Mozart Symphony No. 40, Symphony No. 41 "Jupiter"

Editorial Reviews
Album Description
Includes Symphony No. 40, K.550; and Symphony No. 41, K551 "Jupiter." By the time Mozart turned twenty he was already one of the most skilled composers of his day. His output included not only symphonies and concertos but piano pieces, serenades, arias, operas and smaller species of musical theater, songs and church music. Symphony No. 40 in G Minor forms the centerpiece of the "final trilogy." It is a work of complex character, one whose music embodies passion and formal elegance, sorrow and exultation, darkness and light. Mozart's brilliant use of counterpoint, the simultaneous sounding of different melodic strands, makes the finale of his "Jupiter" Symphony one of the outstanding musical achievements of the Classical period.

Each CD package includes two CDs. The first, a Musical Performance Disk, features the top performers and symphony orchestras in the world, performing the best-loved music from the classical music Greats.

Accompanying the Musical Performance Disc is a Conductor's Guide on a separate CD. Here, Maestro Gerard Schwarz discusses the musical performances in depth--movement by movement, section by section--using examples from the recorded performances. There's no better, more enjoyable way to get a basic education in classical music.

You'll also receive a 16-page printed copy of Concert Notes, featuring the unique Music Disc Timeline, which is written to synchronize with the elapsed time display of your CD player. As you play the music on the Performance Disc, you can see exactly where the things that Maestro Schwarz discussed take place in the music. It's like looking into the score--but you don't have to know how to read music!

Mozart Symphony No. 40, Symphony No. 41 "Jupiter", Music, Mozart, Schwarz, Classical, Eroica Classical Recordings presents. "An Education in the greatest classical music ever performed." In alliance with Musically speaking CDs. Conducted, and with commentary, by the world renowned trumpeter and conductor of the Seattle Symphony, Orchestral & Symphonic
Essential Mozart: 32 Of His Greatest Masterpieces
Average customer rating: 4.5 out of 5 stars
  • Gorgeous music, bad quality cd.
  • Great music, low quality reproduction
  • A nice introduction
  • Mozart is the reference point for good classical music.
  • Mozart's music
 Essential Mozart: 32 Of His Greatest Masterpieces

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005A8JZ
Release Date: 2001-03-13

Tracks:

  1. Eine kleine Nachtmusik, K525: Allegro - Academy Of St Martin-In-The-Fields
  2. Piano Concerto No.21 In C Major, K467: Andante - Radu Lupu
  3. Le nozze di Figaro: Voi che sapete - Cecilia Bartoli
  4. Clarinet Quintet In A Major, K581: Largetto - Peter Schmidl
  5. Ave verum Corpus, K618 - James Vivian
  6. Vesperae solennes de confessore in C major: Laudate Dominum - Emma Kirkby
  7. Concerto For Flute And Harp In C Major: Andantino - Lisa Beznosiuk
  8. Le nozze di Figaro: Overture - London Philharmonic Orchestra
  9. Cosi fan tutte: Trio: Soava sia il vento - Renee Fleming
  10. Symphony No.39 in E-flat Major, K495: Andante con moto - Chicago Symphony
  11. Horn Concerto: Rondo - Barry Tuckwell
  12. Don Giovanni: Serenade Deh, vieni alla finestra - Bryn Terfel
  13. Contredanse In C Major, K609 No.1 'Non piu andrai' - Vienna Mozart Ensemble
  14. German Dance, K605 No.3 'Sleigh Ride' - Vienna Mozart Ensemble
  15. Piano Concerto No.23 In A Major, K488: Adagio - Vladimir Ashkenazy
  16. A Musical Joke, K522: Presto - Vienna Mozart Ensemble

Tracks:

  1. Symphony No.40 In G Minor, K550: Molto allegro - Vienna Philharmonic
  2. Piano Sonata No.16 In C Major: Allegro - Andras Schiff
  3. The Magic Flute: Queen Of The Night: Der Holle Rache - Sumi Jo
  4. Clarinet Concerto In A Major, K622: Adagio - Franklin Cohen
  5. Don Giovanni: La ci darem la mano - Cecilia Bartoli
  6. Serenade in Bb Major, K361: Adagio - London Wind Soloists
  7. Der Vogelfanger bin ich ja - Hermann Prey
  8. Le nozze di Figaro: Dove sono - Kiri Te Kanawa
  9. Violin Concerto No.3 in G Major, K216: Adagio - Joshua Bell
  10. Requiem, K626: Lacrimosa - Vienna Philharmonic
  11. Litaniae de venerabili altaris sacramento: Dulcissimum convivium - Margaret Marshall
  12. Piano Sonata No.11 In A Major, K331: Rondo alla turca - Andras Schiff
  13. Don Giovanni: Champagne aria: Fin ch'chan dal vino - Bryn Terfel
  14. Divertimento No.17 in D Major, K334: Minuet & trio - Vienna Mozart Ensemble
  15. Exsultate, jubilat, K165: Alleluja - Leontyne Price
  16. Symphony No.41 In C Major, K551 'Jupiter': Finale: Molto allegro - Vienna Philharmonic

Customer Reviews:

3 out of 5 stars Gorgeous music, bad quality cd........2007-04-13

The music is Mozart's and is fantastic. The last piece on the first disc
stutters halfway through, and seizes up my system. I don't have time to return items to Amazon. On the positive side, most of the time Amazon provides quality products and service. I gave 3 stars because I love the music.

3 out of 5 stars Great music, low quality reproduction.......2007-01-30

this is a great collection of his work... the only problem i have found so far is that my copy has irritating "clicks" over the recording.

5 out of 5 stars A nice introduction.......2006-02-22

This is a good well rounded collection to dip you into the classical world of Mozart.

5 out of 5 stars Mozart is the reference point for good classical music........2005-10-20

A good collection of his best work and I find it helps me focus when I'm writing or contempating life.

"We exposed these animals [rats] in utero and then sixty days after birth to different types of auditory stimulation and then we ran them in a spatial maze. And sure enough, the animals that were exposed to the Mozart completed the maze faster and with fewer errors. And now what we're doing is we're removing their brains so we can slice them and see neuro-anatomically precisely what has changed as a function of this exposure. So it may be that this intense exposure to the music is a type of enrichment that has similar effects on the spatial areas of the hippocampus of the brain." --Dr. Frances Rauscher

Dr. Frances Rausher sums up what I feel happening when I expose myself to this incredible composer (Mozart).

I have yet to grow tired of any of the tracks yet, but I will invest in more of his work soon.

4 out of 5 stars Mozart's music.......2005-10-17

This is a review of Mozart's music, not the cd. Mozart is praised to the skies by all and sundry, including most musicians, including my father, who no doubt has his reasons. But my feeling about Mozart has always been that there is nothing in Mozart's music that is other than music. There is no logical impressionism, there are no events that seem to be transpiring as in, for example, Beethoven. Mozart is just music. Mozart is to music as pure mathematics is to science. It hints of nothing else and has no application. I find some of his music irritatingly trivial, for example, Eine Kleine Nachtmuzic. This is mechanical music that one can imagine being piped in by a totalitarian government that insists everyone be cheerful. If Disneyland was an eighteenth century totalitarian state, Mozart would be its Muzak. The populace would be awakened, like Chinese train passengers, at 6AM by the strains of some allegro. They would arise and busy themselves with their ablutions in a state of thoughtless cheer, never for one moment leaving the surface of things. That being said, the second movement of Mozart's clarinette concerto is the music that one will hear on going into heaven.
Little Night Music - Ultimate Mozart Collection [20 CD Set]
Average customer rating: 4.5 out of 5 stars
  • A Wonderful Collection
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 Little Night Music - Ultimate Mozart Collection [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

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ASIN: B00012QLTG
Release Date: 2003-12-09

Tracks:

  1. Eine Kleine Nachtmusik, K.525: Allegro - Herbert Kraus, Vienna Mozart Ensemble
  2. Eine Kleine Nachtmusik, K.525: Romance. Andante - Herbert Kraus, Vienna Mozart Ensemble
  3. Eine Kleine Nachtmusik, K.525: Menuetto. Allegretto - Herbert Kraus, Vienna Mozart Ensemble
  4. Eine Kleine Nachtmusik, K.525: Rondo. Allegro - Herbert Kraus, Vienna Mozart Ensemble
  5. Divertimento in D, K.136: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
  6. Divertimento in D, K.136: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
  7. Divertimento in D, K.136: Presto - Camerata Academica of the Salzburg Mozarteum, Sandor V
  8. Divertimento in B Flat, K.137: Allegro Di Molto - Camerata Academica of the Salzburg Mozarteum, Sandor V
  9. Divertimento in B Flat, K.137: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
  10. Divertimento in B Flat, K.137: Allegro Assai - Camerata Academica of the Salzburg Mozarteum, Sandor V
  11. Divertimento in F, K.138: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
  12. Divertimento in F, K.138: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
  13. Divertimento in F, K.138: Presto - Camerata Academica of the Salzburg Mozarteum, Sandor V
  14. Divertimento in E Flat, K.113: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
  15. Divertimento in E Flat, K.113: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
  16. Divertimento in E Flat, K.113: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
  17. Divertimento in E Flat, K.113: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V

