Mozart - Don Giovanni / Skovhus ˇ Girolami ˇ Pieczonka ˇ I. Raimondi ˇ Halász [Box set]
Editorial Reviews
Amazon.com
This recording of Mozart's Don Giovanni would be worth acquiring even if it sold at full price: as a bargain issue, it's almost a dream release. From the explosive opening bars through to the final epilogue, the reading is dramatically high-voltage. Conducted by Michael Halasz at energized tempi, it has room to breathe in a spacious recording ambience, which means that numbers like "Fin ch'han dal vino" register as something more than a garbled blur. The orchestral playing is crisp and alert, with clear projection of some often bypassed inner detail (like the cello underlay to "Batti, batti"); the ensemble singing is distinguished; and the solos come with real finesse--especially from Adrianne Pieczonka, whose Donna Anna is disarmingly bright, fresh, and youthful in a way that for once explains what Giovanni sees in her. Regina Schorg's Elvira is a touch stern with a wide vibrato but no matter: it's a fine voice. And there's a superb Ottavio from Torsten Kerl: a name you won't know but should listen for. Neither of the two main roles, alas, quite squares up vocally to the best available on disc: Renato Girolami's Leporello doesn't shine for the recording, and Bo Skovhus--an accomplished Giovanni, as already heard on the Mackerras version--has a clouded tone that loses focus. But they both deliver theater, almost to excess. Caveat emptor: this is a Prague edition reading as opposed to the usual mix of Prague and Vienna, which means that two of the most celebrated numbers--"Dalla sua pace" and "Mi tradi"--are consigned to an appendix; and the booklet gives you the libretto in Italian only, no translation. Otherwise, this recording gets a general and enthusiastic thumbs-up. --Michael White
Mozart - Don Giovanni / Skovhus ˇ Girolami ˇ Pieczonka ˇ I. Raimondi ˇ Halász, Music, Wolfgang Amadeus Mozart, Michael Halász, Bo Skovhus, Adrianne Pieczonka, Regina Schörg, Torsten Kerl, Renato Girolami Janusz Monarcha, Classical, Classical Music, German/Austrian Classical Period Opera, Opera, Opera / Operetta / Oratorio, Opera/Operetta
Average customer rating:
- Up there with the best
- Great!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
- Hum the price tag.
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Mozart - Don Giovanni / Skovhus · Girolami · Pieczonka · I. Raimondi · Halász
Wolfgang Amadeus Mozart , Michael Halász , Bo Skovhus , Adrianne Pieczonka , Regina Schörg , and Torsten Kerl, Renato Girolami Janusz Monarcha
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00005QISV
Release Date: 2001-11-20 |
Tracks:
- Overture - Nicolaus Estherhazy Sinf/Michael Halasz
- Act I, Scene I. No.1 Intro: Notte E Giorno Faticar - Renato Girolami/Adrianne Pieczonka/Bo Skovhus/Janusz Monarcha
- Act I, Scene II. Recitativo: Leporello, Ove Sei? - Bo Skovhus/Renato Girolami
- Act I, Scene III. Recitativo: Ah Del Padre In Periglio - Adrianne Pieczonka/Torsten Kerl
- Act I, Scene III. No.2 Recitativo Accompagnato E Duetto: Ma Qual Mai S'offre, Oh Dei - Adrianne Pieczonka/Torsten Kerl
