Vivaldi: Bassoon Concertos [Import]

Track Listings
1. 1-3 Concerto In A Minor, Rv 497 La Mineur A- Moll    
2. 4-6 Concerto In C Major, Rv 473 Ut Majeur. C-Dur    
3. 7-9 Concerto In G Major, Rv 493 Sol Majeur.G-Dur    
4. 10-12 Concerto In C Major, Rv 471 Ut Majeur.C-Dur    
5. 13-15 Concerto In A Minor,Rv 500 La Mineur.A-Moll    
6. 16-18 Concerto In D Minor, Rv 481 Re Mineur.F-Moll    
7. 19-21 Concerto In B Flat Major, Rv 504 Si Bemol Majeur. B-Moll    
8. 22-24 Concerto In G Minor, Rv 496 Sol Mineur. G- Moll    
9. 1-3 Concerto In G Major, Rv 492 Sol Majeur. G-Dur    
10. 4-6 Concerto In In B Flat Major, Rv 503    
11. 7-9 Concerto In F Major, Rv 491 Fa Majeur. F- Dur    
12. 10-12 Concerto In A Minor Rv 499 La Mineur A-Moll    
13. 13-15 Concerto In E Minor, Rv 484 Mi Mineur. E-Moll    
14. 16-18 Concerto In G Major, Rv 494 Sol Majeur. G-Dur    
15. 19-21 Concerto In G Minour, Rv 495 Sol Mineur. G-Moll    
16. 22 Concerto In D Minor, Rv 482 Re Mineur. D- Moll    
17. 23-25 Concerto In C Major, Rv 472 Ut Majeur. C- Dur    

Editorial Reviews
Album Details
A Generously-filled Programme featuring 17 of Vivaldi’s 39 Bassoon Concertos in which the Distinguished Bassoonist Klaus Thunemann is Partnered with One of the Great Baroque Music Ensembles, I Musici.vivaldi’s 39 Bassoon Concertos (Two Are Incomplete) Are at the Cornerstone of the Bassoon Repertory and in the Context of Vivaldi’s Output Constitute the Greatest Number of Concertos for a Single Solo Instrument after his 200+ Solo Violin Concertos.

Vivaldi: Bassoon Concertos, Music, Thunemann, I Musici, Antonio Vivaldi, Classical
Vivaldi: Complete Bassoon Concertos, Vol. 1
Average customer rating: 5 out of 5 stars
  • Excellent cd
  • A Discovery
  • bassoon playing at its finest
  • Thank you!
  • The First of a Series of All of Vivaldi's Bassoon Concerti
Vivaldi: Complete Bassoon Concertos, Vol. 1

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

All Works by VivaldiAll Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
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Similar Items:
  1. Vivaldi: Complete Bassoon Concertos, Vol. 2
  2. Vivaldi: Bassoon Concertos 3
  3. Vivaldi: Oboe Concerti, Vol. 2
  4. Vivaldi: Bassoon Concertos, Vol. 4
  5. Vivaldi: Oboe Concerti, Vol. 1

ASIN: B0000DJELZ
Release Date: 2004-01-20

Tracks:

  1. Allegro
  2. Largo
  3. Allegro Molto
  4. Allegro
  5. Largo
  6. Allegro
  7. Allegro Molto
  8. Larghetto
  9. Allegro
  10. Allegro
  11. Larghetto
  12. Allegro
  13. Allegro
  14. Andantino Quasi Minuetto
  15. Allegro
  16. Allegro Non Molto
  17. Largo
  18. Allegro
  19. Allegro Ma Poco
  20. Largo
  21. Allegro

Customer Reviews:

5 out of 5 stars Excellent cd.......2006-12-30

This is a wonderful Vivaldi selection that does a great job of featuring bassoon. It is classic Vivaldi music and is only made better by the addition of the bassoon solos. For anyone who enjoys the gorgeous energeticness of Vivaldi and wants to hear some bassoon, this is the cd to get.

5 out of 5 stars A Discovery.......2006-08-27

My wife and I were searching for a concert performance piece heard on the radio. Unable to find the exact title, we bought Vivaldi: Complete Basson Concertos, Vol. 1 & 2. We were delighted with both the compositions and the performance. Great music while on long trips. A real discover, depending on your interests.

5 out of 5 stars bassoon playing at its finest.......2005-11-25

This is an excellent set of CDs; the bassoon playing is absolutely superb. It can be hard to find great recordings of Vivaldi bassoon concerti on modern instruments, but Benkocs's playing is refined and technically brilliant. This is definitely one of the best bassoon recordings I've ever heard, on par with Dag Jensen, with whom Benkocs studied. Congrats to Naxos for finding a great bassoonist to do this project!

5 out of 5 stars Thank you!.......2005-05-29

Until this set of recordings was started, all we really had as far as recordings of Vivaldi bassoon concerti were one or two performances of the more popular ones by excellent bassoonists and a load of garbage by a man named Daniel Smith, whose playing is an abomination to both Vivaldi and the bassoon.

(It sickens me that, when we have incredible bassoonists like Dag Jensen and Bernard Garfield and Knut Sönstevold and David McGill and Laurent Lefevré and the late Maurice Allard--perhaps the greatest bassoonist to ever live--and a host of others, all of whom could play circles around Daniel Smith, that the latter's recordings outsell those of the former. He's been called the "James Galway of the bassoon", a pure load of dingo's kidneys by somebody who's obviously never heard even a decent bassoonist in his life. Ridiculous.)

Although Tamás' tone is a little dark for my tastes, it's certainly extremely pleasant to listen to. His phrasing is very beautiful, his technique is spotless, and unlike bassoonists with the initials D.S., he doesn't sound constipated.

Thank you, Tamás. Hopefully, if you complete this set, people will come to their senses.

Buy these discs. You'll like them.

5 out of 5 stars The First of a Series of All of Vivaldi's Bassoon Concerti.......2004-01-24

I don't think I've ever heard a bad recording of a Vivaldi bassoon concerto. That may say more about me than about the recordings, but I don't think so. There is something about these concerti that attracts good players and, let's face it, these are not the most profound compositions ever written; they tend to be virtuosic for the soloist and have fairly simple orchestral accompaniments. They are, however, unfailingly pleasant, falling gracefully on the ear. I have particularly liked the recordings of Klaus Thuneman, Michael McCraw, and William Bennett. Here we have what appears to be the beginning of a new series of Vivaldi Bassoon Concerti featuring a bassoonist heretofore unknown to me, Tamás Benkócs (whose name, I'm informed by a Hungarian friend, is pronounced roughly TAHmahsh BENcoach). He is accompanied by the modern-instrument Nicolaus Esterházy Sinfonia conducted by Béla Drahos, the group and conductor that have made creditable recordings of Beethoven and Haydn symphonies for the Naxos label.