Tracks:

  1. Serenata Notturna in D, K.239: Marcia. Maestoso - The Berlin Chamber Orchestra, Peter Wohlert
  2. Serenata Notturna in D, K.239: Menuetto - The Berlin Chamber Orchestra, Peter Wohlert
  3. Serenata Notturna in D, K.239: Rondeau. Allegretto - The Berlin Chamber Orchestra, Peter Wohlert
  4. Divertimento in D, K.131: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
  5. Divertimento in D, K.131: Adagio - Camerata Academica of the Salzburg Mozarteum, Sandor V
  6. Divertimento in D, K.131: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
  7. Divertimento in D, K.131: Allegretto - Camerata Academica of the Salzburg Mozarteum, Sandor V
  8. Divertimento in D, K.131: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
  9. Divertimento in D, K.131: Adagio- Allegro Molto - Camerata Academica of the Salzburg Mozarteum, Sandor V
  10. Divertimento in D, K.205: Largo-Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
  11. Divertimento in D, K.205: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
  12. Divertimento in D, K.205: Adagio - Camerata Academica of the Salzburg Mozarteum, Sandor V
  13. Divertimento in D, K.205: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
  14. Divertimento in D, K.205: Finale. Presto - Camerata Academica of the Salzburg Mozarteum, Sandor V

Tracks:

  1. Symphony No. 34 in C, K.388: Allegro Vivace - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  2. Symphony No. 34 in C, K.388: Andante Di Molto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  3. Symphony No. 34 in C, K.388: Finale. Allegro Vivace - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  4. Symphony No. 35 in D, K.285, Haffner: Allegro Con Spirito - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  5. Symphony No. 35 in D, K.285, Haffner: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  6. Symphony No. 35 in D, K.285, Haffner: Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  7. Symphony No. 35 in D, K.285, Haffner: Presto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  8. Symphony No. 36 in C, K.425, Linz: Adagio/Allegro Spiritoso - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  9. Symphony No. 36 in C, K.425, Linz: Poco Adagio - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  10. Symphony No. 36 in C, K.425, Linz: Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  11. Symphony No. 36 in C, K.425, Linz: Presto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

  1. Symphony No. 38 in D, K.504, Prague: Adagio/Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  2. Symphony No. 38 in D, K.504, Prague: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  3. Symphony No. 38 in D, K.504, Prague: Finale. Presto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  4. Symphony No. 39 in E Flat, K.543: Adagio/Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  5. Symphony No. 39 in E Flat, K.543: Andante Con Moto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  6. Symphony No. 39 in E Flat, K.543: Menuetto. Allegretto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  7. Symphony No. 39 in E Flat, K.543: Finale. Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

  1. Symphony No. 40 in G Minor, K.550: Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  2. Symphony No. 40 in G Minor, K.550: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  3. Symphony No. 40 in G Minor, K.550: Menuetto. Allegretto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  4. Symphony No. 40 in G Minor, K.550: Allegro Assai - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  5. Symphony No. 41 in C, K.551, Jupiter: Allegro Vivace - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  6. Symphony No. 41 in C, K.551, Jupiter: Andante Cantabile - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  7. Symphony No. 41 in C, K.551, Jupiter: Menuetto. Allegretto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  8. Symphony No. 41 in C, K.551, Jupiter: Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

  1. Symphony No. 9 in C, K. 73 (75a): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  2. Symphony No. 9 in C, K. 73 (75a): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  3. Symphony No. 9 in C, K. 73 (75a): Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  4. Symphony No. 9 in C, K. 73 (75a): Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  5. Symphony No. 10 in G, K.74: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  6. Symphony No. 10 in G, K.74: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  7. Symphony No. 10 in G, K.74: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  8. Symphony No. 10 in D, K. 81 (73l): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  9. Symphony No. 10 in D, K. 81 (73l): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  10. Symphony No. 10 in D, K. 81 (73l): Allegreo Molto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  11. Symphony No. 11 in D, K. 84 (73g): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  12. Symphony No. 11 in D, K. 84 (73g): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  13. Symphony No. 11 in D, K. 84 (73g): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  14. Symphony in D, K. 95 (73a): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  15. Symphony in D, K. 95 (73a): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  16. Symphony in D, K. 95 (73a): Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  17. Symphony in D, K. 95 (73a): Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  18. Symphony in F, K.75: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  19. Symphony in F, K.75: Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  20. Symphony in F, K.75: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  21. Symphony in F, K.75: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

  1. Piano Concerto No. 12 in A, K.414: Allegro - Capella Coloniensis, Marian Migdal
  2. Piano Concerto No. 12 in A, K.414: Andante - Capella Coloniensis, Marian Migdal
  3. Piano Concerto No. 12 in A, K.414: Allegretto - Capella Coloniensis, Marian Migdal
  4. Piano Concerto No. 25 in C, K.503: Allegro Maestoso - Capella Coloniensis, Marian Migdal
  5. Piano Concerto No. 25 in C, K.503: Andante - Capella Coloniensis, Marian Migdal
  6. Piano Concerto No. 25 in C, K.503: Allegretto - Capella Coloniensis, Marian Migdal

Tracks:

  1. Piano Concerto No. 13 in C, K.415: Allegro - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
  2. Piano Concerto No. 13 in C, K.415: Andante - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
  3. Piano Concerto No. 13 in C, K.415: Allegro - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
  4. Piano Concerto No. 23 in A, K.488: Allegro - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
  5. Piano Concerto No. 23 in A, K.488: Adagio - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
  6. Piano Concerto No. 23 in A, K.488: Allegro Assai - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson

Tracks:

  1. Flute Concerto in G Major, K.313: Allegro Maestoso - Hungarian State Orchestra, , Ervin Lukacs
  2. Flute Concerto in G Major, K.313: Adagio Non Troppo - Hungarian State Orchestra, , Ervin Lukacs
  3. Flute Concerto in G Major, K.313: Rondo: Tempo Di Minuetto - Hungarian State Orchestra, , Ervin Lukacs
  4. Flute Concerto in D Major, K.314: Allegro Aperto - Hungarian State Orchestra, , Ervin Lukacs
  5. Flute Concerto in D Major, K.314: Andante Ma Non Troppo - Hungarian State Orchestra, , Ervin Lukacs
  6. Flute Concerto in D Major, K.314: Rondo. Allegro - Hungarian State Orchestra, , Ervin Lukacs
  7. Concerto for Flute and Harp in C, K.299: Allegro - Cologne Concerto, Saskia Kwast, Martin Sandhoff
  8. Concerto for Flute and Harp in C, K.299: Andantino - Cologne Concerto, Saskia Kwast, Martin Sandhoff
  9. Concerto for Flute and Harp in C, K.299: Rondo. Allegro - Cologne Concerto, Saskia Kwast, Martin Sandhoff

Tracks:

  1. Clarinet Concerto in A, K.622: Allegro - English Chamber Orchestra, David Glasser, Geoffrey Simon
  2. Clarinet Concerto in A, K.622: Adagio - English Chamber Orchestra, David Glasser, Geoffrey Simon
  3. Clarinet Concerto in A, K.622: Rondo. Allegro - English Chamber Orchestra, David Glasser, Geoffrey Simon
  4. Oboe Concerto in C, K.314: Allegro Aperto - C.P.E. Bach Chamber Orchestra, Burkhard Glaetzner, Hartmut Haenchen
  5. Oboe Concerto in C, K.314: Adagio Non Troppo - C.P.E. Bach Chamber Orchestra, Burkhard Glaetzner, Hartmut Haenchen
  6. Oboe Concerto in C, K.314: Rondo, Allegretto - C.P.E. Bach Chamber Orchestra, Burkhard Glaetzner, Hartmut Haenchen
  7. Bassoon Concerto in B Flat, K.191: Allegro - Klaus Hellman, Herbert Kraus, Vienna Mozart Ensemble
  8. Bassoon Concerto in B Flat, K.191: Andante Ma Adagio - Klaus Hellman, Herbert Kraus, Vienna Mozart Ensemble
  9. Bassoon Concerto in B Flat, K.191: Rondeau, Tempo Di Minuetto - Klaus Hellman, Herbert Kraus, Vienna Mozart Ensemble

