Bach: The Art of Fugue / Musical Offering

Editorial Reviews
Amazon.com essential recording
There are many apocryphal stories in the classical-music world, but the one in which Frederick the Great challenged Bach to improvise a six-part fugue on a theme of the king's own invention is true, and The Musical Offering was, after a period of further reflection, the result. As with all the works of Bach's later years, the work is both great art and a "teaching piece," which shows everything that he thought could be done with the king's theme. The Trio Sonata based on the theme is the only major piece of chamber music from Bach's last decades in Leipzig, and that makes the work and essential cornerstone of any Bach collection. This performance, led by Neville Marriner, is both polished and lively, and very well recorded. At a "twofer" price, coupled with The Art of Fugue, it's the preferred version of the work on modern instruments. --David Hurwitz

Bach: The Art of Fugue / Musical Offering, Music, Cecil James, Denis Vigay, Kenneth Heath, Johann Sebastian Bach, Neville Marriner, Celia Nicklin, William Bennett, Christopher Hogwood, Nicholas Kraemer, Sir Andrew Davis, Neil Black, Tess Miller, Academy of St. Martin-in-the-Fields, Stephen Shingles, Carmel Caine, Iona Brown, John Gray, Malcolm Latchem, Roger Garland, Chamber, Chamber Music, Classical, Classical Composers, Classical Music, Contrapuntal/Improvisatory Keyboard Music, Keyboard

Bach: The Art of Fugue; Musical Offering
Average customer rating:

Step Into The World Of Bach

Great recordings

Magisterial and Ethereal

Because of reviews

The Crown of Western Music

Bach: The Art of Fugue; Musical Offering

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B000050GK0
Release Date: 2001-03-13

Tracks:

Die Kunst der Fuge, BWV 1080: Contrapunctus I
Contrapunctus II
Contrapunctus III
Contrapunctus IV
Contrapunctus V
Contrapunctus VI
Contrapunctus VII
Contrapunctus VIII
Contrapunctus IX
Contrapunctus X
Contrapunctus XI
Canon alla octava
Canon alla duodecima
Canon alla decima
Canon per augmentationem in contrario moto
Contrapunctus XII (rectus)
Contrapunctus XII (inversus)
Fuga a 2 Clavicemabli (rectus)
Fuga a 2 Clavicemabli (inversus)

Tracks:

Die Kunst der Fuge, BWV 1080: Contrapunctus XII (rectus)
Die Kunst der Fuge, BWV 1080: Contrapunctus XII (inversus)
Die Kunst der Fuge, BWV 1080: Fuga a 4 soggetti
Musikalisches Opfer, BWV 1079: Ricercar a 3
Musikalisches Opfer, BWV 1079: Canon perpetuus a 2
Musikalisches Opfer, BWV 1079: Canon a 2 violini in unisono
Musikalisches Opfer, BWV 1079: Canon a 2 per motum contrarium
Musikalisches Opfer, BWV 1079: Canon a 2 per augmentationem, contrario motu
Musikalisches Opfer, BWV 1079: Canon a 2
Musikalisches Opfer, BWV 1079: Canon a 2
Musikalisches Opfer, BWV 1079: Canon a 2 per tonos
Musikalisches Opfer, BWV 1079: Canon perpetuus contrario motu
Musikalisches Opfer, BWV 1079: Canon a 4
Musikalisches Opfer, BWV 1079: Fuga canonica
Musikalisches Opfer, BWV 1079: Sonata a 3: I - Largo
Musikalisches Opfer, BWV 1079: Sonata a 3: II - Allegro
Musikalisches Opfer, BWV 1079: Sonata a 3: III - Andante
Musikalisches Opfer, BWV 1079: Sonata a 3: IV - Allegro
Musikalisches Opfer, BWV 1079: Ricercar a 6

Customer Reviews:

Step Into The World Of Bach.......2007-06-09

I have nothing but good things to say about this double album. These extremely well-balanced compositions are sure to enthrall listeners with the most discerning taste. The theme here is point and counterpoint, done to perfection. These pieces are like complex equations, only done with music instead of numbers. Bach had an amazing musical mind, and this music showcases that. There is so much to the music; it is quite rich and there is so much going on here that you may not process it all the first time. If you like classical music and Bach's style, this is essential for your collection.

Great recordings.......2007-05-20

After I read Evening in the Palace of Reason: Bach Meets Frederick the Great in the Age of Enlightenment (P.S.), I had to have "Musical Offering" and "The Art of Fugue," and bought this version based on recommendations. The performance by an orchestra, rather than a single instrument such as a piano or harpsichord, seems to bring out the different voices. I listen to it over and over, and never tire of it.

Magisterial and Ethereal.......2006-11-28

As a college student, this 2-cd set has proven itself to be one of the most versatile and beautiful tools with which I can create an atmosphere amenable to studtying and doing homework. But it is not merely a background music; to be fully appreciated, it needs to be listened to while gently resting one's eyes (take care not to fall asleep -- a precaution against such is to have the music up rather high, although not painfully so).

I've listened to the whole set at least once a week since I've come to Stony Brook; its staying power, its ability to never seem to get trite or "used to" is so powerful that it really inspires. Only God (or the Divine Impetus, or whatever one wants to term the higher order), working through Bach, could have produced such an entrancing set of music.

Because of reviews.......2006-08-06

I bought this version because of the other reviews and I think it was a wise choice! The tempo's are perfect and the music is inspirational!

The Crown of Western Music.......2005-11-28

This recording of The Art of Fugue is my all-around favorite.

The premier piece of the set is the final (unfinished) fugue. I place this as the crown of all western music. Three parts of the fugue, out of a theorized four, were completed - but he didn't live to finish it. Some feel that he let it end there on purpose, for some reason. Just before he died, instead of finishing the final fugue, he composed a chorale. If the final fugue represents a journey into the after-life, then this chorale could be thought of as music from the other side, and as the only piece worthy of being played after the final fugue. That chorale is sometimes called "Vor Deinen Thron Tret Ich Hiermit", and is also known as "Wenn wir in Hochsten Noten Sein".

The Art of Fugue was written without scoring - no particular instruments were assigned - so one can find recordings done on the piano (Charles Rosen), harpsichord (Gustav Leonhardt - on vinyl only, I think), chamber orchestra, string orchestra, brass ensemble, organ, etc. My favorite recording of the final fugue is by Arthur Winograd (MGM) on vinyl, but that recording is very scarce.