Vivaldi is thought to have written 39 bassoon concerti, of which two or more are incomplete. This CD contains, for those of you who are counting, seven of this number. They are RV 476 in C, 487 in F, 471 in C, 498 in A minor, 480 in C minor, 503 in B flat minor, 493 in G. (RV stands for 'Ryom-Verzeichnis', the catalog made of Vivaldi's works by musicologist Péter Ryom.) I list the specific concerti because Amazon has not done so on this page, or at least they haven't as of this review.

The performances are exemplary. Benkócz's playing is technically flawless as well as being musical. His playing is equally impressive in the dancing fast movements and the more pensive middle movements. He does employ a bit more expressive range than some other players; this possibly accords with more modern scholarship about baroque performance practice. Whether it does or not, it pleased me. Further, his tone is very rich, even in rapid passages. He uses a moderate amount of vibrato, praise be. Tempi are well-chosen.

Pity the poor record label that sets out to record all of Vivaldi's extant concerti for all instruments, something over five hundred. Maybe they'll stop with these bassoon works; I figure they can probably get the bassoon concerti onto about five or six CDs, a number that is not overwhelming. I'll be looking for further issues.

TT=61.32

Scott Morrison
Vivaldi: Complete Bassoon Concertos, Vol. 2
Average customer rating: Not rated
    Vivaldi: Complete Bassoon Concertos, Vol. 2

    Manufacturer: Naxos
    ProductGroup: Music
    Binding: Audio CD

    All Works by VivaldiAll Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
    GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
    Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
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    1. Vivaldi: Complete Bassoon Concertos, Vol. 1
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    ASIN: B0007ACVH8
    Release Date: 2005-02-22

    Tracks:

    1. Allegro
    2. Largo
    3. Allegro
    4. Allegro Non Molto
    5. Adagio
    6. Allegro Non Molto
    7. Largo - Andante Molto
    8. I Fantasmi
    9. Il Sonno
    10. Sorge L'aurora
    11. Allegro Non Molto
    12. Largo
    13. Allegro
    14. Allegro Ma Poca
    15. Larghtetto
    16. Allegro
    17. Allegro
    18. Andante
    19. Allegro
    Vivaldi Concertos
    Average customer rating: 4.5 out of 5 stars
    • Vivaldi ROCKS ! ! ! ! !
    • A Little More Vivaldi Please
    Vivaldi Concertos
    Antonio Vivaldi , The English Concert Trevor Pinnock , Simon Standage , Lisa Beznosiuk , Roy Goodman , Nigel North , and David Reichenberg
    Manufacturer: Deutsche Grammophon
    ProductGroup: Music
    Binding: Audio CD

    All Works by VivaldiAll Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
    ConcertinosConcertinos | Concertos | Forms & Genres | Classical | Styles | Music
    GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
    GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
    BassoonBassoon | Reeds & Winds | Instruments | Classical | Styles | Music
    FluteFlute | Reeds & Winds | Instruments | Classical | Styles | Music
    OboeOboe | Reeds & Winds | Instruments | Classical | Styles | Music
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    ASIN: B00005KK4Q
    Release Date: 2001-10-09

    Tracks:

    1. Con in G, RV 151 'Alla Rustica': 1. Presto - The English Concert/Trevor Pinnock
    2. Con in G, RV 151 'Alla Rustica': 2. Adagio - The English Concert/Trevor Pinnock
    3. Con in G, RV 151 'Alla Rustica': 3. Allegro - The English Concert/Trevor Pinnock
    4. Con in B flat, RV 548: 1. (Allegro) - David Reichenberg/Simon Standage
    5. Con in B flat, RV 548: 2. Largo - David Reichenberg/Simon Standage
    6. Con in B flat, RV 548: 3. Allegro - David Reichenberg/Simon Standage
    7. Con in C, RV 558 'Con Molti Stromenti': 1. Allegro Molto - Philip Pickett/Rachel Beckett/Colin Lawson/Carlos Riera/Simon Standage/Micaela Comberti...
    8. Con in C, RV 558 'Con Molti Stromenti': 2. Andante Molto - Philip Pickett/Rachel Beckett/Colin Lawson/Carlos Riera/Simon Standage/Micaela Comberti...
    9. Con in C, RV 558 'Con Molti Stromenti': 3. Allegro - Philip Pickett/Rachel Beckett/Colin Lawson/Carlos Riera/Simon Standage/Micaela Comberti...
    10. Con in G, RV 516: 1. Allegro Molto - Simon Standage/Elizabeth Wilcock
    11. Con in G, RV 516: 2. Andante (Molto) - Simon Standage/Elizabeth Wilcock
    12. Con in G, RV 516: 3. Allegro - Simon Standage/Elizabeth Wilcock
    13. Con in a, RV 461: 1. Allegro Non Molto - David Reichenberg
    14. Con in a, RV 461: 2. Larghetto - David Reichenberg
    15. Con in a, RV 461: 3. (Allegro) - David Reichenberg
    16. Con in G, RV 532: 1. Allegro - James Tyler/Robin Jeffrey
    17. Con in G, RV 532: 2. Andante - James Tyler/Robin Jeffrey
    18. Con in G, RV 532: 3. Allegro - James Tyler/Robin Jeffrey

    Tracks:

    1. Con in A, RV 159: 1. Allegro - The English Concert/Trevor Pinnock
    2. Con in A, RV 159: 2. Adagio - The English Concert/Trevor Pinnock
    3. Con in A, RV 159: 3. Allegro - The English Concert/Trevor Pinnock
    4. Con in E, RV 271 'L'Amoroso': 1. Allegro - Simon Standage
    5. Con in E, RV 271 'L'Amoroso': 2. Cantabile - Simon Standage
    6. Con in E, RV 271 'L'Amoroso': 3. (Allegro) - Simon Standage
    7. Con in e, RV 484: 1. Allegro Poco - Milan Turkovic
    8. Con in e, RV 484: 2. Andante - Milan Turkovic
    9. Con in e, RV 484: 3. Allegro - Milan Turkovic
    10. Con in G, RV 436: 1. Allegro - Lisa Beznosiuk
    11. Con in G, RV 436: 2. Largo - Lisa Beznosiuk
    12. Con in G, RV 436: 3. (Allegro) - Lisa Beznosiuk
    13. Con in d, RV 540: 1. Allegro - Roy Goodman/Nigel North
    14. Con in d, RV 540: 2. Largo - Roy Goodman/Nigel North
    15. Con in d, RV 540: 3. Allegro - Roy Goodman/Nigel North
    16. Con in G, RV 545: 1. Andante Molto - David Reichenberg/Milan Turkovic
    17. Con in G, RV 545: 2. Largo - David Reichenberg/Milan Turkovic
    18. Con in G, RV 545: 3. Allegro Molto - David Reichenberg/Milan Turkovic

