Broadway: Love & Laughter
Editorial Reviews
From the Artist
Ive always loved songs with great lyrics and great tunes, and these songs certainly qualify. Theyre all favorites of mine -- some for their emotional expression, some for their gorgeous melodies, some for their incredibly clever use of the language. The hardest thing about making this recording was narrowing the list down to what would fit on one CD. As it is, weve filled 73 minutes and 57 seconds -- three seconds short of the max. We had an absolute blast doing it, and hope you have as much joy and fun out of listening to it.
About the Artist
Eileen Mager, soprano Eileen Mager began singing professionally in Chicago, then in California, and in Arizona since 1982. She is a concert/recital artist and an actress. She has been performing musical comedy both full productions and revues since she was a teenager. She is Artistic Director of and a leading performer in the Arizona Vivaldi Festivals, sings with the Arizona chamber choir Cantemus, and is a frequent featured soloist in Arizona concert venues.
Her repertoire...
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Album Description
Broadway: Love & Laughter is terrific. Singer/actress Eileen Mager performs twenty-three of the greatest songs from Broadway musicals in a way you wont soon forget. There are some real oldies, as well as more current songs, and everything from tear-jerkers to laugh riots. They have great lyrics (and youll understand all the words) and great tunes. Shell have you laughing and crying and having a ball. Ellen Browns accompaniments offer just the right touch -- for example, Little Girl Blue has a great blues sound to it. This is a CD not to be missed, and perfect gift for friends and family. Broadway musicals have always been about love in its infinite forms. This has resulted in a huge crop of wonderful love songs joyous, sad, flirtatious, angry, passionate, mischievous, touching. They range from the deeply serious to the out and-out hilarious, as, come to think of it, does love itself.
So in this recording, West Side Storys Maria proclaims her joy in I Feel Pretty and South Pacifics Nellie Forbush displays similar feelings in A Wonderful Guy.
We also have Guys & Dollss Adelaide singing Adelaides Lament about the cold shes developed because of the frustration of a 14-year engagement to Nathan Detroit that seems destined never to result in a wedding.
Pal Joeys Vera, a sophisticated older woman, who knows Joey isnt worth it, sings about finding herself nonetheless Bewitched, Bothered, and Bewildered.
Of course, Kate of Kiss Me, Kate, in no uncertain terms, announces I Hate Men, while Oklahomas irrepressible Ado Annie sings I Caint Say No.
On the Towns lady taxi driver, Hildy, tries to convince us of her total desirability with the madcap seduction of I Can Cook, Too, while Sally of Follies sings of her total immersion in her love in one of Broadways most touching love songs, Losing My Mind.
Broadway: Love & Laughter
Broadway: Love & Laughter, Music, Leonard Bernstein, Jerry Bock, George Gershwin, Jerry Herman, Jerome Kern, Frank Loesser, Frederick Loewe, Cole Porter, Richard Rodgers, Stephen Sondheim, James ("Jimmy") Van Heusen, Kurt Weill, Ellen Brown, Eileen Mager, 20th/21st Century Music for Voice and Keyboard, Classical, Classical Vocals, Film, Film Music, Music Theater, Musical Theater, Solo Voice(s) and Orchestra, Solo Voice(s) and Small Ensemble, This Eroica CD, featuring soprano Eillen Mager, presents a cornucopia of wonderful love songs - joyous, sad, flirtations, angry, passionate, mischievous, and touching. Kleenex highly recommended., Vocal
Average customer rating:
- Mamma Mia
- Mamma Mia Musical CD
- JUST GREAT MUSIC
- Mamma Mia
- Not good at all
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Mamma Mia! The Musical Based on the Songs of ABBA: A Decca Broadway Original Cast Recording (1999 London Cast)
Benny Andersson , Julian Poole , Jenny Galloway , Nicolas Colicos , Paul Clarkson , Bjorn Ulvaeus , Lisa Stokke , Eliza Lumley , Melissa Gibson , Siobhan McCarthy , Louise Plowright , Jenny Galloway , Bjorn Ulvaeus , and Stig Anderson
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- ABBA - Gold: Greatest Hits
- Hairspray (2002 Original Broadway Cast)
- Movin' Out (Based on the Songs and Music of Billy Joel) (2002 Original Broadway Cast)
- Wicked (2003 Original Broadway Cast)
- Jersey Boys (2005 Original Broadway Cast)
ASIN: B000031WEN
Release Date: 2000-10-17 |
Tracks:
- Overture/Prologue
- Honey, Honey
- Money, Money, Money
- Thank You For The Music
- Mamma Mia
- Chiquitita
- Dancing Queen
- Lay All Your Love On Me
- Super Trouper
- Gimme! Gimme! Gimme!
- The Name Of The Game
- Voulez-Vous
- Entr'acte
- Under Attack
- One Of Us
- S.O.S.
- Does Your Mother Know
- Knowing Me, Knowing You
- Our Last Summer
- Slipping Through My Fingers
- The Winner Takes It All
- Take A Chance On Me
- I Do, I Do, I Do, I Do, I Do
- I Have A Dream
Amazon.com
Put together by Abba's own Benny Andersson and Björn Ulvaeus, Mamma Mia! manages to cram over 20 of the Swedish supergroup's songs into a threadbare plot. It goes a little like this: Young Sophie is getting married and she's trying to identify which of three men is her father. That's about it. Wisely, the musical doesn't mess around with the songs, save for the insertion of some dialogue or for having some of them performed by a man (it works amazingly well). Abba fans will jump on this import of the London production, but traditional fans of musical theater should consider it as well. After all, Andersson and Ulvaeus's songs have always felt as if they were more than isolated pop gems and actually belonged to a longer narrative. --Elisabeth Vincentelli
Customer Reviews:
Mamma Mia.......2007-03-22
I have not stopped playing this cd. It is just great! It makes any trip in my car most enjoyable Happy I bought it!
Mamma Mia Musical CD.......2007-03-21
This is a grand list of songs from the original musical when it was first introduced in England. The songs from ABBA are very recognizable even if you haven't seen the show. But, making a trip to NY to see the Broadway production is a plus. ENJOY!
JUST GREAT MUSIC.......2007-03-08
I RECENTLY SAW THE SHOW MAMMA MIA IN LAS VEGAS. ALWAYS LIKES THE MUSIC OF ABBA, AND THOUGH THE PLOT WAS THIN, THE MUSIC WAS WELL PERFORMED. IN THIS PARTICULAR ALBUM, THE ENGLISH ACCENTS WERE A BIT MUCH, BUT THE SONGS WERE GREAT. ALL I CAN SAY IS THANK YOU FOR THE MUSIC, ABBA.
