Philip Glass/Robert Wilson - the CIVIL warS, a tree is the best measured when it is down

Editorial Reviews
Amazon.com
Philip Glass's breakthrough achievement in 1976 with Einstein on the Beach proved a milestone in contemporary opera, and Glass has been remarkably prolific--as well as uneven--in his various mutations of the genre ever since. This is the premier recording of one of Glass's more "operatic" ventures. The "Rome Section" is the fifth, final act of the CIVIL warS, originally conceived by Einstein director-designer Robert Wilson for the 1984 Olympic Games in Los Angeles as a multinational collaboration on themes of war and peace. Wilson's trademark theater of images--as opposed to narrative--took its inspiration from Matthew Brady's grimly eloquent photographs of the American Civil War and mixes figures from classical mythology with iconic representations of Abraham Lincoln and his wife, Robert E. Lee, and the Italian revolutionary Garibaldi. The familiar repetitive patterns of Glass's music here play a crucial role in integrating and connecting the text's dream-like montage of material: Seneca's tragedies, Hopi ritual, war narratives, and stream-of-consciousness monologues (narrated by Wilson and Laurie Anderson). Glass calls for high-flying, lush vocalism that at first sounds like a parody of operatic extremes, but over time its sustained emotional pitch creates a mesmerizing effect. The scoring is imaginative and garbs the composer's rhythmic cells and churning major-minor arpeggios in rich colors, with a particularly elegiac prominence given to trumpet and trombone. Dennis Russell Davies balances the large forces here--including some beautifully fluent choral writing--with a sweeping confidence that makes a kind of orchestral counterpart to the famous unanimity of Glass's own touring ensemble. Although the opera's total effect can truly be appreciated only in a full staging, this is an important document of Glass's ongoing experiments in music theater. --Thomas May

Tracks:

Act V -The Rome Selection: Prologue
Act V -The Rome Selection: Scene A
Act V -The Rome Selection: Scene B
Act V -The Rome Selection: Scene C

Amazon.com

Philip Glass's breakthrough achievement in 1976 with Einstein on the Beach proved a milestone in contemporary opera, and Glass has been remarkably prolific--as well as uneven--in his various mutations of the genre ever since. This is the premier recording of one of Glass's more "operatic" ventures. The "Rome Section" is the fifth, final act of the CIVIL warS, originally conceived by Einstein director-designer Robert Wilson for the 1984 Olympic Games in Los Angeles as a multinational collaboration on themes of war and peace. Wilson's trademark theater of images--as opposed to narrative--took its inspiration from Matthew Brady's grimly eloquent photographs of the American Civil War and mixes figures from classical mythology with iconic representations of Abraham Lincoln and his wife, Robert E. Lee, and the Italian revolutionary Garibaldi. The familiar repetitive patterns of Glass's music here play a crucial role in integrating and connecting the text's dream-like montage of material: Seneca's tragedies, Hopi ritual, war narratives, and stream-of-consciousness monologues (narrated by Wilson and Laurie Anderson). Glass calls for high-flying, lush vocalism that at first sounds like a parody of operatic extremes, but over time its sustained emotional pitch creates a mesmerizing effect. The scoring is imaginative and garbs the composer's rhythmic cells and churning major-minor arpeggios in rich colors, with a particularly elegiac prominence given to trumpet and trombone. Dennis Russell Davies balances the large forces here--including some beautifully fluent choral writing--with a sweeping confidence that makes a kind of orchestral counterpart to the famous unanimity of Glass's own touring ensemble. Although the opera's total effect can truly be appreciated only in a full staging, this is an important document of Glass's ongoing experiments in music theater. --Thomas May

Customer Reviews:

The finest Glass of all........2006-02-27

I first encountered Philip Glass when I saw a trailer for the film "Koyannisqatsi" years and years ago, at the Vallhalla Theatre in Sydney, Australia. I was like a rabbit in the headlights when the first notes of the organ struck. To a large extent, nothing has changed since then. I still listen to everything the man produces but take rather a lot of care to not let minutae and pedantry get in the way of the impact of the music. In this way, I suppose, I prefer "Akhnaten" to "Music In Twelve Parts" and "Einstein on the Beach" to "1000 Aeroplanes on the Roof." Now that you have a clue where I am coming from...

I think that "The Civil Wars" is easily the best thing that Philip Glass has ever made. It has the emotional impact of "Akhnaten" and "Einstein" the philosophy behind "Satyagraha" and the music is consistently as beautiful as the best parts of those operas, but is condensed into an astonishingly short (chronological) time frame. By this I mean that I will happily listen to "CIvil Wars" right through, in one sitting, and find when it finishes that I feel like I have been away from my life for weeks or months and that I have learnt things that I will never be able to put into words.

