Jennd
- 6 Moments Musicaux D.780: No. 1 in C Major - Jennd
- 6 Moments Musicaux D.780: No. 2 in a Flat Major - Jennd
- 6 Moments Musicaux D.780: No. 6 in F Minor - Jennd
- 4 Impromptus D.899: No. 1 in C Minor - Jennd
- 4 Impromptus D.899: No. 2 in E Flat Major - Jennd
- 4 Impromptus D.899: No. 3 in G Flat Major - Jennd
- 4 Impromptus D.899: No. 4 in a Flat Major - Jennd
Tracks:
- Sonata in a Major D.959: Allegro - Michael Endres
- Sonata in a Major D.959: Andantino - Michael Endres
- Sonata in a Major D.959: Scherzo: Allegro Vivace - Michael Endres
- Sonata in a Major D.959: Rondo: Allegretto - Michael Endres
- Sonata in B Flat Major D.960: Molto Moderato - Michael Endres
- Sonata in B Flat Major D.960: Andante Sostenuto - Michael Endres
- Sonata in B Flat Major D.960: Scherzo: Allegro Vivace - Michael Endres
- Sonata in B Flat Major D.960: Allegro Ma Non Troppo - Michael Endres
Tracks:
- Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
- Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
- Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
- Concerto for Piano and Orchestra in a Minor Op.16: Allegro Molto ... - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin
- Concerto for Piano and Orchestra in a Minor Op.16: Adagio - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin
- Concerto for Piano and Orchestra in a Minor Op.16: Allegro Molto E ... - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin
Tracks:
- Piano Concerto No. 2 in B Flat Major Op.83: Allegro Non Troppo - Dimitris Sgouros, Sofia Philharmonic Orchestra
- Piano Concerto No. 2 in B Flat Major Op.83: Allegro Appassionato - Dimitris Sgouros, Sofia Philharmonic Orchestra
- Piano Concerto No. 2 in B Flat Major Op.83: Andante - Dimitris Sgouros, Sofia Philharmonic Orchestra
- Piano Concerto No. 2 in B Flat Major Op.83: Allegro Giocoso - Dimitris Sgouros, Sofia Philharmonic Orchestra
Tracks:
- Piano Concerto No. 2 in a Major Hungarian Fantasy: Adagio ... - Budapest Symphony Orchestra, Jennd
- Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Agitato ... - Budapest Symphony Orchestra, Jennd
- Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Moderato - Budapest Symphony Orchestra, Jennd
- Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Deciso - Budapest Symphony Orchestra, Jennd
- Piano Concerto No. 2 in a Major Hungarian Fantasy: Marziale, Un ... - Budapest Symphony Orchestra, Jennd
- Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Animato - Budapest Symphony Orchestra, Jennd
- Fantasy on Hungarian Folk-Tunes - Budapest Symphony Orchestra, Jennd
- Polonaise Brillante (After Weber) - Budapest Symphony Orchestra, Jennd
- Fantasy on Weber's FreischVilmos Fischer
Tracks:
- Pictures at an Exhibition: Promenade. Allegro Giusto, Nel Modo ...
- Pictures at an Exhibition: Gnomus. Sempre Vivo
- Pictures at an Exhibition: Promenade. Moderato Commodo Assai E Con ...
- Pictures at an Exhibition: Il Vechhio Castello (The Old Castle) . ...
- Pictures at an Exhibition: Promenade. Moderato Non Tanto, Pesamente
- Pictures at an Exhibition: Tuileries. Allegretto Non Troppo, ...
- Pictures at an Exhibition: Bydlo. Sempre Moderato, Pesante
- Pictures at an Exhibition: Promenade. Tranquillo
- Pictures at an Exhibition: Ballet of the Chickens in Their Shells. ...
- Pictures at an Exhibition: Samuel Goldenberg and Schmuyle. ...
- Pictures at an Exhibition: Promenade. Allegro Giusto, Nel Modo ...
- Pictures at an Exhibition: Limoges. Le MarchThe Market Place) . ...
- Pictures at an Exhibition: Catacombae. Sepulcrum Romanum. Largo
- Pictures at an Exhibition: Cum Mortuis in Lingua Mortua. Adante ...
- Pictures at an Exhibition: The Hut on Fowls' Legs - Baba-Yaga. Allegro
- Pictures at an Exhibition: The Great Gate of Kiev - Allegro Alla ...
- Three Intermezzos Op.117: Intermezzo in E Flat Major. Andante Moderato
- Three Intermezzos Op.117: Intermezzo in B Flat Minor. Andante Non ...