Tracks:

  1. String Quartet in a Major K.464: Allegro - Petersen Quartett
  2. String Quartet in a Major K.464: Menuetto - Petersen Quartett
  3. String Quartet in a Major K.464: Andante - Petersen Quartett
  4. String Quartet in a Major K.464: Allegro - Petersen Quartett
  5. String Quartet in C Major K.465 Dissonant: Adagio, Allegro - Petersen Quartett
  6. String Quartet in C Major K.465 Dissonant: Andante Cantabile - Petersen Quartett
  7. String Quartet in C Major K.465 Dissonant: Menuetto. Allegro - Petersen Quartett
  8. String Quartet in C Major K.465 Dissonant: Allegro - Petersen Quartett

Tracks:

  1. Vioin Concerto No. 3 in G, K.216: Allegro - Christian Altenburger, German Bach Soloists, Helmut Winschermann
  2. Vioin Concerto No. 3 in G, K.216: Adagio - Christian Altenburger, German Bach Soloists, Helmut Winschermann
  3. Vioin Concerto No. 3 in G, K.216: Rondo. Allegro - Christian Altenburger, German Bach Soloists, Helmut Winschermann
  4. Vioin Concerto No. 4 in D, K.218: Allegro - Christian Altenburger, German Bach Soloists, Helmut Winschermann
  5. Vioin Concerto No. 4 in D, K.218: Andante Cantabile - Christian Altenburger, German Bach Soloists, Helmut Winschermann
  6. Vioin Concerto No. 4 in D, K.218: Rondeau. Andante Grazioso - Christian Altenburger, German Bach Soloists, Helmut Winschermann
  7. Fantasy in F Minor, K.608 - Camerata Academica of the Salzburg Mozarteum, Sandor V

Tracks:

  1. Violin Concerto No. 5 in A, K.219: Allegro Aperto - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
  2. Violin Concerto No. 5 in A, K.219: Adagio - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
  3. Violin Concerto No. 5 in A, K.219: Rondeau, Tempo Di Minuetto - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
  4. Sinfonia Concertante in E Flat for Violin and Viola, K.364: ... - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
  5. Sinfonia Concertante in E Flat for Violin and Viola, K.364: Andante - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
  6. Sinfonia Concertante in E Flat for Violin and Viola, K.364: Presto - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann

Tracks:

  1. Requiem, K.626: Requiem - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  2. Requiem, K.626: Dies Irae - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  3. Requiem, K.626: Tuba Mirum - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  4. Requiem, K.626: Rex Tremendae - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  5. Requiem, K.626: Recordare - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  6. Requiem, K.626: Confutatis - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  7. Requiem, K.626: Lacrimosa - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  8. Requiem, K.626: Domine Jesu - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  9. Requiem, K.626: Hostias - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  10. Requiem, K.626: Sanctus - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  11. Requiem, K.626: Benedictus - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  12. Requiem, K.626: Agnus Dei - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  13. Requiem, K.626: Lux Aeterna - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  14. Laudate Dominum - Budapest Philharmonic Orchestra, Ivan Fischer, Jeunesses Musicales Chorus, Maria Zadori

Tracks:

  1. Missa Solembis in C Minor, K.139: Kyrie - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
  2. Missa Solembis in C Minor, K.139: Gloria - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
  3. Missa Solembis in C Minor, K.139: Credo - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
  4. Missa Solembis in C Minor, K.139: Sanctus - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
  5. Missa Solembis in C Minor, K.139: Benedictus - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
  6. Missa Solembis in C Minor, K.139: Agnus Dei - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
  7. Misericordias Domini, K.222 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
  8. Inter Natos Mulierum, K.72 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
  9. Sancta Maria, Mater Dei, K.273 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
  10. Venite Populi, K.260 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach

Tracks:

  1. Ave Verum Corpus [From Lorenzo's Oil] - Berlin Radio Symphony Orchestra, Marcus Creed, Rias Chamber Chorus
  2. Exsultate, Jubilate, K.165 - Gabrielle Fuchs
  3. Church Sonata in C, K.328 - Robert Kuppelwieser
  4. Laudate Dominum - Camerata Academica of the Salzburg Mozarteum, Gabrielle Fuchs, Ernst Hinreiner
  5. Fantasy in F Minor, K.608
  6. Ah, Lo Previdi...Ah, T'Invola Agl'occhi Miei, K.272 - Hungarian State Opera Orchestra, Ervin Lukacs, Sylvia Sass

Tracks:

  1. Magic Flute, K.620 - Staatskapelle Dresden, Hans Vonk
  2. Marriage of Figaro, K.492 - Staatskapelle Dresden, Hans Vonk
  3. Ascanio in Alba, K.111 - Staatskapelle Dresden, Hans Vonk
  4. Idomeneo, K.366 - Staatskapelle Dresden, Hans Vonk
  5. Impresario, K.486 - Staatskapelle Dresden, Hans Vonk
  6. Cosi Fan Tutte, K.588 - Staatskapelle Dresden, Hans Vonk
  7. Abduction from the Seraglio, K.384 - Staatskapelle Dresden, Hans Vonk
  8. Finta Giardiniera, K.196 - Staatskapelle Dresden, Hans Vonk
  9. Lucio Silla, K.135 - Staatskapelle Dresden, Hans Vonk
  10. Clemenza Di Tito, K.621 - Staatskapelle Dresden, Hans Vonk
  11. Don Giovanni, K.527 - Staatskapelle Dresden, Hans Vonk

Tracks:

  1. Five Minuets, K.461: No. 1 in C - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  2. Five Minuets, K.461: No. 2 in E Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  3. Five Minuets, K.461: No. 3 in G - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  4. Five Minuets, K.461: No. 4 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  5. Five Minuets, K.461: No. 5 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  6. Six Contredances, K.462: No. 1 in C - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  7. Six Contredances, K.462: No. 2 in E Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  8. Six Contredances, K.462: No. 3 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  9. Six Contredances, K.462: No. 4 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  10. Six Contredances, K.462: No. 5 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  11. Six Contredances, K.462: No. 6 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  12. Two Quadriles, K.463: No. 1 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  13. Two Quadriles, K.463: No. 2 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  14. Six German Dances, K.509 - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  15. Contredanse, K.534, Das Donnerwetter - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  16. Contredanse, K.535 la Bataille - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  17. Contredanse, K.587 Der Sieg Vom Helden Koburg - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  18. Six German Dances, K.600: No. 1 in C - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  19. Six German Dances, K.600: No. 2 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  20. Six German Dances, K.600: No. 3 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  21. Six German Dances, K.600: No. 4 in E Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  22. Six German Dances, K.600: No. 5 in G, The Canary - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  23. Six German Dances, K.600: No. 6 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  24. Two Contredanses, K.603: No. 1 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  25. Two Contredanses, K.603: No. 2 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  26. Three German Dances, K.605: No. 1 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  27. Three German Dances, K.605: No. 2 in G - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  28. Three German Dances, K.605: No. 3 in C, The Sleighride - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

  1. Magic Flute, K.620 Highlights: Overture - Staatskapelle Dresden, Hans Vonk
  2. Magic Flute, K.620 Highlights: Der Vogelfer Bin Ich Ja, ... - Bratislava Philharmonic, Hermann Prey
  3. Magic Flute, K.620 Highlights: O Isis and Osiris, The Priest's Chorus - Bulgarian National Choir, Sofia Philharmonic Orchestra, Svetoslav Obretenov Bulgarian Choir
  4. Magic Flute, K.620 Highlights: Der H Rache, Queen of the ... - Berlin Radio Symphony Orchestra, Sumi Jo, Roberto Paternostro
  5. Magic Flute, K.620 Highlights: Ies Bildnis Ist Bezaubernd Sch... - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
  6. Magic Flute, K.620 Highlights: Ein Mhen Oder Weibchen, ... - Bratislava Philharmonic, Hermann Prey,
  7. Magic Flute, K.620 Highlights: Heil Sei Euch Geweihten, Final Chorus - Bulgarian National Choir, Sofia Philharmonic Orchestra, Svetoslav Obretenov Bulgarian Choir
  8. Idomeneo, K.366 Highlights: Vedrommi Intorno, Idomeneo's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
  9. Idomeneo, K.366 Highlights: Ballet Music - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
  10. Idomeneo, K.366 Highlights: Il Padre Adorato, Idamente's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
  11. Idomeneo, K.366 Highlights: d'Oreste, d'Ajace, Electra's Aria - Hungarian State Opera Orchestra, Ervin Lukacs, Sylvia Sass
  12. Idomeneo, K.366 Highlights: Torna la Pace, Idomenco's Aria - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka

Tracks:

  1. Don Giovanni, K.527 Highlights: Overture - Staatskapelle Dresden, Hans Vonk
  2. Don Giovanni, K.527 Highlights: Madamina, Il Catalogo Questo, ... - Renato Bruson, NHK Chamber Soloists, Roberto Paternostro
  3. Don Giovanni, K.527 Highlights: Li Darem la Mano, Duet ... - Renato Bruson, Sona Ghazarian, NHK Chamber Soloists, Roberto Paternostro
  4. Don Giovanni, K.527 Highlights: Dalla Sua Pace, Don Ottavio's Aria - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
  5. Don Giovanni, K.527 Highlights: Mi Traduell'alma Ingrata, ... - Sona Ghazarian, NHK Chamber Soloists, Roberto Paternostro
  6. Don Giovanni, K.527 Highlights: Il Mio Tesoro, Don Ottavio's Aria - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
  7. Abduction from the Seraglio, K.384: Ich Baue Ganz Auf Deine ... - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
  8. Abduction from the Seraglio, K.384: Singt Dem Gron Bassa Lieder, ... - Berlin Radio Symphony Orchestra, Rias Chamber Chorus, Hanns Martin Schneidt
  9. Abduction from the Seraglio, K.384: Wenn Der Freude Trn ... - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
  10. Cosan Tutte, K. 588: Come Scoglio, Fiordiligi's Aria - Bulgarian Radio Symphony Orchestra, Vassil Stefanov, Anna Tomowa Sintow
  11. Cosan Tutte, K. 588: Un'aura Amorosa, Ferrando's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
  12. Clemenza Di Tito, K.621: Ah Se Fosse Intorno Al Trono, Tito's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini

Album Description

Enjoy a little night music with Mozart and this ultimate collection of his music. This incredible 20-CD set presents the listener with all of Mozart's most famous works, from Symphonies and Concertos, to highlights of his best operas The Magic Flute and Don Giovanni. Take in his Missa Solemnis, Ave Verum and Requiem and don't forget Eine Kleine Nachtmusik...this set truly is the most definitive Mozart collection ever assembled!

Customer Reviews:

5 out of 5 stars A Wonderful Collection.......2007-04-11

As a selection, this is highly representative of Mozart's music. Just seeing the volume of work makes one marvel at Mozart's genius. Hear everything from piano to woodwinds, symphonies to concertos as well as religious pieces and operas. On my cd player, which is not a very expensive model, I get fine tonal quality and dynamics. I would highly recommend this box set to any fan of Mozart's work.

4 out of 5 stars Celebrate Mozart's 250th at a Budget Price.......2006-01-11

This month will mark the 250th anniversary of the birth of one of the giants of the classical music world. While I am certainly not a classical music snob (the only Mozart piece I can identify is "Eine Kleine Nachtmusik," and what little I know of his life came from the 1984 movie "Amadeus"), I recognize his genius and the significance of his music.

This 20-CD box set gathers all of his major symphonies, concertos and operas into one massive collection. All of the selections are performed by European musicians (eg. the Budapest Philharmonic Orchestra, the Berliner Kammerorchester, etc.). While not household names, the music is uniformly excellent.

If you're looking for an inexpensive purchase (I got mine at a national retailer that rhymes with "Clam's Tub" for under $20!) to kick off your "Rock Me Amadeus" party, this is a great choice. RECOMMENDED
Mozart: Symphonies Nos. 35-41
Average customer rating: 4.5 out of 5 stars
  • NONE FINER!
  • Excellent readings of the last six symphonies...
  • Radiant performances!
  • Wonderful Sound Quality and Precision
  • Other than Bruno Walter's
 Mozart: Symphonies Nos. 35-41

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Beethoven: 9 Symphonies
  2. Mozart: The Great Piano Concertos, Vol. 1
  3. Beethoven: Symphonien Nos. 5 & 7 / Kleiber, Vienna Philharmonic Orchestra
  4. Mozart: The Great Piano Concertos, Vol. 2
  5. Beethoven: Symphony No. 9 / Karajan, Berlin Philharmonic Orchestra

ASIN: B000001GQB
Release Date: 1996-01-23

Tracks:

  1. Symphonie No. 35 - Dur KV 385 'Haffner Symphonie': Allegro Con Spirito
  2. Symphonie No. 35 - Dur KV 385 'Haffner Symphonie': (Andante)
  3. Symphonie No. 35 - Dur KV 385 'Haffner Symphonie': Menuetto - Trio
  4. Symphonie No. 35 - Dur KV 385 'Haffner Symphonie': Finale. Presto
  5. Symphonie No. 36 - Dur KV 425 'Linzer Symphonie': Adagio - Allegro Spiritoso
  6. Symphonie No. 36 - Dur KV 425 'Linzer Symphonie': Andante
  7. Symphonie No. 36 - Dur KV 425 'Linzer Symphonie': Menuetto - Trio
  8. Symphonie No. 36 - Dur KV 425 'Linzer Symphonie': Presto
  9. Symphonie No. 38 - Dur KV 504 'Prager Symphonie': Adagio - Allegro
  10. Symphonie No. 38 - Dur KV 504 'Prager Symphonie': Andante
  11. Symphonie No. 38 - Dur KV 504 'Prager Symphonie': (Finale.) Presto

Tracks:

  1. Symphonie No. 39 Es-dur KV 543: Adagio - Allegro
  2. Symphonie No. 39 Es-dur KV 543: Andante Con Moto
  3. Symphonie No. 39 Es-dur KV 543: Menuetto. Allegretto - Trio
  4. Symphonie No. 39 Es-dur KV 543: Finale. Allegro
  5. Symphonie No. 40 g-moll KV 550: Molto Allegro
  6. Symphonie No. 40 g-moll KV 550: Andante
  7. Symphonie No. 40 g-moll KV 550: Menuetto. Allegretto - Trio
  8. Symphonie No. 40 g-moll KV 550: Allegro Assai
  9. Symphonie No. 41 C-Dur KV 551 'Jupiter Symphonie': Allegro Vivace
  10. Symphonie No. 41 C-Dur KV 551 'Jupiter Symphonie': Andante Cantabile
  11. Symphonie No. 41 C-Dur KV 551 'Jupiter Symphonie': Menuetto. Allegretto - Trio
  12. Symphonie No. 41 C-Dur KV 551 'Jupiter Symphonie': Molto Allegro

Amazon.com essential recording

Karl Bohm was one of this century's great Mozart conductors--a fact that's apt to be forgotten in the flood of authentic instrument productions, many of them on DG's associated labels. He conducted Mozart with real love and affection, maintaining moderate tempos, allowing each work's gorgeous melodies a chance to sing and breathe. Mozart's symphonic music has its roots in the opera house, and so did Bohm. Listening to the witty woodwind interjections in the finale of Symphony No. 39, for example, you can readily imagine the witty exchanges of different characters in one of Mozart's comic operas. These beautifully recorded versions of Mozart's greatest symphonies belong in the collection of every fan of the composer. --David Hurwitz

Customer Reviews:

5 out of 5 stars NONE FINER!.......2007-07-19

In the WHOLE recorded field of Mozart late symphonies, NONE shine like these. Karl Bohm, undoubtedly, ranks supreme as the finest Mozart interpreter of "our" generation. He simply KNEW, and HAD A WAY, with this music that remains unparalleled. And the Berlin, well, they, too, certainly can work their way through these scores like no other ensemble...likely because of the great master leading them here.

I originally had these on LP back in the 60's, and literally wore the set out, replacing it years later. Then, of course, with it's initial release on cd I repurchased it, but found it "shrill" to my ears. This new remastering is simply stunning, and first rate. Thanks DG (or Universal) for your loving care and attention in this re-release mastering.

