Virtuoso Violin [Import]

Track Listings
1. Le Streghe Op. 8    
2. Fantasia On The G String Op. 24    
3. Moto Perpetuo Op. 11    
4. Variations On Nel Cor Piu Non Si Sento From Paisiello's    
5. Variations On God Save The King    
6. Campanella    
7. Sonata No. 12 In E Minor    
8. I Palpiti Introduction    
9. Scherzo Tarantelle Op. 16    
10. Capricieuse Op. 17    
11. Caprice No. 1 Le Vent    
12. Banjo And Fiddle    
13. Nocturne No. 20 In C Sharp Minor Op.    
14. Andantino No. 2 From Z Domoviny    
15. I. Malaquena Op. 21 No. 1    
16. Habanera Op. 21 No. 2    
17. Romanza Andaluza Op. 22 No. 1    
18. Jota Navarra Op. 22 No. 2    
19. Playera Op. 23 No. 1    
20. Zapateado Op. 23 No. 2    
See all 31 tracks on this disc

Virtuoso Violin, Music, Ruggiero Ricci, Chamber Music & Recitals, Classical
Violin Favourites & Virtuoso Showpieces
Average customer rating: 5 out of 5 stars
  • beautiful ,beautiful
  • Great Recording
Violin Favourites & Virtuoso Showpieces

Manufacturer: Decca
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ASIN: B0007WQHVW
Release Date: 2005-04-12

Tracks:

  1. Variations on an original theme, Op.15
  2. Romance, Op.78, No.2
  3. Mazurka, Op.81, No.1
  4. Hungarian Dance No.1 in G minor-Transcr. Joseph Joachim
  5. Cantabile, Op.17
  6. Scherzo-Tarantelle, Op.16
  7. Nigun (Improvisation)
  8. Perpetuum mobile
  9. The Prophet Bird
  10. Spanish Dance No.1
  11. Waves at play (Wellenspiel)
  12. Carmen Fantasy, Op.25 - Arr. Waxman

Tracks:

  1. Praeludium and Allegro
  2. Schosmarin
  3. Tambourin chinois
  4. Caprice viennois op.2
  5. La Preuse (in the style of Louis Couperin)
  6. Liebesfreud
  7. Liebesleid
  8. La Gitana
  9. Berceuse Romantique (Caprice)
  10. Polichinelle (Snade)
  11. Rondino on a Theme by Beethoven
  12. Tempo di menuetto (in the style of Pugnani)
  13. Toy Soldiers' March
  14. Allegretto (in the style of Boccherini)
  15. Marche miniature viennoise
  16. Aucassin and Nicolette (canzonetta medievale)
  17. Menuet (in the style of Porpora)
  18. Sicilienne and Rigaudon (in the style of Francois Francoeur)
  19. Syncopation

Customer Reviews:

5 out of 5 stars beautiful ,beautiful.......2007-05-27

I am not a music critic nor do I "know" much about music but if you love lovely violin music you will love this.

5 out of 5 stars Great Recording.......2007-01-04

The Kreisler pieces are played exceptionally well. The one disc alone is worth the price of the double disc collection. Great playing.
Instruments of the Orchestra
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  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
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Manufacturer: Naxos
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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. What to Listen for in Music
  3. Study of Orchestration, Third Edition
  4. The Life and Works of Ludwig van Beethoven
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Christopher Parkening - The Great Recordings ~ By America's Preeminent Guitar Virtuoso
Average customer rating: 5 out of 5 stars
  • Excellent recording
  • Highly Recommended!
  • Amazing
  • A gentleman musical agreement!
  • Extreme virtuosity
Christopher Parkening - The Great Recordings ~ By America's Preeminent Guitar Virtuoso
Johann Sebastian Bach , François Couperin , Gabriel Fauré , Isaac Albeniz , Anonymous , Francisco Tarrega (y Eixea) , Silvius Leopold Weiss , Claude Debussy , Maurice Ravel , Wolfgang Amadeus Mozart , Gordon Young , Georg Philipp Telemann , Heitor Villa-Lobos , Manuel de Falla , Manuel Ponce , Enrique Granados , Mario Castelnuovo-Tedesco , Andrew York , Fernando Sor , Gaspar Sanz , Joaquin Rodrigo , and Christopher Parkening
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