    Tracks:

    1. L'estro Armonico, Op.3: Con No.1 in D, RV 549: 1. Allegro - Simon Standage/Elizabeth Wilcock/Micaela Comberti/Miles Golding/Jaap ter Linden
    2. L'estro Armonico, Op.3: Con No.1 in D, RV 549: 2. Largo E Spiccato - Simon Standage/Elizabeth Wilcock/Micaela Comberti/Miles Golding/Jaap ter Linden
    3. L'estro Armonico, Op.3: Con No.1 in D, RV 549: 3. Allegro - Simon Standage/Elizabeth Wilcock/Micaela Comberti/Miles Golding/Jaap ter Linden
    4. L'estro Armonico, Op.3: Con No.2 in g, RV 578: 1. Adagio E Spiccato - Simon Standage/Michaela Comberti/Jaap Ter Linden
    5. L'estro Armonico, Op.3: Con No.2 in g, RV 578: 2. Allegro - Simon Standage/Michaela Comberti/Jaap Ter Linden
    6. L'estro Armonico, Op.3: Con No.2 in g, RV 578: 3. Larghetto - Simon Standage/Michaela Comberti/Jaap Ter Linden
    7. L'estro Armonico, Op.3: Con No.2 in g, RV 578: 4. Allegro - Simon Standage/Michaela Comberti/Jaap Ter Linden
    8. L'estro Armonico, Op.3: Con No.3 in G, RV 310: 1. Allegro - Simon Standage
    9. L'estro Armonico, Op.3: Con No.3 in G, RV 310: 2. Largo - Simon Standage
    10. L'estro Armonico, Op.3: Con No.3 in G, RV 310: 3. Allegro - Simon Standage
    11. L'estro Armonico, Op.3: Con No.4 in e, RV 550: 1. Andante - Simon Standage/Elizabeth Wilcock/Micaela Comberti/Miles Golding
    12. L'estro Armonico, Op.3: Con No.4 in e, RV 550: 2. Allegro Assai - Simon Standage/Elizabeth Wilcock/Micaela Comberti/Miles Golding
    13. L'estro Armonico, Op.3: Con No.4 in e, RV 550: 3. Adagio/4. Allegro - Simon Standage/Elizabeth Wilcock/Micaela Comberti/Miles Golding
    14. L'estro Armonico, Op.3: Con No.5 in A, RV 519: 1. Allegro - Simon Standage/Miles Golding
    15. L'estro Armonico, Op.3: Con No.5 in A, RV 519: 2. Largo - Simon Standage/Miles Golding
    16. L'estro Armonico, Op.3: Con No.5 in A, RV 519: 3. Allegro - Simon Standage/Miles Golding
    17. L'estro Armonico, Op.3: Con No.6 in a, RV 356: 1. Allegro - Simon Standage
    18. L'estro Armonico, Op.3: Con No.6 in a, RV 356: 2. Largo - Simon Standage
    19. L'estro Armonico, Op.3: Con No.6 in a, RV 356: 3. Presto - Simon Standage

    Tracks:

    1. L'estro Armonico, Op.3: Con No.7 in F, RV 567: 1. Andante - Simon Standage/Elizabeth Wilcock/Micaela Comberti/Miles Golding/Jaap ter Linden
    2. L'estro Armonico, Op.3: Con No.7 in F, RV 567: 2. Adagio - Simon Standage/Elizabeth Wilcock/Micaela Comberti/Miles Golding/Jaap ter Linden
    3. L'estro Armonico, Op.3: Con No.7 in F, RV 567: 3. Allegro - Simon Standage/Elizabeth Wilcock/Micaela Comberti/Miles Golding/Jaap ter Linden
    4. L'estro Armonico, Op.3: Con No.7 in F, RV 567: 4. Adagio - Allegro - Simon Standage/Elizabeth Wilcock/Micaela Comberti/Miles Golding/Jaap ter Linden
    5. L'estro Armonico, Op.3: Con No.8 in a, RV 522: 1. Allegro - Elizabeth Wilcock/Micaela Comberti
    6. L'estro Armonico, Op.3: Con No.8 in a, RV 522: 2. Larghetto - Elizabeth Wilcock/Micaela Comberti
    7. L'estro Armonico, Op.3: Con No.8 in a, RV 522: 3. Allegro - Elizabeth Wilcock/Micaela Comberti
    8. L'estro Armonico, Op.3: Con No.9 in D, RV 230: 1. Allegro - Simon Standage
    9. L'estro Armonico, Op.3: Con No.9 in D, RV 230: 2. Larghetto - Simon Standage
    10. L'estro Armonico, Op.3: Con No.9 in D, RV 230: 3. Allegro - Simon Standage
    11. L'estro Armonico, Op.3: Con No.10 in b, RV 580: 1. Allegro - Simon Standage/Elizabeth Wilcock/Micaela Comberti/Miles Golding/Jaap ter Linden
    12. L'estro Armonico, Op.3: Con No.10 in b, RV 580: 2. Largo - Larghetto - Adagio - Largo - Simon Standage/Elizabeth Wilcock/Micaela Comberti/Miles Golding/Jaap ter Linden
    13. L'estro Armonico, Op.3: Con No.10 in b, RV 580: 3. Allegro - Simon Standage/Elizabeth Wilcock/Micaela Comberti/Miles Golding/Jaap ter Linden
    14. L'estro Armonico, Op.3: Con No.11 in d, RV 565: 1. Allegro - Adagio Spiccato E Tutti - Allegro - Simon Standage/Elizabeth Wilcock/Jaap ter Linden
    15. L'estro Armonico, Op.3: Con No.11 in d, RV 565: 2. Largo E Spicatto - Simon Standage/Elizabeth Wilcock/Jaap ter Linden
    16. L'estro Armonico, Op.3: Con No.11 in d, RV 565: 3. Allegro - Simon Standage/Elizabeth Wilcock/Jaap ter Linden
    17. L'estro Armonico, Op.3: Con No.12 in E, RV 265: 1. Allegro - Simon Standage
    18. L'estro Armonico, Op.3: Con No.12 in E, RV 265: 2. Largo - Simon Standage
    19. L'estro Armonico, Op.3: Con No.12 in E, RV 265: 3. Allegro - Simon Standage