Other decent recordings that I've heard so far on CD:
The Emerson String Quartet; Deutsche Grammophon B0000908-02 - their versions of the early fugues are quite good.
The Canadian Brass; Sony Essential Classics SBK 89731.
The Keller Quartet (ECM 1652) - some parts work well, others not as well.
Neville Marriner (Phillips 442-556-2) - a bit bland, but good.

Lukas Foss and the Sheffield Ensemble - Quite lively, but very unusual in its orchestration and in its freedom with the notes. Three or four of the pieces are as good as any version I've heard.
-------
One day, quite a while ago, I was walking through the quad of a university and heard one of the fugues being played inside a classroom. I looked in through the window and saw a room full of accordions playing it! True story!

Classical Masterpieces of the Millennium [20 CD Set]

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Mill. Classical review
classical music for the unitiated
Some little gems there that I had forgotten!
A very helpful collection
Excellent!

Classical Masterpieces of the Millennium [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000K1C9
Release Date: 1999-08-24

Tracks:

Brandenbutg Concerto No.3 In G First Movement
Overture No.3 In D Second Movement
Violin Concerto In E First Movement
Prelude In C minor
Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
Overture No.2 In B minor Minuet And Badinerie
Oboe Concerto In D minor Second Movement
Brandenburg Concerto No.4 In G Third Movement
Musical Offering - Fuga canonica
Easter Oratorio - Overture
Minuet In D minor
Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
Brandenburg Concerto No.1 In F Second Movement
Art Of The Fugue - Contrapunctus 9
Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
Overture No.4 In D - Réjouissance
Concerto No. 1 in E: Spring
Concerto No. 1 in E: Spring
Concerto No. 1 in E: Spring
Concerto No. 2 in G minor: Summer
Concerto No. 2 in G minor: Summer
Concerto No. 2 in G minor: Summer
Concerto No. 3 in F: Autumn
Concerto No. 3 in F: Autumn
Concerto No. 3 in F: Autumn
Concerto No. 4 in F minor: Winter
Concerto No. 4 in F minor: Winter
Concerto No. 4 in F minor: Winter
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto Grosso in A minor, Op. 3, no. 8
Concerto Grosso in A minor, Op. 3, no. 8
Concerto Grosso in A minor, Op. 3, no. 8
Water Music - Alla Hornpipe
Xerxes - Ombra Mai Fu (Largo)
Messiah - And The Glory Of The Lord
Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
Organ Concerto In F, Op. 4, No. 4 Allegro
Water Music - Air
Messiah - For Unto Us A Child Is Born
Concerto Grosso In B flat, Op. 3, No. 2 - Largo
Salomon - Sinfonia, Act 3
The Choice Of Hercules - While For Thy Arms
Water Music - Allegro (Suite No. 1)
Suite No. 5 In E - Air With Variations
Jephtha - How Dark, O Lord
Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
Water Music - Andante Allegro Da Capo
Concerto for Trumpet & Orchestra in E-flat: First Movement
Symphony No. 94 in G: Surprise Symphony-second movement
Concerto for Violin No. 2 in D: Third Movement
Flute Trio No. 31 in G: Second Movement
Symphony No. 31 in D: Hornsignal-First Movement
String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
Concerto for 2 Horns & Orchestra in E-flat: Second Movement
Symphony No. 88 in G: Fourth Movement
String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
Notturno No. 1 in C: Second Movement
Symphony No. 98 in B: Londoner No. 4-Fourth Movement
Eine Kleine Nachtmusik - first movement
Piano Concerto in A - second movement
Flute Concerto in D - Rondeau
Serenade - Minuet
Violin Concerto - first movement
Symphony No. 40 in G minor - first movement
Clarinet Concerto - second movement
Turkish March
Divertimento - Minuet
Horn Concerto No. 3 in E-flat - first movement
Symphony No. 5 in C minor, Op. 67-First Movement
Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
Overture
O welche Lust (Prisoners' Chorus)
Ha, welch ein Augenblick (Pizarros's Aria)
Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
Concerto for Violin and Orchestra in D, Op. 61: Third Movement
Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
Sympony No. 6 in F, Op. 68: Pastorale-First Movement
Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
German Dance No. 1 In C
Impromptu Op. 90, No. 3 In G-Flat
Heidenroslein
Ave Maria
Der Lindenbaum
Quintet In A 'Trout Quintet' - Andante
Mass No. 6 In E-Flat - Kyrie
Die Schone Mullerin Des Mullers Blumen
German Dance No. 2 In G
Piano Sonata In B-Flat
Nachtgesang Im Walde
Winterreise - No. 15: Die Krahe
German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
Symphony No. 8 In B Minor 'Unfinished' - Second Movement
Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
Nocturne in E-flat, Op. 9, no. 2
Etude in G-flat, Op. 10, no. 5
Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
Mazurka in D minor, Op. 33, no. 2
Prelude in D-flat, Op. 28, no. 15 Raindrop
Etude in C, Op. 10, no. 1
Nocturne in D-flat, Op. 27, no. 2
Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
Scherzo in B minor, Op. 20
Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
Violin Concerto - second movement
The Sleeping Beauty - Waltz
Capriccio Italien, Op. 45
Swan Lake - Waltz
Eugene Onegin - Polonaise
The Nutcracker - Waltz of the Flowers
Orchestral Suite No. 4 - Mozartiana - Third Movement
Swan Lake - Dance of the Swans
Symphony No. 6 in B minor - Pathétique - Third Movement
Hungarian Dance No.5
Lullaby
Symphony No.1 in C minor, Op. 68 - Third Movement
Intermezzo in E-flat, Op.117, no. 1
Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
Waltz, Op. 39, no. 15
Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
String Quintet in G, Op. 111 - Second Movement
Symphony No.4 in E minor, Op. 98 - Third Movement
Intermezzo in A minor, Op. 76, no. 7
Hungarian Dance No.1 in G minor
German Requiem Selig sind die Toten (Final Chorus)
Die Fledermaus - Overture
Kaiser Waltz, Op.437
Thunder And Lightning Polka, Op. 324
Roses From The South Waltz, Op. 388
AnnenPolka, Op. 117
Vienna Blood Waltz, Op. 354
Eljen A Magyar Polka, Op. 332
Wine, Women and Song Waltz, Op. 333
On The Beautiful Blue Danube Waltz, Op. 134
Die Meistersinger Von Nurnberg - Overture
Tannhauser - Die Pilger sind's (Pilgims' Chorus)
Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
Lohengrin - Act 3 Prelude and Bridal Chorus
The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
Die Walkure - Ride of the Valkyries
Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
Tristan und Isolde - Liebestod
Thus sprach Zarathustra, Op. 30 (excerpt)
Don Juan, Op. 20
Eine Alpensinfonie, Op. 64, I.Nacht
Don Quixote, Op.35, first movement: Introduction
Salome, Op. 54, Dance Of The Seven Veils
Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
Piano Concerto 2 In C minor, Op. 18 - First Movement
Vocalise, Op.34, No. 14
Prelude In G Sharp minor, Op. 32, No. 12
Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
Symphony No. 2 In E minor, Op. 27 - Third Movement
Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
Rhapsody, Op. 43 On A Theme By Paganini
Hungarian Rhapsody No.2
Liebestraum No.3 in A-flat
Piano Concerto No.1 in E-flat - third movement
Angelus
Mephisto Waltz No.1 (Dance in a Village Tavern)
Prelude and Fugue on B-A-C-H
Dante Symphony - Finale. - Purgatorio - Magnificat
Les Préludes
Boléro
Daphnis et Chloé first movement: Nocturne
Rhapsodie Espagnole
Shéhérazade - first movement: Asie
Ma Mère l'Oye - fourth movement: La Belle et la Bête
Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
La Valse
Slavic Dance No. 1 in C, Op. 46, no.1
Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
Humoresque, Op. 101
Slavic Dance No. 8 in G minor, Op. 46, no. 8
Serenade for String Orchestra, Op. 22 - second movement
Romance for Violin and Orchestra In F minor, Op. 11
Symphony No. 7 in D minor - third movement
Melodie (Songs My Mother Taught Me)
Carneval Overture, Op. 92
Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
Symphony No.4 In A, Op. 90. Italian - First Movement
Frühlingslied In A, Op. 62, No. 6
Wedding March (From A Midsummer Night's Dream, Op.61)
Duetto In F, Op.30, No.6 (From Songs Without Words)
String Symphony No.9 In C. Schweitzer Symphony - Third Movement
Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
Notturno (From A Midsumment Night's Dream, Op. 61)
Rondo Capriccioso, Op.14
String Symphony No. 12 In G minor - First Movement
Venetian Gondola Song In F Sharp minor, Op.30, No.6
Scherzo (From A Midsumment Night's Dream, Op. 61)
Violin Concerto In E minor, Op.64 - Third Movement
Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
Holberg Suite, Op. 40 - IV. Air. Andante religioso
Arietta, Op. 12, no. 1
Homage March from Sigurd Jorsalfar, Op. 56
Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
Wedding Day at Troldhauen, Op. 65, no. 6
The Last Spring, Op. 34, no. 2
Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
Nordic Melody Op. 63
Notturno, Op. 54, no. 4
Elegie, Op. 47, no. 5
Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
Piano Concerto in A minor, Op. 16 - Allegro
Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
Traumerai (from Kinderszenen, Op. 15)
Mondnacht (from Eichendorff-Liederkreis, Op. 39)
Aufschwung (from Fantasietucke, Op. 12)
Triolett, Op. 114, no. 2
Tanzlied (No. 1 from Duets, Op. 78)
Symphony No. 4 in D minor, Op. 120 - second movement
Frühlingsgruss
Abschied (from Waldszenen Op. 82)
Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
Manfred Overture, Op. 115
Romance in F sharp, Op. 28, no. 2
Die Rose stand im Tau
Liebesgarten (from Four Duets, Op. 34)
Warum? (from Fantasiestucke, Op. 12)
Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
Von fremden Landern und Menschen (from Kinderszenen, Op. 15)

