Haydn: London Synphonies V.2 [Import]

Track Listings

1. Symphony No.95 In C Minor (Allegro Moderato)

2. Symphony No.95 In C Minor (Andante)

3. Symphony No.95 In C Minor (Menuetto E Trio)

4. Symphony No.95 In C Minor (Finale: Vivace)

5. Symphony No.98 In B Flat Major (Adagio Allegro)

6. Symphony No.98 In B Flat Major (Adagio Cantabile)

7. Symphony No.98 In B Flat Major (Menuetto E Trio: Allegro)

8. Symphony No.98 In B Flat Major (Finale: Presto)

9. Symphony No.101 In D Major, "The Clock" (Adagio Presto)

10. Symphony No.101 In D Major, "The Clock" (Andante)

11. Symphony No.101 In D Major, "The Clock" (Menuetto E Trio: Allegretto)

12. Symphony No.101 In D Major, "The Clock" (Finale: Vivace)

13. Symphony No.96 In D Major, "The Miracle" (Adagio Allegro)

14. Symphony No.96 In D Major, "The Miracle" (Andante)

15. Symphony No.96 In D Major, "The Miracle" (Menuetto E Trio: Allegretto)

16. Symphony No.96 In D Major, "The Miracle" (Finale: Vivace Assai)

17. Symphony No.100 In G Major, "Military" (Agagid Allegro)

18. Symphony No.100 In G Major, "Military" (Allegretto)

19. Symphony No.100 In G Major, "Military" (Menuetto E Trio: Moderato)

20. Symphony No.100 In G Major, "Military" (Finale: Presto)

See all 24 tracks on this disc

Haydn: London Synphonies V.2, Music, Bruggen, Orchestra of the 18th Century, Franz Joseph Haydn, Frans Bruggen, Classical

Haydn: The London Symphonies, Vol. 2
Average customer rating:

Comparison - Jochum's Set vs. Colin Davis'

Haydn's London Symphonies

Excellent, but beware of Davis' groaning

GOOD, BUT!

Grand, Warm, Rich, Mature Symphony

Haydn: The London Symphonies, Vol. 2

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

All Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
Classical | Symphonies | Forms & Genres | Classical | Styles | Music
General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
General | Symphonies | Classical | Styles | Music
General | Classical | Styles | Music
Similar Items:

Haydn: The London Symphonies, Vol. 1

Haydn: Paris Symphonies

Haydn: Symphonies Nos. 88 - 92

Haydn: String Quartets Op. 76, Nos. 1-3

Mendelssohn: 5 Symphonies; 7 Overtures

ASIN: B0000041AR
Release Date: 1994-10-11

Tracks:

Symphony In D: Adagio - Allegro assai - Joseph Haydn
Symphony In D: Largo cantabile - Joseph Haydn
Symphony In D: Menuetto. Allegro - Joseph Haydn
Symphony In D: Finale. Presto ma non troppo - Joseph Haydn
Symphony In E Flat: Adagio -- Vivace assai - Joseph Haydn
Symphony In E Flat: Adagio - Joseph Haydn
Symphony In E Flat: Menuetto. Allegretto - Joseph Haydn
Symphony In E Flat: Finale. Vivace - Joseph Haydn
Symphony In G: Adagio - Joseph Haydn
Symphony In G: Andante - Joseph Haydn
Symphony In G: Menuetto - Joseph Haydn
Symphony In G: Finale - Joseph Haydn

Tracks:

Symphony In G: 1. Adagio - J. Haydn
Symphony In G: 2. Andante - J. Haydn
Symphony In G: 3. Menuetto - J. Haydn
Symphony In G: 4. Finale - J. Haydn
Symphony In C: 1. Adagio - Vivace - J. Haydn
Symphony In C: 2. Adagio ma non troppo - J. Haydn
Symphony In C: 3. Menuetto. Allegretto - J. Haydn
Symphony In C: 4. Finale. Presto assai - J. Haydn
Symphony In D: 1. Adagio - J. Haydn
Symphony In D: 2. Andante - J. Haydn
Symphony In D: 3. Menuetto - J. Haydn
Symphony In D: 4. Finale - J. Haydn

Amazon.com

Someone once commented on the "sulphurous devilishness" of Haydn's surprises in the London symphonies. But it should come as no surprise that one of the best recordings of these works is from Sir Colin Davis, whose accounts with the Concertgebouw Orchestra stand among the most exalted phonographic accomplishments of recent years. There is a Beechamesque quality to these readings, and when it comes to Haydn, that is praise indeed. They are exceptionally personable, characterful, likable interpretations, with wit, warmth, and life in every measure. All 12 symphonies are wonderfully played and very well recorded. At full price, these recordings would be a top choice; as midprice offerings, three symphonies to a disc (averaging more than 75 minutes of music each), they're a steal. --Ted Libbey

Customer Reviews:

Comparison - Jochum's Set vs. Colin Davis'.......2006-02-23

Jochum and London Phil deliver the highest level of Haydn playing just like Colin Davis and Concertgebow do. I own both and tried to compare between two.

Jochum adds plenty of personal touches that decidedly grab your attention. You hear poignant romanticism or Beethoven-like roar in many places. Colin Davis, by comparison, lets the music flow naturally and makes it sound more balanced. Colin Davis sure gets a lot of help from the gorgeous Concertgebow band - silky but vivacious strings, show-stopping woodwinds, bright brass section, etc. In his set, you hear more of the orchestra than Colin Davis. I think it's the other way around in Jochum set. Concergebow's sound is more transparent and charmingly light-footed while London Phil sounds fuller and creamier without losing crispness. You get more agility and refinement from Davis set. You get more expressiveness and warmth from Jochum's.
Let me emphasize that all of the good qualities I attributed to either of the sets actually exist in both (they are inherently in Haydn's writing). It's just that some qualities are more apparent in one than the other.
As to the recording, Colin Davis set has more sparkle and vividness. It sounds more modern. Jochum's has a typical old-fashioned analogue sound in a very good way. It has plenty of natural ambience but doesn't sound muddy.
I recommend you buy both of these delightful and affordable sets. I never regretted doing so :-)

Haydn's London Symphonies.......2005-12-21

I have been listening to many of Haydn's earlier symphonies on the ongoing cycle of the complete series on Naxos. But for the final set of twelve, Haydn's masterpieces in the form, I wanted Sir Colin Davis conducting the Royal Concertgebouw Orchestra. Davis has recorded the twelve London symphonies on two mid-priced Phillips "duo" CDs. The performances are outstanding and filled with ebullience. They will make a good introduction to Haydn for those new to his music and will delight long-term lovers of Haydn.