DuetsDuets | Chamber Music | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Couperin, François | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by FallaAll Works by Falla | Falla, Manuel de | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Fauré, Gabriel | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
Granados, EnriqueGranados, Enrique | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
Ravel, MauriceRavel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by SatieAll Works by Satie | Satie, Erik | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by TarregaAll Works by Tarrega | Tarrega, Francisco | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
Telemann, Georg PhilippTelemann, Georg Philipp | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
Villa-Lobos, HeitorVilla-Lobos, Heitor | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by DebussyAll Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
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PreludesPreludes | Forms & Genres | Classical | Styles | Music
Character PiecesCharacter Pieces | Short Forms | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Telemann, Georg Philipp | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Villa-Lobos, Heitor | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
SymphoniesSymphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
GuitarGuitar | Strings | Instruments | Classical | Styles | Music
LuteLute | Strings | Instruments | Classical | Styles | Music
ViolinViolin | Strings | Instruments | Classical | Styles | Music
Parkening, ChristopherParkening, Christopher | ( P ) | Featured Performers, A-Z | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
GeneralGeneral | Sacred & Religious | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GospelGospel | Christian & Gospel | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
CantatasCantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
OratoriosOratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
GeneralGeneral | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
Similar Items:
  1. Christopher Parkening plays Bach
  2. Simple Gifts: Christopher Parkening
  3. The Christopher Parkening Guitar Method - Volume 2: Guitar Technique
  4. In the Spanish Style / Christopher Parkening
  5. Christopher Parkening - A Tribute to Segovia

ASIN: B000002RTR
Release Date: 1993-09-14

Tracks:

  1. Fugue From Violin Sonata No. 1, BWV 1001 - J S Bach
  2. Estudio brillante
  3. Etude No. 1 In E Minor
  4. Recuerdos de la Alhambra
  5. Leyenda
  6. Romance
  7. Rumores de la Caleta
  8. Capricho Arabe
  9. Cantata 147: Jesu, Joy Of Man's Desiring
  10. Well-Tempered Clavier: Prelude No. 1
  11. Well-Tempered Clavier: Prelude No. 6
  12. Cantata 140: Sleepers Awake
  13. Prelude, Fugue, And Allegro: Allegro
  14. Cantata 208: Sheep May Safely Graze
  15. Les Barricades mysterieuses
  16. Preambulo & Allegro vivo: Preambulo And Allegro vivo
  17. Passacaglia
  18. The Girl With The Flaxen Hair
  19. Gymnopedie No. 1
  20. Empress Of The Pagodas
  21. Afro-Cuban Lullaby

Tracks:

  1. Fourth Lute Suite: Praludium
  2. Fairest Lord Jesus
  3. Praise Ye The Lord, K. 339
  4. Simple Gifts
  5. Hymn Of Christian Joy
  6. Cantata 29: We Thank Thee, Lord
  7. Cantata 156: Arioso
  8. Cantata 99: What God Hath Done
  9. Canon
  10. Dolly Suite: Berceuse
  11. La Vida breve: Spanish Dance No. 1
  12. Terezinha De Jesus
  13. Prelude (In The Baroque Style)
  14. Goyescas: Intermezzo
  15. Prelude & Fugue No. 4 In E: Fugue
  16. Evening Dance
  17. Variations On A Theme Of Mozart
  18. Canarlos
  19. La Maja de Goya
  20. El Noi de la Mare
  21. Concierto de Aranjuez: Adagio - J. Rodrigo

Customer Reviews:

5 out of 5 stars Excellent recording.......2007-05-12

If you are a fan of classical guitar than this is a must own set. I enjoy every moment.