- Three Intermezzos Op.117: Intermezzo in C Sharp Minor. Andante Con ...
- Piano Pieces Op.118: No. 1 Intermezzo in a Minor (Allegro Non Assai)
- Piano Pieces Op.118: No. 2 Intermezzo in a Major (Andante Teneramente)
- Piano Pieces Op.118: No. 3 Ballad in G Minor (Allegro Energico)
- Piano Pieces Op.118: No. 4 Intermezzo in F Minor (Andante - Allegretto
- Piano Pieces Op.118: No. 5 Romance in F Major (Andante - ...)
- Piano Pieces Op.118: No. 6 Intermezzo in E Flat Minor (Andante, ...)
Tracks:
- Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Moderato - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
- Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Adagio ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
- Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
- Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
- Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Largo - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
- Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
Tracks:
- Prde Op.3, No.2 - Margarete Babinsky
- Mdie Op.3, No.3 - Margarete Babinsky
- Polichinelle Op.3, No.4 - Margarete Babinsky
- Moment Musical Op.16, No.3 - Margarete Babinsky
- Moment Musical Op.16, No.5 - Margarete Babinsky
- Variations on a Theme by Corelli Op.42 - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Prde Op.23, No.5 - Margarete Babinsky
Tracks:
- Rhapsody in Blue - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
- Concerto in F for Piano and Orchestra: Allegro - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
- Concerto in F for Piano and Orchestra: Adagio. Andante Con Moto - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
- Concerto in F for Piano and Orchestra: Allegro Agitato - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
- American in Paris - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
Album Description
This amazing 20-CD set truly is the ultimate piano collection! With over 20 hours of the greatest piano classics, from Mozart's priceless Piano Concertos and Sonatas to Gershwin's legendary Rhapsody in Blue, this set is a must have for everyone's collection. So sit back, relax and drift away on the beautiful melodic waves of classical piano at its very best.
Customer Reviews:
Ultimate music for every time of day and every mood.......2007-07-03
With 20 CDs in the collection, we have classical music for every mood and atime of day.
Would give 5 stars if sound quality where better.......2007-06-30
This Classical collection is one of great length and breadth ,and is well worth purchasing ,if you want an abundance of music at a low price.The sound quality is decent,however it is not great.This set will not provide you with the crisp,clear sound quality of a RCA,CBS or other well known label,so some classical aficionados may not appreciate it much.It all depends on what your looking for ,I guess.
Great collection for a great price.......2007-06-27
I did not expect much in buying this collection, but I was greatly surpeised. There were no reviews of the product at the time, and I bought the collection simply as a sampler of many great piano pieces. Most of the recordings are exquisite and of decent recording quality. This collection was well worth the price.
20 Fabulous Discs.......2007-06-08
I am surprised that this set has been out for 4 years and nobody reviewed it here yet. This is a lovely and occasionally amazing compilation. I was moved by many of the compositions. I really enhanced my classical music collection with this set. You have so many legends here to enjoy, from Bach to Brahms, Mozart to Beethoven, Chopin, Liszt, Rachmaninov, Gershwin, and more. If you love classical piano music and don't already have most of these works then this is a must buy for you. The price may go up, but I was fortunate to cash in on the $17.97 price. Quite a bargain for 20 fabulous discs.
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
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Binding: Audio CD
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- What to Listen for in Music
- Study of Orchestration, Third Edition
- The Life and Works of Ludwig van Beethoven
- The Life and Works of Frédéric Chopin
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Well recorded, but ...
- John Adams very well done
- American Master
|
John Adams: Complete Piano Music
Manufacturer: Naxos American
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- John Adams: The Dharma at Big Sur/My Father Knew Charles Ives
- Glass: Heroes Symphony; The Light
- Dirty Little Secret
- John Adams: Violin Concerto; John Corigliano: Red Violin "Chaconne"
- Howard Hanson: Organ Concerto; Fantasy Variations; Nymphs and Satyr; Summer Seascape; Pastorale; Serenade
ASIN: B000M2DNO6
Release Date: 2007-02-27 |
Tracks:
- Phrygian Gates
- American Berserk
- China Gates
- Hallelujah Junction
Customer Reviews:
Well recorded, but ..........2007-06-27
I did not know much about John Adams' music, and so I borrowed this disc for a sample. As is often the case with Naxos, the recording (i.e., the sound-quality) is fine. I personally did not like this music, however; it's too repeitive for me, and I did not hear much to interest me or keep my attention. On the other hand, fans of this genre will probably like this CD; it certainly is reasonably priced and well-recorded.