Mamma Mia.......2007-01-29
Every time I hear the music and songs it brings back memories of seeing the Broadway Show
Not good at all.......2007-01-09
This is not what we wanted. The British accents throw it was off. We just saw it in NY and this is not what we were looking for.
Average customer rating:
- Great Soundtrack
- Hair the musical - orignal cast
- Volume pathetically low
- nostalgia
- Can't beat the original
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Hair - The American Tribal Love Rock Musical (1968 Original Broadway Cast)
Galt MacDermot , James Rado , and Gerome Ragni
Manufacturer: RCA Victor Broadway
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Binding: Audio CD
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Similar Items:
- Jesus Christ Superstar (Original London Concept Recording)
- Godspell (1971 Original Off-Off-Broadway Cast)
- Hair
- Hair: Original Soundtrack Recording - Special Anniversary Edition
- West Side Story (1957 Original Broadway Cast)
ASIN: B000002W1S
Release Date: 1990-10-25 |
Tracks:
- Aquarius - Ronald Dyson
- Donna - Gerome Ragni
- Hashish - Melba Moore
- Sodomy - Steve Curry
- Colored Spade - Lamont Washington
- Manchester England - James Rado
- I'm Black - Steve Curry
- Ain't Got No - Melba Moore
- I Believe In Love - Melba Moore
- Ain't Got No (Reprise) - Melba Moore
- Air - Melba Moore
- Initials - Melba Moore
- I Got Life - James Rado
- Going Down - Gerome Ragni
- Hair - James Rado
- My Conviction - Jonathan Kramer
- Easy To Be Hard - Lynn Kellogg
- Don't Put It Down - Steve Curry
- Frank Mills - Shelley Plimpton
- Be-In - Melba Moore
- Where Do I Go? - James Rado
- Electric Blues - Paul Jabara
- Manchester England (Reprise) - James Rado
- Black Boys - Diane Keaton
- White Boys - Melba Moore
- Walking In Space - Melba Moore
- Abie Baby - Ronald Dyson
- Three-Five-Zero-Zero - Melba Moore
- What A Piece Of Work Is Man - Ronald Dyson
- Good Morning Starshine - Melba Moore
- The Bed - Melba Moore
- The Flesh Failures (Let The Sunshine In) - Melba Moore
Amazon.com
"America's First Tribal Love-Rock Musical," went the advertising, and nobody could argue with that. Hair opened on Broadway in 1968 and immediately became a smash, although no one could quite discern what it was about. Something like, "War is bad, drugs are good, racism bites the big one, and nudity is nice." Although all these sentiments are expressed on this album which, like the show, has not dated well, the quality of the music makes it forgiveable. The songs weren't really rock, but they accomplished what all good pop songs set out to do; stick in the craw. In fact, several of its tracks later became hits for pop acts, including "Aquarius/Let the Sunshine In" (The Fifth Dimension), "Hair" (The Cowsills), and "Good Morning Starshine" (Oliver). --Dawn Eden
Customer Reviews:
Great Soundtrack.......2007-07-03
While I will admit that I don't think that Hair will stand up as long as the Soundtrack to 'Rent' will, I do think that this is an amazing and brilliant collections of songs of a specific time that has little if no meaning for somebody like me who was born in the 1970s.
Hair the musical - orignal cast.......2007-06-27
Ah those were the days, marching on Washington, geting gassed, and gettig really fed up with it all And Hair recalls those time perfectly. The music and the philosophy fit perfectly. The cast is talented, the music is edgy and the lisening experience is not only very enjoyable but thought provking in light of today's unpopular war. Listen and love and learn. Peace
Volume pathetically low.......2007-06-19
I had to rip the tracks to my HDD, then raise the volume and burn it back to a CDR. Poor quality for a commercial CD!
nostalgia.......2007-04-15
This is a fun CD of the original broadway production of HAIR. The only thing I didn't like were the extra songs they've included. Oddly enough, I felt that they distracted from the original coherence of the piece. But, anyway, it is a very enjoyable CD
Can't beat the original.......2007-01-25
I was really glad to find this. We already have the cd from the movie but this is 100 times better.
Average customer rating:
- Excellent Musical, But Product Quality - Eh
- MODERNIZE your music collection!!!
- A must to add to your collection
- Delightful
- YOU WILL LOVE IT
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Thoroughly Modern Millie (2002 Original Broadway Cast)
Jeanine Tesori , Dick Scanlan , and Sutton Foster
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Thoroughly Modern Millie
- Thoroughly Modern Millie: Vocal Selections
- Little Women The Musical (2005 Original Broadway Cast)
- Urinetown (2001 Original Off-Broadway Cast)
- Hairspray (2002 Original Broadway Cast)
ASIN: B000066B4Y
Release Date: 2002-06-11 |
Tracks:
- Overture (Orchestra)
- Not for the Life of Me (Sutton Foster)
- Thoroughly Modern Millie (Sutton Foster and Ensemble)
- Not for the Life of Me (Sutton Foster, JoAnn M. Hunter, Alisa Klein, Jessica Grove, Megan Sikora, Catherine Brunell and Kate Baldwin)
- How the Other Half Lives (Angela Christian and Sutton Foster)
- Not for the Life of Me (reprise) (Ken Leung and Francis Jue)
- The Speed Test (Marc Kudisch, Sutton Foster, Anne L. Nathan and Ensemble)
- They Don't Know (Harriet Harris)
- The Nuttycracker Suite (Orchestra)
- What Do I Need with Love? (Gavin Creel)
- Only in New York (Sheryl Lee Ralph)
- Jimmy (Sutton Foster)
- Back at Work (Orchestra with Sutton Foster, Anne L. Nathan and Ensemble)
- Forget About the Boy (Sutton Foster, Anne L. Nathan and Ensemble)
- Ah! Sweet Mystery of Life/I'm Falling in Love with Someone (Marc Kudisch and Angela Christian)
- I Turned the Corner/I'm Falling in Love with Someone (quartet/reprise) (Gavin Creel and Sutton Foster, Marc Kudisch and Angela Christian)
- Muqin (Harriet Harris, Francis Jue and Ken Leung)
- Long as I'm Here with You (Sheryl Lee Ralph and Male Ensemble)
- Gimme Gimme (Sutton Foster)
- Finale (Thoroughly Modern Millie) (Gavin Creel, Angela Christian and Ensemble with Sheryl Lee Ralph and Sutton Foster)
- Final Bows (Entire Company)
Amazon.com
Although it's based on the 1967 movie of the same name, Thoroughly Modern Millie is almost thoroughly new. Composer Jeanine Tesori (Violet) and lyricist Dick Scanlan wrote a whole batch of songs, while retaining a couple from the movie--including the Jimmy van Heusen-Sammy Cahn title tune--and recycling even older material (look for Victor Herbert's "I'm Falling in Love with Someone" and the inventively arranged "Nuttycracker Suite"). Miraculously, the show, set during the jazz age, doesn't feel stitched together, and Tesori does a great job cranking out swinging melodies. Sutton Foster is appropriately brassy as Millie, but she can also tone it down, as in the beginning of "Gimme Gimme" (of course, she then proceeds to project up to the last rafters as the song builds to its climax). Harriet Harris, as nasty Mrs. Meers, steals the show with "They Don't Know." Close your eyes, listen to her, and you'll be back in Broadway's golden age. --Elisabeth Vincentelli
Customer Reviews:
Excellent Musical, But Product Quality - Eh.......2007-07-15
I absolutely love the musical so I'm thrilled with the cd.