Beginning when he was about 25, Haydn composed for the wealthy and music-loving Esterhazy family. His fame gradually spread throughout Europe and, with the "Paris" symphonies, Haydn began to write works for a public broader than his aristocratic patron. With the death of Nicholas Esterhazy in 1790, Haydn received an invitation to visit London. He visited twice, in 1791-1792 and again from 1794-1795. His twelve "London" symphonies are the result. These are full-scaled symphonic creations showing the consummate mastery Haydn had acquired over the years. The works are joyous and lively and were immediately welcomed by Haydn's London audiences. They are also highly sophisticated and endlessly creative works of art which will reward careful listening and study. For those listeners wanting a more detailed, yet non-technical overview of the twelve London symphonies than that found on liner notes, I suggest consulting their treatment in Michael Steinberg's valuable work, "The Symphony: A Listener's Guide."

This two-CD set includes six of the London symphonies: nos. 93, 94, 97, 99, 100, and 101. Let me mention a few features of each.

Haydn's most famous symphony is probably the 94th in G major, the "Surprise". The theme of the second movement, with the large "bang" at the end of the repetition of the opening phrase is one of the best-known moments of music, familiar to children. This remains an excellent work to introduce young people to music. The "surprise" movement proceeds with a lovely set of variations, and there is much to get to know, including more surprises, in the remaining three movements as well.

Symphony no. 100 is also in G major and is known as the "Military" for the martial tone of the second movement, replete with drums, cymbals, and triangle. In addition to the "Military" movement, this symphony features a vicacious finale replete with timpani, a contrapuntal section, and some soft moments of reflection hidden within the lively theme.

The "Clock" symphony, no 101 in D major is named for the tick-tock accompaniment figure in the second movement which is forever endearing. This movement gradually rises to a moment of passion as it develops. The work also features a lively opening movement, a lengthy minuet, and an outstanding finale that works from an inocuous opening to complex counterpoint.

The symphonies with nicknames are the easiest way to introduce the London set, but the symphonies without these names are on the same high plane. The first of the London set is symphony no. 93, also in D major. A memorable moment of this work is the opening of the second movement, which Haydn scores for a string quartet. The movement becomes rather introspective as it proceeds, but Haydn brings it back to earth with a toot on the bassoon at the close. The symphony opens with a slow. detailed introduction followed by an opening movement that develops two lively and lyrical themes.

The 97th symphony is the last of twenty Haydn symphonies in C major, a key he used for regal, ceremonial effect. The work opens with a surprisingly quiet slow introduction followed by an opening movement that develops broadly from many repetitions of the basic chord of C major.

The 99th symphony in E-flat major is the first in which Haydn used clarinets and, from the opening chord, clarinets play a major role in the texture of this work. This is one of the more complex symphonies of the London set, with a harmonically adventurous slow introduction followed by a movement that emphasizes the second of its two major themes. The slow movement is deeply intense and also stresses the second of the two primary themes on which it is based. After a lyrical, restrained opening, the movement turns to the minor key in a dramatic section before returning to the opening material, substantially embellished. The minuet combines elements of both courtliness and earthiness while the finale is rapid and culminates in a fugal passage. The 99th is one of the finest symphonies of an outstanding series.

This set, and its companion recording of the remaining six London symphonies, make a wonderful introduction to a great composer.

Robin Friedman

Excellent, but beware of Davis' groaning.......2005-02-23

Excellent recordings in general, as pointed out by others.

But Davis' groaning is very audible and ANNOYING in places. He does the same on most of his more recent LSO recordings.

Why do conductors groan/grunt away and spoil their recordings so often?

Jochum/DG is another great set of the London symphonies, and doesn't have conductor noises!

GOOD, BUT!.......2004-07-15

This set is good of course, but if you are looking for great performances for EACH of Haydn's 12 London symphony, you may want to buy individual discs. Here is my collection of the 12 'London' Masterpieces.
Symphony 93: Goodman/Hanover Band (Hyperion 66532)
Symphony 94: Monteux/Vienna Phil (Decca 452893-2)
Symphony 95: Britten/ECO (BBC 8008)
Symphony 96: Harnoncourt/Concg. Orchestra (Teldec/Warner 21337-2)
Symphony 97: Szell/Cleveland (Sony 67175)
Symphony 98: Jochum/LPO (DG 437 201-2)
Symphony 99: Davis/Concg. Orchestra (Phillips 442 614-2)
Symphony 100: Walter/Columbia (Sony 64485)
Symphony 101: Mackerras/St. Luke's (Telarc)
Symphony 102: Dorati/Philharmonia Hungarica (Decca 452 259-2)
Symphony 103: Kuijken/La Petite Bande (DHM 77362)
Symphony 104: Hickox/Collegium Musicum 90 (Chandos 0655)

Grand, Warm, Rich, Mature Symphony.......2003-05-07

Culmination of a marvelous life in composition are these London Symphonies.

Here, in one of the highest rated collections Sir Colin Davis leads the Royalo Concertgebouw Orchestra in over 150 minutes of some of the premier symphonic sounds of all times. There is style and substance in their treatment and the crisp, clean recording is marvelous at any price, but even better at this mid-range bargain.

I especially have fond of No. 93 and of course, No. 102 with its melodic richness and inventive harmony. His element of surpirse is always robust and mysterious, as here the third note spells departure.

How good can one set at this price be? Supremely good and satisfying Hadyn!

Haydn: The London Symphonies, Vol. 1
Average customer rating:

Comparison - Jochum's Set vs. Colin Davis'

Haydn's London Symphonies

This is a good bargain but I don't recommend the performance

GOOD, BUT!

Thrill of Playing/Listening to Great Symphonic Composure

Haydn: The London Symphonies, Vol. 1

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

All Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
Classical | Symphonies | Forms & Genres | Classical | Styles | Music
General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
General | Symphonies | Classical | Styles | Music
General | Classical | Styles | Music
Similar Items:

Haydn: The London Symphonies, Vol. 2

Haydn: Paris Symphonies

Bach - Mass in B minor / Argenta, Nichols, Chance, Stafford, Milner, W. Evans, Gardiner

Mozart: Piano Concertos Nos. 24 & 25

Schubert: Piano Quintet "Trout"; Mozart: Clarinet Quintet

ASIN: B0000041AQ
Release Date: 1994-10-11

Tracks:

Symphony In C Minor, Hob. I:95: 1. Allegro moderato
Symphony In C Minor, Hob. I:95: 2. Andante
Symphony In C Minor, Hob. I:95: 3. Menuetto
Symphony In C Minor, Hob. I:95: 4. Finale. Vivace
Symphony In B Flat, Hob. I:98: 1. Adagio - Allegro
Symphony In B Flat, Hob. I:98: 2. Adagio
Symphony In B Flat, Hob. I:98: 3. Menuetto. Allegro
Symphony In B Flat, Hob. I:98: 4. Finale. Presto
Symphony In D, Hob. I:104: 1. Adagio - Allegro
Symphony In D, Hob. I:104: 2. Andante
Symphony In D, Hob. I:104: 3. Menuetto. Allegro
Symphony In D, Hob. I:104: 4. Finale. Spiritoso

Tracks:

