Mozart - Don Giovanni / Skovhus ˇ Girolami ˇ Pieczonka ˇ I. Raimondi ˇ Halász [Box set]

Editorial Reviews
Amazon.com
This recording of Mozart's Don Giovanni would be worth acquiring even if it sold at full price: as a bargain issue, it's almost a dream release. From the explosive opening bars through to the final epilogue, the reading is dramatically high-voltage. Conducted by Michael Halasz at energized tempi, it has room to breathe in a spacious recording ambience, which means that numbers like "Fin ch'han dal vino" register as something more than a garbled blur. The orchestral playing is crisp and alert, with clear projection of some often bypassed inner detail (like the cello underlay to "Batti, batti"); the ensemble singing is distinguished; and the solos come with real finesse--especially from Adrianne Pieczonka, whose Donna Anna is disarmingly bright, fresh, and youthful in a way that for once explains what Giovanni sees in her. Regina Schorg's Elvira is a touch stern with a wide vibrato but no matter: it's a fine voice. And there's a superb Ottavio from Torsten Kerl: a name you won't know but should listen for. Neither of the two main roles, alas, quite squares up vocally to the best available on disc: Renato Girolami's Leporello doesn't shine for the recording, and Bo Skovhus--an accomplished Giovanni, as already heard on the Mackerras version--has a clouded tone that loses focus. But they both deliver theater, almost to excess. Caveat emptor: this is a Prague edition reading as opposed to the usual mix of Prague and Vienna, which means that two of the most celebrated numbers--"Dalla sua pace" and "Mi tradi"--are consigned to an appendix; and the booklet gives you the libretto in Italian only, no translation. Otherwise, this recording gets a general and enthusiastic thumbs-up. --Michael White

Mozart - Don Giovanni / Skovhus ˇ Girolami ˇ Pieczonka ˇ I. Raimondi ˇ Halász, Music, Wolfgang Amadeus Mozart, Michael Halász, Bo Skovhus, Adrianne Pieczonka, Regina Schörg, Torsten Kerl, Renato Girolami Janusz Monarcha, Classical, Classical Music, German/Austrian Classical Period Opera, Opera, Opera / Operetta / Oratorio, Opera/Operetta
Mozart - Don Giovanni / Skovhus · Girolami · Pieczonka · I. Raimondi · Halász
Average customer rating: 3.5 out of 5 stars
  • Up there with the best
  • Great!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
  • Hum the price tag.
Mozart - Don Giovanni / Skovhus · Girolami · Pieczonka · I. Raimondi · Halász
Wolfgang Amadeus Mozart , Michael Halász , Bo Skovhus , Adrianne Pieczonka , Regina Schörg , and Torsten Kerl, Renato Girolami Janusz Monarcha
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005QISV
Release Date: 2001-11-20

Tracks:

  1. Overture - Nicolaus Estherhazy Sinf/Michael Halasz
  2. Act I, Scene I. No.1 Intro: Notte E Giorno Faticar - Renato Girolami/Adrianne Pieczonka/Bo Skovhus/Janusz Monarcha
  3. Act I, Scene II. Recitativo: Leporello, Ove Sei? - Bo Skovhus/Renato Girolami
  4. Act I, Scene III. Recitativo: Ah Del Padre In Periglio - Adrianne Pieczonka/Torsten Kerl
  5. Act I, Scene III. No.2 Recitativo Accompagnato E Duetto: Ma Qual Mai S'offre, Oh Dei - Adrianne Pieczonka/Torsten Kerl
  6. Act I, Scene III. Duetto: Fuggi, Crudele, Fuggi! - Adrianne Pieczonka/Torsten Kerl
  7. Act I, Scene IV. Recitativo: Orsu, Spicciati Presto - Bo Skovhus/Renato Girolami
  8. Act I, Scene V. No.3 Aria: Ah Chi Mi Dice Mai - Regina Schorg/Bo Skovhus/Renato Girolami
  9. Act I, Scene V. Recitativo: Chi E La? Stelle? Che Vedo! - Regina Schorg/Bo Skovhus/Renato Girolami
  10. Act I, Scene V. No.4 Aria: Madamina, Il Catalogo E Questo - Renato Girolami
  11. Act I, Scene VI. Recitativo: In Questa Forma Dunque - Regina Schorg
  12. Act I, Scene VII. No.5 Chor: Giovinette Che Fate All'amore - Ildiko Raimondi/Boaz Daniel/Hungarian Radio Chor
  13. Act I, Scene VIII. Recitativo: Manco Male E Partita - Bo Skovhus/Renato Girolami/Ildiko Raimondi/Boaz Daniel
  14. Act I, Scene VIII. No.6 Aria: Ho Capito, Signor Si - Boaz Daniel
  15. Act I, Scene IX. Recitativo: Alfin Siam Liberati - Bo Skovhus/Ildiko Raimondi
  16. Act I, Scene IX. No.7 Duettino: La Ci Darem La Mano - Ildiko Raimondi/Bo Skovhus
  17. Act I, Scene X. Recitativo: Fermati Scellerato - Regina Schorg/Ildiko Raimondi/Bo Skovhus
  18. Act I, Scene X. No.8 Aria: Ah Fuggi Il Traditor - Regina Schorg
  19. Act I, Scene XI. Recitativo: Mi Par Ch'oggi Il Demonio Si Diverta - Bo Skovhus/Torsten Kerl/Adrianne Pieczonka
  20. Act I, Scene XII. Recitativo: Ah Ti Ritrovo Ancor/No.9 Qt: Non Ti Fidar, O Misera - Adrianne Pieczonka/Regina Schorg/Torsten Kerl/Bo Skovhus
  21. Act I, Scene XII. Recitativo: Povera Sventurata! - Bo Skovhus
  22. Act I, Scene XIII. No.10 Recitativo Accompagnato Ed Aria: Don Ottavio, Son Morta! - Adrianne Pieczonka/Torsten Kerl
  23. Act I, Scene XIII. Aria: Or Sai Chi L'onore - Adrianne Pieczonka
  24. Act I, Scene XIV. Recitativo: Come Mai Creder Deggio - Bo Skovhus

Tracks:

  1. Act I, Scene XV. Recitativo: Io Deggio Ad Ogni Patto - Renato Girolami/Bo Skovhus
  2. Act I, Scene XV. No.11 Aria: Fin Ch'han Dal Vino - Bo Skovhus
  3. Act I, Scene XVI. Recitativo: Masetto: Senti Un Po'! - Ildiko Raimondi/Boaz Daniel
  4. Act I, Scene XVI. No.12 Aria: Batti, Batti, O Bel Masetto - Ildiko Raimondi
  5. Act I, Scene XVI. Recitativo: Guarda Un Po' Come Seppe - Boaz Daniel/Bo Skovhus/Ildiko Raimondi
  6. Act I, Scene XVI. No.13 Finale: Presto Presto Pria Ch'ei Venga/Scene XVII - Boaz Daniel/Ildiko Raimondi/Bo Skovhus/Hungarian Radio Chor
  7. Act I, Scene XVIII: Tra Quest Arbori Celata - Ildiko Raimondi/Bo Skovhus/Boaz Daniel
  8. Act I, Scene XIX: Bisogna Aver Coraggio - Regina Schorg/Torsten Kerl/Adrianne Pieczonka/Renato Girolami/Bo Skovhus
  9. Act I, Scene XIX: Protegga Il Giusto Cielo - Adrianne Pieczonka/Torsten Kerl/Regina Schorg
  10. Act I, Scene XX: Riposate, Vezzose Ragazze - Bo Skovhus/Renato Girolami/Boaz Daniel/Ildiko Raimondi
  11. Act I, Scene XX: Venite Pur Avanti - Renato Girolami/Bo Skovhus/Adrianne Pieczonka/Regina Schorg/Torsten Kerl/Boaz Daniel/Ildiko Raimondi
  12. Act I, Scene XX: Ecco Il Birbo - Bo Skovhus/Renato Girolami/Torsten Kerl/Regina Schorg/Adrianne Pieczonka/Ildiko Raimondi/Boaz Daniel
  13. Act I, Scene XX: Trema, Trema O Scellerato! - Adrianne Pieczonka/Regina Schorg/Ildiko Raimondi/Torsten Kerl/Boaz Daniel/Bo Skovhus/Renato Girolami
  14. Act II, Scene I. No.14 Duetto: Eh, Via, Buffone, Non Mi Seccar - Bo Skovhus/Renato Girolami
  15. Act II, Scene I. Recitativo: Leporello! Signore? - Bo Skovhus/Renato Girolami
  16. Act II, Scene II. No.15 Terzetto: Ah Taci Ingiusto Core - Regina Schorg/Renato Girolami/Bo Skovhus
  17. Act II, Scene II. Recitativo: Amico, Che Ti Par? - Bo Skovhus/Renato Girolami
  18. Act II, Scene III. Recitativo: Eccomi A Voi! - Regina Schorg/Bo Skovhus/Renato Girolami
  19. Act II, Scene III. No.16 Canzonetta: Deh, Vieni Alla Finestra - Bo Skovhus
  20. Act II, Scene III. Recitativo: V'e Gente Alla Finestra - Bo Skovhus
  21. Act II, Scene IV. Recitativo: Non Ci Stanchiamo/No.17 Aria: Meta Di Voi Qua Vadano - Boaz Daniel/Bo Skovhus
  22. Act II, Scene V. Recitativo: Zitto! Lascia Ch'io Senta: Ottimamente - Bo Skovhus/Boaz Daniel
  23. Act II, Scene VI. Recitativo: Ahi Ahi! La Testa Mia - Boaz Daniel/Ildiko Raimondi
  24. Act II, Scene VI. No.18 Aria: Vedrai, Carino - Ildiko Raimondi
  25. Act II, Scene VII. Recitativo: Di Molte Faci Il Lume - Renato Girolami/Regina Schorg
  26. Act II, Scene VII. No.19 Sestetto: Sola, Sola In Buio Loco/Scene VIII - Regina Schorg/Renato Girolami/Torsten Kerl/Adrianne Pieczonka

Tracks:

  1. Act II, Scene IX. Recitativo: Dunque Quello Sei Tu - Ildiko Raimondi/Torsten Kerl/Regina Schorg/Boaz Daniel
  2. Act II, Scene IX. No.20 Aria: Ah, Pieta, Signori Miei! - Renato Girolami
  3. Act II, Scene X. Recitativo: Ferma, Perfido, Ferma! - Regina Schorg/Boaz Daniel/Ildiko Raimondi/Torsten Kerl
  4. Act II, Scene X. No.21 Aria: Il Mio Tesoro Intanto - Torsten Kerl
  5. Act II, Scene XI. Recitativo: Ah, Ah, Ah Questa Bona - Bo Skovhus/Renato Girolami/Janusz Monarcha
  6. Act II, Scene XI. No.22 Duetto: O Statua Gentilissima - Renato Girolami/Bo Skovhus/Janusz Monarcha
  7. Act II, Scene XII. Recitativo: Calmatevi, Idol Mio! - Torsten Kerl/Adrianne Pieczonka
  8. Act II, Scene XII. No. 23 Recitativo Accompagnato E Rondo: Crudele! Ah No, Mio Bene - Adrianne Pieczonka
  9. Act II, Scene XII. Rondo: Non Mi Dir - Adrianne Pieczonka
  10. Act II, Scene XII. Recitativo: Ah, Si Segua Il Suo Passo - Torsten Kerl
  11. Act II, Scene XIII. No.24 Finale: Gia La Mensa E Preparata - Bo Skovhus/Renato Girolami
  12. Act II, Scene XIV: L'ultima Prova - Regina Schorg/Bo Skovhus/Renato Girolami
  13. Act II, Scene XIV: Ah, Signor Per Carita - Renato Girolami/Bo Skovhus
  14. Act II, Scene XV: Don Giovanni, A Cenar Teco - Janusz Monarcha/Bo Skovhus/Renato Girolami/Hungarian Radio Chor
  15. Act II, Final Scene: Ah Dove E Il Perfido - Adrianne Pieczonka/Regina Schorg/Ildiko Raimondi/Torsten Kerl/Boaz Daniel/Renato Girolami
  16. Act II, Final Scene: Or Che Tutti, O Mio Tesoro - Torsten Kerl/Adrianne Pieczonka/Regina Schorg/Ildiko Raimondi/Boaz Daniel/Renato Girolami
  17. Act II, Final Scene: Questo E Il Fin - Adrianne Pieczonka/Regina Schorg/Ildiko Raimondi/Torsten Kerl/Boaz Daniel/Renato Girolami
  18. Appendix: No.10a Aria: Dalla Sua Pace - Torsten Kerl
  19. Appendix: No.21a Duetto: Per Queste Tue - Renato Girolami/Ildiko Raimondi
  20. Appendix: No.21b Recitativo Accompagnato Ed Aria: In Quali Eccessi - Regina Schorg