5 out of 5 stars Highly Recommended!.......2006-12-23

I would recommend this CD to anyone who loves music--period! Christopher Parkening is unquestionably one of the greatest classical guitarists of all-time. He embodies personal excellence like no other and is a brilliant artist. This CD is a must-have for any classical enthusiast. My favorite pieces include: Tárrega's "Recuerdos de la Alhambra," "Romance," Bach's "Prelude No. 6," and Rodrigo's "Concierto de Aranjuez." There are other versions of these pieces as well, but I always prefer Parkening's renditions, as they are oh so extraordinary--especially the recording of Aranjuez!! Other guitarists never seem to capture the essence of Rodrigo's musical masterpiece (e.g., Göran Söllescher in "Mad About Guitars"). But Parkening did! And the Royal Philharmonic Orchestra was a perfect accompaniment.

This CD is definitely worth buying. Included is a CD booklet, which illustrates the history of Parkening's illustrious career, interesting tidbits about all 25 recorded pieces, and several photos of his early life to his "breathtaking performance" at Rodrigo's 90th birthday celebration at the Royal Festival Hall in London, 1992.

5 out of 5 stars Amazing.......2006-05-08

I am not going to go into great detail. I am working on a degree in classical guitar and I can say this is something to strive for. His musical interpretation of the peices represented here are some of the best I've heard. His tone,color, and phrasing is incredible.

5 out of 5 stars A gentleman musical agreement! .......2006-03-16

In guitar ` s playing there have been many renowned performers, gifted of exuberant technique. But curiously the Apollonian playing is not by itself strictly enough. The guitar is the instrument which is closer to heart as any other one. It demands from you passion and sentiment. There have been three well known guitarists, one of them from England and the other one from Spain and the third one from Japan whose sensibility was totally absent in their performances.

But fortunately for us, there have been notable interpreters that have been maintained a desired balance and contrast between brain and heart, achieving great distinction and total acknowledgement around the world. I would name seven primordial names along the instrument `s story. First of all: the mythic soloist Andres Segovia, Regino Sainz de la Maza, John Williams, Alirio Diaz, Manuel Berrueco, Siegfried Behrend and Christopher Parkening, among the most representative ones of a great list.

Christopher Parkening `s career has made a brilliant colorist, an impeccable and sensitive interpreter of this well reduced repertoire. His profound artistic conviction and convincing phrasing has been a perpetual motive of constant invitations and presentations around the world.

5 out of 5 stars Extreme virtuosity.......2005-09-25

CP has become my chief inspiration to improve as a classical guitarist. His performances here are, without exception, phenomenal. He makes the most difficult pieces sound effortless. I prefer CP over John Williams because, while Williams is also unquestionably a master, he sounds a bit robotic to me at times. CP, on the other hand, never sacrifices musicality to precision. He sublimely maintains both.
Wieniawski: Virtuoso Music for Violin
Average customer rating: Not rated
    Wieniawski: Virtuoso Music for Violin

    Manufacturer: MD&G Records
    ProductGroup: Music
    Binding: Audio CD

    All Works by WieniawskiAll Works by Wieniawski | Wieniawski, Henri | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
    Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
    ViolinViolin | Strings | Instruments | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Chamber Music | Classical | Styles | Music
    Similar Items:
    1. Wieniawski: Violin Concertos Nos. 1 & 2
    2. Wieniawski: Violin Showpieces
    3. Vieuxtemps: Violin Concertos Nos. 2 and 3
    4. Vieuxtemps: Violin Concertos Nos. 1 and 4
    5. Vieuxtemps: Violin Concertos Nos. 5, 6 & 7

    ASIN: B00000IJGS
    Release Date: 1999-04-13

    Tracks:

    1. Fantaisie Brillante Op.20
    2. Chanson Polonaise Op.12, 2
    3. Polonaise Brillante Op.21
    4. Dudziarz (Joueur De Cornemuse)
    5. Legende Op.17
    6. Obertas Op.19, 1
    7. Scherzo-Tarantelle Op. 16
    8. Gigue Op. 23
    9. Romance Sans Paroles Op.9
    10. Kujawiak
    11. Polonaise Concertante Op.4
    12. Sielanka Op.12, 1
    Virtuoso Vengerov
    Average customer rating: 4.5 out of 5 stars
    • Fantastic !
    • he didn't read the music very carefully...
    • A charming CD of small violin pieces.
    • Excellent grouping of small violin pieces
    Virtuoso Vengerov