    Tracks:

    1. 6 Fl Cons, Op.10: No.1 in F, RV 433 'La Tempesta Di Mare': 1. Allegro - Lisa Beznosiuk
    2. 6 Fl Cons, Op.10: No.1 in F, RV 433 'La Tempesta Di Mare': 2. Largo - Lisa Beznosiuk
    3. 6 Fl Cons, Op.10: No.1 in F, RV 433 'La Tempesta Di Mare': 3. Presto - Lisa Beznosiuk
    4. 6 Fl Cons, Op.10: No.2 in g, RV 439 'La Notte': 1. Largo - Lisa Beznosiuk
    5. 6 Fl Cons, Op.10: No.2 in g, RV 439 'La Notte': 2. Presto (Fantasmi) - Lisa Beznosiuk
    6. 6 Fl Cons, Op.10: No.2 in g, RV 439 'La Notte': 3. Largo - Lisa Beznosiuk
    7. 6 Fl Cons, Op.10: No.2 in g, RV 439 'La Notte': 4. Presto - Lisa Beznosiuk
    8. 6 Fl Cons, Op.10: No.2 in g, RV 439 'La Notte': 5. Largo (Il Sonno) - Lisa Beznosiuk
    9. 6 Fl Cons, Op.10: No.2 in g, RV 439 'La Notte': 6. Allegro - Lisa Beznosiuk
    10. 6 Fl Cons, Op.10: No.3 in D, RV 428 'Il Gardellino': 1. Allegro - Lisa Beznosiuk
    11. 6 Fl Cons, Op.10: No.3 in D, RV 428 'Il Gardellino': 2. Without Tempo Indication - Lisa Beznosiuk
    12. 6 Fl Cons, Op.10: No.3 in D, RV 428 'Il Gardellino': 3. Allegro - Lisa Beznosiuk
    13. 6 Fl Cons, Op.10: No.4 in G, RV 435: 1. Allegro - Lisa Beznosiuk
    14. 6 Fl Cons, Op.10: No.4 in G, RV 435: 2. Largo - Lisa Beznosiuk
    15. 6 Fl Cons, Op.10: No.4 in G, RV 435: 3. Allegro - Lisa Beznosiuk
    16. 6 Fl Cons, Op.10: No.5 in F, RV 434: 1. Allegro Ma Non Tanto - Lisa Beznosiuk
    17. 6 Fl Cons, Op.10: No.5 in F, RV 434: 2. Largo Cantabile - Lisa Beznosiuk
    18. 6 Fl Cons, Op.10: No.5 in F, RV 434: 3. Allegro - Lisa Beznosiuk
    19. 6 Fl Cons, Op.10: No.6 in G, RV 437: 1. Allegro - Lisa Beznosiuk
    20. 6 Fl Cons, Op.10: No.6 in G, RV 437: 2. Largo - Lisa Beznosiuk
    21. 6 Fl Cons, Op.10: No.6 in G, RV 437: 3. Allegro - Lisa Beznosiuk

    Customer Reviews:

    5 out of 5 stars Vivaldi ROCKS ! ! ! ! !.......2007-01-12

    Violins, harpsichords, basso continuo, what can I say.
    Vivaldi ROCKS ! ! ! !
    Excellent selection of his music and as usual flawlessly performed by the english consort.

    4 out of 5 stars A Little More Vivaldi Please.......2003-12-28

    This budget-priced, slim paper-sleeved box set of various Vivaldi Concertos on the DG/Archiv label is quite excellent. Trevor Pinnock, directing from the harpsichord and organ, leads the English Concert (an all-star cast including Roy Goodman and Simon Standage, both of whom have graduated to the podium in recent years) in digital recordings from the late 80s. Since the track information is not abundantly clear above, allow me to mention that the first two discs of this set feature various Concertos, discs 3 & 4 contain the complete "L'estro amonico" op. 3, and CD5 six Flute Concertos op. 10. While I have never been a big fan of period-instrument recordings, there is nothing I can complain about here. The performances are warm, spirited, and thoroughly engaging, and certainly not academic. In fact, my only complaint is that there is not more to listen to. I popped this set in my 5-disc changer over the Holidays, and was disappointed to find it end so soon, being that four of the five CDs log in at the mid-50 minute mark and one only at a whopping 45:08. By my calculations, there is easily room for an additional two hours of material here! Alas, it is the only problem with an otherwise stellar set.
    Vivaldi for Valentines: Romantic Interludes for the One You Love
    Average customer rating: 5 out of 5 stars
    • More of Vivaldi's great music.
    • Just great!
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    Vivaldi for Valentines: Romantic Interludes for the One You Love

    Manufacturer: Philips
    ProductGroup: Music
    Binding: Audio CD

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    ConcertinosConcertinos | Concertos | Forms & Genres | Classical | Styles | Music
    GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
    GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
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    CDs $7 - $10CDs $7 - $10 | Concertos | Classical | Today's Deals in Music | Formats | Music
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    5. Baroque at Bathtime: A Relaxing Serenade to Wash Your Cares Away

    ASIN: B0000041ER
    Release Date: 1996-01-23

    Tracks:

    1. The Four Seasons: (Winter): Largo
    2. Guitar Concerto in D: Largo
    3. Flute Concerto In D (II gardellino): Cantabile
    4. Concerto In C For Diverse Instruments: Andante molto
    5. String Concerto in G minor: Andante molto
    6. Concerto in D for 2 violins & 2 cellos: Largo
    7. Oboe & Violin Concerto in G minor: Larghetto
    8. Guitar Concerto in A minor: Laro
    9. Triple Violin Concerto in F: Andante
    10. Flute Concerto in F: Largo
    11. Viola d'amore Concerto in D minor: Largo
    12. Violin Concerto in E (II riposo): Allegro
    13. Oboe & Bassoon Concerto in G: Largo
    14. Violin Concerto No. 6 in B-flat: Largo
    15. Concerto in A for Guitar, Violin, Viola & Cello: Larghetto
    16. Violin Concerto in E (L'amoroso): Allegro
    17. Flute Concerto No.4 in G: Largo
    18. Violin Concerto in A (with echo violin): Larghetto
    19. Violin Concerto in C minor (II sospetto): Andante
    20. Double Oboe Concerto in A minor: Largo
    21. Concerto in G minor for the Dresden Orchestra: Largo non molto
    22. Violin Concerto in A minor: Largo
    23. Oboe Concerto In C: Adagio
    24. Flue Concerto No.2 in G minor (La notte): Largo