Symphony In D, Hob. I:96: 1. Adagio - Allegro
Symphony In D, Hob. I:96: 2. Andante
Symphony In D, Hob. I:96: 3. Menuetto. Allegretto
Symphony In D, Hob. I:96: 4. Finale. Vivace assai
Symphony In B Flat, Hob. I:102: 1. Largo - Vivace
Symphony In B Flat, Hob. I:102: 2. Adagio
Symphony In B Flat, Hob. I:102: 3. Menuetto, Allegro
Symphony In B Flat, Hob. I:102: 4. Finale, Presto
Symphony In E Flat, Hob. I:103: 1. Adagio - Allegro con sirito
Symphony In E Flat, Hob. I:103: 2. Andante piu tosto allegretto
Symphony In E Flat, Hob. I:103: 3. Menuetto
Symphony In E Flat, Hob. I:103: 4. Finale, Allegro con spirito

Amazon.com

Customer Reviews:

Comparison - Jochum's Set vs. Colin Davis'.......2006-05-03

Haydn's London Symphonies.......2006-01-28

Haydn's twelve London Symphonies represent the culmination of Haydn's long and slow development as a symphonist. They remain among the greatest most varied set of symphonies ever written. Haydn composed them in two sets of six, for two lengthy trips to London in 1791 --1792 and 1794 -- 1795. The symphonies have been recorded in their entirety by many conductors, including Beecham, Scherchen,Bernstein, Jochum, and Van Karajan, but the set by Sir Colin Davis conducting the Royal Concertgebouw Orchestra is justly renowned. Davis's readings are available on two two-CD sets from Phillips, each of which sell at a modest price. There is no better way for the newcomer to get to know Haydn's masterworks. The first of the Phillips volumes, which I discuss here includes three of the earlier symphonies of the group, nos. 95,96, and 98, together with the magisterial final three symphonies, nos 102, 103, and 104.

Haydn's music speaks to the beginner in music (Remember the slow movement of the "surprise" symphony, known to every child.) as well as to the most demanding listener. The London audience for which he wrote them consisted both of people who knew little of music together with highly knowledgeable and sophisticated music lovers. Haydn had the ability to please both. The London symphonies are full of memorable and simple tunes, concertante solos for many instruments, jokes, and gimmicks. But they also include great musical variety, highly original slow introductions which become deeply integrated with the body of the work, deep slow movements, great development of material, creative orchestration, and extensive use of counterpoint. The symphonies have best been described as exemplifying a "sense of grandeur". They are large-scale, serious compositions, full of ease and mastery. They are also very much products of the Enlightenment as they move from their slow and mysterious openings through to their lively, positive, and triumphant conclusions.

The earliest of the London symphonies is the Symphony no. 96 in D major sometimes called the "Miracle". This is a simpler work than most of its companions. It opens with a fanfare slow introduction followed by a lively theme. Moments to listen for include the oboe solos at the end of the introduction and in the trio of the third movement, the counterpoint in the minor key in the slow movement, and the solos for flute and violin near the end of the slow movement.

The symphony no 95 in C minor is the only one of the London symphonies in a minor key and the only one without a slow introduction. It juxtaposes major and minor key elements coming to a major, triumphal close in the first movement. The first movement consists of an angular, angry minor key opening theme, followed by a long, lyrical theme in a major key. The second movement is a theme and variation while the minuet returns to the minor. The solo cello has large roles in the two middle movement. The finale is in the major with a great deal of fugal writing.

The symphony no 98 in B flat major is together with the following symphony no. 99, on of my favorites of the first nine of these symphonies. The slow introduction is, unusually, in the minor key and it is followed by a movement of great lightness with much counterpoint. The slow movement is one of Haydn's most sublime, probably written to commemorate the death of Mozart, with echoes of the slow movement of Mozart's "Jupiter" symphony. The minuet includes a trio for wind soloists while the swirling, humorous finale includes solo passages for the violin and, at the end, for the piano. (Haydn accompanied from the keyboard during the initial performances of these works.)

The final three symphonies of the "London" set are large-scaled masterpieces, the summit of the series. They were written for performance at the Opera Hall; and Haydn took full advantage of the orchestra and accoustics available to him to say his last word in symphonic form. There is much to hear and rehear in these symphonies.

The sympnony no. 102 in B flat major opens with a slow, largo introduction for the strings followed by a fast movement with two contrasting themes and a large-scaled development. The second movement is probably Haydn's best, as it glows with feeling and romance. The finale is a perpetuum mobile, developed canonically, with a theme that is tossed continually among the various instruments of the orchestra.

The "Drum-roll" symphony no. 103, opens with the instrument for which it is named followed by a growling introduction in the lower strings. In many ways, this symphony is similar to Haydn's Oratorio, "The Creation", composed subsequent to the London symphonies, with its movement from darkness to light. Unusually, the opening introductory material returns at the conclusion of the first movement. In the minuet of this symphony, Haydn moves from some simple, rustic writing for woodwinds to an immediately following theme for the violins of great urbanity. Haydn develops his final movement from some simple material, which he uses contrapuntally and with variety.

With its combination of depth, sophistication,wit,and highest mastery, the London symphony, in D major, No. 104, is my favorite of the set. It is a large work which begins with a minor-key and solemn introduction followed by an unusually lively and triumphant opening allegro. The slow movement is song-like with a darker middle section in the minor key. The minuet again features solos for winds in the trio, but the highlight of this symphony is its finale. Over a continuous drone, the orchestra articulates a theme, possibly derived from an English street tune, and develops it thoroughly from wit to grandeur. It is an apt conclusion to Haydn's symphonic career.

This is a set that can be heard many times, with increasing pleasure and discovery. Haydn's London Symphonies are among music's lasting joys. They are beautifully performed by Sir Colin Davis and the Amsterdam Concertgebouw.

Robin Friedman

This is a good bargain but I don't recommend the performance.......2004-11-17

One of my favorite conductors, Colin Davis, is not at his best here. The Dorati and Bruggen sets are both preferable.

GOOD, BUT!.......2004-07-15

Symphony 93: Goodman/Hanover Band (Hyperion 66532)
Symphony 94: Monteux/Vienna Phil (Decca 452893-2)
Symphony 95: Britten/ECO (BBC 8008)
Symphony 96: Harnoncourt/Concg. Orchestra (Teldec/Warner 21337-2)
Symphony 97: Szell/Cleveland (Sony 67175)
Symphony 98: Jochum/LPO (DG 437 201-2)
Symphony 99: Davis/Concg. Orchestra (Phillips 442 614-2)
Symphony 100: Walter/Columbia (Sony 64485)
Symphony 101: Mackerras/St. Luke's (Telarc)
Symphony 102: Dorati/Philharmonia Hungarica (Decca 452 259-2)
Symphony 103: Kuijken/La Petite Bande (DHM 77362)
Symphony 104: Hickox/Collegium Musicum 90 (Chandos 0655)

Thrill of Playing/Listening to Great Symphonic Composure.......2003-05-17

Imagine the thrill of Haydn finally hearing his work played the outstanding orchestra of Salomon in London, and for these musicians?