John Adams very well done.......2007-06-12
I found the John Adams: Complete Piano Music to be very interesting and gives one a fine
appreciation for the music of John Adams. Would be a well worthwhile additon to your
CD library.
American Master.......2007-03-20
This is a fine album. It is especially wonderful given its low price tag. Adams proves again and again that a composer can be innovative without completely sacrificing aesthetic awareness. The pianists play some tough rep quite well. Thank you to Naxos for continuing to put out intereting discs.
Average customer rating:
- Early, youthful Rostropovich, who is 80 this year.
|
Mstislav Rostropovich: Cello Concertos
Manufacturer: Deutsche Grammophon
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Deutsche Grammophon: Music
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Similar Items:
- Rostropovich, Master Cellist
- The Glory of Rostropovich: 80th Birthday Tribute
- Prokofiev: Sinfonia Concertante; Miaskovsky: Cello Concerto
- Brahms: The Cello Sonatas
- Schubert, Debussy / Rostropovich, Britten
ASIN: B000M05VMK
Release Date: 2007-04-10 |
Tracks:
- Allegro Non Troppo
- Allegretto Con Moto
- Tempo Primo
- I. Nicht Zu Schnell
- II. Langsam
- III. Sehr Lebhaft
- Song Of The Troubadour Op.71
Tracks:
- Introduction And Polonaise Brillante Op.3
- Intermezzo
- Chorus Of The Polovtsian Maidens/Dance Of The Polovtsian Maidens
- Adagio
- Elfentanz Op.39
- An Einsamer Quelle
- IV. Nicht Zu Rasch
- I. Mit Humor ('Vanitas, Vanitatum')
- III. Nicht Schnell, Mit Viel Ton Zu Spielen
- Aria 'Vouchsafe, O Lord'
- Moto Perpetuo Op.11
Customer Reviews:
Early, youthful Rostropovich, who is 80 this year........2007-07-14
First the most important stuff: sound quality through out is very good to excellent.
These two CD's are two Westminster vinyl albums, one from 1953 and the other from 1954, with a short Paganini with no known recording history thrown in to extend these two CD's, which are "short in time" for CD's. The first CD runs under 45 minutes, but the double CD set is priced accordingly and is a bargain.
Several of the album cuts were never released on a CD before this set, which celebrates Rostopovich's 80th birthday, Of course they are all mono recordings. While listening to the music you will never miss the stereo, as the high sound quality through out permits Rostropovich to shine.
Westminster was the best vinyl source for anything Russian classical way back when, only to be, perhaps, out done by the recent Yedang CD's.
These performances show a young developing celloist, already a master of the cello...exubriant and at the same time..warm and moving ..quite suprising and most rewarding.
Mistislav is my favorite celloist. If he touches you, I recommend these early satisfying recordings.
5 stars for the recordings, 4 stars for the compilation.
Average customer rating:
- I can name that tune in three notes
- A Fabulous CD
- Mega-Sampler! This really does have 99 tracks!
- Fun Sampler
- Useful.
|
Idiot's Guide to Classical Music
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Scott Joplin: Greatest Hits
- The Complete Idiot's Guide to Classical Music
- Classical Guitar, Vol. 2
- Classical Music for People Who Hate Classical Music
- Best of the Millennium: Top 40 Classical Hits
ASIN: B000003FPT
Release Date: 1995-02-14 |
Tracks:
- Adagio
- Air on the G String: Air on the G String, Excerpt
- Brandenburg Concerto: Third Movement, Excerpt
- Jesu, Joy of Man's Desiring: Jesu, Joy of Man's Desiring, Excerpt
- Tocatta & Fugue: Excerpt
- Adagio for Strings: Excerpt
- Synphony No. 5: First Movement, Excerpt
- Symphony No. 9: Fourth Movement, Excerpt
- Fse: Excerpt
- Turkish March: Turkish March, Excerpt
- Moonlight Sonata: Excerpt
- Symphonie Fantastique: March Ot the Scaffold, Excerpt
- Damnation of Faust: Excerpt
- Carmen - Habanera: Habanera, Excerpt
- Toreador Song [From Carmen]
- Minuet: Minuet, Excerpt
- Prince Igor: Polovtsian Dance No 17, Excerpt
- Hungarian Dance No. 5: No 5, Excerpt
- Lullaby: No 4, Lullaby, Excerpt
- "Minute" Waltz: Excerpt
- Grande Valse Brillante: Excerpt
- Marche Fune: Marche Fune
- Appalachian Spring: Excerpt
- Fanfare for the Common Man: Excerpt
- Clair de Lune: Excerpt
- Prelude to the Afternoon: Excerpt
- Lakm Flower Duet: Flower Duet, Excerpt
- Symphony No. 9 "New World": Second Movement, "Going Home" Theme, ...