Amazon.com

This recording of Mozart's Don Giovanni would be worth acquiring even if it sold at full price: as a bargain issue, it's almost a dream release. From the explosive opening bars through to the final epilogue, the reading is dramatically high-voltage. Conducted by Michael Halasz at energized tempi, it has room to breathe in a spacious recording ambience, which means that numbers like "Fin ch'han dal vino" register as something more than a garbled blur. The orchestral playing is crisp and alert, with clear projection of some often bypassed inner detail (like the cello underlay to "Batti, batti"); the ensemble singing is distinguished; and the solos come with real finesse--especially from Adrianne Pieczonka, whose Donna Anna is disarmingly bright, fresh, and youthful in a way that for once explains what Giovanni sees in her. Regina Schorg's Elvira is a touch stern with a wide vibrato but no matter: it's a fine voice. And there's a superb Ottavio from Torsten Kerl: a name you won't know but should listen for. Neither of the two main roles, alas, quite squares up vocally to the best available on disc: Renato Girolami's Leporello doesn't shine for the recording, and Bo Skovhus--an accomplished Giovanni, as already heard on the Mackerras version--has a clouded tone that loses focus. But they both deliver theater, almost to excess. Caveat emptor: this is a Prague edition reading as opposed to the usual mix of Prague and Vienna, which means that two of the most celebrated numbers--"Dalla sua pace" and "Mi tradi"--are consigned to an appendix; and the booklet gives you the libretto in Italian only, no translation. Otherwise, this recording gets a general and enthusiastic thumbs-up. --Michael White

Customer Reviews:

5 out of 5 stars Up there with the best.......2006-06-20

This Cd is a must have. its so underated and unseen because of so many other great composers. but forget about the others, Halasz is far ahead of all others in this classic Cd of great singers and music. Don't let this one slip by, it deserves a good listening to. The experiance is lasting.

5 out of 5 stars Great!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!.......2006-05-04

Adrianne Pieczonka is a godess. She is my favorite Donna Anna of all time and loved her in this performance. All the rest were pretty mediocre (except the brilliantly sung Donna Elvira of Regina Schorg) but she made up for them. Buy this CD with confidence.
If you like Adrianne than buy Don Giovanni by Glyndbourne or Don Giovanni by Muti with Carlos Alvarez and Michael Schade.

1 out of 5 stars Hum the price tag........2003-10-07

This is half the price of most recordings of Don Giovanni.

It is also pretty small beer, a good night in a provincial house, but nothing more. It is not to be compared with Giulini, Krips, Mitropoulos, Davis, Klemperer, Haitink, Harnoncourt, Gardiner, et. al.

The singers are earnest, the conductor gives his all, but if you can listen without remembering how little you paid, it is simply not competitive. There are expensive recordings that are bad, and cheap reissues that are good, but there are too many excellent recordings of Don Giovanni in the catalog for this one to be taken seriously. It is not good enough to treated as an equal.

It's only a bargain. Save a little extra money, keep browsing and go with the big leagues. Mozart deserves it and so do you.

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