Album Description

An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.

Customer Reviews:

Mill. Classical review.......2007-05-13

This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.

classical music for the unitiated.......2007-04-01

This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.

Some little gems there that I had forgotten!.......2007-03-30

Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.

I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.

It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!

Classical Masterpieces of the Millennium [20 CD Set]

A very helpful collection.......2007-03-24

I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.

Excellent!.......2007-03-08

A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.

Average customer rating:

Extraordinary and beautiful rendering of Bach's great fugal opus
Excellent Exposition of the art of the fugue
A great master plays one of the monuments of the Baroque
Absolutely stunning
Best of the best

Bach: Die Kunst der Fugue

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Bach: Goldberg Variations
Bach: The Art of Fugue; Musical Offering
Shostakovich: 24 Preludes and Fugues, Op. 87
Art of the Fugue - 70th Anniversary Edition
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ASIN: B000002ZS9
Release Date: 1993-11-23

Tracks:

A Musical Offering, BWV1079: Ricercare a 3
A Musical Offering, BWV1079: Ricercare a 6
Four Duettos, BWV802 - 805: Duet No 1 In E Minor
Four Duettos, BWV802 - 805: Duet No 2 In F Major
Four Duettos, BWV802 - 805: Duet No 3 In G Major
Four Duettos, BWV802 - 805: Duet No 4 In A Minor
The Art Of The Fugue, BWV1080: Contrapunctus 1
The Art Of The Fugue, BWV1080: Contrapunctus 2
The Art Of The Fugue, BWV1080: Contrapunctus 3
The Art Of The Fugue, BWV1080: Contrapunctus 4
The Art Of The Fugue, BWV1080: Canon in Hypodiapason (Canon alla Ottava)
The Art Of The Fugue, BWV1080: Contrapunctus 5
The Art Of The Fugue, BWV1080: Contrapunctus 6 (per Diminutionem) in Stylo Francese
The Art Of The Fugue, BWV1080: Contrapunctus 7 per Augmentationem et Diminutionem
The Art Of The Fugue, BWV1080: Canon alla Duodecima in Contrapunto alla Quinta

Tracks:

The Art Of The Fugue: Contrapunctus 8
The Art Of The Fugue: Contrapunctus 9 alla Duodecima
The Art Of The Fugue: Contrapunctus 10 alla Decima
The Art Of The Fugue: Contrapunctus 11
The Art Of The Fugue: Canon (in Hypodiatessaron) per Augmentationem in Contrario Motu
The Art Of The Fugue: Canon alla Decima (Contrapunto alla Terza)
The Art Of The Fugue: Contrapunctus 13 (Rectus)
The Art Of The Fugue: Contrapunctus 13 (Inversus)
The Art Of The Fugue: Contrapunctus 12 (Rectus)
The Art Of The Fugue: Contrapunctus 12 (Inversus)
The Art Of The Fugue: Contrapunctus 14

Customer Reviews:

Extraordinary and beautiful rendering of Bach's great fugal opus.......2007-07-11

As an obssesed fan of Glenn Gould, I would not have found my way to buying this album had I not realized that Gould had not recorded it on piano but only did some extracts on an organ, of all things. I have played through these fuges before and found them uninterested compared to the lovely themes that permeate the entire Well Tempered Clavier books 1 and 2. I read a few reviews of people who had bought this cd and on the strength of their passionate and positive appraisal, I bought it. Good that I did.