    Manufacturer: Teldec
    ProductGroup: Music
    Binding: Audio CD

    All Works by BlochAll Works by Bloch | Bloch, Ernest | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by KreislerAll Works by Kreisler | Kreisler, Fritz | ( K ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by MessiaenAll Works by Messiaen | Messiaen, Olivier | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Paganini, Niccolò | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by SarasateAll Works by Sarasate | Sarasate, Pablo de | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by TchaikovskyAll Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by WieniawskiAll Works by Wieniawski | Wieniawski, Henri | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
    ViolinViolin | Strings | Instruments | Classical | Styles | Music
    Vengerov, MaximVengerov, Maxim | ( V ) | Featured Performers, A-Z | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Chamber Music | Classical | Styles | Music
    Similar Items:
    1. Maxim Vengerov - The Road I Travel
    2. Vengerov
    3. Vengerov and Virtuosi
    4. Bruch/Mendelssohn: Violin Concertos
    5. Brahms: Violin Concerto; Sonata No. 3

    ASIN: B000000SHY
    Release Date: 1994-02-08

    Tracks:

    1. Polonaise, No. 1, Op. 4
    2. l Palpiti, Op. 13
    3. Legende, Op. 17
    4. Schon Rosmarin
    5. 'Baal shem': Nigun - No. 2
    6. 'Souvenir d'un lieu cher', Op. 42: Scherzo - No. 2
    7. 'Souvenir d'un lieu cher', Op. 42: Melodie - No. 3
    8. Tambourin chinois
    9. Theme et variations
    10. Caprice viennois, Op. 2
    11. Caprice basque, Op. 24
    12. La ronde des lutins, Op. 25

    Customer Reviews:

    5 out of 5 stars Fantastic !.......2003-03-31

    Vengerov has no limit to his technique.beautiful tone,excellent intonation,smart interpretation,and thrilling virtuosity, hardly describe this cd.Itamar Golan also does a very good job as an accompanist,and one cannot make any objections to his level of music making.A Brilliant recording made by an unforgetable artist!

    3 out of 5 stars he didn't read the music very carefully..........2002-09-23

    A lot of this CD is very impressive- Vengerov clearly has his technique under control, and the Paganini is very well-executed, making it sound easy.

    I feel that he's pretty far off the mark with the Messiaen, though. He must not have spent very much time learning this piece, since both the Theme (of the "Theme et variations) and the final section of the piece are played at exactly twice the printed tempo! This completely changes the character of the piece to something that's very different from the meditative quality that the correct tempo markings imply. There are also a few wrong notes- small details, but it does make a difference, considering the emphasis Messiaen placed on harmony. There's a very good Naxos recording of this piece (with the Amici ensemble, Scott St. John, violin) that's worth hearing.

    5 out of 5 stars A charming CD of small violin pieces........2000-07-20

    Although Vengerov has had his up's and down's, this CD is truely a triumph for him. Vengerov's playing is in top form and he really does each piece justice. The best thing about this CD is the pieces Vengerov picked to record. This is the perfect CD of charming violin miniatures. I haven't yet found a better CD of these sorts of pieces. I especially like the Caprice Basque by Sarasate and the variations by Paganini. But all the songs are very captivating. If you're looking for a good CD of "itsy bitsies", as Heifetz called them, this is it. It's a great gift for someone who isn't really into classical music or for someone who is too.

    5 out of 5 stars Excellent grouping of small violin pieces.......1999-07-15

    The pieces on this cd are all of the most delightful quality. Vengerov plays them all with beautiful execution and interpretation. One of my favorite cd's. I've yet to find another violin cd that groups together such wonderful little pieces in such a good way!
    The Virtuoso Trombone
    Average customer rating: 4.5 out of 5 stars
    • Great CD
    • wow this is amazing
    • CD shows many possibles for pros and student alike
    • great player, selection of music a bit disappointing
    • This is a ravishingly diverse album, proving CL's Greatness!
    The Virtuoso Trombone

    Manufacturer: Bis
    ProductGroup: Music
    Binding: Audio CD

    Berio, LucianoBerio, Luciano | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by HindemithAll Works by Hindemith | Hindemith, Paul | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
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    All Works by MartinAll Works by Martin | Martin, Frank | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
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    TromboneTrombone | Brass | Instruments | Classical | Styles | Music
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    ASIN: B0000016B1
    Release Date: 1993-07-06