Simply stated, this set of the final symphonies of Mozart, under Bohm, BELONG in EVERY COLLECTION as a cornerstone. Should you doubt me, please read on among the other reviews here, and be convinced. ~operabruin

5 out of 5 stars Excellent readings of the last six symphonies..........2007-03-09

I was listening to these again last night and I have to say, Bohm knows his Mozart. Then again, so does the Berlin Philharmonic. Bohm always seems to pick the right tempo, never too fast but not too slow either. The perfect example is the opening of the 39th, where Bohm revels in creating a big engulfing sound during the slow introduction; however as soon as the allegro kicks in, tempi and tones have a spring in their step. For me, this is one of the great versions of the 39th, even in spite of a few sloppy moments in the latter movements. He submits an excellent 35th and 36th, again with moderate tempi but wonderfully Mozartean phrasing, somewhat surprising since when Bohm recorded these, "Period Instruments" weren't even a twinkle in Harnoncourt's eye, and "Romantic" readings were all the rage for Mozart. Bohm's steadiness with these interpretations is only matched by his ear for detail; better, say, than Marriner, who is unquestionably steady, but whose readings lack spontenaity, and more consistent than Szell, whose 40th is one of the great readings, but whose 39th falls flat and whose brass/woodwinds can't handle their increased role in the Jupiter symphony.
Considering the age of these recordings (early- to mid-60s), they also sound remarkably clean and clear, and all of the parts can easily be heard; although I would credit Bohm with some of this as he was always excellent at creating space and keeping all of Mozart's many layers exposed to the listener. I have a number of different accounts of Mozart's last six symphonies (Marriner, Bernstein, Karajan, Szell 35, 39-41, Mackerras), but pound for pound, this one is the best. If you still aren't happy with the versions you own, this set may be your stopping point.

5 out of 5 stars Radiant performances!.......2007-02-03


The Symphony No. 41 in C major Kv 551 best known as Jupiter retakes and maintains the most representative epic spirit of Mozart like any one Symphony. It breaths liberty, Dionysian pleasure and that essential rapture so common in the masterpieces. And under Bohm's baton exudates full aristocratic sound.

In spite of the fact it has been recorded so many times, just a few directors have been able to extract and carve in relief the majestic splendor of this K.

On the other hand the version of the 38th Symphony is simply majestic and radiant. Bohm never abuses of excess of elegance and his pristine lyricism may be easily realized.

Karl Bohm was indeed, one of the most representative Ambassadors of the Mozart symphonic repertoire. The Berlin Philharmonic, fortunately still maintained the noble sound inherited from Furtwangler and then Fricsay and that was a decisive fact to his favor.

5 out of 5 stars Wonderful Sound Quality and Precision .......2006-03-24

Precision. That is what comes to my mind when listening to a Karl Bohm interpretation of Mozart. Mozart's final symphonies are ageless masterpieces of music. Anyone can recognize the opening Allegro moto of Symphony No. 40 in G-Minor (one of Mozart's only symphonies in a minor key). Just finding a collection with these wonderful symphonies is a great find.

As to the sound quality, Deutsch Gramophone spent extra time and resources into reissuing these originally analog recordings. It is nice to be able to hear every woodwind in balance and the string sections in their glory. The sound does not seem forced or artificial and the quality is absolutely superb.

These recordings were completed during the height of Bohm's time as a conductor. His interpretations are truly "viennese" in that tempos and structure are very precise and meticulous. Some may think his tempi are slow or plodding, but they offer a very nice interpretation that perhaps was accepted in Mozart's era. The 35th, 39th, and 41st symponies in the set are my favorites.

I would also suggest looking at George Szell's performances with the Cleveland Orchestra, for they offer a different interpretation but are also superb.

5 out of 5 stars Other than Bruno Walter's.......2006-01-21

Columbia SO recordings (NOT with the New York PO) , which are OOP, this Bohm is the one to have, the only one you need actually. As I've heard at least 6 other major conductors, Klemperer , Mackerraas, both Levine's etc etc.
The only 2 I kept are the Walter ,got mine from a used cd dealer in the UK online :-) and the Bohm, complete sym set, which is the way to go for Mozart fans. There's quite a few very good syms in the 1-34.
All that stuff you read about Bohm being a "kapplemiester" (germanic style/cold), old fashioned, tutonic, is very misleading. I hear nothing of the sort and wish these comments would stop.
Though I was forwarned about Bohm being off track in approach with his german orch, I sense there is some anti-german sentiments in these negative comments about Bohm. None of this criticism leveled against Bohm is factual, only a prejudice in their minds.

As to
Details, tempos, instrument quality, sound quality, orch size all are in perfect harmony with Mozart.
. Bohm and the Berlin show forth a understanding of Mozart that none except Walter can rival.
The Klemper/Philharmonia on TESTAMENT, not the EMI release(which are duds) are not too bad, but not in the same category as either Bohm or Walter.
I sat down one day and compred all 3, and concluded the Klemperer were not necessary , for sound issues and also not on par with Bohm's definitive recording.

EDIT: I should mention that i read on a forum recently, he recalled Bohm from his vinyl set that the performances were 'a bit dull". Bohm does not speed read. Any conductor that takes Mozart too fast is doing a disservice to these richly detailed scores. Mozart requires detailed attention, which is what Bohm brings. Yet the life is there, not dull at all.
EDIT on Feb 21/07...
Mackerras' Prague is not in the same league as the Berlin. Many of the soloists in this Berlin use instruments that bring out a chamber flaor, and also Bohm kept the orch smaller than many other orch's. This smaller chamber sound brings more to Mozart than many other recodings I;'ve heard. Even Walter's Columbia is "big sound", yet Walter's does present a "Mozartian" image. Bohm goes even further. Many other like conductors record Mozart with a "Beethovenian" sound. That us large orch/heavy/darker.

Paul Best
Baton Rouge



Mozart: The Late Symphonies: Nos. 25, 29, 35, 36, 38, 39, 40, 41
Average customer rating: 4.5 out of 5 stars
  • A good bargain
  • Great compilation of Mozart!
  • Good collection
  • Retrograde Mozart with undeniable heart
  • Mozart: The Great Late Symphonies
 Mozart: The Late Symphonies: Nos. 25, 29, 35, 36, 38, 39, 40, 41

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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  1. Mozart: The Great Piano Concertos, Vol. 1
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  4. Mozart: The Great Piano Concertos, Vol. 2
  5. Mozart: Violin Concertos

ASIN: B0000942LO
Release Date: 2003-07-01

Tracks:

  1. I. Allegro Con Brio
  2. II. Andante
  3. III. Menuetto-Trio
  4. IV. Allegro
  5. I. Allegro Moderato
  6. II. Andante
  7. III. Menuetto-Trio
  8. IV. Allegro Con Spirito
  9. I. Adagio-Allegro
  10. II. Andante
  11. III. Presto

Tracks:

  1. I. Allegro Con Spirito
  2. II. Andante
  3. III. Menuetto-Trio
  4. IV. Presto
  5. I. Molto Allegro
  6. II. Andante
  7. III. Menuetto-Trio
  8. IV. Presto
  9. I. Molto Allegro
  10. II. Andante
  11. III. Menuetto: Allegretto-Trio
  12. IV. Allegro Assai

Tracks:

  1. I. Adagio-Allegro
  2. II. Andante Cantabile
  3. III. Menuetto: Allegretto-Trio
  4. IV. Finale: Allegro
  5. I. Allegro Vivace
  6. II. Andnate Cantabile
  7. III. Menuetto: Allegretto-Trio
  8. IV. Molto Allegro

Customer Reviews:

4 out of 5 stars A good bargain.......2007-07-11

A bargain set, which whilst quirkily performed (in places), is a never-the-less continually entertaining to re-visit.

5 out of 5 stars Great compilation of Mozart!.......2007-01-12

If you want to get the best of Mozart with a fabulous composer than this cd is the one for you. I am not a music critic, just a biology major who studies well listening to these classics -- they really help keep me focused!! Awsome symphonies at a great price -- what could be better?!?!

4 out of 5 stars Good collection.......2006-12-21

I particularly found Symphonies 25 and 40 to be very nice to listen to. The the rest of them I found to be ok, maybe since I am not a big fan of classical music. I bought this cd because I went to a symphony that played Mozart no. 25 which I enjoyed very much. Hence I decided to try out his other compositions.

4 out of 5 stars Retrograde Mozart with undeniable heart.......2005-12-04

Leonard Bernstein thought that every composer was a romantic because he was. These big, heart-on-sleeve performances of Mozart's great late symphonies use the Vienna Phil. at almost full force--they could slip into the Brahms First without adding personnel. Bernstein lived long enough to theoretically be influenced by the period-instrument movement, but his allegiance never shifted. He belongs with Karajan and Bohm as the last conductors for whom Mozart should sound "important."

At its best, this approach yields romantic depth, perhaps not what Mozart intended but valid in its way. I would rather listen to Bernstein's Mozart symphonies than Karajan's (tending to be slick and glossy, although better than reputed) or Bohm's (brisk and faceless). A new listener should know in advance that the slow movements will be expressively drawn out and the minuets often slow and heavy-footed (these dancers are wearing boots). But Bernstein believes in this music, and he is always genuine. That ocunts for a lot with a composer who used to be played as if he were a porcelain doll and is now too often played as if his divine music were written by a Roccoco computer. Four stars.