- Act I, Scene III. Duetto: Fuggi, Crudele, Fuggi! - Adrianne Pieczonka/Torsten Kerl
- Act I, Scene IV. Recitativo: Orsu, Spicciati Presto - Bo Skovhus/Renato Girolami
- Act I, Scene V. No.3 Aria: Ah Chi Mi Dice Mai - Regina Schorg/Bo Skovhus/Renato Girolami
- Act I, Scene V. Recitativo: Chi E La? Stelle? Che Vedo! - Regina Schorg/Bo Skovhus/Renato Girolami
- Act I, Scene V. No.4 Aria: Madamina, Il Catalogo E Questo - Renato Girolami
- Act I, Scene VI. Recitativo: In Questa Forma Dunque - Regina Schorg
- Act I, Scene VII. No.5 Chor: Giovinette Che Fate All'amore - Ildiko Raimondi/Boaz Daniel/Hungarian Radio Chor
- Act I, Scene VIII. Recitativo: Manco Male E Partita - Bo Skovhus/Renato Girolami/Ildiko Raimondi/Boaz Daniel
- Act I, Scene VIII. No.6 Aria: Ho Capito, Signor Si - Boaz Daniel
- Act I, Scene IX. Recitativo: Alfin Siam Liberati - Bo Skovhus/Ildiko Raimondi
- Act I, Scene IX. No.7 Duettino: La Ci Darem La Mano - Ildiko Raimondi/Bo Skovhus
- Act I, Scene X. Recitativo: Fermati Scellerato - Regina Schorg/Ildiko Raimondi/Bo Skovhus
- Act I, Scene X. No.8 Aria: Ah Fuggi Il Traditor - Regina Schorg
- Act I, Scene XI. Recitativo: Mi Par Ch'oggi Il Demonio Si Diverta - Bo Skovhus/Torsten Kerl/Adrianne Pieczonka
- Act I, Scene XII. Recitativo: Ah Ti Ritrovo Ancor/No.9 Qt: Non Ti Fidar, O Misera - Adrianne Pieczonka/Regina Schorg/Torsten Kerl/Bo Skovhus
- Act I, Scene XII. Recitativo: Povera Sventurata! - Bo Skovhus
- Act I, Scene XIII. No.10 Recitativo Accompagnato Ed Aria: Don Ottavio, Son Morta! - Adrianne Pieczonka/Torsten Kerl
- Act I, Scene XIII. Aria: Or Sai Chi L'onore - Adrianne Pieczonka
- Act I, Scene XIV. Recitativo: Come Mai Creder Deggio - Bo Skovhus
Tracks:
- Act I, Scene XV. Recitativo: Io Deggio Ad Ogni Patto - Renato Girolami/Bo Skovhus
- Act I, Scene XV. No.11 Aria: Fin Ch'han Dal Vino - Bo Skovhus
- Act I, Scene XVI. Recitativo: Masetto: Senti Un Po'! - Ildiko Raimondi/Boaz Daniel
- Act I, Scene XVI. No.12 Aria: Batti, Batti, O Bel Masetto - Ildiko Raimondi
- Act I, Scene XVI. Recitativo: Guarda Un Po' Come Seppe - Boaz Daniel/Bo Skovhus/Ildiko Raimondi
- Act I, Scene XVI. No.13 Finale: Presto Presto Pria Ch'ei Venga/Scene XVII - Boaz Daniel/Ildiko Raimondi/Bo Skovhus/Hungarian Radio Chor
- Act I, Scene XVIII: Tra Quest Arbori Celata - Ildiko Raimondi/Bo Skovhus/Boaz Daniel
- Act I, Scene XIX: Bisogna Aver Coraggio - Regina Schorg/Torsten Kerl/Adrianne Pieczonka/Renato Girolami/Bo Skovhus
- Act I, Scene XIX: Protegga Il Giusto Cielo - Adrianne Pieczonka/Torsten Kerl/Regina Schorg
- Act I, Scene XX: Riposate, Vezzose Ragazze - Bo Skovhus/Renato Girolami/Boaz Daniel/Ildiko Raimondi
- Act I, Scene XX: Venite Pur Avanti - Renato Girolami/Bo Skovhus/Adrianne Pieczonka/Regina Schorg/Torsten Kerl/Boaz Daniel/Ildiko Raimondi
- Act I, Scene XX: Ecco Il Birbo - Bo Skovhus/Renato Girolami/Torsten Kerl/Regina Schorg/Adrianne Pieczonka/Ildiko Raimondi/Boaz Daniel
- Act I, Scene XX: Trema, Trema O Scellerato! - Adrianne Pieczonka/Regina Schorg/Ildiko Raimondi/Torsten Kerl/Boaz Daniel/Bo Skovhus/Renato Girolami
- Act II, Scene I. No.14 Duetto: Eh, Via, Buffone, Non Mi Seccar - Bo Skovhus/Renato Girolami