My problem was not with the quality of the cd, but with the plastic case. The cd cases always come cracked. Although it doesn't affect the quality of the cd itself, it's rather disheartening that Amazon charges customers for its poor shipping.
MODERNIZE your music collection!!!.......2007-07-13
This is an AMAZING musical and great album. It is sure to jazz-up any music collection! BUY THIS ALBUM NOW!
A must to add to your collection.......2007-05-18
I was very fortunate enough to see this on Broadway. It was one of the best shows I've ever seen! The music has just enough jazz and contemporary vive that any musical lover would enjoy! It's also got tapping in it! Sutton is simply awesome in this role and all of the cast can really belt out their songs. Harriet Harris is phenominal in her role as Mrs. Meers. I highly recommend this to all broadway lovers! It's one to add to your collection!
Delightful.......2006-06-12
The music takes a little bit to grow on you, but boy, does it! It's wonderful, charming, romantic, funny--just like the play itself. I loved almost every song and I was really impressed with "Long As I'm Here With You"-- I thought it was an old song written back in the twenties, because it so sounded like one. The cast is absolutely energetic and endearing, and Sutton Foster just *rocks*. Definitely worth the money.
YOU WILL LOVE IT.......2006-02-17
If you like musicals, you will NOT REGRET purchasing this musical soundtrack. JUST DO IT. It's so great, you will be listening to it forever. I also saw the show at the Kennedy Center in D.C. and it's one of the best I've ever seen. (And I've seen A LOT.)
Have Fun!
Average customer rating:
- The Andrew Lloyd Weber Collection
- Andrew Lloyd Webber
- The Andrew Lloyd Webber Collection
- The Best You'll See from Sarah
- The Angel of Music
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The Andrew Lloyd Webber Collection
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD
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- Love Changes Everything: The Andrew Lloyd Webber Collection, Vol. 2
- Sarah Brightman Classics
- Time to Say Goodbye
- La Luna
- Harem
ASIN: B00000I0XW
Release Date: 1999-06-01 |
Tracks:
- The Phantom Of The Opera: The Phantom Of The Opera
- Song & Dance: Unexpected Song
- Aspects Of Love: Chanson D'enfance
- The Phantom Of The Opera: All I Ask Of You
- Evita: Don't Cry For Me Argentina
- Evita: Another Suitcase In Another Hall
- Aspects Of Love: Love Changes Everything
- Friends For Life
- Cats: Memory
- Cats: Gus: The Theatre Cat
- Aspects Of Love: Anything But Lonely
- Cats: Macavity: The Mystery Cat
- Tell Me On A Sunday/Song & Dance: Tell Me On A Sunday
- The Phantom Of The Opera: Wishing You Were Somehow Here Again
- Requiem: Pie Jesu
- The Phantom Of The Opera: The Music Of The Night
Amazon.com essential recording
Sarah Brightman's career was launched by her success in Andrew Lloyd Webber's Phantom of the Opera, so it's no surprise to hear the soprano paying homage to the composer on this disc. Really a Brightman best-of, the album includes the Phantom theme (a duet with Michael Crawford), the light-opera fare of "Chanson D'enfance" from Aspects of Love, "Don't Cry for Me, Argentina" from Evita, and numerous other Lloyd Webber classics. Throughout, Brightman's diminutive voice lends a fragility to these musical theater tunes that you'll either love or despise. On Evita's "Another Suitcase, Another Hall" and Cats' "Memory," she literally chirps through the vocal lines. No matter. The growing legion of Brightman fans wouldn't have it any other way. --Jason Verlinde
Album Details
Another Compilation of Stage Favourites - Some Tracks Are Hard to Find Elsewhere.
Customer Reviews:
The Andrew Lloyd Weber Collection.......2007-05-12
Sarah Brightman sings in good form classic songs and does a great job!!
Andrew Lloyd Webber .......2007-02-12
Excellent Broadway music--a true master. Sing along or just listen. First heard her on PBS.
The Andrew Lloyd Webber Collection.......2007-01-05
Sarah Brightman has always been a favorite of mine, and this CD is outstanding. The duet with Jose Carreras (Friends for Life) is especially good--worth buying the CD for that song alone.
The Best You'll See from Sarah.......2006-09-09
This CD is - wow! I have so much to say about it and so little time! This album features three pieces from "The Phantom of the Opera" - Wishing You Were Somehow Here Again, The Music of the Night, and The Phantom of the Opera theme. They're all beautiful. The second piece on the album is "Unexpected Song". It has beautiful octaves and orchastrations. Chanson d'Efance is an amazing French piece with vibrato - and then some. I forgot to mention that there is another piece from The Phantom of the Opera - All I Ask of You - except that the song is not sung by the original cast from the musical. The next few pieces are fairly decent, until you get to Memory from Cats. WOW - is it spectacular! Then we get to two other pieces from Cats - Gus: The Theater Cat and Macavity: The Mystery Cat. Gus is a song that just tells about a cat and his history. A man speaks the lines that Gus would say in the actual musical - and it makes the song interesting. Macavity is AWESOME! I know that I said that I didn't prefer this song for Brightman on her album "Surrender". I finally listened to it more carefully, and found that it's really interesting to listen to! My favorite song on the whole entire album - however - has to be "Tell Me on a Sunday". Beautiful lyrics, orchestrations, and overall spectacular voice talent ties the whole song together. Pie Jesu is a fairly nice piece from both Brightman and Paul Miles-Kingston - the 16 year old boy soprano. His voice is pure and straight with minimal vibrato. However, Brightman's voice shows a little bit TOO much vibrato! Overally, it's a good piece from Andrew Lloyd Webber's Requium. THIS CD IS AMAZING! If you love Sarah from the Phantom of the Opera, then this collection of Lloyd Webber's work is just for you.
I also recommend Charlotte Church - (in her earlier career) - including Voice of an Angel and her self-titled album. I also recommend Love Changes Everything - The Andrew Lloyd Webber Collection Vol.2 - just another grouping of Webber's classics. I also recommend Andrea Boucelli - he's awesome!