5 out of 5 stars Mozart: The Great Late Symphonies.......2004-06-16

What a great album we have here. Leonard Bernstein conducts the later symphonies of Mozart, which are considered to be his most mature and his greatest works for full orchestra. This album is worth the price and a treasure to own for your extensive classical music collection. If you appreciate classical music, you'll truly enjoy this album. Everyone knows that Leonar Bernstein ranks among one of the best conductors of the 20th century, right up there with the great names of Herbert Von Karajan, Bruno Walter, Sir Neville Marriner, all who have held their own when it comes to Mozart's music. Karajan I feel is not quite as good when it comes to Mozart's symphonic works. Bruno Walter and Sir Neville Marriner have long surpassed Karajan in the area of Mozart symphonies. Indeed, if you get the chance be sure to check out symphonies conducted by either Bruno Walter or Sir Neville Marriner. Marriner and the Acadamy Of Saint Martin In The Fields did mostly Mozart and provided the music of the 1984 Milos Forman film Amadeus.

The reason this album is so good is Leonard Bernstein conducting. As a conductor and a musically atuned soul, he seems to really interpret these symphonies perfectly. He gets Mozart. He has captured every note, every vibrato, roulade, flowing lines and bouncy but balanced joy in every allegro movement, such as the first movement of the Prague Symphony No. 38. For contrast, he understood the substance and darkness that seems to be written into the Allegro of the Symphony No. 25. The first movement is meant to sound furious, anguished and complex, and fast in a darker sort of mood. It's one of those rare moments in which Mozart foreshadows the Romantic Era that would begin with Beethoven. Mozart would also do this with the andante of his 21st piano concerto and the opening movement of the Piano Concerto No. 20. The last symphonies 40 and 41, "Haffner" and "Jupiter" are regarded as Mozart's most mature works for the symphony. The orchestra is more panoramic and produces a less lighter texture. The music is a fully developed Mozart in his later years. The Jupiter is his grandest. Its name conjures up the vastness of the planet Jupiter or the majesty of the Roman god Jupiter. Get this album if you're a fan of Mozart and a fan of the conductor Leonard Bernstein who aptly conducted the New York Philharmonic for many years and the Berlin Philharmonic towards the end of his life.
The Story of Mozart
Average customer rating: Not rated
    		The Story of Mozart

    Manufacturer: Vox (Classical)
    ProductGroup: Music
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    ASIN: B000001KCN
    Release Date: 1994-02-28

    Tracks:

    1. Serenade In G Major, K. 525 ' Eine Klein Nachtmusik': Allegro
    2. Minute For Piano K. 1
    3. Serenade No. 35 In D Major, K. 385 'Haffner': Allegro
    4. Piano Sonata No.11 In A Major, K 331 'Turkish': Alla Turca
    5. Symphony No. 36 In C Major, K. 425 'Linz': Finale: Allegro
    6. 'Bastien un Bastienne': Overture
    7. Organ Sonata In E-Flat Major, K. 67
    8. Piano Concerto No.15 In C Major, K 545: Allegro
    9. Serenade No. 13 For Woodwinds In B-Flat Major, K. 361: Finale: Presto
    10. Concerto For Flute And Harp In C Major, K. 299: Allegro
    11. Symphony No. 40 In G Minor, K. 550: Molto Allegro
    12. Piano Concerto No.20 In D Minor, K 466: Allegro
    13. Clarinet Quintet In A Major, K. 581: Allegro
    14. Violin Concerto No.5 In A Major, K. 219 'Turkish': Allegro
    15. Mass No. 14 In C Minor, K. 427: Et Incarnatus Est
    16. Symphony No. 40 In G Minor, K. 550: Adante
    17. 'The Marriage Of Figaro,' K 492: Overture
    18. 'Don Giovanni,' K. 527: Overture
    19. 'The Magic Flute,' K. 620: Of Loveliness Beyond Compare
    20. Symphony No. 41 In C Major, K. 551, 'Jupiter': Allegro
    21. String Quartet No. 17 In B flat Major, K.458 'Hunt': Allegro vivace assai
    22. Requiem In D Minor, K. 626: Kyrie
    23. Piano Concerto No. 21 In C Major, K.467: Andante
    24. Requiem In D Minor, K. 626: Lachrymosa
    25. Symphony No. 40 In G Minor, K. 550: Allegro - Complete
    26. Serenade In G Major, K.525 'Eine Kleine Nachtmusik': Allegro
    27. Serenade In G Major, K.525 'Eine Kleine Nachtmusik': Romanze. Andante
    28. Serenade In G Major, K.525 'Eine Kleine Nachtmusik': Menuetto: Allegretto
    29. Serenade In G Major, K.525 'Eine Kleine Nachtmusik': Rondo: Allegro
    Mozart: Greatest Hits
    Average customer rating: 4 out of 5 stars
    • huh?
    • Best Mozart 'Mix'
    • Excellent
    • Great CD, Great Price!
    		 Mozart: Greatest Hits

    Manufacturer: RCA
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000003F5C
    Release Date: 1991-09-06

    Tracks:

    1. Allegro - Boston Symphony
    2. Allegro Molto - English Chamber Orchestra
    3. Overture - Vienna Philharmonic
    4. Overture - New Philharmonia
    5. Andante - Boston Pops
    6. Adagio - English Chamber Orchestra
    7. Adagio - Vienna Symphony
    8. Rondo Alla Turca (Turkish March) - Walter Hautzig
    9. Rondo - Vienna Symphony
    10. Molto Allegro - Chicago Symphony
    11. Romanze: Andante - Boston Symphony
    12. Rondo - Boston Symphony

    Customer Reviews:

    1 out of 5 stars huh?.......2006-12-12

    First of all, it's impossible to fit Mozart's best on 1 CD. But ok. The thing I don't get is the lack of vocal music on this disc!! Mozart's symphonic and orchestral works were great but his expertise was writing for the human voice. With not even one aria from his masterpiece operas on here, I have to give this collection a 1 star. Pathetic.

    5 out of 5 stars Best Mozart 'Mix'.......2005-02-15

    If you love mozart, this is the best compilation of his works. A fine mix of his varied pieces. A CD you can just pop in and listen start to finish, good for the educated (musically) and the uneducated, well done (to say the least).

    I Highly recommend for persons of all taste!

    5 out of 5 stars Excellent.......2001-12-27

    This along with Beethoven in the same series were very very good.
    This is the first european classical music CD which I bought in India.The selections were great and the performance was excellent.Highly recommended for beginners.

    5 out of 5 stars Great CD, Great Price!.......2000-01-22

    This CD has all the songs you'd recognize for this great composer. We've played it every night for my daughter since she was 2 months old (she's 2 now) and she loves falling to sleep to it. You won't be disappointed and your wallet will thank you!
    Symphony (25) Favorites
    Average customer rating: 5 out of 5 stars
    • A Grand symphonic adventure
    		 Symphony (25) Favorites

    Manufacturer: Vox (Classical)
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0000058IU
    Release Date: 1997-07-01

    Tracks:

    1. No. 6, 'Pastorale' - Ludwig Van Beethoven
    2. No. 29 In A Major, 1st Mvt. - Wolfgang Amadeus Mozart
    3. No. 39 In F Major, Scherzando - Michael Haydn
    4. No. 40 In G Minor, Minuet - Wolfgang Amadeus Mozart
    5. No. 94 In G Major 'Suprise', Andante - Franz Joseph Haydn
    6. No. 41 In C Major, 'Jupiter', 1st Mvt. - Wolfgang Amadeus Mozart
    7. No. 34 In C Major, Finale - Wolfgang Amadeus Mozart
    8. No. 5 In B Flat Major, Andante - Franz Schubert
    9. No. 4 'Italian' 1st Mvt. - Felix Mendelssohn
    10. Symphonie Fantastique 'Scenes From A Ball' - Hector Berlioz
    11. No. 9, 'New World' Largo - Antonin Dvor
    12. No. 6, 'Pastorale', 4th Mvt., 'Thunderstorm' - Ludwig Van Beethoven
    13. No. 5 In C Minor, Andante - Ludwig Van Beethoven
    14. No. 8 'Unfinished' 1st Mvt. - Franz Schubert
    15. No. 2 In C Major, Scherzo - Robert Schumann
    16. No. 9, 'New World', 4th Mvt. - Antonin Dvor
    17. No. 5, 3rd Mvt., Waltz - Pyotr Il'yich Tchaikovsky
    18. 'Classical Symphony', Gavotte - Sergey Prokofiev
    19. No. 2 In E Minor 1st Mvt., Allegro - Sergei Rachmaninoff
    20. No. 3, 'Organ Symphony', Finale - Camille Saint-Sa
    21. No. 1 In C Minor, Finale - Johannes Brahms
    22. No. 5 In E Major, Finale - Pyotr Il'yich Tchaikovsky
    23. No. 9, 'Choral Symphony' 3rd Mvt., Adagio - Ludwig Van Beethoven
    24. No. 7, 1st Mvt. (Extract) - Ludwig Van Beethoven
    25. No. 5 In C Minor, Finale - Ludwig Van Beethoven