What a result for us to inherit these magnificent works performed by Sir Davis and the Royal Concertgebouw recorded at such an outstanding value by Philips.

I especially love the cello part in the Minuet of Sym.95 as well as the Adiago from the 98th. How hard is it to pick and choose though from this magnificent sounds? I find myself conducting as I listen as in Sandy Bottom Orchestra with the dairy manager.

Tracks:

String Symphony No. 4: Andante
Symphony In F Major: Andante
Concerto In E Major For Trumpet, Oboe d'amore, Violin, Strings And Continuo: Affettuoso
Overture No. 5 In E Major: Andante
Violin Concerto In C Major: Adagio
Symphony No. 6 In F Major: Larghetto
Cello Concerto In C Major: Adagio
Symphony No. 1 In B Flat Major: I Allegro
Symphony No. 1 In B Flat Major: II Moderato e dolce
Symphony No. 3 In C Major: Andante
Symphony No. 94 in G Major: Menuet & Trio
Symphony No. 5 In B Flat Major: Andante con moto
Symphony No. 2 In A Major: Vivace
Trumpet Concerto In E Flat Major: Andante
Symphony No.1 in D Major: Andante

Amazon.com

If the people at Nimbus are smart, they'll do a whole collection of discs on this theme. The literary-musical connection is, when done tastefully, as it is here, irresistible. As the intelligent and interesting notes maintain, "London at the time of Jane Austen was one of the most exciting centers in all of Europe for music," and this was an era of great fertility of composers in general. Lucky Jane! Imagine publishing your second novel the same year that Beethoven's Seventh Symphony receives its premiere. Or offering your fourth novel to the public near the time of the first performance of Schubert's Fifth Symphony. The program highlights popular music from Austen's time by Mendelssohn, Haydn, Fasch, J.C. Bach, Boyce, Schubert and others. I find the exclusion of chamber music a little odd here, though, since chamber music was the rage among the sort of gentlemen and women of the country about whom Austen wrote so well. --Gwendolyn Freed

Customer Reviews:

A perfect blend of music ! .......2006-11-23

I decided to try this cd based on the good reviews it got and I'm certainly glad I did ! The music is just perfect for relaxing and filling the house with all the old classical masterpieces. A good buy that that's well worth the money!

Beautiful.......2006-11-20

The more I listen to this cd, the more I love it!! It is very beautiful.

Beautiful Music.......2006-10-02

A great price for such a beautiful CD.
This CD is a must have if you love Jane Austen.
Buy this CD, you will not be disappointed!

Very Pleased!.......2005-09-28

If you like slow beautiful music, this is for you.
Austen has a great taste for harmonic melodies.
I've listen to this CD over and over again.
I still enjoy the beautiful music!

VERY VERY GOOD.......2004-03-07

If you love classical music while reading, relaxing or having a bit of tea, you won't regret getting this album. I personally love it to bits, worth every penny!

Average customer rating:

Intense, Vigorous Haydn
Fine Haydn at a Great Price
Superb Performances Of Haydn's "London" Symphonies From Jochum and the London Philharmonic Orchestra
How to conduct Haydn
SO GREAT!!!

Haydn: The 12 "London" Symphonies

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Deutsche Grammophon: Music | Specialty Stores | Music
Similar Items:

Haydn: Paris Symphonies
Beethoven - The Complete String Quartets / Alban Berg Quartet
Mozart: The Piano Concertos
Schubert: 8 Symphonies
Schubert: The Piano Sonatas

ASIN: B00008RWRH
Release Date: 2003-10-14

Customer Reviews:

Intense, Vigorous Haydn.......2007-06-02

WOW! Could anyone ever think of Haydn as thrilling? If not, listen to this set! Jochum, who has now joined Furtwangler in my pantheon of godlike conductors, brings a fire and exhilaration that sweeps over every note. I am especially impressed and moved by his performance of no. 98, written in memory of the recently deceased Mozart (the slow movement really echos that of the "Jupiter", something I never noticed before hearing Jochum). The recorded sound is superb in its naturalness, and the LPO follows Jochum perfectly. As a bonus, the last CD contains earlier Jochum Haydn recordings, including his no. 98 with the Berlin Philharmonic. Although the BPO is my favorite orchestra of all, I find myself prefering the later LPO version for its even greater forcefulness. It seems that while other conductors mellowed with time, Jochum seemed to gain in fire and flame as he aged.

Fine Haydn at a Great Price.......2007-05-18

There's no getting around the fact that Jochum adds his own personal touches to all the works in this set, and as with his Bruckner, they work marvelously and make the listening a lot of fun. Haydn infuses his work with a great deal of humor and wit as it is; these performances simply enhance those qualities. They're not as rough & ready as Bernstein/NYP, not as refined as Colin Davis/COA; but they're well-played, inspired, and for the Haydn enthusiast, never dull.

The "bonus" recordings on Disc #5 date from 1962 and 1958 (the remainder of the set from 1972-73) and sound absolutely great!

Superb Performances Of Haydn's "London" Symphonies From Jochum and the London Philharmonic Orchestra.......2007-03-12

Eugen Jochum is probably best remembered for his sterling interpretations of Bruckner's symphonies. However, he should be well regarded too for his splendid interpretations of Haydn's late symphonies. This superb 5 CD set has been listed - and then deleted inexplicably - by Deutsche Grammophon for years; now at last it is back in a relatively inexpensive form, demonstrating once more that it is among the finest recordings of these symphonies ever made. Jochum leads the London Philharmonic Orchestra in light, delicate performances which are truly revelatory, leading the orchestra as if Haydn himself was conducting. It's truly hard for me to select a single favorite, though I agree with another reviewer that Jochum's interpretation of the 101st "Clock" symphony is truly special. For these reasons alone, I can't say that Jochum's cycle is "better" than those I've heard from Bernstein and Sir Colin Davis; however, I will say that his cycle is one I recommend as highly as those from these two superb Haydn interpreters. I do know that I greatly enjoyed my original LP versions of Jochum's cycle, and for this reason alone, I strongly recommend this CD version to potential purchasers.

How to conduct Haydn.......2007-03-08

Eugen Jochum was a truly great conductor without that reputation. When you listen to this set, the greatness really shows. First of all, these recordings sound like performances. They have grace, style and most importantly, spontanaiety. Of all the great composers, Haydn's music has the most humor. Some of it is extremely obvious like the slow movements of 93 and 94. Other times it is much more subtle. But it is always there. Jochum brings out the humor and spontanaiety as well as any conductor making this set absolutely delightful. I have one complaint. For some strange reason, they included two recordings of Symphony No. 98. There had to be another Haydn symphony somewhere. I would love to have a Jochum recording of No. 86, if he recorded it. Nevertheless, this is a set that should be in your library if you love the classical era.