Her playing is first class, impeccable with a sure sense of dynamic, rythmic and colorful phrasing that entertain and enchant from the beginning to the end. This is a woman who had lived with these pieces, played them and contemplated their meaning. I have always said that a mere technician can reproduce sounds on a piano, often in a very accurate way but if there is no soul, if there is no artistic merit in the interpretation, then it is like listening to a robot playing the instrument. A gifted artist rises to the occassion and is motivated and inspired by the material at hand. The results here are worth a lifetime of repeated listening. If my memory is correct, there are so little, if any, indications in Bach's edition of how fast or loud or soft to play these pieces. That ommission allows an opportunity for the great artist to interpret with creativity. We are not disappointed here. The intuition of this artist led her to imbue this work with such beauty, allowing the work to reveal it's own inner realities on sublime levels. This is supposed to be Bach's crowning achievement and in most ways closes the Baroque era. A very rich accomplishment both for Bach, who died writing the last notes and for Tatiana Nikolayeva a recording that places her at the highest levels of musical accomplishments.

Excellent Exposition of the art of the fugue.......2007-07-10

The clarity of the notes and the even balance of the melody and harmony made this familiar piece of music sound new and exciting

A great master plays one of the monuments of the Baroque.......2006-04-21

When I first saw this recordings in a music store I never realized what was waiting for me inside the jewel case. Two or three years had to go before I got one. Since then this is one of my favourites. Nikolayeva was a master in all the meaning of the word and although I am a purist (would have liked a Harpsichord instead of a Piano) her interpretation is magnificent, moving and executed with the precision required for a Brain surgery. Do not miss this set, it is without a question one of the very best AoF ever recorded. You will only need to hear how this great Russian Master played the first three notes of the Ricercare a 3, BWV1079, to know what I mean.

Absolutely stunning.......2005-11-29

This is far and out the greatest interpretation ever (on piano) of this monumental work - absolutely perfect, under any aspect. If you are a classical music fan it would be a crime to give it a miss.

Best of the best.......2005-05-08

I own about a dozen performances of The Art of Fugue (ranging from solo piano and organ over string quartet to Hermann Scherchen's orchestral arrangement). This is hands down my favorite (Scherchen's a distant second). Glenn Gould's might have been equally good if he had ever recorded the whole set for piano. (He recorded a partial set for organ, and piano recordings of a few individual fugues were released posthumously.)
While Bach never specified instruments for TAoF, the voice leading is too keyboard-friendly to be coincidental. It is not a "flashy" work but --- despite that --- extremely demanding on a keyboard player in that exceptional articulation skills are required to clearly bring out the four voices.
The purist may be annoyed at the fact that a piano (rather than a harpsichord) is used at all, and that (obviously) modern A=440 tuning is used. If you are one of these, you may wish to consider Davitt Moroney's harpsichord recording instead.
Unlike Moroney and organist Helmut Walcha, Ms. Nikolayeva does not attempt to "complete" the final unfinished fugue: her playing tapers off on the last notes in the manuscript.
The playing is not only crisp and technically perfect but beautiful at all times, and the recording very clean.
Bonuses are the four Duets (which work surprisingly well on the piano) and the two Ricercars from The Musical Offering. (The Ricercar a 3, incredibly, is actually rooted in an improvisation session by Bach on an early Silbermann fortepiano at the palace of Frederick II in Potsdam.)

Bach: The Art of Fugue / Musical Offering

Average customer rating:

repetition, glorious repetition
Very good, but why not go for the best instead?
A reasonable, but not outstanding, 2 CD set of Bach
A rich variety of instrumentation
LIKE A TEXTBOOK --VERY INFORMED-NOT BAD, BUT A LITTLE DRY

Bach: The Art of Fugue / Musical Offering

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

Improvisation | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
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Bach: The Art of Fugue; Musical Offering
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Bach: Complete Partitas
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Bach: Goldberg Variations

ASIN: B0000041A6
Release Date: 1994-10-17

Tracks:

The Art of Fugue, BWV 1080: Contrapunctus 1
The Art of Fugue, BWV 1080: Contrapunctus 2
The Art of Fugue, BWV 1080: Contrapunctus 3
The Art of Fugue, BWV 1080: Contrapunctus 4
The Art of Fugue, BWV 1080: Canon alla Ottava
The Art of Fugue, BWV 1080: Contrapunctus 5
The Art of Fugue, BWV 1080: Contrapunctus 6, a 4, im Stile francese
The Art of Fugue, BWV 1080: Canon alla Decima, Contrapuncto alla Terza
The Art of Fugue, BWV 1080: Contrapunctus 7, a 4, per Augmentationem et Diminutionem
The Art of Fugue, BWV 1080: Contrapunctus 8, a 3
The Art of Fugue, BWV 1080: Canon alla Duodecima in Contrapuncto alla Quinta
The Art of Fugue, BWV 1080: Contrapunctus 9, a 4, alla Duodecima
The Art of Fugue, BWV 1080: Contrapunctus 10, a 4, alla Decima
The Art of Fugue, BWV 1080: Canon per Augmentationem in contrario motu
The Art of Fugue, BWV 1080: Contrapunctus 11, a 4
The Art of Fugue, BWV 1080: Contrapunctus 13, a 3 (rectus)
The Art of Fugue, BWV 1080: Contrapunctus 12, a 4 (rectus)
The Art of Fugue, BWV 1080: Fuga a 2 Clav.