The Angel of Music.......2006-03-13
This is the third copy of this I've purchased. I wear them out listening to them. Awesome, Awesome music. Sarah's range and depth is so powerful!
Average customer rating:
- An Amazing Find
- Urinetown the Musical
- Not for Everyone
- "DON'T BE THE BUNNY!"
- Now my favorite CD, EVER!
|
Urinetown (2001 Original Off-Broadway Cast)
John Cullum , Mark Hollmann , Danny Marcus , and Hunter Foster
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Urinetown: The Musical
- Urinetown: Vocal Selections
- The 25th Annual Putnam County Spelling Bee (2005 Original Broadway Cast)
- The Light in the Piazza (2005 Original Broadway Cast)
- Avenue Q (2003 Original Broadway Cast)
ASIN: B00005LZR8
Release Date: 2001-08-07 |
Tracks:
- Overture
- Too Much Exposition
- Urinetown
- It's A Privilege To Pee
- Mr. Cladwell
- Cop Song
- Follow Your Heart
- Look At The Sky
- Don't Be The Bunny
- Act One Finale
- What Is Urinetown?
- Snuff That Girl
- Run, Freedom, Run!
- Why Did I Listen To That Man?
- Tell Her I Love Her
- We're Not Sorry
- We're Not Sorry (reprise)
- I See A River
Amazon.com
"How about a bad title?" wonders Spencer Kayden's Little Sally in "Too Much Exposition." "That could kill a show pretty good." It's a tribute to the skill deployed by the Urinetown creative team (Mark Hollman, music and lyrics; Greg Kotis, book and lyrics) that its title doesn't kill the show. Set in a near-future in which water depletion has led to a ban on private toilets, this may be the only musical in history in which one of the leads makes a fortune on pee. But the show (which originated Off-Broadway before graduating to the big league) limits its subversive intent to subject matter and is refreshingly classic in approach and structure--think Weill-meets-Lewis Carroll. Backed by a small ensemble, the cast (with John Cullum in a turn nothing short of brilliant as the evil urinal magnate) has a field day with Kotis and Hollman's frequently hilarious score. --Elisabeth Vincentelli
Customer Reviews:
An Amazing Find.......2007-04-03
I just recently discovered this gem of a musical. It's a stand out show with a unique touch. If heard a few outside musicals (The Rocky Horror Show, Hedwig and the Angry Inch...) but this one stands out from them. The music is amazing, the lyrics are creative, and the humor is ripe.
With a chamber music-esque overture, the tone is set. 'Too Much Exposition' is a great introduction to Urinetown (the musical). Officer Lockstock addresses the audience about what they should expect from the show. Little Sally wants to let the audience in on the water shortage but Lockstock stops her. ("You're too young to understand it now, but nothing can kill a show like too much exposition." "How 'bout bad subject matter? Or a bad title, even? That could kill a show pretty good.")
I've read what others have written: you don't get the whole humor of the show unless you've seen it. I haven't seen it, but this recording is enough to get me see it. (That is, if a production nearby, even a high school production, is put on.)
The songs that I find myself listening to over and over are:
Too Much Exposition (not really a song, but still...)
Urinetown
It's A Privilage to Pee
Mr. Cladwell (a wonderfully sweet villain song)
Cop Song (a wonderfully fun villain song)
Follow Your Heart
Don't Be the Bunny
Act 1 Finale
What Is Urinetown?
Run, Freedome, Run!
Why Did I Listen to That Man?
We're Not Sorry (a great 20's sound, reminds me of 'Chicago')
I See A River (I really love this song... the feeling gotten across, before Lockstock comes out to comment, is 'Oh, everything is going to be okay', but Lockstock informs us that all is NOT well)
With a cry of "Hail Mathus!" the show ends. I just have to listen again, after making a trip to the bathroom.
Urinetown the Musical.......2007-03-10
This CD has all the songs from the show. The show is great and this rendition is about the best.
Not for Everyone.......2006-12-28
This musical is a great piece for the 21st century no doubt, that being said it takes some getting used to. The musical cannot be taken at face value, there are lots of things happening under the surface and it takes some bites at things musical theater doesn't usually take, like itself. On the surface it is strange, and not really something people would listen to over and over. However, once you figure it out, it's fun to listen to it again to find all the things that are really going on. It is very funny, and says some good things about the current state of the world. For musical theater fans this is questionable, if you just like the toe-tapping happy go lucky feel, this isn't it. But if you like the social commentary that goes along with that toe tapping, this is a must. NOT FOR FIRST TIME BROADWAY LISTNERS. Favorite Song: "Look at the Sky"
"DON'T BE THE BUNNY!".......2006-12-04
My son, a high school senior, told me his first show of this year's theatrical season was going to be "Urinetown". My response was something like ... No, really, what shows are you doing this year? Then he brought home a recording of it, and I was hooked right away by the lyrics. Over the years my son has been involved in many performances, but he and the rest of the cast had a real blast preparing for, and performing, this show! He wanted Lockstock, but was cast as Cladwell ... Owned it ... Loved it!
I am no Broadway expert by any stretch of the definition, but this show is wonderfully entertaining! You will see (and hear) snippets from other shows, you will pick up on some of even the more subtle stabs at musicals as a whole, you will groan, you will laugh and you will enjoy ... But only if you try not to take it too seriously.
Get past the title (in this case I certainly think it did not "...kill a show pretty good"), relax, and be entertained. And for goodness sake, if you have a chance to see it performed live, do so! A musical that pokes fun at itself? Yes, a refreshing departure from the norm, and worth the price of admission.
Now my favorite CD, EVER!.......2006-10-03
After reading Urinetown (never having seen it), I wondered what on earth it sounded like. Most of the book is just lyrics, and I had no idea what they sounded like. When I finally listened to the music, I found an incredibly complex, catchy, and moving CD.
The music isn't so much complex as it is creative and works with the lyrics. Keep in mind this is a comedy, but this comedy does have soaring melodies and very great simulataneous singing moments (I can't remember what that is specifically called, but think of "Tonight Reprise" from West Side Story). These songs not only entertained me, it moved the story along.
My favorite song is "Why Did I Listen to that Man?" as it is the song where everything comes together and reaches the climax (both in story-line and musically). However, I have a soft spot for every Cladwell song (and I haven't found a person yet who doesn't love "Don't Be the Bunny) as well as every song. What's best about this musical is the range of genres (but not so much as one would find in Joseph and the Amazing Technicolor Dreamcoat).
The cast is truly talented and can perform these songs. It's a very strong recording for what I feel (after finally getting to see it) is the best contemporary musical to date. Not only will your sides split, but you'll learn something too. Best of all, it's a musical for everyone. Unlike other equally hilarious comedies (*cough*The Producers*cough*), Urinetown never relies on "unappropriate" and "adult" material to deliver laughs, although you will have to get over the "really awful title."