    Tracks:

    1. The Flight Of The Bumble-Bee
    2. Sonata (Vox Gabrieli) For Trombone And Piano
    3. Ballade Pour Trombone Et Piano
    4. Csardas
    5. Liebesleid
    6. Blue Bells Of Scotland
    7. Allegro Moderato Meastoso
    8. Allegretto Grazioso
    9. Leid Des Raufbolds (Swashbuckler's Song)
    10. Allegro Moderato Meastoso
    11. Sequenza V For Trombone Solo

    Customer Reviews:

    5 out of 5 stars Great CD.......2006-08-24

    This is a great CD for any trombonist's collection...As was mentioned before, the Blue Bells, Czardas and Hindemith are all first rate. The largest contribution to the very small collection of quality trombone recordings out there, however, is the much overlooked and extremely beautiful Sulek Sonata. The artist does such a first rate job presenting such a wonderful piece of music, it's worth the entire cost of the CD in one track.

    5 out of 5 stars wow this is amazing.......2006-03-09

    I am quite impressed by this recording. Christian Lindberg gives a flawless performance of Flight of the Bumblebee, Bluebells of Scotland, and the Hindemith Sonate. This should be in every trombonist's CD collection.

    5 out of 5 stars CD shows many possibles for pros and student alike.......2000-06-27

    This CD shows Christians virtuosity yet it also proves that the trombone is capable of more than slow ballads. Ive studied with Christian and I can tell you though this CD seems to be as hard as it comes there are better of his CDs. This is probably his 2nd best though. He is a master of trombone and this CD allows students and professionals to 1>Hear a real trombone sound 2>Dicover new peices 2>and also show the trombones possivilities. THIS IS A GREAT CD TO LISTEN TO AND PERFORM ALONG SIDE IN PRACTICE!

    3 out of 5 stars great player, selection of music a bit disappointing.......2000-02-03

    I hated to rate this a 3 stars, because the trombone playing is awesome! However, the selection of music leaves much to be desired, in my opinion. However, 2 of the selections, Flight of the Bumblebee (did he really play the trombone that fast? ), and Blue Bells of Scotland (magnificent!), are so tremendous that any trombone player should buy this CD just for those 2 tracks.

    5 out of 5 stars This is a ravishingly diverse album, proving CL's Greatness!.......1999-11-16

    What I love most of this album is the great diversity of styles created by the different composers of this album. My favorite songs are
    1) Blue Bells
    2) Csardas
    3) Liesbald (or however you spell it)

    Anyway, I'm playing Blue Bells of Scotland this year for my UIL solo and ensemble competition next spring, and I have found it to be immensely helpful in determining styles, etc. Of course, it is also discouraging knowing somebody could be so much better than me :) Christian Lindberg is truly a fabulous artist!
    Virtuoso Music for Horn & Piano
    Average customer rating: 4.5 out of 5 stars
    • A Musical Gift
    • WOW!!!
    • A light-hearted romp
    Virtuoso Music for Horn & Piano

    Manufacturer: Albany Records
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00005NNFX
    Release Date: 2001-08-28

    Tracks:

    1. Valse Suriano
    2. Jota
    3. Prld, Theme And Vars
    4. Perpetuum Mobile
    5. Erste Fant, Op.339 No.1
    6. Valse Op.64, No.1
    7. Aria Con Vars
    8. Csardas
    9. Canon in Octave
    10. Romance Op.36
    11. Le Basque
    12. Fant And Vars On The Carneval Of Venice

    Customer Reviews:

    4 out of 5 stars A Musical Gift .......2005-11-27

    I played beside Eric when I was out of college and he was in high school. The phenomenal player that I knew then has matured into a horn player with a gift that has to be heard to be believed. By the time the CD was over, I was shaking my head in disbelief.

    5 out of 5 stars WOW!!!.......2004-04-23

    Eric Ruske's virtuosity is phenomenal! By the time "Carnival in Venice" was over I was speechless. I didn't think that french horn playing that I heard was possible. Yet Eric's talent is obvious in that he made the most difficult techniques seem easy to perform.

