Messiaen, Carl Vine, Respighi & Ligeti
Editorial Reviews Carl Vine (born 1954): Sonata (1990) Ottorino Respighi (1879-1936): From "There Preludes on Gregorian Melodies" (1921) György Ligeti (born 1923): From Musica Ricercata (1951-1953) Respighi: Notturno
Ricard de La Rosa, Producer - November, 1998
"The grand interpreter of the younger generation"
Album Description
Sergei Babayan, Piano
Olivier Messiaen (1867-1916): From "Vingt Regards sur l'Enfant Jésus" (1944)
XI. Première communion de la Vierge
XIII. Noël
XV. Le baise de l'Enfant Jésus
I.
II. Leggiero e legato
No. 1 Molto lento
notturno
I. Sostenuto-Stringendo-Prestissimo-Sostenuto
III. Allegro con spirito
VII. Quieto (poco rubato)-Cantabile-Molto legato
Messiaen, Carl Vine, Respighi & Ligeti, Music, Gyorgy Ligeti, Olivier Messiaen, Ottorino Respighi, Carl Vine, Sergei Babayan, 20th/21st Century Sonata/Sonatina for Keyboard, Classical, Coll. of Character/Single-Movement/Misc. Works for Keyb., Collection of Preludes for Keyboard, Keyboard, Keyboard Work Entitled "Piece" or "Stück", Orchestral & Symphonic
Average customer rating:
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Messiaen, Carl Vine, Respighi & Ligeti
Manufacturer: Pro-Piano Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000DMV0 Release Date: 1998-10-13 |
Tracks:
Album Description
Sergei Babayan, PianoCarl Vine (born 1954): Sonata (1990)
I.
II. Leggiero e legato
Ottorino Respighi (1879-1936): From "There Preludes on Gregorian Melodies" (1921)
No. 1 Molto lento
notturno
György Ligeti (born 1923): From Musica Ricercata (1951-1953)
I. Sostenuto-Stringendo-Prestissimo-Sostenuto
III. Allegro con spirito
VII. Quieto (poco rubato)-Cantabile-Molto legato
Respighi: Notturno
Customer Reviews:
Unheralded brilliance.......2004-07-08
Babayan's unusual menu begins with three selections from Messiaen's Vingt Regards sur l'Enfant Jesus (sections 11, 13, and 15) with the pianist bringing out every piercing emotion in these monumental works. Let's hope that at some point he will record the entire cycle. Perhaps most unusual is Carl Vine's Piano Sonata, written in 1990 for the Sydney Dance Company. (This work must have been a choreographer's dream.) It is a real dazzler, with relentless, darting cross rhythms that tickle the ear, and I don't think it is premature to call it one of the great piano sonatas of the 1990's. The two Respighi pieces are also alluring, with Babayan finding just the right touch to express their delicate, luminous sonorities. They also make a nice break between some of the more intense (and difficult) works before and after them.
Perhaps the best are saved until last: selections 1, 3 and 7 from Ligeti's Musica Ricercata, written in the 1950's. Ligeti posed himself the problem of writing a cycle of short piano works in which No. 1 dwells on a single note (in this case, A), escalating in complexity all the way to the final one, No. 11, which uses all 12 notes in the octave. If you can't imagine how anyone could create music under such restrictions, here is the evidence.
One of my first thoughts after hearing this marvelous project was to muse on how many pianists are out there doing terrific work, virtually out of sight of the general public. Babayan is on the faculty of the Cleveland Institute of Music, and to be heartily commended for his commitment to nurturing young pianists. But I do hope he carves out more time in the recording studio. For most listeners, this little-known, spectacularly talented artist will be a real find.
Excellent!!!!!!!.......2001-03-05
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