Average customer rating:
- "Mattress" CD was excellent
- an oldie but a goodie
- Nothing like the original --
- Awesome
- I saw the original on Broadway
|
Once Upon A Mattress (1959 Original Broadway Cast)
Marshall Barer
Manufacturer: Decca U.S.
ProductGroup: Music
Binding: Audio CD
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- Once Upon a Mattress
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- Once Upon a Mattress : Vocal Selections
- Bye Bye Birdie (1960 Original Broadway Cast)
- Fiorello! (1959 Original Broadway Cast)
ASIN: B000002ONH
Release Date: 1993-04-13 |
Tracks:
- Overture - Orchestra
- Many Moons Ago - Harry Snow
- An Opening For A Princess - Joe Bova and Ensemble
- In A Little While - Allen Case, Anne Jones
- Shy - Carol Burnett, Joe Bova And Ensemble
- Sensitivity - Jane White, Robert Weil
- The Swamps Of Home - Carol Burnett, Joe Bova And Ensemble
- Normandy - Harry Snow, Matt Mattox, Anne Jones
- Spanish Panic - Jane White
- Song Of Love - Carol Burnett, Joe Bova And Ensemble
- Quiet - Jane White And Ensemble
- Studio Dialogue - Carol Burnett
- Happily Ever After - Carol Burnett
- Man To Man Talk - Matt Mattox, Joe Bova
- Very Soft Shoes - Matt Mattox And Ensemble
- Yesterday I Loved You - Allen Case, Anne Jones
- Nightingale Lullaby - Ginny Perlowin
- Finale - Joe Bova, Matt Mattox, Jack Gilford And Ensemble
Amazon.com
Based on Hans Christian Andersen's tale The Princess and the Pea, Once Upon a Mattress opened in May 1959 and was a solid success, if not a huge blockbuster. It did well enough, in any case, to warrant a 1997 revival starring Sarah Jessica Parker. The show was far from revolutionary, but it provided a really fun vehicle for a cast of top stage personalities, including black actress Jane White, who played Queen Aggravain (a part originally written for comedienne Nancy Walker) in whiteface. But of course, Once Upon a Mattress's heart and soul was Carol Burnett, who, in her Broadway debut created the part of Princess Winnifred and delivered two of Mary Rodgers's best songs, the hilarious "Shy" and the spunky "Happily Ever After," which sounds a bit like Jule Styne at his most rhythmic. Burnett's timing and performance remain as sharp as they were 40 years ago. --Elisabeth Vincentelli
Customer Reviews:
"Mattress" CD was excellent.......2007-01-09
I've really enjoyed this CD. I only wish the play was available on DVD.
an oldie but a goodie.......2006-03-15
Loved Carol Burnett then and love her now. This original cast CD is a lovely trip down memory lane.
Nothing like the original -- .......2006-01-30
No offense to any of the subsequent "Freds" but Carol Burnett OWNS this role. The recording is as fresh and funny as anything being done today and this is the version musical theatre fans should have in their library. Get it.
Awesome.......2006-01-22
My school did this musical last year (Spring 2005) and I had never heard of it before, so I bought both the Revial and the Original Cast Recordings. Fell in love. I was Sir Harry and loved both songs that I sang in. In my opinion, those are the two best songs in the entire musical, but then again, I'm biased.
Once Upon A Mattress OCR is by far the best out there. Don't get me wrong, the Revival Cast did a wonderful job (soundtrack at least) But There is something about Carol Burnett. She was meant to sing be Fred. But one thing that I didn't like is that "The Minstrel, the Jester & I" wasn't in this recording. But that is really the only problem I had with this.
My fav songs include:
In a Little While (because I sang it)
Yesterday I Loved You (again, I sang it)
Many Moons Ago
Shy
Would I recomend this CD? YES I WOULD!! I would shout it from the rooftops that people should by this CD! It's a funny, quaint little musical that people need to know about. I LOVE IT!
I saw the original on Broadway.......2005-12-19
Once Upon a Mattress was one of the first Broadway shows that I ever saw and I was totally mesmorized and laughed so hard that my side hurt. Carol Burnett was the perfect person to play Fred and it was one of those magical performances that stays with you for a lifetime. The original cast album captures the fun and spirit of the show.
Later during the run of the show a friend of mine joined the chorus and when we talked about the experience, he told me that the joy that was on stage was similar to that felt by the cast and that was apparent on the album. They especially liked working with Ms. Burnett as she was a giving and caring actress.
I recommend this album to anyone who wants to spend some time just feeling good.
Average customer rating:
- BEST OPERA MUSIC EVER
- Time well spent.
- Great Score, But Highlights Missing Critical Songs
- Buy the full version, please
- Argh Matey!
|
Les Miserables (Highlights from the 1987 Original Broadway Cast)
Alain Boublil , Claude-Michel Schonberg , and Colm Wilkinson
Manufacturer: Decca U.S.
ProductGroup: Music
Binding: Audio CD
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- Highlights From The Phantom Of The Opera: The Original London Cast Recording (1986 London Cast)
- Selections From Cats (1982 Original Broadway Cast)
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- The Very Best Of Andrew Lloyd Webber: The Broadway Collection
ASIN: B000084TRM
Release Date: 2003-01-28 |
Tracks:
- Overture/Work Song
- I Dreamed a Dream
- Who Am I?
- Castle on a Cloud
- Master of the House
- Stars
- Do You Hear the People Sing?
- A Heart Full of Love
- One Day More
- On My Own
- A Little Fall of Rain
- Drink with Me
- Bring Him Home
- Javert's Suicide
- Empty Chairs at Empty Tables
- Wedding Chorale/Beggars at the Feast
- Finale
Amazon.com
While not overly generous at 55 minutes, the highlights album of the 1987 original Broadway cast recording of Les Miserables is intelligently selected and likely to prove satisfying to most fans. It includes the best-loved numbers of Alain Boublil and Claude-Michel Schönberg's score, beautiful ballads ("Bring Him Home," "I Dreamed a Dream") and rousing anthems ("One Day More," "Do You Hear the People Sing?") alike, but eliminates some choral numbers ("Lovely Ladies"), redundancies ("Red and Black"), and connective tissue that propels the plot along ("Valjean Arrested," "Come to Me (Fantine's Death)"). Sure, a more perfect selection could have lasted longer than half of the two-disc set's 104 minutes by adding "At the End of the Day" and "In My Life," among others, but it's still a good representation on a convenient single disc. Of course, those who always want to re-create the theatrical experience will never be satisfied with a highlights album.