To say that i think that it is "good" would be a thorough-going understatement. I laugh out loud occasionally during it and usually, at other points, I cry. I have listened to it about once a month every month or so since 1999 and I would be hard put to tell you which bits are "funny" or why I cry. The music is like a dream, which enfolds me while I listen to it, and then fades as normal life reasserts itself.

As far as I am concerned, this is the best of all Philip Glass' works and that means that while it is definitely not for everyone, it is the best, of the very, very, best.

Stunning, amazing.......2004-10-29

I am not a musician so I can't explain in technical terms why I love this CD but, of the 40 plus Philip Glass CDs I have, this instantly became one of my top 2 or 3 favorites. I have enjoyed PG's music for many years and as an assemblage sculptor, I love to listen to his music when I work. After the first track, I said to myself "That's just the beginning! That could be a whole work in itself." The second track explodes with power and passion. Amazing. Stunning. Explosive. Abstract. Wonderful to get lost in. The singing voices are breathtaking. I'm sure an onlooker would think I was batty if they saw me in the studio listening to this cranked at full volume with headphones on. It's impossible not to pretend to sing along in Italian and play conductor at the same time.
I hope this is in the juke box in heaven.

Absolute Favorite Piece of Music.......2001-11-19

"CIVIL warS" has become my essential album. I have listened to this piece nearly once a week since it was first released on CD in 1999. This certain piece of music, for some reason I can not explain, has a hold of me and has become a voice in my expression. I am a portrait artist and on nearly every occasion of a model possing, I have played this piece. We sit silent - I paint and they focus - the dialogue of this piece speaking volumes. The third and forth acts, contrary to others, are my favorite parts. They seem to me to be people dealing with emotional problems in their mind by analyzing their pain over and over again. The way they change the emphasis is beautiful and haunting.

This is my absolute favorite piece of music - and just to give you an example of my tastes - my second favorite piece of music is Pink Floyd's "Animals".

I think if you like any of the following Philip Glass works: "Symphony No. 2", the "Kundun" soundtrack, "Akhnaten", "Low Symphony", or "Metamorphosis" and "Mad Rush"
then you will like "CIVIL warS". It truely is a brilliant piece.

Another great Glass piece.......2001-07-25

Contrary to what one reviewer said, when Glass wrote this opera, it still was the 80's. 1984 to be precise. The narration is slightly annoying, if you are purely interested in the music, but it wasn't meant to be just another opera either. This opera is, I believe, more Robert Wilson, the librettest, than Philip Glass. This was Wilson's dream opera, and Glass stepped in to fill the role of composer. The narration parts, like Einstein, are Wilson's touch. I thought I would clarify that from the earlier review.

This music does sound like typical Glass, though. I had already purchased his Symphony No. 5, and that is what this opera reminded me most of, although Symphony No. 5 was written after The Civil warS. If you are familiar with Koyaanisqatsi, The Photographer or Ahknaten, this opera comes from the same time period in Glass's developement. This happens to be my favorite time period of his work, so I was thrilled when I first heard the music.

Mostly the work is a series of repeating major and minor arpeggios with changing tonal center and orchestration. Although this sounds simple, it is anything but. It stays fresh the whole time, and if you are like me, when it does finally end, you are left wanting more and more repetition, not because Glass didn't offer enough, but because the repetitions become so addictive.

I highly recommend this for any Glass fan who wants to get a closer look at Glass's operas without having to pay for any of his other pricier ones.

Quite a piece.......2000-09-07

This is another typical Glass 'opera'. No plot and loosely sorted text. But that doesn't take away from it's greatness. Each track is about 20 minutes long. The recording quality is great and the speakers, along with the vocalists, can be heard very clearly. The music resmebles an army preparing and engaging in war. The theme of the music is very repetitive and so is the music....but typical Glass. Very good piece. I recommend it.

Music Review:

Music Review

music review

Music Review

Shores of Orion

Willem Mengelberg Conducts Beethoven & Wagner

Yehuda Hanani Performs Barber, Foss, Ornstein

Sounds of St. Lucia [Live]

World Dub Pastry: A Belearic Reggae Compilation

Yearning for the Bell, Vol. 1 [Live]

What A Little Polka Can Do!

Y [Import]

What a Bunch of Sweeties [Import] [Original recording remastered]

Lully - Atys

Worldwide

We Only Move When Something Changes [Import]

Vale Todo

Music for Meditation, Vol. 3

Go Off!