Tracks:

The Art of Fugue, BWV 1080: Contrapunctus 13, a 3 (inversus)
The Art of Fugue, BWV 1080: Contrapunctus 12, a 4 (inversus)
The Art of Fugue, BWV 1080: Alio modo Fuga a 2 Clav.
The Art of Fugue, BWV 1080: Fuga a 3 Soggetti (unfinished)
Musical Offering, BWV 1079: Ricercar 1 (a 3)
Musical Offering, BWV 1079: Canon perpetuus super Thema Regium
Musical Offering, BWV 1079: Canones diversi super Thema Regium: Canon 1 a 2 (Canon cancricans)
Musical Offering, BWV 1079: Canones diversi super Thema Regium: Canon 2 a 2 violini in unisono
Musical Offering, BWV 1079: Canones diversi super Thema Regium: Canon 3 a 2 per motum contrarium
Musical Offering, BWV 1079: Canones diversi super Thema Regium: Canon 5 a 2 (Canon circularis per tonos)
Musical Offering, BWV 1079: Sonata For Flute, Violin And Continuo: Largo
Musical Offering, BWV 1079: Sonata For Flute, Violin And Continuo: Allegro moderato
Musical Offering, BWV 1079: Sonata For Flute, Violin And Continuo: Andante larghetto
Musical Offering, BWV 1079: Sonata For Flute, Violin And Continuo: Allegro
Musical Offering, BWV 1079: Sonata For Flute, Violin And Continuo: Canon a 2 quaerendo invenietis (Canon contrarium stricte reversum)
Musical Offering, BWV 1079: Sonata For Flute, Violin And Continuo: Canon a 4
Musical Offering, BWV 1079: Sonata For Flute, Violin And Continuo: Canon perpetuus
Musical Offering, BWV 1079: Canones diversi super Thema Regium: Canon 4 a 2 per augmentationem, contrario motu
Musical Offering, BWV 1079: Canones diversi super Thema Regium: Fuga canonica in epidiapente
Musical Offering, BWV 1079: Canones diversi super Thema Regium: Ricercar 2 a 6

Amazon.com essential recording

There are many apocryphal stories in the classical-music world, but the one in which Frederick the Great challenged Bach to improvise a six-part fugue on a theme of the king's own invention is true, and The Musical Offering was, after a period of further reflection, the result. As with all the works of Bach's later years, the work is both great art and a "teaching piece," which shows everything that he thought could be done with the king's theme. The Trio Sonata based on the theme is the only major piece of chamber music from Bach's last decades in Leipzig, and that makes the work and essential cornerstone of any Bach collection. This performance, led by Neville Marriner, is both polished and lively, and very well recorded. At a "twofer" price, coupled with The Art of Fugue, it's the preferred version of the work on modern instruments. --David Hurwitz

Customer Reviews:

repetition, glorious repetition.......2006-12-31

An acquaintance of mine once overheard the sound of Bach emanating from my computer, grimaced slightly, and said 'it's repetition'.

Precisely. Though she thought she was making a criticism.

J.S. Bach explored creation via the medium of music. In overturning and resettling the soil given to him by musical convention and his own fecund mind, he understood himself to be exploring the possibilities of God's good earth.

He produced no more repetitious works than the Art of Fugue and Musical Offering. But ah, the glory!

Because Bach was not specific about the instrumentation he desired for one or both of these works, Sir Neville Mariner and the Academy of St-Martin-in-the-Field, those always trustworthy custodians of all things baroque, give us this fine recording of a number of combinations of strings as well as of organ and harpsichord.

These are not pieces for random listening. One needs to sit and soak in the seemingly endless creative moves that Bach could make with just a few themes. It is endlessly repetitious and ceaselessly fascinating, perhaps a bit like love itself. Indeed it is almost entrancing.

In fact Bach *was* loving several objects as he exercised his masterful, musical intuition. He was loving God, for at the end of each manuscript he penned the initials 'S.D.G' ('Soli Deo Gloria' = 'To God alone be the glory'). He was loving the very creation he was exploring. And, professional considerations notwithstanding, he was loving those sympathetic listeners who for centuries would find themselves amazed at his craft.

'The Craft of the Fugue', after all, is arguably the better translation of 'Die Kunst der Fuge' than the more conventional 'The Art of Fugue', though at any rate Bach's craft was that of an artisan who also happened to understand the constituent elements of his craftsmanship with exceeding guile.

As one listens to this magnificent music, it is possible to believe - one must almost say to glimpse the reality - that God is his heaven, that this good earth is indeed a beautiful thing, and that sympathy on the part of the listener moves one a step or two towards conviction on these counts.

Very good, but why not go for the best instead?.......2005-11-21

Of the five CDs of J.S. Bach's The Art Of The Fugue recently acquired, this is my least favorite. It is good, but but lacks the precision and spark of Karl Munchinger's direction (see ASIN B000050GK0). I tend to find Marriner's direction "creamy"; perfect for a piece like Beethoven's Eroica symphony, but not right for this Bach. Also, the mixture of different instruments from piece to piece breaks up the continuity.

The Canadian Brass version (ASIN B0000026NK) is excellent but is difficult to listen to in one sitting unless you love brass. If you want a masterfully conceived and executed version of The Art Of Fugue consisting of nothing but brass, this is the CD for you.

The Hans Fagius all organ version (ASIN B00004YYRV) is also excellent, but I personally tend to find the all organ program a bit hard to take in one sitting. And it doesn't have the contrasts of multiple-instrument versions. Of course, this far more likely historically accurate to Bach's time than the all brass version.

Other reviewers have extolled the Emerson Quartet version of the Fugues (ASIN B00008O8B3). It's really good, but not as good as the Karl Munchinger one (ASIN B000050GK0). It's not as precise and rigid. I like the crisp, controlled almost machine produced sound of the Munchinger version.

The Karl Munchinger version is the best for both an introduction to Bach's late Fugues (and other pieces) and for a sublime listening experience. I recommend getting the Stuttgarter Kammerorchester version (ASIN B000050GK0). Why go for good or excellent when you can get the best instead?

A reasonable, but not outstanding, 2 CD set of Bach.......2005-09-20

This is a good, but certainly not great, set of performances of two of Bach's contrapunctal works. Why only three stars? Well, it is a bargin, and there is nothing glaringly wrong, but there are just better recordings of both of these works available. If you are really on a very tight budget, you might buy it, but if you are really into Bach or want to learn, skip this and spend a bit more money.

In fact, if you look around you can get better recordings on the cheap. For the Musical Offering try Leonhardt and for the Art of the Fugue there are numerous better sets, for instance the Gould keyboard recording, or the Jordi Savall peformance that includes both of the works.

A rich variety of instrumentation.......2005-08-28

This last, highly-systematic composition of Bach was his summation of the art of contrapunctal composition. It is even recorded in history that the well-aged Bach - then blind - temporarily regained part of his eyesight (ruined from a desperate operation) to pen the final illuminations of his art. While he died before finishing it, what he left is some of the most intricate, intelligent and daunghting music of the counterpoint style. Each movement highlights one or more different compositional techniques in counterpoint. Additionally, the Musical Offering is another major, late fugal composition with its own fascinating history.