SO GREAT!!!.......2007-03-06

Cada vez me admira mas la versatilidad del director Eugen Jochum y este set de las sinfonias londinenses de Haydn lo corrobora; tiene toda la expresividad y musicalidad que estas sinfonias deben tener y la remasterizacion es muy buena. Lo recomiendo mucho.

Haydn: Symphonies #99-104; Sir Thomas Beecham; Royal Philharmonic

Average customer rating:

The conclusion of Beecham's delightful Haydn set
No Flaws Here...
Same flaw
Excellent, but also disappointing
One of the master interpreters of Haydn

Haydn: Symphonies #99-104; Sir Thomas Beecham; Royal Philharmonic
Franz Joseph Haydn , Sir Thomas Beecham , and Royal Philharmonic Orchestra
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

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$7.99 and Under | Classical Music Blowout | Stores | Music

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Haydn: Symphonies Nos. 93-98
Haydn: Symphonies Nos. 88 - 92
Haydn: Paris Symphonies
Great Recordings Of The Century - Schubert: Symphonies nos. 3, 5, & 6 / Beecham, Royal Philharmonic Orchestra
Schubert: Symphonies 5, 6, 8 & 9; Rosamunde Overture

ASIN: B0000CE7FQ
Release Date: 2004-06-01

Tracks:

I: Adagio - Vivace Assai
II: Adagio
III: Menuetto E Trio: Allegretto
IV: Finale: Vivace
I: Adagio - Allegro
II: Allegretto
III: Menuetto E Trio: Moderato
IV: Finale: Presto
I: Adagio - Allegro Con Spirito
II: Andante, Piu Tosto Allegretto
III: Menuetto E Trio
IV: Finale: Allegro Con Spirito

Tracks:

I: Adagio - Presto
II: Andante
III: Menuetto E Trio: Allegretto
IV: Finale: Vivace
I: Largo - Vivace
II: Adagio
III: Menuetto E Trio: Allegro
IV: Finale: Presto
I: Adagio - Allegro
II: Andante
III: Menuetto E Trio: Allegro
IV: Finale: Spiritoso

Customer Reviews:

The conclusion of Beecham's delightful Haydn set.......2006-09-16

These recordings of the last six London symphonies were recorded in 1957, but even after fifty years they gleam with freshness. Just as Beethoven is unthinkable without Furtwangler, Verdi without Toscanini, and Mahler without Bernstein, Haydn is fused with the name of Beecham. He was near the end when these stereo renditions were made, and at times the music isn't as vigorous or pointed as it could be, but the symphonies remain light, buoyant, and witty. He simply had the magic touch when it came to Haydn's music. As to sonics, they are good enough, but loud passages can shriek a bit, and the Royal Phil. is at times scrappy compared to the best orchestras of today. But their playing is never bored, routine, or slick.

At present this composer is neglected. Unlike Mozart, Haydn's poised classicism doesn't feel deep enough to modern ears; he's never tragic or even conflicted. His music is charmng, balanced, self-assured, and incredibly inventive. That should be enough, but I can think of a host of major conductors who have recorded barely a handful of Haydn symphonies (Walter, Furtwangler, Abbado, Fricsay, Klemperer, etc.) The true devotees include, besides Beecham, Bernstein and Karajan, with Szell adding his good share, about eight symphonies. Bernstein's set of the Paris symphonies stands on a plane with Beechaam's London symphonies. Together, they are must-listens in this delightful music.

No Flaws Here..........2005-10-25

The sound on this re-mastering of the Beecham recordings is excellent--much better than on the earlier release by EMI. Apparently the disc flaw in #104 that previous reviewers mentioned has been eliminated in later production runs.

No doubt about it, Sir Thomas Beecham brings out the grace and wit in the Haydn symphonies better than just about any conductor.

Same flaw.......2005-02-17

I would rate this at five stars if it were not for the remastering flaw on the final track of CD 2. In my opinion, these performances rate with Jochum's as the best available. Shame on EMI for letting the defective discs escape their notice. Apparently, all copies have the problem, since every review mentions it, and I have now exchanged the disc four times in search of a clean copy. Why can't EMI recall and reissue the set? I left a perfectly cordial message on the EMI website asking if they knew of the problem and if any unflawed copies were available. I got no response. Such contempt for their customers would drive many companies out of business.

Excellent, but also disappointing.......2005-01-04

I don't have much to add to what was said by the previous review, who is spot-on. At $12, these five (#99-103) of Haydn's London symphonies are one of the best combinations of quality and price available. I say FIVE symphonies, though, instead of SIX (there are supposedly SIX included here), because there IS a remastering error on the second disc. It's right where the first two reviews said it was -- on the last track, or during the final movement of Symphony 104. The first time I played the symphony, which was in my CD player, I began to hear a strange clicking noise right near the end of 104's last movement, at about 4:45, just when I thought I was out of the woods. After a few seconds of this, the CD did in fact begain to "hang something furious." When I played it on my computer, the hanging came even earlier -- after the 3-minute mark (as if it were eating its way to the center of the disc). I too checked the disc under a bright lamp, expecting to find a small claw mark on the underside, but it showed no damage. Therefore, the problem must lie with EMI. I'm not sure what happened, but I take it that most buyers will find the same problem that I did. I'm not throwing this set out (or even just the second disc) because of the wonderful performances of Symphonies 99-103, but it's disappointing not to get to hear Beecham bring 104 to its terrific close.

One of the master interpreters of Haydn.......2004-10-22

This is the second portion of EMI's recent re-release of Beecham's extremely fine set of Haydn London Symphonies. The first installment, Nos. 93-98, was originally recorded in excellent mono; these, 99-104, in stereo. (Incidentally, my Symphony 104 does not suffer from the same technical problem encountered by the preceding reviewers with their discs.) The well known and long appreciated Beecham traits are all here---fastidious but appealing detail, sprightly rhythms, charm, wit, grace and convincing dynamics. In comparison with Scherchen in his DG Original Masters six cd set, Beecham impresses as being perhaps a little more precise in articulation of details. His approach also seems a bit more refined, even aristocratic at times. However, all of this doesn't necessarily mean he is more convincing musically than Scherchen. Each in his own way ably presents Haydn as a composer of varied and fascinating character, and not just as "the father" but a master of the symphony. If I was asked to cite one perceived overall difference between the styles of both conductors, I would say that Beecham's might manifest the type of expression that could be considered somewhat more cerebral, while Scherchen's might emanate a little more from the heart. Soundwise, Scherchen's mono recordings tend to be warmer, while Beecham's sport more of the relatively lighter, open clarity of the stereo stage. In comparing both conductors' performances, I find it virtually impossible to conclude in favor of one over the other. Personally, I wouldn't be without the Scherchen set. But, Beecham's style is so captivating, and his set so easy to purchase, I'm all too happy to give it a home too.