Re-creating their roles from the London production, Colm Wilkinson plays the heroic Valjean and Frances Ruffelle is the despondent Eponine. Randy Graff (Fantine), Terrence Mann (Javert), David Bryant (Marius), Judy Kuhn (Cosette), Michael Maguire (Enjolras), and Leo Burmester and Jennifer Butt (the Thénardiers) fill out the cast. --David Horiuchi
Customer Reviews:
BEST OPERA MUSIC EVER.......2006-11-03
This is the BEST!! I would highly recommend this to anyone who likes this kind of music!
Time well spent........2005-09-14
Each member of the Les Miserables cast stands to deliver this musical to its audience. Within moments we are transported to France during their Restoration. We experience sadness, laughter and, indeed, want to join in their crusade. The music and deliverance, in my opinion, is excellent.
Great Score, But Highlights Missing Critical Songs.......2005-08-05
Composers Alain Boublil and Claude-Michel Schönberg's score for "Les Miserables" is simply brilliant and the spectacular Broadway cast, led by Colm Wilkinson, Randy Graff, Terrence Mann, and Frances Ruffelle, help bring this incredible music to life!
While I normally enjoy "highlight" cds, this one clocks in at a mere 55 minutes and could have easily included a couple of additional tunes (thus losing one star). Most notably missing: "At The End Of The Day", "Come To Me", "Red And Black", and "In My Life". The show's most memorable songs, however, are included.
Best tracks:
I Dreamed A Dream
Master Of The House
Stars
Do You Hear The People Sing
On My Own
A Little Fall Of Rain
Bring Him Home
Empty Chairs At Empty Tables
Great cast, great score ... even a good buy. But I would suggest the full double-disc score instead.
Buy the full version, please.......2005-01-20
Highlights are never worth it. You will never get the little in-between songs which make a show complete, montages will be cut together badly instead of being full songs as they should be...so much is left out. This is a fantastic show and deserves to be heard in full.
Argh Matey!.......2004-11-22
"Highlights" albums are not the full show, blah blah blah... THIS TAKES UP ONLY ONE SPACE IN YOUR CD RACK INSTEAD OF TWO LIKE THE FULL RECORDING. I rest my case.
Average customer rating:
- Just what I wanted
- I Want to be a producer
- Spring Time for "The Producers"
- Mel Brooks = Brilliant
- it won 11 (if im correct) TONY awards for a reason!
|
The Producers (2001 Original Broadway Cast)
Mel Brooks , Matthew Broderick , Nathan Lane , Roger Bart , Gary Beach , Cady Huffman , Jesse Levy , and Grace Paradise, Jennifer Smith Tony Kadleck
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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- Monty Python's Spamalot (2005 Original Broadway Cast)
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ASIN: B00005AY6I
Release Date: 2001-04-17 |
Tracks:
- Overture
- Opening Night
- The King of Broadway
- We Can Do It
- Unhappy
- I Wanna Be a Producer
- In Old Bavaria
- Der Guten Tag Hop-Clop
- Keep It Gay
- When You Got It, Flaunt It
- Along Came Bialy
- That Face
- Have You Ever Heard the German Band?
- It's Bad Luck to Say Good Luck on Op'ning Night
- Springtime for hitler
- Where Did We Go Right?
- Betrayed
- 'Til Him
- Prisoners Of Love (Leo & Max)
- Goodbye!
Amazon.com's Best of 2001
The Producers was the vehicle that first proclaimed Mel Brooks's decidedly singular comic vision as a film director in 1968. At the time, the world may not have been entirely ready for the depth charges of hilarity he unleashed; but more than three decades later, it seemed almost foreordained that the film's retooling as a full-fledged musical--directed and choreographed by Susan Stroman--would become the smash hit of the 2000-2001 Broadway season (even before opening at the St. James Theatre in April). Brooks is, of course, no stranger to the Broadway musical genre or to songwriting, but skeptics might find themselves taken by surprise at just how outrageously well all the threads come together for the new show.
The film's absurd core vignette--the infamous "Springtime for Hitler"--if anything gains a few notches in hilarity when framed by a character-rich musical that comes off as both parody and valentine in its mimicry of Broadway's "golden age." Brooks (with the help of idiomatically expert arrangements by Glen Kelly) has cooked up a variety of numbers constituting a virtual primer of old-fashioned American musical comedy styles (there's even a toying with Cabaret-style decadence), but they're always coated with an extra layer of zaniness. In fact, the whole show becomes a Chinese box of parodies within parodies. But what really gets the whole mix working is a surefire cast headed by Nathan Lane playing Max Bialystock and Matthew Broderick doing a delightfully nebbish turn with delusions of misplaced glory as his sidekick, Leo Bloom.
From his first big number (musically winking at Fiddler on the Roof), Lane hungrily lays claim to the role, undaunted by his formidable predecessor, Zero Mostel. Even on disc, you can visualize his over-the-top mugging as a dethroned "king of Broadway" who was "the first producer ever to do summer stock in the winter." Comedy, as they say, is all about timing, and that's exactly what Lane gets right. His interactions with Bloom, Franz Liebkind (Brad Oscar), and Roger de Bris (Gary Beach) are priceless, even when only in sound. As for the tunes, Brooks crafts a number of truly memorable ones--don't be surprised to find yourself horrified as you hum along with "Der Guten Tag Hop-Clop" and, of course, "Springtime for Hitler." --Thomas May
Customer Reviews:
Just what I wanted.......2006-11-06
I saw the making of the CD on TV. The cast does a great job. I have the CD in my car stereo and listen to it often.
I Want to be a producer.......2006-03-06
This recording is great! I saw the play in november and loved the music. I bought the CD a little later and i am still listing to it. The cast are all great singers and did a great job. The songs are witty and catchy and never get old. You should listin to this.(Warning:See the movie or the play before you listin to this, you might hate it if you've have not.)
Spring Time for "The Producers".......2005-12-13
While I'll abmit that Nazi regemes and Hitler are probably some of the least funny thing in the world...i have to admit that the words to Springtime for Hitler are hilarious, just like the rest of the songs on this cast recording.
While "The Producers" Is not as musically complex or mature as other "Best Musical" scores of recent years (Spamalot, Avenue Q, Hairspray,) It is funnier than all of those put together. Nathan lane And Matthew Broderick Are perfectly cast in their roles and Caddy Hoffman is great, and when Ulla belt, she Belts!
the rest of the cast is amazing.
As for the song I can't think of one that I don't like, They are all great!
I would hope that the fact that the show makes light of Hitler doesn't turn you off, because you would be missing somthing great.
Mel Brooks = Brilliant.......2005-12-12
My theatre group went to New York two years ago, adn we did a marathon 4 shows in 3 days. Each show got progressively better, finally culminating in seeing Nathan Lane and Matthew Broderick's final performance of "The Producers." I have been a fan of Brooks' since I saw "Robin Hood: Men in Tights" 5 years ago. Naturally, I was beyond excited to see the show he made of his most brilliant film.