    Amazon.com

    Another installment in Philips's Set Your Life to Music series (which has included Mozart for Your Mind, Baroque at Bathtime, and Rachmaninoff for Romance, among others), Vivaldi for Valentines is loosely built around the aura of romance that Venice continues to evoke. Vivaldi captured it for all time in his music, inspired by the often melancholy beauty of his native city, one that has been known through the ages as La Serenissima. Along with such ultrafamiliar pieces as the "Winter" largo movement from The Four Seasons (in which the violin sighs a rapturous melody against sounds imitating a crackling, cozy fire) and the Largo of the Guitar Concerto in D--Vivaldi's slow movements, with all their gentle dreaminess, being given the limelight in this compilation--are many gems you've likely not heard before. The list of performers and approaches is too expansive even to mention but predominantly features performances by I Musici. It's hard to believe that Vivaldi's music, having sunk into oblivion, resurfaced again only a few decades ago. This is a pleasant compilation that makes a perfect entrée if you'd like to learn more about classical music--and Vivaldi in particular--than The Four Season. And, as for setting a romantic mood, this will give your mojo all the help it needs. --Thomas May

    Customer Reviews:

    5 out of 5 stars More of Vivaldi's great music........2001-08-24

    When it comes to Vivaldi's works, the majority of people usually tend to associate him solely with composing the Four Seasons. However, this particular cd will introduce classical music lovers to other music that he composed for various stringed instruments, including the violin and cello. It does include a section from Winter of the Four Seasons, but the rest is other music that some may not be too familiar with. For a low price, you'll be getting a great selection of music.

    5 out of 5 stars Just great!.......2000-07-10

    I don't really know a lot about classical music even though I listen to a lot of it. All I can say is that every piece on this collection evokes a tremendous amount of peace and happy emotion. I listen to it in my office, and that in combination with my new fountain.... better than Prozac. My favorite piece is "Concerto for Guitar in D major: Largo" (sample #2 above). Highly recommend!

    5 out of 5 stars Heard "Four Seasons"? Want more? GET THIS!.......1999-03-16

    Almost everyone knows Vivaldi's "Four Seasons". If you love that gorgeous piece of music, than I say your next purchase should be this! It is a gorgeous collecton of string quartets along with flutes and very impressive classical guitar. I put it on whenever I need to be taken away from this world, or when I need some artistic inspiration.
    Complete Recorder Concertos
    Average customer rating: 5 out of 5 stars
    • Intense frenetic beauty
    • Vivaldi: Complete Recorder Concertos ~ Istvan Hartenstein
    Complete Recorder Concertos
    Vivaldi , Kecskemeti , Czidra , and Zalay
    Manufacturer: Naxos
    ProductGroup: Music
    Binding: Audio CD

    Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
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    $6.99 and Under$6.99 and Under | Classical Music Blowout | Stores | Music
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    5. Vivaldi: The Four Seasons (Arranged for Recorders)

    ASIN: B00006B1KE
    Release Date: 2002-09-17

    Tracks:

    1. (Allegro)
    2. Largo
    3. Allegro Molto
    4. Allegro
    5. Larghetto
    6. (Allegro)
    7. Allegro Non Molto
    8. Largo
    9. Allegro Molto
    10. Allegro Ma Non Molto
    11. Largo E Cantabile
    12. Allegro
    13. Allegro Non Molto
    14. Largo
    15. (Allegro)
    16. Allegro
    17. Largo
    18. Allegro

    Customer Reviews:

    5 out of 5 stars Intense frenetic beauty.......2007-07-14

    I was surprised to hear this music at first and it took a few minutes to adapt to the sopranino recorder's high pitch.

    However, it became quite interesting and satisfying.

    5 out of 5 stars Vivaldi: Complete Recorder Concertos ~ Istvan Hartenstein.......2005-06-01

    The recorder is a very misunderstood instrument. Many people see it as an instrument for small children and this could be no further from the truth. Vivaldi shows with his compositions for the recorder that it is very beautifull instrument in its own right and should not be dismissed based on olde ideas. I love this kind of music and it is very nice indeed to listen to and Vivaldi has cretaed some amazing recorder music that should be listened to people that love classical music and great music in general.
    Vivaldi: Bassoon Concertos, Vol. 4
    Average customer rating: 5 out of 5 stars
    • Another excellent addition to the series
    Vivaldi: Bassoon Concertos, Vol. 4

    Manufacturer: Naxos
    ProductGroup: Music
    Binding: Audio CD

    All Works by VivaldiAll Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
    GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
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    4. Vivaldi: Oboe Concerti, Vol. 1
    5. Vivaldi: Oboe Concerti, Vol. 2

    ASIN: B000M2DNSM
    Release Date: 2007-02-27

    Tracks:

    1. Allegro
    2. Larghetto
    3. Allegro Molto
    4. Allegro Non Molto
    5. Andante
    6. Allegro Molto
    7. Allegro
    8. Largo
    9. Allegro
    10. Allegro
    11. Largo
    12. Allegro
    13. Allegro Non Molto
    14. Larghetto
    15. Allegro
    16. Allegro
    17. Largo
    18. (Allegro)

    Customer Reviews:

    5 out of 5 stars Another excellent addition to the series.......2007-05-13

    If you have been collecting the previous volumes of Naxos' complete survey of Antonio Vivaldi's (1678-1741) bassoon concertos, as I have, you are probably expecting good things from Volume Four. Happily, I can report that the playing and sound quality is up to the excellent standard established by the previous entries in this series. And, what of the concertos themselves? Although this may be more subjective, I actually think the six concertos presented here, on average, are the most interesting in this series thus far.

    Similar to Volume Three (Vivaldi: Bassoon Concertos 3), this release contains two minor key concertos (RV 481, 499) and four major key concertos (RV 485, 477, 470, 494). Although each of the six concertos recorded here are highly inventive, even by Vivaldi's standards, my personal favorite is RV 477. I find the open movement's slyly simple descending theme in the upper strings to be wholly irresistible (Track 7). This concerto's conclusion is interesting for Vivaldi's simultaneous use of the bass and tenor qualities of the bassoon. Listen to the downbeat bass anchors followed by ornamentations in the tenor register as an example (Track 9). Another favorite is the tempestuous opening ritornello of RV 481 (Track 1), followed by an unforgetable doleful bassoon melody. Throughout this series it should be noted that Benkócs handles all of the wide leaps and rapid figurations with ease (or at least he makes it sound easy), and takes care to provide the appropriate stylistic contrasts called for in these pieces, whether it is through his legato versus staccato articulation or through his clearly discernable pianos and fortes.