- The Sorcerer's Apprentice: Excerpt
- Pomp & Circumstance: Excerpt
- El Amor Brujo
- Pavane: Excerpt
- Rhapsody in Blue: Excerpt
- American in Paris: Excerpt
- Funeral March of Marionette: Excerpt
- Piano Concerto in a Minor: Excerpt
- Peer Gynt Suite No. 1 - Morning: Morning, Excerpt
- Messiah - Hallelujah Chorus: Hallelujah Chorus, Excerpt
- Water Music - Hornpipe: Hornpipe, Excerpt
- Symphony No. 94 "Surprise": Second Movement, Excerpt
- The Planets - Mars: Mars, Excerpt
- Sabre Dance: Sabre Dance, Excerpt
- Pagliacci: Vesti la Giubba, Excerpt
- Hungarian Rhapsody
- Liebestraum No. 3: No 3, Excerpt
- Cavalleria Rusticana - Intermezzo: Intermezzo, Excerpt
- Midsummer Night's Dream - Wedding March: Wedding March, Excerpt
- Symphony No. 4 "Italian": Fourth Movement, Excerpt
- Rondeau: No 1, Rondeau
- Piano Concerto No. 21: Andante, Excerpt
- Eine Kleine Nachtmusik: First Movement, Excerpt
- The Marriage of Figaro - Overture: Overture, Excerpt
- Sonata in A - Rondo Alla Turca: Rondo Alla Turca, Excerpt
- Symphony No. 40: First Movement, Excerpt
- Night on Bald Mountain: Excerpt
- Pictures at an Exhibition - Great Cave of Kiev: Great Gate of ...
- Barcarolle: Barcarolle, Excerpt
- Orpheus in Hades - Theme II: Excerpt (Theme)
- Carmina Burana - O Fortuna: O Fortuna, Excerpt
- Canon: Canon, Excerpt
- Romeo & Juliet - Montagues & Capulets: Montagues & Capulets, Excerpt
- Lt. Kije's Wedding: Lt. Kije's Wedding, Excerpt
- Turandot - Nessun Dorma: Nessun Dorma, Excerpt
- Piano Concerto No. 2: Second Movement, Excerpt
- Symphony No. 2: Third Movement, Opening, Excerpt
- Rhapsody on a Theme: Variation 18, Excerpt
- Bolero
- Flight of the Bumblebee
- Concierto de Aranjuez - Adagio: Adagio, Excerpt
- The Barber of Seville - Overture: Excerpt
- The Barber of Sville - Largo Al Factotum: Largo Al Factotum, Excerpt
- William Tell Overture - Theme II: Excerpt
- Danse Macabre: Excerpt
- Gymnope No. 1
- Symphony N0. 8 "Unfinished": Excerpt
- Ave Maria: Excerpt
- Finlandia [Finale: Finale, Excerpt]
- Valse Triste: No 1, Valse Triste, Excerpt
- Stars & Stripes Forever: Excerpt
- Semper Fidelis: Excerpt
- Blue Danube Waltz: Excerpt
- Tales from the Vienna Woods: Excerpt
- Also Sprach Zarathustra: Fanfare, Excerpt
- Firebird - Infernal Dance & Main Theme: Infernal Dance & Main ...
- The Nutcracker - Waltz of the Flowers: Waltz of the Flowers, Excerpt
- Swan Lake - Waltz: Waltz, Excerpt
- Sleeping Beauty -: Waltz, Excerpt
- Romeo & Juliet - Theme II: Theme LL, Excerpt
- Piano Concerto No. 1 - Opening: Opening, Excerpt
- 1812 Overture - Finale: Finale, Excerpt
- Fantasia on "Greensleeves": Excerpt
- Alda - Grand March: Grand March, Excerpt
- Il Trovatore - Anvil Chorus: Anvil Chorus, Excerpt
- Requiem - Dies Irae: Dies Irae, Excerpt
- Rigoletto - La Donna Mobile: La Donna Mobile, Excerpt
- The Four Seasons "Spring" - Allegro: Allegro, Excerpt
- The Four Season "Winter" - Largo: Largo, Excerpt
- Lohengrin - Bridal Chorus: Bridal Chorus, Excerpt
- Die WalkRide of the Valkyries: Ride of the Valkyries, Excerpt
Customer Reviews:
I can name that tune in three notes.......2005-02-19
My family likes to put this disc in on shuffle and play name that tune. I wish they made more discs like this, only with more obscure works.