I was not disappointed. It was funny, racy, and downright fabulous. I bought the soundtrack at intermission and have been listening to it ever since. I highly recommend it to anyone who loves musicals. Lane and Broderick play off each other perfectly, Cady Huffman has one of the best belting voices I've heard in ages, and the songs are actually FUNNY.
Aside from raving about one of my favorite shows, I would like to address the comments made about the show downplaying Hitler and being racist towards Germans. In no way does this show downplay Hitler's terrible deeds. Bialystock and Bloom make several comments about how disgusted they are about the play- the fact that it is so insulting to our sensibilities is the reason why it was chosen in the first place. I am Jewish and have studied the Holocaust and WWII for years. I was not offended in the least, nor did I feel the Brooks was promoting or trivializing Hitler's war crimes. Brooks himself is Jewish for god's sake.
Second, I see nothing in the show that is racist towards Germans. Yes there is a Nazi in it who is German. How is that racist? The Nazis went all over the world after WWII- it is possible that several ended up in New York City. And no one will argue that some Nazi's were German. You might as well say that the show is discriminatory towards Swedes, or gay directors, or producers, or the countless number of things made fun of in the show.
it won 11 (if im correct) TONY awards for a reason!.......2005-12-08
This is by far the funniest thing I have ever seen. I got the chance to see it on broadway with Lane (unfortunatly not Broderick) and most of the original cast. For some reason, certain people seem to think this play is racist. First off, the whole thing is pure 100% SATIRE. I'm 15 and I can realize that. Also, are you aware that Mel Brooks is jewish? Yeah, so lighten up. I realize what Hitler did, and it will never be forgotten. But my God, get a sense of humor. In case you never saw the play, the Bavarian guy breaks his leg (making "It's bad luck to say good luck on opening night funny) and is replaced by the gay director for the song "Springtime for Hitler". ITS HILARIOUS! BROOKS MADE HITLER A GAY GUY! And why do you think he did that? Geeze... just lighten up!
So about the CD...awesome. I love these songs, and I am very much looking forward to seeing the movie version of the musical coming out in late December! GO SEE IT!
Average customer rating:
- Great to Hear All those great Voices from the Past
- A Good One!
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Greatest Hits: Broadway
Manufacturer: Sony
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Binding: Audio CD
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ASIN: B0000029PM
Release Date: 1996-10-29 |
Tracks:
- Oklahoma!: Oh, What A Beautiful Mornin' - John Raitt/Franz Allers
- On The Town: New York, New York - Michael Kermoyan/Adolph Green/John Reardon/Cris Alexander & Chorus/Leonard Bernstein
- Annie Get Your Gun: I Got The Sun In The Morning - Doris Day/Franz Allers
- Fiddler On The Roof: If I Were A Rich Man - Topol/Gareth Davies
- West Side Story: Tonight - Larry Kert/Carol Lawrence/Max Goberman
- The Sound Of Music: The Sound Of Music - Mary Martin/Frederick Dvonch
- My Fair Lady: On The Street Where You Live - Jerry Lanning/Theodore Saidenberg
- Annie: Tomorrow - Andrea McArdle/Peter Howard
- The Music Man: Seventy-Six Trombones - The Boston Pops Orchestra/John Williams
- Anything Goes: You're The Top - Eileen Rodgers/Hal Linden/Julian Stein
- Bye Bye Birdie: Put On A Happy Face - Dick Van Dyke/Elliot Lawrence
- Mame: Open A New Window - Angela Lansbury & Cast/Don Pippin
- Strike Up The Band: Strike Up The Band - The Chestnut Brass Co.
- Sweet Charity: Hey, Big Spender - Helen Gallagher/Thelma Oliver/Fan-Dango Girls/Fred Werner
- Bells Are Ringing: Just In Time - Judy Holliday/Sydney Chaplin/Milton Rosenstock
- Gypst: Together, Wherever We Go - Ethel Merman/Jack Klugman/Sandra Church/Milton Rosenstock
- Cabaret: Cabaret - Jill Haworth/Harold Hastings
- Phantom Of The Opera: The Music Of The Night - The Boston Pops Orchestra/John Williams
- Show Boat: Ol' Man River - William Warfield/Franz Allers
- A Chorus Line: What I Did For Love - Priscilla Lopez & Cast/Don Pippin
- A Little Night Music: Send In The Clowns - Glynis Johns/Harold Hastings
Customer Reviews:
Great to Hear All those great Voices from the Past.......2007-07-05
I just wanted to confirm what the first reviewer had to say about this CD. To hear Ethyl Merman, Mary Martin, Andrea McCardle etc. singing their trademark songs brought a lot of memories from the mid-centry musical theater back again. The last song by Glynis Johns is especially poignant.
You certainly can't beat the price!
A Good One!.......2006-11-10
This is a very good CD, mostly because it's the original artists. I've had some that were re-recorded by no name artists that were ghastly. This one is a really good one--including the sound quality. If I had one wish, I would wish it were longer!
Average customer rating:
- A handsome Part 2 of Brightman's ALW songbook
- Lovely listening!
- a must
- Love Changes Everything: Andrew Lloyd Webber Vol. 2
- A Great New Compilation from Sarah Brightman!!!