    In my review of Volume Three of this series, I made some comparisons to ASV's competing set of bassoon concertos. I think those comparisons continue to remain applicable. Namely, the sound engineering and bassoon playing is superior on the Naxos series. While on the other hand, I find the ensemble and continuo playing to be more characteristic on the ASV series. But, the reason to acquire Vivaldi's bassoon concertos is to experience the unbelievable virtuosity it requires to perform these tremendously tricky pieces, and Benkócs surely disappoint. Just listen to the rapid fire sixteenth note precision in the conclusion of RV 494 (Track 18). With that said, the Naxos series is the clear choice here, without even considering Naxos' lower price.

    In conclusion, this release is fully and enthusiastically recommended to those collecting this series. If you have yet to begin collecting these fascinating concertos, this volume makes an excellent introduction to Vivaldi's bassoon concertos.

    TT: 57:26
    Vivaldi: Violin Concertos (La Tempesta di Mare)
    Average customer rating: 5 out of 5 stars
    • HOT RECORDING
    • lively vivaldi
    • Do you really like waiting ? Aimez-vous attendre"l'eco" ?
    • Biondi rulez...
    • Vibrant Vivaldi
    Vivaldi: Violin Concertos (La Tempesta di Mare)
    Antonio Vivaldi , Europa Galante , and Fabio Biondi
    Manufacturer: EMI Classics
    ProductGroup: Music
    Binding: Audio CD

    All Works by VivaldiAll Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
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    GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
    GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
    FluteFlute | Reeds & Winds | Instruments | Classical | Styles | Music
    ViolinViolin | Strings | Instruments | Classical | Styles | Music
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    ASIN: B00004SRG3
    Release Date: 2000-06-27

    Tracks:

    1. Con in D, RV 234 'L'inquietudine': I. Allegro Molto
    2. Con in D, RV 234 'L'inquietudine': II. Largo
    3. Con in D, RV 234 'L'inquietudine': III. Allegro
    4. Con in B flat, RV 579 'Concerto Funebre': I. Largo
    5. Con in B flat, RV 579 'Concerto Funebre': II. Allegro Poco Poco
    6. Con in B flat, RV 579 'Concerto Funebre': III. Adagio
    7. Con in B flat, RV 579 'Concerto Funebre': IV. Allegro
    8. Con in F, RV 570 'La Tempesta Di Mare': I. Allegro
    9. Con in F, RV 570 'La Tempesta Di Mare': II. Largo
    10. Con in F, RV 570 'La Tempesta Di Mare': III. Presto
    11. Con in g, RV 439 'La Notte': I. Largo
    12. Con in g, RV 439 'La Notte': II. Presto (Fantasmi)
    13. Con in g, RV 439 'La Notte': III. Largo
    14. Con in g, RV 439 'La Notte': IV. Presto
    15. Con in g, RV 439 'La Notte': V. Largo (Il Sonno)
    16. Con in g, RV 439 'La Notte': VI. Allegro
    17. Con in A, RV 552 'Per Eco In Lontano': I. Allegro
    18. Con in A, RV 552 'Per Eco In Lontano': II. Larghetto
    19. Con in A, RV 552 'Per Eco In Lontano': III. Allegro
    20. Con in E, RV 270 'Il Riposo - Per Il Natale': I. Allegro
    21. Con in E, RV 270 'Il Riposo - Per Il Natale': II. Adagio
    22. Con in E, RV 270 'Il Riposo - Per Il Natale': III. Allegro
    23. Con in g, RV 531: I. Allegro
    24. Con in g, RV 531: II. Largo
    25. Con in g, RV 531: III. Allegro

    Amazon.com

    You say your favorite Vivaldi passage is the Four Seasons summer storm? Well, here's a disc for you. Fabio Biondi and the Europa Galante (known to many for their bestselling Seasons disc) focus on concerti con titoli, the titled concertos the Red Priest wrote that are full of inventive drama and expression. Writing for his student orchestra, the composer employed plenty of creativity in his instrumentation, and, as evidenced on a few tracks here, he wasn't beyond recycling motifs from his older works. But just give this exciting disc a listen. The Concerto funebre (RV 579) is sweet, yet somber; the six-movement La notte (RV 439) is weird and ominous; and the stormy seas of La tempesta di mare really come alive in Europa Galante's hands. Biondi and his ensemble never try to steal the show from these works; they let the music speak for itself. Some period-instrument groups sound a little ragged, but this one gets it just right and delivers a knockout, taut performance. A great disc for Baroque lovers. --Jason Verlinde

    Customer Reviews:

    5 out of 5 stars HOT RECORDING.......2006-03-27

    It has been said that Vivaldi's Violin Concerti can give one the impression that he wrote the same concerto about a 1000 times. Perhaps the reason for the aforesaid impression is that there are many recordings and/or performances that exhibit little imagination in the programming of the concertos or in the playing of same. In other words, they border on being rather boring with a feeling of repeativeness. This recording is the exception. Fabio Biondi and the Europa Galante in this recording perform these concertos in a "hot" and most exciting manner that made me feel that I was hearing them for the very first time. I know that the programming of the disc also had a lot to do with me not getting bored while listening to this recording. Fabio Biondi and the Europa Galante are an "original" instrumental group without even a hint of the astringency usually associated with "original" instruments. Their playing is rather sweet in the slow movements as it is certainly very vigorous in the fast movements with no "mouth puckering" bite! I really loved the concerto for two cellos; it is very richly textured and sonorous; plus Europa Galante plays it splendidly.

    Believe me, I found this Vivaldi recording, for once, to be very exciting and a most enjoyable listening experience!

    If you want to hear a "hot" recording of some Vivaldi at his best, buy this disc.

    5 out of 5 stars lively vivaldi.......2005-11-09

    I'm not a baroque expert as some of the other reviewers seem to be. I do listen to a lot of music and have heard much Vivaldi -- most frequently the Four Seasons warhorse from Opus 8. This Vivaldi is quite enjoyable, very bright and very well played, energetic and well-recorded. My personal favorite was the last work for two cellos. The slow movement is absolutely beautiful. RV 270 is also quite excellent. This is a worthwhile purchase. Sometimes when period groups play his music Vivaldi sounds mummified but not here. Recommended.