- Act II, Scene I. Recitativo: Leporello! Signore? - Bo Skovhus/Renato Girolami
- Act II, Scene II. No.15 Terzetto: Ah Taci Ingiusto Core - Regina Schorg/Renato Girolami/Bo Skovhus
- Act II, Scene II. Recitativo: Amico, Che Ti Par? - Bo Skovhus/Renato Girolami
- Act II, Scene III. Recitativo: Eccomi A Voi! - Regina Schorg/Bo Skovhus/Renato Girolami
- Act II, Scene III. No.16 Canzonetta: Deh, Vieni Alla Finestra - Bo Skovhus
- Act II, Scene III. Recitativo: V'e Gente Alla Finestra - Bo Skovhus
- Act II, Scene IV. Recitativo: Non Ci Stanchiamo/No.17 Aria: Meta Di Voi Qua Vadano - Boaz Daniel/Bo Skovhus
- Act II, Scene V. Recitativo: Zitto! Lascia Ch'io Senta: Ottimamente - Bo Skovhus/Boaz Daniel
- Act II, Scene VI. Recitativo: Ahi Ahi! La Testa Mia - Boaz Daniel/Ildiko Raimondi
- Act II, Scene VI. No.18 Aria: Vedrai, Carino - Ildiko Raimondi
- Act II, Scene VII. Recitativo: Di Molte Faci Il Lume - Renato Girolami/Regina Schorg
- Act II, Scene VII. No.19 Sestetto: Sola, Sola In Buio Loco/Scene VIII - Regina Schorg/Renato Girolami/Torsten Kerl/Adrianne Pieczonka
Tracks:
- Act II, Scene IX. Recitativo: Dunque Quello Sei Tu - Ildiko Raimondi/Torsten Kerl/Regina Schorg/Boaz Daniel
- Act II, Scene IX. No.20 Aria: Ah, Pieta, Signori Miei! - Renato Girolami
- Act II, Scene X. Recitativo: Ferma, Perfido, Ferma! - Regina Schorg/Boaz Daniel/Ildiko Raimondi/Torsten Kerl
- Act II, Scene X. No.21 Aria: Il Mio Tesoro Intanto - Torsten Kerl
- Act II, Scene XI. Recitativo: Ah, Ah, Ah Questa Bona - Bo Skovhus/Renato Girolami/Janusz Monarcha
- Act II, Scene XI. No.22 Duetto: O Statua Gentilissima - Renato Girolami/Bo Skovhus/Janusz Monarcha
- Act II, Scene XII. Recitativo: Calmatevi, Idol Mio! - Torsten Kerl/Adrianne Pieczonka
- Act II, Scene XII. No. 23 Recitativo Accompagnato E Rondo: Crudele! Ah No, Mio Bene - Adrianne Pieczonka
- Act II, Scene XII. Rondo: Non Mi Dir - Adrianne Pieczonka
- Act II, Scene XII. Recitativo: Ah, Si Segua Il Suo Passo - Torsten Kerl
- Act II, Scene XIII. No.24 Finale: Gia La Mensa E Preparata - Bo Skovhus/Renato Girolami
- Act II, Scene XIV: L'ultima Prova - Regina Schorg/Bo Skovhus/Renato Girolami
- Act II, Scene XIV: Ah, Signor Per Carita - Renato Girolami/Bo Skovhus
- Act II, Scene XV: Don Giovanni, A Cenar Teco - Janusz Monarcha/Bo Skovhus/Renato Girolami/Hungarian Radio Chor
- Act II, Final Scene: Ah Dove E Il Perfido - Adrianne Pieczonka/Regina Schorg/Ildiko Raimondi/Torsten Kerl/Boaz Daniel/Renato Girolami
- Act II, Final Scene: Or Che Tutti, O Mio Tesoro - Torsten Kerl/Adrianne Pieczonka/Regina Schorg/Ildiko Raimondi/Boaz Daniel/Renato Girolami
- Act II, Final Scene: Questo E Il Fin - Adrianne Pieczonka/Regina Schorg/Ildiko Raimondi/Torsten Kerl/Boaz Daniel/Renato Girolami
- Appendix: No.10a Aria: Dalla Sua Pace - Torsten Kerl
- Appendix: No.21a Duetto: Per Queste Tue - Renato Girolami/Ildiko Raimondi
- Appendix: No.21b Recitativo Accompagnato Ed Aria: In Quali Eccessi - Regina Schorg
Amazon.com