Average customer rating:

Comparison - Jochum's Set vs. Colin Davis'
Haydn in very good hands!
Really Nice Performances
Well Played

Haydn: 6 "London" Symphonies
Concertgebouw Orchestra
Manufacturer: Umvd Labels
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music
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ASIN: B000051YDD
Release Date: 2001-10-30

Tracks:

Sym No.94 in G 'Surprise': I. Adagio - Vivace Assai
Sym No.94 in G 'Surprise': II. Andante
Sym No.94 in G 'Surprise': III. Menuetto E Trio: Allegro Molto
Sym No.94 in G 'Surprise': IV. Finale: Allegro Di Molto
Sym No.100 in G 'Military': I. Adagio - Allegro
Sym No.100 in G 'Military': II. Allegretto
Sym No.100 in G 'Military': III. Menuet E Trio: Moderato
Sym No.100 in G 'Military': IV: Finale: Presto
Sym No.101 in D 'Clock': I. Adagio - Presto
Sym No.101 in D 'Clock': II. Andante
Sym No.101 in D 'Clock': III. Menuetto E Trio: Allegretto
Sym No.101 in D 'Clock': IV. Finale: Vivace

Tracks:

Sym No.96 in D 'Miracle': I. Adagio - Allegro
Sym No.96 in D 'Miracle': II. Andante
Sym No.96 in D 'Miracle': III. Menuetto E Trio: Allegretto
Sym No.96 in D 'Miracle': IV. Finale: Vivace
Sym No.103 in E flat 'Drum Roll': I. Adagio - Allegro Con Spirito
Sym No.103 in E flat 'Drum Roll': II. Andante, Piu Tosto Allegretto
Sym No.103 in E flat 'Drum Roll': III. Menuetto E Trio
Sym No.103 in E flat 'Drum Roll': IV. Finale: Allegro Con Spirito
Sym No.104 in D 'London': I. Adagio - Allegro
Sym No.104 in D 'London': II. Andante
Sym No.104 in D 'London': III. Menuet E Trio: Allegro
Sym No.104 in D 'London': IV. Finale: Spiritoso

Customer Reviews:

Comparison - Jochum's Set vs. Colin Davis'.......2006-02-23

Jochum and London Phil deliver the highest level of Haydn playing just like Colin Davis and Concertgebow do. I own both and tried to compare between two.

Jochum adds plenty of personal touches that decidedly grab your attention. You hear poignant romanticism or Beethoven-like roar in many places. Colin Davis, by comparison, lets the music flow naturally and makes it sound more balanced. In his set, you hear more of Concertgebow Orchestra than Colin Davis. I think it's the other way around in Jochum set. Concergebow's sound is more transparent and charmingly light-footed while London Phil sounds fuller and creamier without losing crispness. You get more agility and refinement from Davis set. You get more expressiveness and warmth from Jochum's.
Let me emphasize that all of the good qualities I attributed to either of the sets actually exist in both (they are inherently in Haydn's writing). It's just that some qualities are more apparent in one than the other.
As to the recording, Colin Davis set has more sparkle and vividness. It sounds more modern. Jochum's has a typical old-fashioned analogue sound in a very good way. It has plenty of natural ambience but doesn't sound muddy.
I recommend you buy both of these delightful and affordable sets. I never regretted doing so :-)

Haydn in very good hands!.......2006-02-20

By all accounts Haydn, has had an admirable legion of interpreters but just a few of remarkable ones.

If I had to pronounce myself for the most competent and eloquent directors, four names would have to be mentioned: Hermann Scerchen and his milestone recordings with Vienna Symphony during the Fifties, loaded of opulence and Imperial dignity; the legendary recordings of Tomas Beecham, the successful approach of Bernstein- New York and finally these invaluable treasured jewels with Davis and the distinguished and resonant sound of Concertgebouw. Ddavis is competent director who has been particularly fortunate with other Orchestras, such Boston (His Sibelius cycle is a must-have for most of serious collectors) or Bavarian Orchestra. Davis not only plays a superb Haydn, but besides, having deciphered the Haydn code through a zealous and rigorous analysis of the score produces admirable filigrees with these Symphonies.

Go for this set, without dilation.

Really Nice Performances.......2003-09-04

This 2 cd recording of Sir Colin Davis conducting Haydn's London symphonies are over all "really nice performances". And I'm an original instrument kind of guy. It's funny how so many people make far too much fuss over old conductors such as Beechum & Furtw?ngler. These conductors perform Haydn wonderfully but the recording sound quality is ridiculously poor... and good luck trying to acquire them, if you MUST. Some act as if nobody could ever conduct Haydn as well. I totally disagree. I have a recording of a nobody conductor by the name of Hickox conducting the Collegium Musicum 90 doing Haydn's symphonies 103,95 & 104. They are so well done. Just listen to symphony 103 in this recording. However, my favorite Haydn conductors are Hogwood & Br?ggen. One warning though, stay away from Dorati. He had no business conducting the great Haydn and to think of all the great reviews he's received. Puzzling...

Well Played.......2003-01-04

Haydn's London Symphonies are wonderful works. I always enjoy playing them because they are so clean and fresh. Sir Colin Davis conducts the fine Concertgebouw Orchestra of Amsterdam. This is a great combination. The orchestra plays tightly and crisply. I really enjoy this disc, especially Symphony No. 104.

Haydn: Symphonies Nos. 93-104, The London Symphonies

Average customer rating:

Worth acquiring at any price.
Very enjoyable
Terrible recordings ruin decent performances.
The ones who know it best
A wonderful collection

Haydn: Symphonies Nos. 93-104, The London Symphonies

Manufacturer: Nimbus Records
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Classical | Box Sets | Stores | Music

Haydn: Symphonies Nos. 88 - 92 / Sinfonia Concertante
Haydn: Symphonies Nos. 82-87, the Paris Symphonies
Haydn: Symphonies Nos. 70 - 81
Haydn: Symphonies 55-69 Volume Four
Haydn: Symphonies Nos. 40-54

ASIN: B0000064AU
Release Date: 1992-12-02

Tracks:

Sym. No. 93 in D major: Adagio - Allegro assai - J. Haydn
Sym. No. 93 in D major: Largo cantabile - J. Haydn
Sym. No. 93 in D major: Menuetto & Trio: Allegro - J. Haydn
Sym. No. 93 in D major: Finale: Presto ma non troppo - J. Haydn
Sym. No. 94 in G Major: Adagio - Vivace assai - J. Haydn
Sym. No. 94 in G Major: Andante - J. Haydn
Sym. No. 94 in G Major: Menuet & Trio: Allegro molto - J. Haydn
Sym. No. 94 in G Major: Finale: Allegro di molto - J. Haydn
Sym. No. 95 in C Major: Allegro moderato - J. Haydn
Sym. No. 95 in C Major: Andante - J. Haydn
Sym. No. 95 in C Major: Menuetto & Trio - J. Haydn
Sym. No. 95 in C Major: Final: Vivace - J. Haydn