As Bach did not document the scoring for The Art of Fugue, performances range from solo keyboard instruments (organ, harpsichord, piano) to string quartet to wind ensemble to brass arrangements to full orchestra to whatever. But what about this varied orchestral performance by the ASMF? I think other reviewers made a good conclusion: it is a solid CD to "sample" the various instrument combinations that are possible for this fugal giant of a composition. While purists may perhaps find this variery of scoring on this CD here overly accomodating to keep the music "more interesting," it probably is an advantage for the listener new to the music or for those who just like variety sometimes. Personally, I liked the approach here with the wide variety of sounds and textures of the harpsichord, organ, string quartet, flutes and full orchestra. The sound quality on this CD is very good - full bodied with an attractive resonance but without losing clarity of the individual voices.

Some may cite a lack of emotional quality as a weakness of Marriner's conducting here. This can be heard at times but mostly only when comparing to another orchestra. But overall the music is quite good and should please most. Penguin Guide gave this set a top 3/3 stars citing both "a style of playing that is profoundly satisfying with finely judged tempi, unmannered phrasing and resilient rhythms ... though some of the playing is a trifle bland." Well said I think and not an over-endorsement or under-endorsement.

For an orchestral performance with more passionate and emotive undertones, look to the Stuttgart Orchestra conducted by Munchinger - a fine recording that also gets high marks. That set contains the same two works and is quite wonderful to hear with more complex sonorities and more artful building of the fugal inter-twining. Just compare the first two clips and you will see how the ASMF version is more "unmannered" while the Munchinger/Stuttgart CO performance breathes much more emmotional drama into the music. Other performaces to consider are: The Emerson, Delme or Keller String Quartets and the Stardust (wind) Quartet - the latter who play on recorders of varying sizes and depth of tone that sound together not unlike the pipes of an organ. But, for a wide variety of sound, the Marriner set here is quite nice. Regardless of what performance you like the most, enjoy this legendary music.

LIKE A TEXTBOOK --VERY INFORMED-NOT BAD, BUT A LITTLE DRY.......2003-05-29

This cd is best for those of us who are unfamiliar with Bach's music and want to get to know these two works and buy an affordable cd at the same time. As a general introduction it is great and very educational--the art of fugue is played on various instruments to drive home the fact that the music was never scored for specific instruments. Each contrapunctus is given a decent and fair showing.

Marriner however seems to be most comfortable when he is conducting lighter, airier stuff like Mozart divertimentos (some of the best mozart around is conducted my marriner in my opinion) Bach is a little above him i think.You can tell that he has deep respect for this music by the way he handles it--but i think he has trouble finding the soul or emotion of this music. Put another way he demonstrates masterfully the intellectual side of Bach, but fails at capturing the emotion and feeling of Bach. And dont tell me that there is no emotion to Bach's music--because i know better having heard some of his other pieces.

To be fair though it should be said that The Art of Fugue and to some extent the Musical Offering are two of Bach's most abstract and "conceptual" works so it is no wonder that one might have trouble capturing all its dimensions on cd. I have difficulty sitting through this cd (although i have done it several times) at times the performance comes off as being a little dry and rote--almost as if one was playing an exercise or an etude rather than a work proper. It is best in small pieces. The fugal nature of the piece can at times make one think one is hearing the same thing over and over due to the slower tempo and conducting style of Marriner. In reality however there are many different things going on in each fugue despite the fact that they are all based on one theme. Close listening to the cd helps to develop a sensitive ear as you try try to distinguish what is going on in each fugue that sets it apart from the others (analysis).

As a final word, this cd is not bad-it s a good showing, but its definitely not the best perf either.In my opinion-this cd is best heard in small chunks. Its great if you want an introduction to this work, its great if you want to save money. Its great if you like your bach simple-- except for two harpsichords it doesnt use period instruments--but it does use period performance (no vibrato, small ensemble) Its also great if you like to "dissect" your Bach as you hear it and see the analytical side to this music. If however you would like to hear the emotional side to these very intellectual and somewhat abstract pieces try the Munchinger. Also do not miss the Stardust Quartet interpretation on recorders--it sounds as if it were a totally different piece--very airy and beautiful rather than heavy and concrete.

In general i would say if you dont know these two pieces by Bach start with this and once you feel comfortable and familiar with the piece check out some of the other interpretations and see how they differ and which you like best.

Life & Works of Bach
Average customer rating:

Well done and interesting

Wonderful biography, needs more proportion in the music

Life & Works of Bach
Bach , Siepmann , and Shrapnel
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
General | Classical | Styles | Music
General | Chamber Music | Classical | Styles | Music
General | Instructional | Miscellaneous | Styles | Music
General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
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Brahms: Life & Works

ASIN: B0000666A8
Release Date: 2002-07-16

Tracks:

Family Background And Early Years
Music: Capriccio On The Departure Of His Beloved Brother
Bach And The Organ
Music Toccata And Fugue In D Minow, BWV 565
Bach In Trouble
Music: Trio Sonata In E Flat, BWV 525
Bach The Husband And Father
Music: Vivaldi/Bach: Concerto In A Minor For Four Harpsichords
Bach The Younger Composer
Music: Prelude And Fugue In A Minor, BWV 543
Bach In Weimar (And In Jail)
Music: Prelude In E Flat Minor (The Well Tempered Clavier, Book 1)
Bach Leaves Weimar
Music: Violin Concerto In E Major (Finale)

Tracks:

Bach At Cothen
Music: Concerto For Two Violins (Largo Ma Non Tanto)
Bach And The Brandenburgs
Music: Brandenburg Concerto No. 5 In D (First Movement)
From Grief To Joy Through Faith
Music: 'Et Resurrexit' (B Minor Mass)
New Beginnings: Bach Remarries And His Family Grows
Music: Aria In G
Goldberg Variations And Anna Magdalena's Notebook
Music: Stolzel: Bist Du Bei Mir
Domestic Happiness And The Move To Leipzig
Music: Magnificat
Bach's Duties At Lepzig
Music: Cantata No. 80 (Duetto)
Bach The Teacher
Music: Sinfonia (Three-Part Invention) In E Flat
The Great Keyboard Works On Educational Agenda
Music: Italien Concerto
A Letter To The King
Music: Cantata No. 147 (Opening Chorus)

Tracks:

Bach Takes Up The Poet's Pen
Music: Partita No. 1 In B Flat BWV 825 (Courante)
Bach's Frustration At Leipzig
Music: Singet Dem Herrn, BWV 225
Frustrations Intensify
Music: St John Passion (Opening Chorus)
Bach's Efforts To Leave Leipzig
Music: Brandenburg Concerto No. 1 (First Movement)
The King Of Poland's Jubilee
Music: Suite No. 3 In D, BWV 1068
The Ernesti Affair
Music: Prelude In D Major, BWV 532
Adolf Scheibe's Scathing Views On Bach
Music: Concerto In C For Three Harpsichords (Finale)

Tracks:

Bach And Opera
'Coffee' Cantata (Excerpts)
'Peasant' Cantata (Excerpts)
The Twilight Years
Music: The Art Of Fugue
Bach's Visit To Frederick The Great
Music: The Musical Offering
Decline And Death
Music: Mass In B Minor

Customer Reviews:

Well done and interesting.......2005-02-22

This recording alternates extended selections of Bach's music (complete pieces or movements) with a narrated and sometimes dramatized biography of Bach. The music selections are excellent and the biography itself is well done and interesting. The lengthy accompanying booklet is also very nice.

My only reservation comes from a feeling that the music and the narration are not as well integrated as they could be. The narrator identifies the musical selections and may give a sentence or two of background for the selection but never really discusses it. Instead, the narration is focused almost entirely on the events of Bach's life. I would have preferred more of a "music appreciation" approach that discussed the music, and had trouble getting used to the bifurcated nature of production. The extended free-standing music selections do mean that the four discs are a sort of "best of Bach" anthology and you can re-listen to just the music by skipping every other track.

Naxos also produces a 2-disc set called An Introduction to Bach: Brandenburg Concertos Nos. 4 & 5 (ASIN: B0000666A9), also by Mr. Seipmann, which closely analyzes the actual music of these two concertos. I found that the two sets are complementary with no overlap, except for part of the booklets, and I would recommend getting both if you have an interest in Bach and are also interested in understanding what to listen for in his music. In addition (or as an alternative), I would also recommend the lectures by Robert Greenberg on "Bach and the High Baroque" produced by the Teaching Company, which are much longer, more detailed, and more focused on the "music appreciation" aspect. They are also much more expensive.

Overall, this item is very worthwhile and a good value, like most of Naxos's products.

Wonderful biography, needs more proportion in the music.......2002-08-21

Naxos continues to do a wonderful job with its "Life and Works" series. Quite some time ago, we had a Life/Works of Mozart, one of Chopin and then two more, Liszt and Beethoven. he latter are even better packaged than are the earlier sets, with a thick booklet that offers us essays on the historical background, the position of the composer in his time, a look at the major works, a listening plan, recommended readings, personalities, a calendar of the artist's life, a glossary, and a discography. This booklet is worth the price of the set alone.

Now we have two more entries in this amazing series, again written and narrated by Jeremy Siepmann: "Pyotr Il'yich Tchaikovsky" (8.558036-39) with a playing time of 4 hrs. 5 min. and "Johann Sebastian Bach" (8.558051-54) with a playing time of 4 hrs. 34 minutes. (Please see my comments for the Tchaikovsky on that webpage.)

In direct contrast to the tortured personality of Tchaikovsky, we have the life-loving J.S. Bach, he who lost his temper only when he ran up against ineptitude. Again, the biographical details are fascinating. But also again, the musical examples are far too few--especially for this prolific composer--and some are simply far too long. We do not really need a complete rendition of the famous "Toccata and Fugue" and certainly not of the "Prelude and Fugue in A minor" to which is devoted a 13 minute track.

Tracks:

Ov/Kircher's Infulence On Bach's Music: Exc: (1/2) Con (III. Allegro)/(1.2) Cant BWV201... - A New Approach To Johann Sebastian Bach
Hexachordum Apollinis/Fifth Aria, Theme And Vars 1-3 - John Butt
Chor & 3 Partitas BWV767: O Gott, Du Frommer Gott - Lionel Rogg
Chor: Christ Lag In Todesbanden - Francis Chapelet/Matheu Bosch
Armonico Tributo: Con Grosso No.3: (5.1) Son. Grave (5.2) Allegro - Ens 415/Chiara Banchini/Jesper Christensen
Toccata And Fugue in F, BuxWV157 - Rene Saorgin
'Yale Manuscript' Chor Prlds: Chor Prld 88: Erhalt Uns, Herr, Bei Deinem Wort - Joseph Payne/Bozeman-Gibson
'Yale Manuscript' Chor Prlds: Chor Prld 60: Aus Tiefer Not Schrei Ich Zu Dir - Joseph Payne/Bozeman-Gibson
'Yale Manuscript' Chor Prlds: Chor Prld 93: Jesu, Meine Freude - Joseph Payne/Bozeman-Gibson
Trauerode/Cant BWV198: Part One: Coro Lass, Furstin, Lass Noch Einen Strahl - La Chapelle Royale/Philippe Herreweghe
Trauerode/Cant BWV198: Part One: Recitativo: Dein Sachsen - Ingrid Schmithusen
Trauerode/Cant BWV198: Part One: Aria: Vestummt! - Ingrid Schmithusen
Trauerode/Cant BWV198: Part One: Recitativo: Der Glocken Bebendes Geton - Charles Brett
Trauerode/Cant BWV198: Part One: Aria: Wie Starb Die Heldin So Vergnugt - Charles Brett
Trauerode/Cant BWV198: Part One: Recitativo: Ihr Leben Liess Die Kunst Zu Sterben - Howard Cook
Trauerode/Cant BWV198: Part One: Coro: An Dir, Du Furbild Grosser Frauen - La Chapelle Royale/Philippe Herreweghe
Trauerode/Cant BWV198: Part Two: Aria: Der Ewikeit Saphirnes Haus - Howard Cook
Trauerode/Cant BWV198: Part Two: Recitativo: Was Wunder Ist? - Peter Kooy
Trauerode/Cant BWV198: Part Two: Chor Ultimus: Doch, Konigin! - La Chapelle Royale/Philippe Herreweghe

Tracks:

Fant in G, BWV572 - Lionel Rogg
Pastorella in F, BWV590 (First Section) - Lionel Rogg
Con BWV1060: III. Allegro - Academy Of Ancient Music/Andrew Manze/Rachel Podger
Advent Cant BWV61/Opening Chor: Now Come, The Saviour Of The Heathen - Collegium Vocale/Philippe Herrweghe
Cant BWV21: Ich Hatte Viel Bekummernis: Sinf (Adagio Assai) - Marcel Ponseele
Orch Ste (Ov) No.1 in C, BWV1066: IV. Forlane (Italian Dance) - Akademie Fur Musik Berlin
Orch Ste (Ov) No.1 in C, BWV1066: V. Menuets I & II (French Dance) - Akademie Fur Musik Berlin
Mass in b, BWV232: Et Incarnatus Est - La Chapelle Royale-Collegium Vocale/Philippe Herreweghe
Mass in b, BWV232: Crucifixus - La Chapelle Royale-Collegium Vocale/Philippe Herreweghe
Mass in b, BWV232: Et Resurrexit - La Chapelle Royale-Collegium Vocale/Philippe Herreweghe
St Matthew Passion: No.38a (Evang. Petrus Aber)/No.38b (Chor: Wahrlich, Du Bist) & 38c - Rene Jacobs/Howard Crook/La Chapelle Royale-Collegium Vocale/Philippe Herreweghe
St Matthew Passion: No.39 (Aria: Eurbane Dich) - Rene Jacobs/Howard Crook/La Chapelle Royale-Collegium Vocale/Philippe Herreweghe
St Matthew Passion: No.40 (Chor: Bin Ich Gleich) - Rene Jacobs/Howard Crook/La Chapelle Royale-Collegium Vocale/Philippe Herreweghe
St Matthew Passion: No.41 (Evang. Des Morgens Aber)/No.41b (Chor: Was Gehet Uns Das An?) No.41c... - Rene Jacobs/Howard Crook/La Chapelle Royale-Collegium Vocale/Philippe Herreweghe
Singet Dem Herrn Ein Neues Lied: Motet BWV225 (Part I) - RAIS-Kammerchor/Akademie Fur Alte Musik Berlin/Rene Jacobs
Magnificat BWV243: Sicut Locutus Est - La Chapelle Royale-Collegium Vocale/Philippe Herreweghe
Parody: Ascension Oratorio BWV 11: Aria: Ach Bleibe Doch - Catherine Patriasz/Andreas Scholl/La Chapelle Royale-Collegium Vocale/Philippe Herreweghe
Parody: Mass in b, BWV 232: Agnus Dei (Aria) - Catherine Patriasz/Andreas Scholl/La Chapelle Royale-Collegium Vocale/Philippe Herreweghe
Aus Tiefer Not Schrei Ich Zu Dir: 6-Part Fugue BWV686 - Lionel Rogg
Goldberg Vars BWV988: Theme (Aria) - Kenneth Gilbert
Goldberg Vars BWV988: Var No.25 - Kenneth Gilbert
The Art Of Fugue: Contrapunctus 1 - A New Approach To Johann Sebastian Bach
The Art Of Fugue: Contrapunctus 3 - A New Approach To Johann Sebastian Bach
The Art Of Fugue: Contrapunctus 6 - A New Approach To Johann Sebastian Bach
The Art Of Fugue: Contrapunctus - A New Approach To Johann Sebastian Bach
The Musical Offering BWV1079: Ricercar A 3 Beginning - Davitt Moroney/Janet See/John Holloway/Jaap Ter Linden
The Musical Offering BWV1079: Ricercar A 6 Beginning - Davitt Moroney/Janet See/John Holloway/Jaap Ter Linden
The Musical Offering BWV1079: Largo Of 'Son Sopr'il Soggetto Reale' - Davitt Moroney/Janet See/John Holloway/Jaap Ter Linden

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Elements: Waterfall Suite

Manufacturer: Bci / Eclipse Music
ProductGroup: Music
Binding: Audio CD

Minuets | Ballets & Dances | Classical | Styles | Music

Improvisation | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

Toccatas | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Environmental | New Age | Styles | Music

General | New Age | Styles | Music

Meditation | New Age | Styles | Music

General | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music

4-for-3 New Age | 4-for-3 Music | Stores | Music
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Elements: Symphony of Light
Elements: Four Seasons
Elements: The Majestic National Parks
Elements: Winter Crystals
Elements: Reflections

ASIN: B0009MAODW
Release Date: 2005-05-31

Tracks:

Toccata in D Minor
Brandenburg Concerto #3
Rejouissance
Mass in B Minor Gloria
Violin Concerto E Major
Brandenburg Concerto #
Menuet & Baderine
Italian Concerto in F
Art of the Fugue
Christmas Oratorio
Menuet in D Minor
Musical Offering
Oboe Concerto in D Minor
Piano Concerto #5
Air on a G String

Tracks:

Toccata in D Minor
Brandenburg Concerto #3
Rejouissance
Mass in B Minor Gloria
Violin Concerto E Major
Brandenburg Concerto #4
Menuet & Baderine
Italian Concerto in F
Art of the Fugue
Christmas Oratorio
Menuet in D Minor
Musical Offering
Oboe Concerto in D Minor
Piano Concerto #5
Air on a G String

Product Description

Tracks:

Goldberg Variations, BWV 988: Aria da capo
Invention No. 1 In C Major, BWV 772
Invention No. 4 In D Minor, BWV 775
Invention No. 8 In F Major, BWV 779
Sonata In E - Flat Major, BWV 1031: Siciliano
Catata No. 147: Jesu, Joy Of Man's Desiring
The Well - Tempered Clavier, Book I: Prelude No. 1 In C Major, BWV 846
'Italian' Concerto In F Major, BWV 971: I. [Without Tempo Indication]
'Italian' Concerto In F Major, BWV 971: III. Presto
Concerto In F Minor, BWV 1056: II Largo
Air And Variations In E Major From Harpsichord Suite No. 5: The Harmonious Blacksmith
Le coucou
Le tambourin
Sonata In E Major, K. 380 (L. 23)
Sonata In G Major, K. 427 (L. 286)
Sonata In F Minor, K. 481 (L. 187)
Sonata In A Major, K. 39 (L. 391)
Sonata In B - Flat Major K. 551 (L. 396)
Sonata In C Minor, K. 11 (L. 352)
Sonata In F Major, K. 366 (L. 119)
Cantata No. 140: Wachet auf, ruft uns die Stimme
A Musical Offering, BWV 1079: Ricercar In 6 Voices
The Art Of The Fugue, BWV 1080: Contrapunctus I
The Art Of The Fugue, BWV 1080: Contrapunctus IX

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