A Fabulous CD.......2004-10-14
The Idiot's Guide to Calssical Music is an awesome Cd for those people who want to have a tiny sample of all the great classical compositions. Track 61 and 63 are my favorite.
Mega-Sampler! This really does have 99 tracks!.......2002-03-20
Yes, this CD really does have 99 tracks. How do they do it? Each is about a minuet long. Some are longer, some are shorter, but you get the micro-essential moments of the music.
If you like burning your own CDs, then this is a great source for intra-track fillers, along the lines of They Might Be Giants' "Apollo 18" album, which has all of those short tracks on the end. The idea is to put your CD player on shuffle, so the short tracks get mixed in with the bona fide songs. The result being a very unusual album.
The booklet gives an explanation of the track, where you heard it (i.e. the Warner Brother's Cartoons, or on famous films), and where you can get the full piece of music. So it's a mega sampler CD.
I can honestly say that this CD is a great gift for the friend who has everything.
Fun Sampler.......2001-11-09
For the beginner. You will be surprised at how many of the 99 themes you recognize here. It is an easy introduction to classical music. Nice booklet too.
Useful........1999-03-22
Take it for what it is, a clever and useful GUIDE to classical music. No, it is NOT an uncut rendition of Beethoven's 9th symphony. It IS a cd that will jog your memory. You have heard many of the tunes presented here, but not always knowing what the work was. This is your chance to catch up with all the great classical music you have been exposed to. Cheap too.
Average customer rating:
- Silly reviewers! Historical Adams
- With all due respect: boring
- Response to frisbee95:
- A great composer with all his influences showing
- Not the best Adams CD
|
Road Movies
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- On the Transmigration of Souls
- Naive & Sentimental Music
- John Adams - Harmonielehre · The Chairman Dances · Tromba lontana · Short Ride in a Fast Machine / Sir Simon Rattle
- Century Rolls
- John Adams: The Dharma at Big Sur/My Father Knew Charles Ives
ASIN: B0001XAO66
Release Date: 2004-05-04 |
Tracks:
- I. Relaxed Groove - Leila Josefowicz
- II. Meditative - Leila Josefowicz
- II. 40% Swing - Leila Josefowicz
- Hallelujah Junction
- Halleujah Junction
- Halleujah Junction
- China Gates - Nicolas Hodges
- American Berserk - Nicolas Hodges
- Part 1
- Part 2 (A System Of Weights And Measures)
- Part 3
Amazon.com
Here is a CD of chamber works by John Adams: Road Movies is for violin and piano, Hallelujah Junction is for two pianos, and the other three works are for solo piano. China Gates, the shortest piece, is simply beautiful: 4-and-a-half minutes of lyricism. American Berserk, the other miniature, is busy, jazzy and rhythmically rich. Hallelujah Junction, for two pianos, is named for a truck stop on the California-Nevada border, but Adams was thinking more of the area's past, filled with gold prospectors. Its 16 minutes are brawny and energetic; sometimes the pianos finish one-another's phrases, sometimes they form big-boned clusters. It goes through a section of plushness before a jagged last movement---it's as varied, Adams seems to be saying, as America's personality. Road Movies begins with a tempi and attitude evocative of driving down a highway, with billboards and dotted landscapes whizzing by; one might hear in the piano part the road and its turns and in the violin, the changing but much-the-same sights. The second movement is lonelier and more severe and the third is part pure minimalism sped up to a point of mania and part boogie-woogie. The CD's longest piece, Phrygian Gates, is peaceful and moody, with moments which alternately swell and ebb; the second movement goes nowhere and seems to be concerned with a tone cluster at time, and the finale is insistent minmalism, staying close enough to its original key at all times to be comfortable while rhythmically keeping us on out toes. The performances are beyond reproach, with Leila Josefowicz and John Novacek particularly splendid in their difficult Road Moves duos, but with very high praise going to the other pianists as well. This may not be everyone's cup of tea, but Adams always catches the attention. --Robert Levine
Customer Reviews:
Silly reviewers! Historical Adams.......2006-06-14
What we have here is a hodgepodge of old and (one) new material for piano. "China Gates" and "Phr