Tracks:

Sym. No. 96 in D major: Adagio - Allegro - J. Haydn
Sym. No. 96 in D major: Andante - J. Haydn
Sym. No. 96 in D major: Menuetto & Trio: Allegretto - J. Haydn
Sym. No. 96 in D major: Finale: Vivace (assai) - J. Haydn
Sym. No. 97 in C major: Adagio - Vivace - J. Haydn
Sym. No. 97 in C major: Adagio ma non troppo - J. Haydn
Sym. No. 97 in C major: Menuetto & Trio: Allegretto - J. Haydn
Sym. No. 97 in C major: Finale: Presto assai - J. Haydn
Sym. No. 98 in B-flat Major: Adagio - Allegro - J. Haydn
Sym. No. 98 in B-flat Major: Adagio - J. Haydn
Sym. No. 98 in B-flat Major: Menuet & Trio: Allegro - J. Haydn
Sym. No. 98 in B-flat Major: Finale: Presto - J. Haydn

Tracks:

Symphony No. 99 in E-flat Major: Adagio - Vivace assai - J. Haydn
Symphony No. 99 in E-flat Major: Adagio - J. Haydn
Symphony No. 99 in E-flat Major: Menuet & Trio: Allegretto - J. Haydn
Symphony No. 99 in E-flat Major: Finale: Vivace - J. Haydn
Sym. No. 100 in G Major: Adagio - Allegro - J. Haydn
Sym. No. 100 in G Major: Allegretto - J. Haydn
Sym. No. 100 in G Major: Menuet & Trio: Moderato - J. Haydn
Sym. No. 100 in G Major: Finale: Presto - J. Haydn

Tracks:

Sym No. 101 in D Major (Clock): Adagio --Presto - Joseph Haydn
Sym No. 101 in D Major (Clock): Andante - Joseph Haydn
Sym No. 101 in D Major (Clock): Menuet & Trio: Allegretto - Joseph Haydn
Sym No. 101 in D Major (Clock): Finale: Vivace - Joseph Haydn
Sym No. 102 in B-Flat Major (Miracle): Largo - Allegro vivace - Joseph Haydn
Sym No. 102 in B-Flat Major (Miracle): Adagio - Joseph Haydn
Sym No. 102 in B-Flat Major (Miracle): Menuetto & Trio: Allegro - Joseph Haydn
Sym No. 102 in B-Flat Major (Miracle): Finale: Presto - Joseph Haydn

Tracks:

Sym No. 103 in E-Flat Major (Drumroll): Adagio - Allegro con spirito - Joseph Haydn
Sym No. 103 in E-Flat Major (Drumroll): Andante pito allegretto - Joseph Haydn
Sym No. 103 in E-Flat Major (Drumroll): Menuet & Trio - Joseph Haydn
Sym No. 103 in E-Flat Major (Drumroll): Finale: Allegro con spirito - Joseph Haydn
Sym No. 104 in D Major (London): Adagio - Allegro - Joseph Haydn
Sym No. 104 in D Major (London): Andante - Joseph Haydn
Sym No. 104 in D Major (London): Menuetto & Trio: Allegro - Joseph Haydn
Sym No. 104 in D Major (London): Finale: Spiritoso - Joseph Haydn

Customer Reviews:

Worth acquiring at any price........2007-02-23

Some say Haydn's ingenuity is even greater than that of Mozart's or Beethoven's. When listening to this brilliantly played set, I find myself becoming a convert of the belief. Haydn experimented with a variety of musical tools in these works. Surprising twists and turns are abundant. You will hear chamber serenade, harpsichord run, or violin solo in the most unexpected spots. Instruments are sometimes played in very unconventional ways resulting in exotic sounds - similar to what Berlioz and Mahler did later. Structure is toyed with in many symphonies, especially in the early ones.

In Austro-Hungrarian Orchestra, Adam Fischer finds an all-in chef's toolkit needed to cook these delightful ingredients. The woodwinds not only sing but also coo and meow. Strings melt your heart to a puddle with their exquisite pianissimo. Horns are expressive yet stylish. The whole orchestra knows how to knock themselves out when the music calls for it. The overall timbre is unlike any other orchestra I've ever heard, period or conventional. It's bright, edgy and folksy at the same time. It sounds like a virtuosic chamber ensemble rather than an orchestra except in the big symphonies. I believe the closest thing to their sound is Vienna Philharmonic playing Johann Strauss waltzes. Throw in a hint of gypsy flavor then it would be even closer.

Because this is a massive 33-CD set, there are inevitably a few imperfections. In a handful of spots the strings are not perfectly together. Adding to this, some of the violins have very distinctive tones which don't blend well with others when the music gets energetic. As to the engineering, some of the symphonies recorded early in the cycle are captured with too much reverberation, especially some London symphonies which sound soft-edged. But let me assure you the vast majority of the 100 plus symphonies have been recorded with crystal-clear brilliance.

One may find more sophisticated and smooth playing in some conventional performances (Colin Davis and Jochum) or crisper articulations in some period recordings (Bruggen and Pinnock). But Fischer and his hand-picked orchestra deliver more character and expressiveness than in any Haydn performances I've ever heard. Harnoncourt comes close but Fischer's set has more smiles. And his orchestra has the devilish ability to accommodate any mood Haydn's score throws at them - whether it's charm, wit, panache, or pathos. Their playing in slow movements is simply inimitable.

This set will be the source of joy for many Haydn lovers whether they are beginners just opening up the treasure chest or seasoned collectors with many other Haydn CDs. According to others' opinions, it compares favorably to Dorati's box, the only other complete set which I have not heard.

One final point - I wrote the review without the consideration of the price. In other words, this set is worth acquiring at any price.

Very enjoyable.......2002-03-23

I have enjoyed these discs quite a bit. The playing is fabulous, and the conducting is fine. Sometimes the engineering is a little muddy, but not near enough to destroy my pleasure.

For the ultimate London symphonies, I highly recommend Beecham on EMI. No one has matched his charm and wit with the drama. Fischer's recordings are great; Beecham is awesome!

Terrible recordings ruin decent performances........2001-12-11

Overmiked, overmixed recordings that sound very unnatural, wasting their authentic recording venue. Bass is boomy and muddy on some of them. The performances themselves are OK, but generally too slow and relaxed for my tastes. I would recommend the Colin Davis set on Philips instead. It contains warmly-recorded performances, none of which falls short of excellent, and it comes on only 4 discs, which comes out to about the same price as this Fischer set, and you only have to buy 2 at once.