    Customer Reviews:

    5 out of 5 stars A Grand symphonic adventure.......2005-07-26

    This album provides a quick exposure to some of the best movements in the best symphonies. Many of the tracks will sound familiar. They are played well and have good sound quality.
    As a novice musician, i have great appreciation for it.
    Complete Mozart Symphonies / Pinnock, English Concert
    Average customer rating: 4.5 out of 5 stars
    • The best period instrument Mozart symphony cycle around
    • The best period orchestra Mozart symphonies around!
    • A Beautiful Time Capsule
    • Another BBB (basically bland Brit) recording
    • Pinnock excellent, DG Archiv sound variable
    		 Complete Mozart Symphonies / Pinnock, English Concert
    Mozart , Ecc , and Pinnock
    Manufacturer: Archiv Produktion
    ProductGroup: Music
    Binding: Audio CD

    All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
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    ASIN: B000069KJ3
    Release Date: 2002-10-08

    Tracks:

    1. Molto Allegro
    2. Andante
    3. Presto
    4. Allegro Assai
    5. Andante
    6. Presto
    7. Allegro
    8. Andante
    9. Presto
    10. Allegro
    11. Andante
    12. Molto Allegro
    13. Allegro Maestoso
    14. Andante
    15. Presto
    16. Allegro
    17. Andante
    18. Menuetto - Trio
    19. Allegro

    Tracks:

    1. Molto Allegro
    2. Andante
    3. Menuetto - Trio
    4. Molto Allegro
    5. Allegro
    6. Andante
    7. Menuetto - Trio
    8. Molto Allegro
    9. Allegro
    10. Andante
    11. Menuetto - Trio
    12. Molto Allegro
    13. Allegro Maestoso
    14. Andante
    15. Menuetto - Trio
    16. Allegro
    17. Allegro
    18. Andante
    19. Menuetto - Trio
    20. Allegro
    21. Allegro
    22. Andante
    23. Allegro Molto

    Tracks:

    1. Allegro
    2. Andante
    3. Menuetto - Trio
    4. Presto
    5. Allegro
    6. Andante
    7. Menuetto - Trio
    8. Allegro
    9. Allegro
    10. Andante
    11. Allegro
    12. Allegro
    13. Andante
    14. Menuetto - Trio
    15. Allegro Molto
    16. Allegro
    17. Andantino
    18. Menuetto - Trio
    19. Allegro
    20. Allegro
    21. Andante
    22. Menuetto - Trio
    23. Molto Allegro

    Tracks:

    1. Allegro
    2. Andante
    3. Allegro
    4. Allegro
    5. Andante
    6. Menuetto - Trio
    7. Allegro
    8. Allegro
    9. Andante
    10. Menuetto - Trio
    11. Molto Allegro
    12. Allegro Moderato
    13. Andante
    14. Menuetto - Trio
    15. Molto Allegro
    16. Allegro
    17. Andante
    18. Menuetto - Trio
    19. Presto

    Tracks:

    1. Allegro Maestoso
    2. Andante Grazioso
    3. Allegro
    4. Allegro
    5. Andante
    6. Allegro
    7. Allegro
    8. Andantino Grazioso
    9. Menuetto - Trio
    10. Molto Allegro
    11. Allegro
    12. Andante
    13. Menuetto - Trio
    14. Allegro
    15. Molto Presto
    16. Andante
    17. Allegro

    Tracks:

    1. Allegro
    2. Andante
    3. Menuetto - Trio
    4. (Allegro)
    5. Allegro
    6. Andante
    7. Menuetto - Trio
    8. Allegro
    9. Allegro Assai
    10. Andantino Grazioso
    11. Presto Assai
    12. Allegro Spiritoso
    13. Andantino Grazioso
    14. Presto Assai
    15. Allegro
    16. Andantino Grazioso
    17. Presto

    Tracks:

    1. Allegro Spiritoso
    2. Andantino Grazioso
    3. Allegro
    4. Allegro Con Brio
    5. Andante
    6. Menuetto - Trio
    7. Allegro
    8. Molto Allegro
    9. Andantino Con Moto
    10. Menuetto - Trio
    11. Presto
    12. Allegro Assai
    13. Andante
    14. Allegro

    Tracks:

    1. Allegro Moderato
    2. Andante
    3. Menuetto - Trio
    4. Allegro Con Spirito
    5. Allegro Spiritoso
    6. Andante
    7. Menuetto: Allegretto - Trio
    8. Presto
    9. Allegro Assai
    10. Andante Moderato
    11. Menuetto - Trio
    12. Allegro Assai

    Tracks:

    1. Allegro Spiritoso
    2. Andante
    3. Tempo Primo
    4. Allegro Vivace
    5. Andante Di Molto Piu Tosto Allegretto
    6. Finale: Allegro Vivace
    7. Allegro Con Spirito
    8. Andante
    9. Menuetto - Trio
    10. Presto
    11. Adagio - Allegro Spiritoso
    12. Andante
    13. Menuetto - Trio
    14. Presto

    Tracks:

    1. Adagio - Allegro
    2. Andante
    3. Presto
    4. Adagio - Allegro
    5. Andante Con Moto
    6. Menuetto: Allegretto - Trio
    7. Finale: Allegro

    Tracks:

    1. Molto Allegro
    2. Andante
    3. Menuetto: Allegretto - Trio
    4. Allegro Assai
    5. Allegro Vivace
    6. Andante Cantabile
    7. Menuetto: Allegretto - Trio
    8. Molto Allegro

    Customer Reviews:

    5 out of 5 stars The best period instrument Mozart symphony cycle around.......2005-11-24

    Trevor Pinnock and the English Concert turn in the best period instrument Mozart Symphony cycle around. With 20-30 players, the English Concert sounds full and rich, and are so well recorded, one could mistake them for a modern instrument chamber orchestra augmented with more players for a bigger sound. The early symphonies employ fewer players, the symphonies from about No. 20 and following call for more players, in some cases trumpets, horns and timpani in addition to the usual strings, harpsichord, flutes, oboes, and bassoon.

    Pinnock chooses perfect tempos for the English Concert: allegros are spritely, but not driven and there's never a sense that the musicians are having trouble keeping up at Pinnock's tempos. Andante movements sing with the cantabile quality Mozart is famous for, and are always musical and flowing: very beautiful.

    I am not a big fan of period instrument Mozart. I have heard Hogwood and the Academy of Ancient Music (L'Oiseau Lyre) in Mozart Symphonies 34, 38, 39, and 41 and that's enough to give me a sense that Pinnock is superior - more confident, and better recorded - to Hogwood in this music. Haydn's symphonies seem to work better with period instruments than do Mozart's, but Pinnock and the English Concert have a special musical quality which MAKE Mozart work with a period orchestra. Incidentally, both Pinnock and Hogwood have recorded very fine Haydn Symphonies with their respective orchestras.

    I have also read, in AMERICAN RECORD GUIDE (July/August 2005 issue) in a review of the Mozart Symphonies with Linden/Mozart Academy of Amsterdam, a period orchestra (Brilliant Classics set) that Pinnock's Mozart cycle is to be preferred. I have not heard Linden myself, but ARG's review states that with the exception of Symphonies 20, 39, 40, and 41, Pinnock "wins across the board." The reviewer cites sour tuning, below standard pitch, sloppy playing, not enough contrasts of dynamic range and pokey allegros, as liabilites which are especially annoying in Linden's cycle, and advises the reader to go with Pinnock if looking for a period cycle of Mozart symphonies.

    Other options? Bohm/Berlin Philharmonic (DG); Krips/Concertgebouw (for Symphonies 21-41, Philips); Hans Graf/Mozarteum Orchestra, Salzburg (Capriccio); and Nicholas Ward/Northern Chamber Orchestra, modern instrument chamber orchestra (for early symphonies, Naxos). But unless you really hate period instruments, you will like Pinnock, as I do, and as I stated earlier: I am not a fan of period instrument Mozart.