    4 out of 5 stars Do you really like waiting ? Aimez-vous attendre"l'eco" ?.......2003-02-22

    I know Biondi and Europa Galante since they were playing on the label Opus 111. I am a great fan of Europa galante. But...I was quite disappointed when I heard this CD. Mainly because I did not find Biondi the arrogant. But he can't certainly not played like "a little electric tornado" in the "Concerto funebre". It's the same in Concerto "Per eco in lontano". I particularly hate this music with this boring echo;the same music which is repeated from " outer space". The Concerto "Il riposo.."is perfect to relax with the dog. "L'inquietude" is outstanding. Even better than the Carmignola version on Divox Antiqua (1995). "La tempesta di mare" and La Notte" are enough strange and captivating to be considered as interesting performances. But they not be compared with the fabulous interpretation of Jean-Christophe Spinosi (Ensemble Matheus-2002-Label Naive). Finally the "Concerto for 2 cellos and orchestra" has already been recorded in 1993 by Europa Galante(album "Vivaldi Concerti" (Vol.22. Opus 111)). So no great surprise for me there. A very good CD to someone who want to discover Vivaldi with talentuous musicians.

    5 out of 5 stars Biondi rulez..........2002-01-11

    I know I have been very negative in my other reviews of Biondi-cds. Actually, I almost take it back!
    He is NOT an opera-conductor, period. But he IS a brilliant violinist! His playing in the Vivaldi concertos is just outstanding. The orchestra is also amazing. I really recommends this set of concertos to anyone not familiar with the Biondi legacy!

    5 out of 5 stars Vibrant Vivaldi.......2001-06-12

    Vivaldi is played with excitement by Europa Galante, a string and woodwind orchestra 13 strong here. Some collections of Vivaldi concertos can sound a bit monotonous, but not this carefully selected group of emotively titled short pieces. Instrumentation is varied, the playing is enthusiastic and energetic as needed, and the strings really bite in the staccato "Sea Tempest," the waves slapping hard on the boat. The 6-movement "Night" is remarkably eerie and ghostly, particularly if you can cleanse your ears of all the chromatic pieces written since and try to listen with 18th century expectations. RV 234 is full of unsettling "Apprehension" no matter what later music you have heard, displaying a harried and rapidly modulated sense of harmonic uncertainty. The brief notes with the CD are a slightly strange mixture of English and untranslated Italiano. Fresh and well worth listening closely.
    Vivaldi: Bassoon Concertos 3
    Average customer rating: 5 out of 5 stars
    • Terrific! Already looking forward to volume four
    • This Fine Series Continues
    Vivaldi: Bassoon Concertos 3

    Manufacturer: Naxos
    ProductGroup: Music
    Binding: Audio CD

    All Works by VivaldiAll Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
    GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
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    ASIN: B000FGGKFI
    Release Date: 2006-06-20

    Customer Reviews:

    5 out of 5 stars Terrific! Already looking forward to volume four.......2006-07-30

    If you haven't already acquired the first two volumes of this series, you are missing out. These are charming works, and the playing by bassoon virtuoso Tamas Benkocs is fantastic.

    Antonio Vivaldi (1678-1741) composed nearly 500 concertos. More than half of these are for violin, while the remaining concertos are scored for a variety instruments. One of the mysteries about Vivaldi concerns why he left 39 bassoon concertos, which is more than the number of concertos Vivaldi left for any other solo instrument, save the violin. If the bassoon concertos were written for a particular virtuoso, the identity of that person is not known to us today. Nevertheless, Vivaldi understood the technical capabilities of the instrument well, and makes dual use of the bassoon, with lyrical tenor lines contrasted against bass note accents.

    On this release we are presented with two minor key concertos (RV 495, 500) and four major key concertos (RV 474, 483, 502, 472). The outer movements of the concertos are a display of virtuosity, while the aria second movements are intensely lyrical. The concerto that stands out here is RV 483 in E flat major, with its blazingly fast opening movement. The precise tonguing here really has to be heard to be believed. Another interesting concerto is the RV 472 in C major, with its tricky third movement in which the sixteenth note laden solo part gives Benkocs the opportunity to showcase his ability to jump between the instrument's tenor and bass range and to contrast between legato and staccato sixteenth note runs. Also notable are the lovely minor key concertos, but of course, all of the concertos here are great. After all, this is Vivaldi.

    It should be noted that there is a competing set of bassoon concertos on the ASV label (full price) featuring Daniel Smith; however the Naxos series is definitely recommended above that one. First, and most important, Smith's bassoon playing is a very awkward and clumsy compared to Benkocs' superb rendition. To be direct, Benkocs' technique, especially his tonguing, is far superior to Smith's. Further, Smith's technique is such that the clicking of the bassoon keys is often audible, which is rather annoying, especially in the middle movements. Second, Naxos' sound is far more clear and transparent compared to the somewhat fuzzy sound on ASV. Also, the ensemble, especially the continuo, is presented more forwardly on the ASV recording, and often covers up the solo part (probably not what Vivaldi intended). This may not be a bad thing for the ASV recording though, as this is the one thing it has going for it. The ensemble playing on the ASV label is a bit more characteristic, especially the continuo player who takes far more liberties with the part in comparison to the player on the Naxos label. This type of thing may not appeal to those who prefer a strict reading of the continuo part, but I actually prefer this characteristic playing a bit more.

    In summary, this is a fantastic release and is highly recommended to those who may be looking to acquire something other than another set of Vivaldi's violin concertos.

    53:20

    5 out of 5 stars This Fine Series Continues.......2006-07-16

    I gave a rave review to the first in this series of recordings by Hungarian bassoon virtuoso Tamás Benkócs of Vivaldi's thirty-nine bassoon concerti. You can guess that I am similarly impressed with this third issue in the series. It contains six of the concerti -- RV 495 in G minor, 474 in C major, 483 in E flat major, 502 in B flat major, 472 in C major, and 500 in A minor, in that order -- and is of uniformly high quality. I need add little about Benkócz's abilities, but I was particularly struck by his amazingly virtuosic rapid-fire repeated notes in the opening Presto of R 483. It fair takes your breath away. He is not just a virtuosic showman; he excels in the arioso middle movements of these three-movement concerti. All the accompaniments are for string orchestra, again the Nicolaus Esterházy Sinfonia under Béla Drahos who, I've just learned, formed the orchestra specifically to record for Naxos, which he did in the label's early complete set of Beethoven and Haydn symphonies as well as a quite creditable 'Fidelio.'

    You will not be disappointed with this issue. By my calculation there should be another three or four volumes in this series before Benkócs and Drahos can move on to, say, the bassoon concerti of Mozart, Weber and Hummel.