The ones who know it best.......2000-05-16

I suppose it's a tad bit ethnocentric to assume that because Fischer and the Haydn Orchestra are Hungarian they'd be able to play Haydn better than anyone else, but in this case I feel it's true. Aside from having a high level of technical skill, the orchestra puts real verve and life into their performances. (You will never listen to another recording of the "Military" symphony again.) This is coupled with Fischer's flair for the dramatic; endings are rallentandoed appropriately, and each piece shines with the sense that it is being thoroughly interpreted, not just perfunctorily played through. A rather muffled-sounding recording of the "Clock" symphony and some blurriness in the first movement of the "Military" does not detract from the overall greatness of these interpretations. Ethnocentric or not, these players know what they're doing.

A wonderful collection.......2000-03-29

This is an excellent collection of Haydn symphonies. It is the highest numbered volume in an 8 volume set although it is not the last to be produced. Volumes 5 and 2 are forthcoming and will be available in October of 2000 and 2001 respectively. (I contacted the record label to find out...that's how much I enjoy this set) It is a full digital recording and has no discernable technical flaws. The performances are beautifully done. If you are looking for a complete collection of Haydn symphonies - this is one piece of the set I would recommend.

Average customer rating:

Michael Haydn: Symphonies

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

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ASIN: B000000AWG
Release Date: 1996-02-20

Tracks:

Symphony P6 In A Major: I. Allegro Molto
Symphony P6 In A Major: II. Menuetto -Trio
Symphony P6 In A Major: III. Andante
Symphony P6 In A Major: IV. Finale: Allegro molto
Symphony P9 In B Flat Major: I. Allegro assai
Symphony P9 In B Flat Major: II. Andantino
Symphony P9 In B Flat Major: III. Menuet - trio
Symphony P9 In B Flat Major: IV. Finale: Allegro molto
Symphony P16 In G Major: I. Allegro con spirito
Symphony P16 In G Major: II. Andante sostenuto
Symphony P16 In G Major: III. Finale: Allegro molto
Symphony P26 In E Flat Major: I. Allegro con brio
Symphony P26 In E Flat Major: II. Adagietto
Symphony P26 In E Flat Major: III. Finale - Fugato: Allegro
Symphony P32 In F Major: I. Allegro molto
Symphony P32 In F Major: II. Adagio ma non troppo
Symphony P32 In F Major: III. Rondeau. Vivace

Average customer rating:

Symphonies 95 & 104
Haydn , Solti , and London Philharmonic Orchestra
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD
ASIN: B00000E38V
Release Date: 1990-10-25

Haydn: Symphonies Nos. 104 ("London") & 94 ("Surprise"); Acide e Galatea Overture

Average customer rating:

Haydn Symphonies - Fey & HeidelbergSO: Spicey, Amazing
What a sound!

Haydn: Symphonies Nos. 104 ("London") & 94 ("Surprise"); Acide e Galatea Overture
Franz Joseph Haydn , Heidelberger Sinfoniker , and Thomas Fey
Manufacturer: Hanssler Classics
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

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ASIN: B00004UAJF
Release Date: 2000-06-27

Tracks:

Adagio - Allegro
Andante
Menuet. Allegro
Finale. Spiritoso
Adagio - Vivace assai
Andante
Menuet. Allegro Molto
Finale. Allegro Di Molto
Sinfonia (Overtura) - Allegro Molto
Andante Grazioso
Finale Presto

Customer Reviews:

Haydn Symphonies - Fey & HeidelbergSO: Spicey, Amazing.......2007-06-29

My recorded standards in Haydn to date have included the complete Fischer Austro-Hungarian cycle, now released total on Brilliant at a good price I believe, plus the older Dorati with the Philharmonia Hungarica, probably now drifting through used bins somewhere. Other supplemental recordings included Bernstein's NYP run of the later symphonies, and Paris cycle sets with Dutoit and von Karajan.

The band at hand in these discs - six or seven to date in a projected complete recorded set of all the Haydn symphonies - is a strange bird, indeed. The Heidelberg SO uses a mix of modern and period instruments, with the strings and woodwinds being modern, and the brass being period originals or rebuilds of authentic period instruments. Why Thomas Fey and friends came up with this mix is difficult to explain, exactly. On the surface, it seems like an odd idea that probably would not work, musically. Yet, against all early odds, Fey and company do make it all work, and brilliantly at that. Fey studied with some of the leading lights of the period instrument performance movement, including Harnoncourt, and the truth of my listening ears is that I would much prefer to hear him, so far, than I like to hear his world-class pioneer and mentor.

As it happens, this mix is just about perfect for Haydn. You get a punch from the period brass that seems obvious, once you have heard it. Beethoven got his sforzandos from somewhere, in this view. Haydn comes off like a pretty vital, cool character. Not missing touches of gallantry and elegance, particularly in the loving care that is paid by these players to slower movements and lightening textures - a touch of very sweet, then. But on the whole, their approach stays so alive and vital that few will get sleepy, even listening closely to Papa Haydn. Tempos are reliably fast, but not rushed to blur the articulation of phrases and chords so important to the harmonic story being told by the composer. Against all odds, the strings, woodwinds, and period brass have a blend - spicy and piquant - all their own. One suspects that Fey and friends relied on their own ears, more than on abstract notions, as they molded their performance strategy.

The sound is regular 16-bit CD in stereo - but very good for all that. And do check out similarly Wow performances of Beethoven - an interrupted complete cycle in progress? - and Mozart. The real deal for music first, and period performance invention, second. Very Highly Recommended.

What a sound!.......2002-09-30

This was the first purchase of this label for me and I hope not the last. A very exhilarating performance AND sound. It rivals Telarc's approach to recording, which I love.

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London Is the Place for Me

1. Symphony No.95 In C Minor (Allegro Moderato)
2. Symphony No.95 In C Minor (Andante)
3. Symphony No.95 In C Minor (Menuetto E Trio)
4. Symphony No.95 In C Minor (Finale: Vivace)
5. Symphony No.98 In B Flat Major (Adagio Allegro)
6. Symphony No.98 In B Flat Major (Adagio Cantabile)
7. Symphony No.98 In B Flat Major (Menuetto E Trio: Allegro)
8. Symphony No.98 In B Flat Major (Finale: Presto)
9. Symphony No.101 In D Major, "The Clock" (Adagio Presto)
10. Symphony No.101 In D Major, "The Clock" (Andante)
11. Symphony No.101 In D Major, "The Clock" (Menuetto E Trio: Allegretto)
12. Symphony No.101 In D Major, "The Clock" (Finale: Vivace)
13. Symphony No.96 In D Major, "The Miracle" (Adagio Allegro)
14. Symphony No.96 In D Major, "The Miracle" (Andante)
15. Symphony No.96 In D Major, "The Miracle" (Menuetto E Trio: Allegretto)
16. Symphony No.96 In D Major, "The Miracle" (Finale: Vivace Assai)
17. Symphony No.100 In G Major, "Military" (Agagid Allegro)
18. Symphony No.100 In G Major, "Military" (Allegretto)
19. Symphony No.100 In G Major, "Military" (Menuetto E Trio: Moderato)
20. Symphony No.100 In G Major, "Military" (Finale: Presto)