    I recommend this CD VERY HIGHLY!!!

    5 out of 5 stars A light-hearted romp.......2001-12-04

    "Virtuoso Music for Horn and Piano" is a light-hearted romp through hornist Eric Ruske's arrangements of mostly familiar pieces. The selections are designed to exploit Ruske's virtuosity and he takes full advantage of the opportunity. At least three of the selections are arrangements of trumpet showcases, Arban's well-known "Carneval of Venice" and Mendez's "Valse Suriano" and "Jota." Czerney composed his "Erste Fantasie" for violin. Liner notes indicate that only the Rossini and Saint-Saens pieces were originally written for horn.
    Eric Ruske has established himself as a major horn soloist, and this album reinforces my opinion that he is one of the best hornists currently active. Pianist Pedja Muzuevic provides excellent accompaniment.
    Why record an album of light classics for horn? To quote Mr. Ruske, because "[i]t felt so good when it was over."
    Queen's Dominion
    Average customer rating: 5 out of 5 stars
    • Haunting and beautiful
    • Joyfully melancholic
    Queen's Dominion
    Basya Schechter
    Manufacturer: Tzadik
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0002IQIS8
    Release Date: 2004-08-24

    Tracks:

    1. Dead Sea
    2. By Way of Haran
    3. Burning Bush
    4. Pashmina
    5. Midian
    6. Under the Moes Tree
    7. Bedouin Tea Party
    8. Dancing Georgina
    9. Queen's Dominion
    10. Wherewolf

    Customer Reviews:

    5 out of 5 stars Haunting and beautiful.......2005-10-25

    I had the priviledge to hear this music live and found it mesmerizing and challenging. Since I've bought the CD, and listened to it a number of times, the music has really grown on me. I think that it's terribly original but there are some beautiful repeated melodies that unify the albumn and remind me of early 20th century French composition, but then we get arabic rhythms and lots of other stuff without sounding too eclectic, at least to my ears. I've never heard anything like this, especially since there are influences from the Far East as well as Middle East and European. While the santur and oud are the central instruments, Basya draws upon the many talents of her classically trained musicians including Meg Okura (violin) and Daphna Mor (recorder). This is probably ideal music for taking your mind out of the present, if that's where you'd like to go.

    5 out of 5 stars Joyfully melancholic.......2004-11-06

    Brooklyn born Basya Schechter, leader of the stellar Jewish roots world jazz band Pharaoh's Daughter, here delivers an all-instrumental album of great depth and spirituality. An oud player of uncommon accomplishment, she seems to have a natural affinity for this odd instrument's timbral universe, one which evokes sounds similar to those one associates with a lute, a bouzouki, a sarod, even a berimbau. It's an earthy, emotionally laden sound, one that wafts and slithers off desert sands like the cool even breeze that presages a precipitous nighttime temperature drop in arid landscapes.

    One of the keys in making this music come alive is the playing of Alan Kushan on santur, an instrument that sounds like a cross between a zither, a koto, and a prepared piano, lending the aural palette a very oriental cast. Kushan makes this awkward instrument dance and sing with a deeply delved authority and weight. Also contributing mightily is percussionist Jerrod Cagwin, a player whom I've only encountered once before (and I just can't seem to pull up the context, although I remember him being a player of significance), but who here consistently establishes very evocative percussive underpinnings. And Meg Okura shines on violin. Add the coloration of recorder, trumpet, melodica, and cello, and you've got a wide and engaging sound canvas.