    5 out of 5 stars The best period orchestra Mozart symphonies around!.......2005-08-23

    Trevor Pinnock and the English Concert perform Mozart's symphonies with great style, elan, and spirit, making this the best period orchestra Mozart Symphonies around. Pinnock deals alot in contrasts and atmosphere, setting a mood for each movement, within each symphony. The English Concert plays even Mozart's earliest symphonies-written when he was a pre-teen-as great music, and it works, very effectively. Allegros bristle with spirit, Andantes and Adagios emphasize cantabile (singing style) as all Mozart's music has a vocal/singing emphasis (in contrast to Haydn or Beethoven, who tend to build movements arount motives, or rhythmic patterns of notes; Mozart emphasizes melody moreso in many of his works).

    I am not a fan of period instruments in music of Haydn, Mozart, and any composers after Bach and Handel, but this cycle is really fine. My favorite Mozart Symphonies have been Karl Bohm/Berlin Philharmonic (complete cycle, DG); 21-41 by Joseph Krips/Concertgebouw Orchestra (Philips, coupled with Marriner/Academy of St. Martin in the fields for 1-20); Bruno Walter/New York Philharmonic for Symphonies 25,28,29,35,36,38-41 (Sony); Otto Klemperer/Philharmonia for Symphonies 36,38-41 (EMI). But, Pinnock's accounts are spirited and the English Concert, at about 20-25 players, doesn't sound scrawny or ineffective at all. If you're used to the sonority of the Berlin Philharmonic or Philharmonia Orchestra, this will take some getting used to, but it is very good.

    This could be called "period instrument Mozart for those who don't like period instruments." I have heard Christopher Hogwood/Academy of Ancient Music in Symphonies 34,38,39,41, and they are not as good as Pinnock's accounts. Hogwood's orchestra sounds small, puny compared with Pinnock's more robust group. I am not meaning to degrade Hogwood, as I have a number of fine recordings of his: Beethoven Symphonies 1,2;
    Handel's MESSIAH; Haydn Symphonies 94, 96; Boyce Opus 6 Symphonies. But in Mozart Symphonies, I prefer Pinnock.

    Pinnock's set is also well recorded, adding to it's high quality. You can't go wrong with these, unless you absolutely hate period instruments.

    5 out of 5 stars A Beautiful Time Capsule.......2005-04-08

    In comparing this recording, with its use of original instruments, and my favorite recordings with modern instruments, I find I prefer this. It doesn't lose any power, but it gains by the imaginative process of listening to the music as Mozart would have heard it. The collection is also a wonderful way to listen to the progression of Mozart's music throughout his life. As you listen to the first two of the eleven discs, you'll be amazed at the symphonies he wrote when he was only nine years old!

    2 out of 5 stars Another BBB (basically bland Brit) recording.......2005-04-06

    This is a short review because when you've heard one of these you've heard them all. They're all played in the same starched, stiff mannor, with brisk tempi, little feeling, no shaping of phrase, and no color. The Mozart symphonies--the latter ones, anyway--have their own style and merit different approaches (No. 31, the "Paris," is almost curtain-raiser music for an opera buffa, for example, while No. 39 is in some ways proto-Beethoven, harmonically sharing a good deal with the "Eroica," and No. 40 shows Mozart heading into a realm of a basically Romantic chromaticism that would have led to much fascinating music if he'd lived longer and written more in that style). Yet here all the works are played interchangably. These are performances that could have been generated on a computer.

    The sound is excellent, but that's about all there is to recommend this set. Hogwood's traversal on period instruments has more personality, believe it or not. And to really show what can be done with works like these on HIP instruments, try Franz Bruggen's remarkable recordings of the Haydn symphonies on Philips. I can't recommend this set, and I got it for considerably less than the Amazon price, too.

    4 out of 5 stars Pinnock excellent, DG Archiv sound variable.......2005-02-18

    I greatly admire Pinnock's style, directing skill and harpsichord playing, but I don't understand the variability of sound balance achieved on his many recordings by DG. Most are recorded in Henry Wood Hall and have the same "tonmeister" and producers. For example his recording of the Bach Violin Concertos is vibrant, full bodied and has a great "presence", whereas on the other end of the spectrum, the last disc of the symphonies, 40 and 41, is really anemic, with pratically no bass. I gave them a +12db bass boost to try and compensate for the lack of bass, but there was hardly any difference in the low end response. In order to listen to this disc, and to some extent the prior two as well, I have reverted to my volume expander used with vinyl records from the 70's.

    My system has very clean and deep bass response and handles Telarc organ recordings with great effect, so I do not believe it is that. And, as I stated the violin concertos have a great presence, to the point where I can visualize the bass and cello players bowing their instruments. It may be do to different microphone placement for the larger ensemble of the latter symphonies, without compensating for the different acoustic.

    When it comes to Archiv's 4D recordings of the English Concert, I do not like them at all. The choir from the Mozart Coronation Mass sounds like it is being piped down from outer space, detached and way to ethereal. The Telemann suites do not fare any better, thin and anemic. Don't think the extended dynamic range and lower threshold noise level helped in any way.

    I should also add that I have about every recording of Pinnock and the English Concert, really the best "Original Instruments Group" out there. In my humble opinion, Pinnock should have a "Sir" in front of his name.
    Mozart: Symphonies 40 & 41 / Bernstein
    Average customer rating: 4.5 out of 5 stars
    • Meeting place of Mozart and Beethoven...
    • Lovely middle-of-the-road readings, with a bit of extra expression
    • This is sacrilege !
    • One of the best from Bernstein!
    • Best Overall
    		 Mozart: Symphonies 40 & 41 / Bernstein

    Manufacturer: Deutsche Grammophon
    ProductGroup: Music
    Binding: Audio CD

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    Similar Items:
    1. Beethoven: Symphonien Nos. 5 & 7 / Kleiber, Vienna Philharmonic Orchestra
    2. Mozart: The Great Piano Concertos, Vol. 1
    3. Mozart: Symphony Nos.25, 26, 27, 29 & 32
    4. Mozart: Symphonies No.25, No.28 & No.29
    5. Beethoven: Symphonies Nos. 4 & 6 "Pastorale"

    ASIN: B000001GO0
    Release Date: 1995-09-19

    Tracks:

    1. Symphonie No. 41 In C Major K. 551 'Jupiter': 1. Allegro Vivace
    2. Symphonie No. 41 In C Major K. 551 'Jupiter': 2. Andante Cantabile
    3. Symphonie No. 41 In C Major K. 551 'Jupiter': 3. Menuetto. Allegretto - Trio
    4. Symphonie No. 41 In C Major K. 551 'Jupiter': 4. Molto Allegro
    5. Symphonie No. 40 In G Minor K. 550: 1. Molto Allegro
    6. Symphonie No. 40 In G Minor K. 550: 2. Andante
    7. Symphonie No. 40 In G Minor K. 550: 3. Menuetto. Allegretto - Trio
    8. Symphonie No. 40 In G Minor K. 550: 4. Allegro Assai

    Customer Reviews:

    5 out of 5 stars Meeting place of Mozart and Beethoven..........2007-04-21

    Mozart's last two symphonies are interesting in that they reach a level of intensity not usually associated with the majority of his other works. I guess people love Mozart for his emotional health, cleaness, mathematical precision and utter grace. The last two symphonies of Mozart, can be seen as a meeting place of Mozart and Beethoven where Mozart's purity of form meets the angry Beethoven's sense of struggle.

    It is surprising that conductor Bernstein does such a fine job with the task of providing balance to these works. After all, Bernstein wasn't known for restraint, and he certainly was never considered a great conductor of Mozart.

    Comparisons: Bruno Walter; Toscanini

    5 out of 5 stars Lovely middle-of-the-road readings, with a bit of extra expression.......2006-03-12

    I think Bernstein's fans have gone overboard here. These two Mozart performances, recorded live in 1984-85, find the conductor in a good mood. Bernstein's Mozart was never extreme, and he took special care to find expression in scores that have very few expression markings by the composer. Compared to similar accounts over the years, these readings are less smoothed-over than Karajan's, less militant than Bohm's, but also less buoyant than Beecham's and less lovig than Walter's. Anyone who admires the Vienna Phil. will certainly find them to be stylish and warm (much more so than when they recorded all the Mozart symphonies under Levine during this same peirod); this is very congenial Mozart where eveyr phrase is kissed.

    Overall, I'd place Bernstein's G minor in a league with Britten and Walter, the Jupiter in a league with KLemperer, although in the long run Klemperer's Mozart is more imposinb and memorable. For anyone who hasn't been totally won over by period practice, this CD is very satisfying without being any kind of apotheosis.

    1 out of 5 stars This is sacrilege !.......2006-03