Sessions: Sonata for piano No3; Martino: Fantasies and impromptus

Editorial Reviews
New York Times, August 31, 2001
Mr.Hodgkinson, who is afire, plays with utter command and keen imagination. The highly charged,contrapuntally dense Sonata No. 2, is riveting.

Album Description
Three important keyboard works by two of the key figures of American music of this century are coupled in this collection. All three works occupy key positions in the canon of their respective composers.

The things that can be said about all of Roger Sessions’s music are especially true of the single-movement Piano Sonata No. 2—it is full of proliferating invention, densely contrapuntal textures, and highly elastic rhythms and phrase structures; and a long, unfurling melodic line stretches from the beginning of the piece to the end. Piano Sonata No. 3 is in the traditional three-movement format, except that the typical classical format is reversed—two somewhat subdued slow movements surround a fiery scherzo. The third movement, “In memoriam: November 22, 1963,” was composed as an elegy for John F. Kennedy.

In Donald Martino’s Fantasies and Impromptus, six short impromptus are framed by three longer fantasies, which begin and end the work and stand at its center. The pieces embrace the widest diversity of texture and range, character and emotion. Perhaps the key word among many that might describe this music is “Omaggio,” the title Martino has given to the symmetrically placed, and lusciously romantic, fifth and seventh impromptus. There is a sense in which all the fantasies and impromptus form a completely contemporary “homage” to the forms of Romantic piano music and to the poetry of its many moods. The work is full of Schumannesque impetuousness, pearly Lisztian cadenzas, and Chopinesque melancholy.

Of related interest :

Roger Sessions - Symphonies 4 & 5 catalog #80345
Roger Sessions - When Lilacs Last in the Dooryard Bloom’d New World 80296)
Donald Martino - A Jazz Set (New World 80518)
Donald Martino - Paradiso Choruses (New World 80529)

Sessions: Sonata for piano No3; Martino: Fantasies and impromptus, Music, Donald Martino, Roger Sessions, Randall Hodgkinson, Robert Helps, 20th/21st Century Sonata/Sonatina for Keyboard, Classical, Classical Music, Impromptu for Keyboard, Keyboard, Orchestral & Symphonic

Average customer rating:

Sessions: Sonata for piano No3; Martino: Fantasies and impromptus Manufacturer: New World Records ProductGroup: Music Binding: Audio CD Impromptus | Short Forms | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Sonatas | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music ASIN: B00000DFWN Release Date: 1998-10-27

Tracks:

1. Piano Sonata No. 2
2. Piano Sonata No. 3: I Adagio e misterioso - Sostenuto
3. Piano Sonata No. 3: II Molto allegro e con fuoco
4. Piano Sonata No. 3: III Lento e molto tranquillo (In Memoriam: November 22, 1963)
5. Fantasies And Impromptus

Album Description

The things that can be said about all of Roger Sessions's music are especially true of the single-movement Piano Sonata No. 2—it is full of proliferating invention, densely contrapuntal textures, and highly elastic rhythms and phrase structures; and a long, unfurling melodic line stretches from the beginning of the piece to the end. Piano Sonata No. 3 is in the traditional three-movement format, except that the typical classical format is reversed—two somewhat subdued slow movements surround a fiery scherzo. The third movement, “In memoriam: November 22, 1963,” was composed as an elegy for John F. Kennedy.

In Donald Martino's Fantasies and Impromptus, six short impromptus are framed by three longer fantasies, which begin and end the work and stand at its center. The pieces embrace the widest diversity of texture and range, character and emotion. Perhaps the key word among many that might describe this music is “Omaggio,” the title Martino has given to the symmetrically placed, and lusciously romantic, fifth and seventh impromptus. There is a sense in which all the fantasies and impromptus form a completely contemporary “homage” to the forms of Romantic piano music and to the poetry of its many moods. The work is full of Schumannesque impetuousness, pearly Lisztian cadenzas, and Chopinesque melancholy.

Of related interest :

Roger Sessions - Symphonies 4 & 5 catalog #80345
Roger Sessions - When Lilacs Last in the Dooryard Bloom'd New World 80296)
Donald Martino - A Jazz Set (New World 80518)
Donald Martino - Paradiso Choruses (New World 80529)

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