    Scott Morrison
    Antonio Vivaldi: Concertos for Diverse Instruments
    Average customer rating: 5 out of 5 stars
    • Best Vivaldi Recording Ever
    Antonio Vivaldi: Concertos for Diverse Instruments

    Manufacturer: Vanguard Classics
    ProductGroup: Music
    Binding: Audio CD

    All Works by VivaldiAll Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
    ConcertinosConcertinos | Concertos | Forms & Genres | Classical | Styles | Music
    GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
    GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
    FluteFlute | Reeds & Winds | Instruments | Classical | Styles | Music
    CelloCello | Strings | Instruments | Classical | Styles | Music
    GeneralGeneral | Symphonies | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    ASIN: B0000023A8
    Release Date: 1998-09-15

    Tracks:

    1. Concerto In G Major For Two Mandolins, Strings & Organ, P. 133: Allegro
    2. Concerto In G Major For Two Mandolins, Strings & Organ, P. 133: Andante
    3. Concerto In G Major For Two Mandolins, Strings & Organ, P. 133: Allegro
    4. Concerto In G Minor, 'La Notte,' For Flute, Bassoon, Strings & Harpsichord, P. 342: Largo
    5. Concerto In G Minor, 'La Notte,' For Flute, Bassoon, Strings & Harpsichord, P. 342: Fantasmi (Presto)
    6. Concerto In G Minor, 'La Notte,' For Flute, Bassoon, Strings & Harpsichord, P. 342: Il Sonno (Largo)
    7. Concerto In G Minor, 'La Notte,' For Flute, Bassoon, Strings & Harpsichord, P. 342: Allegro
    8. Concerto In A Major For Strings & Harpsichord, P. 235: Allegro molto
    9. Concerto In A Major For Strings & Harpsichord, P. 235: Andante molto
    10. Concerto In A Major For Strings & Harpsichord, P. 235: Allegro
    11. Concerto In G Minor For Bassoon, P. 401: Presto
    12. Concerto In G Minor For Bassoon, P. 401: Largo
    13. Concerto In G Minor For Bassoon, P. 401: Allegro
    14. Concerto In C Minor For Violin, Two String Choirs & Two Harpsichords, P. 14 'Per la Ss. Assunzione de Maria Vergine': Adagio e staccato - Allegro
    15. Concerto In C Minor For Violin, Two String Choirs & Two Harpsichords, P. 14 'Per la Ss. Assunzione de Maria Vergine': Largo
    16. Concerto In C Minor For Violin, Two String Choirs & Two Harpsichords, P. 14 'Per la Ss. Assunzione de Maria Vergine': Allegro

    Customer Reviews:

    5 out of 5 stars Best Vivaldi Recording Ever.......2004-03-02

    Ok, maybe just one of the top five. Some recorded performances may be perfectly in tune, well-engineered, and perfectly dull. This one breathes liveliness into pieces that are often recorded in a perfunctory manner. I heard this when I was in college, and still own the disk. When I hear other versions of these pieces on the radio, I think, "Why did they bother?" Janigro captured the passion behind the etude-like form of Vivaldi's melodies, and his soloists soared without distancing themselves from the groove of the ensemble.
    Vivaldi: Bassoon Concertos
    Average customer rating: 5 out of 5 stars
    • wonderful CD
    • I Know That Guy!
    • Nothing Short of Amazing
    • Vivaldi as is was meant to be!
    • Historically informed performance with style and flair.
    Vivaldi: Bassoon Concertos

    Manufacturer: Centaur
    ProductGroup: Music
    Binding: Audio CD

    All Works by VivaldiAll Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
    ConcertinosConcertinos | Concertos | Forms & Genres | Classical | Styles | Music
    GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
    GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
    Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
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    CelloCello | Strings | Instruments | Classical | Styles | Music
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    1. Mozart, Weber, Hummel: Bassoon Concertos
    2. Bach and Bassoon
    3. Bassoonatics!
    4. Vivaldi: Bassoon Concertos
    5. Bassoon Concertos & Divertimento

    ASIN: B00005PJD4
    Release Date: 2001-09-25

    Tracks:

    1. Con in C, RV 114: Allegro-Adagio
    2. Con in C, RV 114: Ciaccona
    3. Con in a, RV 498: Allegro
    4. Con in a, RV 498: Larghetto
    5. Con in a, RV 498: Allegro
    6. Con in G, RV 545: Andante Molto
    7. Con in G, RV 545: Largo
    8. Con in G, RV 545: Allegro Molto
    9. Con in d, RV 481: Allegro
    10. Con in d, RV 481: Larghetto
    11. Con in d, RV 481: Allegro Molto
    12. Con in D, RV 563: Allegro
    13. Con in D, RV 563: Grave
    14. Con in D, RV 563: Allegro
    15. Con in F, RV 489: Allegro
    16. Con in F, RV 489: Largo
    17. Con in F, RV 489: Allegro
    18. Con in g, RV 105: Allegro Non Molto
    19. Con in g, RV 105: Andante
    20. Con in g, RV 105: Allegro Molto

    Customer Reviews:

    5 out of 5 stars wonderful CD.......2004-03-15

    I have three different CDs of the Vivaldi Basson Concertos, and this is far and away the best. Michael McCraw plays with astounding sensitivity, and a beautiful range of colours.

    Really, one of my favourite buys in a long while.

    Martin

    5 out of 5 stars I Know That Guy!.......2004-01-21

    I'm a recent graduate from Indiana University School of Music--where Michael teaches. As a harpsichord major, my chamber music groups were often coached by him. His Vivaldi recording is just wonderful.
    So expressive and abounding with a terrific sense (scents) of humor.
    --this CD is great for a newcomer to baroque music as well as for anyone who has yet to discover the glories of the baroque Bassoon!

    5 out of 5 stars Nothing Short of Amazing.......2003-11-25

    Michael McCraw's performance of Vivaldi concerti on this CD will leave you speechless. Even if you are an avid listener of Vivaldi or a bassoonist- it is as if you have never heard these works before. McCraw's interpretation of these concerti is impeccably tasteful and the spirit with which they are performed is immediately felt by the listener. This CD is a MUST have for everyone who loves music.

    5 out of 5 stars Vivaldi as is was meant to be!.......2003-09-19

    It is a true joy to hear Vivaldi performed as it was meant to be!
    Michael McCraw's historical expertise and talent shine through in this period recording of Vivaldi's Bassoon Concerti. In a world flooded with modern interpretations of Vivaldi, this is truely a refreshing treasure for anyone, especially bassoonists.

    5 out of 5 stars Historically informed performance with style and flair........2003-09-18

    One of the most in-demand and respected Baroque bassoonists in the world, Michael McCraw presents these well-known bassoon concertos by Vivaldi but on an instrument that more resembles the bassoon Vivaldi may have been composing for. The lovely, dark sound of the Baroque bassoon makes the idiomatic concertos come to life. Thouroughly understanding the Baroque style, McCraw employs historical performance practices, such as ornamentation, accent, and articulation to make this a must-have for your collection.

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