    Rather simple sounding on the first couple listens, closer attending begins to reveal music of profound nuance and subtlety. There's also a kind of mesmeric, dronelike quality to this music that conjures up feelings of wisdom and tranquility achieved through great suffering. Certainly worth checking out by anyone at all attracted to mystical music of the Middle East.
    Janos Starker Virtuoso Music for Cello
    Average customer rating: 4 out of 5 stars
    • A good recording as far as it goes
    Janos Starker Virtuoso Music for Cello

    Manufacturer: Denon Records
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0000034O8
    Release Date: 1993-08-27

    Tracks:

    1. Sicilienne
    2. Variations On One String On A Theme By Rossini: Moses Fantasie
    3. Apres Un Reve
    4. Hungarian Rhapsodie, Op. 68
    5. 'Goyescas': Intermezzo
    6. Danse Rituelle Du Feu
    7. La Fille Aux Cheveux De Lin
    8. Piece En Forme De Habanera
    9. 'The Barber Of Seville': Figaro

    Customer Reviews:

    4 out of 5 stars A good recording as far as it goes.......2000-09-14

    Janos Starker is undoubtedly on of the best cellists of our time, and his technique is effortless on all of these virtuoso selections. Not only is his execution flawless, he is one of a few artists who can make their individual styles come out beautifully in a recording. His tone is strong and compelling in all of the selections, never forced but also never obsessed with smoothing over every trace of an individual performance. As a result the recording has a wonderfully spontaneous and solid flavor. Highlights are David Popper's Hungarian Rhapsody and the Falla Danse Rituelle. Unfortunately, it is true that many of these virtuoso pieces simply do not hold the listener time and time again as do, for example, the Brahms cello sonatas or the Dvorak concerto. So though you may listen to this recording many times (and get to love Janos Starker's playing in the process) also buy his recording of the Dvorak.
    Virtuoso Double-Bass Concertos
    Average customer rating: 5 out of 5 stars
    • Bass is Beautiful!!!
    • One of the best
    • Karr plays like an Angel
    • Virtuoso Double Bass Concertos
    Virtuoso Double-Bass Concertos

    Manufacturer: Koch Schwann (Germ.)
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000001SX9
    Release Date: 1994-03-21

    Tracks:

    1. Concerto For Double-Bass And Orchestra: Allegro
    2. Concerto For Double-Bass And Orchestra: Andante
    3. Concerto For Double-Bass And Orchestra: Allegro
    4. Concerto In A Major For Double-Bass And Orchestra: Allegro moderato
    5. Concerto In A Major For Double-Bass And Orchestra: Andante
    6. Concerto In A Major For Double-Bass And Orchestra: Allegro guisto
    7. Fantasia On 'Moses'

    Customer Reviews:

    5 out of 5 stars Bass is Beautiful!!!.......2003-03-04

    Although this CD is much older, this recording of Gary Karr playing these wonderful classical concertos for double bass is the best I've heard. There is so much emotion and intensity in the performance that makes the listener never want the music to end. Karr projects over the orchestra with such ease, which is a problem for most Double Bassists because the sound is so low. I've yet to find a better recording of these Concertos; the Koussevitzky is my favorite and the unique cadenza Karr performs in the Dragonetti Concerto is beautiful. You can't go wrong with this CD.

    5 out of 5 stars One of the best.......2002-08-27

    I have yet to find a better recording of any of the three pieces on this CD- and I have yet to find a better recording of Gary Karr. His ultra romantic musicality and his rich yet bright tone are perfect for these pieces (unlike, perhaps, his later Bach recordings...)and his technique is as polished as I have ever heard it. The orchestra is more solid than many you will find on bass concerto recordings (with the exception of Meyer's recent Bottesini CD) and it creates the perfect atmosphere in all three pieces. Absolutely a must have for bass players as well as anyone wanting to hear what bass is supposed to sound like.

    4 out of 5 stars Karr plays like an Angel.......2000-05-15

    In this album you can tell Gary's excellent tuning and the "colours" of his instrument. The CD was recorded on 1980, it has very low output. So I have to put it a little bit louder than normal db. After doing this, a disgusting buzz appears during the whole album coming from both speakers. I think that it is from the original recording. In the "one of my favourites pieces written for DoubleBass" the Sergei Koussevitsky Concerto, at some passages, the sound of the DoubleBass get lost because of the Orchestra. The Paganini variations, I preffer the version that appears with the London DoubleBass Sound, it's a newer recording, and with superb interpretation. But in general terms, is an excellent CD.

    5 out of 5 stars Virtuoso Double Bass Concertos.......2000-04-27

    This is a must have for any double bassist. These three works are all major pieces in the bassist's solo repetoire and Karr's performances are the standard to which all others are compared

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