This recording of Mozart's Don Giovanni would be worth acquiring even if it sold at full price: as a bargain issue, it's almost a dream release. From the explosive opening bars through to the final epilogue, the reading is dramatically high-voltage. Conducted by Michael Halasz at energized tempi, it has room to breathe in a spacious recording ambience, which means that numbers like "Fin ch'han dal vino" register as something more than a garbled blur. The orchestral playing is crisp and alert, with clear projection of some often bypassed inner detail (like the cello underlay to "Batti, batti"); the ensemble singing is distinguished; and the solos come with real finesse--especially from Adrianne Pieczonka, whose Donna Anna is disarmingly bright, fresh, and youthful in a way that for once explains what Giovanni sees in her. Regina Schorg's Elvira is a touch stern with a wide vibrato but no matter: it's a fine voice. And there's a superb Ottavio from Torsten Kerl: a name you won't know but should listen for. Neither of the two main roles, alas, quite squares up vocally to the best available on disc: Renato Girolami's Leporello doesn't shine for the recording, and Bo Skovhus--an accomplished Giovanni, as already heard on the Mackerras version--has a clouded tone that loses focus. But they both deliver theater, almost to excess. Caveat emptor: this is a Prague edition reading as opposed to the usual mix of Prague and Vienna, which means that two of the most celebrated numbers--"Dalla sua pace" and "Mi tradi"--are consigned to an appendix; and the booklet gives you the libretto in Italian only, no translation. Otherwise, this recording gets a general and enthusiastic thumbs-up. --Michael White
Customer Reviews:
Up there with the best.......2006-06-20
This Cd is a must have. its so underated and unseen because of so many other great composers. but forget about the others, Halasz is far ahead of all others in this classic Cd of great singers and music. Don't let this one slip by, it deserves a good listening to. The experiance is lasting.
Great!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!.......2006-05-04
Adrianne Pieczonka is a godess. She is my favorite Donna Anna of all time and loved her in this performance. All the rest were pretty mediocre (except the brilliantly sung Donna Elvira of Regina Schorg) but she made up for them. Buy this CD with confidence.
If you like Adrianne than buy Don Giovanni by Glyndbourne or Don Giovanni by Muti with Carlos Alvarez and Michael Schade.
Hum the price tag........2003-10-07
This is half the price of most recordings of Don Giovanni.
It is also pretty small beer, a good night in a provincial house, but nothing more. It is not to be compared with Giulini, Krips, Mitropoulos, Davis, Klemperer, Haitink, Harnoncourt, Gardiner, et. al.
The singers are earnest, the conductor gives his all, but if you can listen without remembering how little you paid, it is simply not competitive. There are expensive recordings that are bad, and cheap reissues that are good, but there are too many excellent recordings of Don Giovanni in the catalog for this one to be taken seriously. It is not good enough to treated as an equal.
It's only a bargain. Save a little extra money, keep browsing and go with the big leagues. Mozart deserves it and so do you.
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