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Love Changes Everything: The Andrew Lloyd Webber Collection, Vol. 2
Sarah Brightman
Manufacturer: Decca Broadway
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Binding: Audio CD
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- The Andrew Lloyd Webber Collection
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ASIN: B000BGR0OW
Release Date: 2005-10-25 |
Tracks:
- Probably On A Thursday
- The Perfect Year
- Only You
- Love Changes Everything
- Seeing Is Believing
- Think Of Me
- Any Dream Will Do
- I Don't Know How To Love Him
- Too Much Love To Care
- The Phantom Of The Opera
- Make Up My Heart
- No Llores Por Mi Argentina
- Everything's Alright
- Whistle Down The Wind
Amazon.com
The most surprising track on this collection isn't hidden between blockbusters selections from the blockbuster Lloyd Webber songbook but is located in plain view right at the beginning of the CD. The previously unreleased "Probably on Thursday" was originally written as a pop song in 1967 and indeed sounds very much like a forgotten gem by an obscure 1960s pop singer. It's absolutely delightful and the last thing you'd expect from a composer best known for neoclassical bombast. Another surprise is another previously unreleased song, this one from Sunset Boulevard: "The Perfect Year" is a sweet ballad, and Brightman smartly doesn't oversell it. In fact, the CD decidedly emphasizes the singer's more subtle side rather than her vocal pyrotechnics---"Make Up My Heart" from Starlight Express and "I Don't Know How to Love Him" from Jesus Christ Superstar are particularly nice. The cache of previously unreleased songs also includes guest apperances by the likes of Michael Ball ("Seeing Is Believing") and John Barrowman ("Too Much in Love to Care"), but there's never any doubt as to who the star of this CD is. And deservedly so. --Elisabeth Vincentelli
Customer Reviews:
A handsome Part 2 of Brightman's ALW songbook.......2007-05-25
I've long hoped that one day all of Sarah Brightman's recordings of Lord Lloyd-Webber songs would be released together in one comprehensive collection. This handsome CD, a sequel to her better-known Lloyd-Webber collection, is a treasure-trove of gems, focussing on lesser-known recordings and boasting several unreleased tracks. Brightman tackles a wide range of songs from the Phantom theme to a beguiling Spanish version of Don't Cry For Me, Argentina. But there are rarities on this collection: we get to hear Brightman shine in Mary Magdelene's two songs from Superstar, and kick back in her rendition of Any Dream Will Do, which we normally associate with Donny Osmond or Jason Donovan. Half the CD is made up of rarities and duets. It is a treat o hear her duet with Sir Cliff Richard on the B-side of the All I Ask of You single, Only You, and also her take on the Sunset Boulevard song, Too Much in Love to Care. It is also a treat to hear her in two songs from Starlight Express, and also in the unreeased early ALW song, Probably on Thursday. I konw this collecion reprised her recording of Think of Me from the Phantom London Cast album, and also her lovely rendition of Whistle Down the Wind, but it really makes it a treat to buy this collection without splurging on the other CD. A pity that this CD doesn't include Half a Moment from Jeeves, as there would surely have been enough space. A pity also that the rare song English Girls was left off the CD too, let alone the Spanish version of Amigos Para Sempre. In short, a lovely sequel to her ALW Collection volume 1, and perhaps more worthy than the hastily-assembled Encore collection. Now if only Decca and Really Useful might consider combining all of Brightman's ALW recordings into a comprehensive set...
Lovely listening!.......2007-04-03
Sarah Brightman has a beautiful voice, and this selection of songs is just made for her. I really enjoyed this CD when I first checked it out at my local library -- and then I decided to buy it new, something I don't do except when I REALLY like the CD and intend to listen it it over and over.
The quality of her voice, the other performers, and the variety of Webber songs makes for an excellent combination!
a must.......2007-01-30
an outstanding collection of songs that prove the consummate vocalist in all her glory. No one else has so wonderfully bridged the gap between opera and pop. This one's a keeper.
Love Changes Everything: Andrew Lloyd Webber Vol. 2.......2007-01-13
The CD was ok, but I prefer Vol. 1
A Great New Compilation from Sarah Brightman!!!.......2006-04-09
I was a bit sceptical when this album was released since I owned 3 other albums with Sarah Brightman singing ALW songs: "Sarah Brightman Sings ALW" "Surrender: The Unexpected Songs" and "The ALW Collection Vol. 1" But when I read the song list, it does sound interesting to me so I decided to just go and grab one.
I was totally surprised at how this album was presented. I really like this side of Sarah Brightman. We usually portray Miss Brightman as a big powerful high-pitched soprano kinda singer, which sometimes nice but can get a bit annoying at times. But this album features more of Sarah's relaxing side. She sings all the songs softly and beautifully with a little flair of pop music as well. Most of the songs end with a fade out not with a big powerful Broadway-like ending. And her repertoire here is really interesting. Firstly, it doesn't repeat other albums that much. It also has 7 previously unreleased songs out of 14. That's half the album! Here's my thoughts on each of them:
#1 PROBABLY ON THURSDAY: This was an unreleased song. It sounds more like a pop song than traditional Broadway. But Sarah sings it wonderfully.
#2 THE PERFECT YEAR: From Sunset Boulevard, This unreleased version resembles Dina Carroll's version to me but Sarah has her own take on the song which makes it more gentle and beautiful.
#3 ONLY YOU: From Starlight Express, I'm sure we all have heard Sarah's duet with Cliff Richard in All I Ask of You. But here's another wonderful duet, previously unreleased.
#4 LOVE CHANGES EVERYTHING: From Aspects of Love, Some of you might think "Oh C'mon, we have this song in ALW Collection Vol. 1" Well, folks, this is another version of it and, may I say, a better one. This unreleased version has a completely new take on the song. She sings it softly and it sounds so relaxing and she didn't go all the way to that strainful high note in the end like in the previous album (which I hate). This version has a soft ending and it's wonderful!!!
#5 SEEING IS BELIEVING: From Aspects of Love, This is so awesome, Sarah, who once played Rose in Aspects, singing with the original Alex, Michael Ball. What more could you ask!
#6 THINK OF ME: From The Phantom, This is taken from the Original London Cast Recording so no doubt that it's wonderful. I think the reason why they chose this songs is that they ran out of songs from Phantom since 4 of them was featured on Vol. 1
#7 ANY DREAM WILL DO: From Joseph, This song can be found on "Sarah Brightman sings ALW" album. But that album is very old and most of the people might not own it. So I think it's good that they included it here in a newer album. The music sounds exactly the same as the cast recording album just with a female voice instead, nice!!!
#8 I DON'T KNOW HOW TO LOVE HIM: From Jesus Christ Superstar, I found this song on 2 albums, "The Very Best of ALW" and "Sarah Brightman sings ALW" The first time I heard this, I thought to myself this is the best version of the song ever. I like Sarah's take on this more than Yvonne Elliman, really. Don't boo me for that.
#9 TOO MUCH IN LOVE TO CARE: From Sunset Boulevard, Here's another of our previously unreleased. Sarah sings this with the brilliant John Barrowman. This is my favourite songs from the show but not many singers recorded it. So I was really excited to see this song on the list and it didn't disappoint me at all.
#10 THE PHANTOM OF THE OPERA: Then my nightmare comes. Sorry but I really hate this version of the song. I don't like Steve Harley's style and this song always appear on every compilation album. But one bad song couldn't hurt this wonderful album. Just skip it. As I said, they just need some songs from this show since it's what made Sarah a star. And Michael Crawford's version was on Vol. 1 already.
#11 MAKE UP MY HEART: From Starlight Express, Our last unreleased song. I really like it. I have to admit that I have never heard this song before since I didn't own the new Starlight Express album. But it's wonderful and a little heart-wrenching, don't you think... :)
#12 NO LLORES POR MI ARGENTINA: From Evita, This is the Spanish version of Don't Cry for Me Argentina. I really like it when Sarah sings the songs in other language. It's something about her voice that suits these beautiful languages. This song is also featured on "Surrender".
#13 EVERYTHING'S ALRIGHT: From Jesus Christ Superstar, This song can be found on "Sarah Brightman sings ALW" and "Surrender". It's wonderful to here Sarah as Mary Magdalene. The guys singing here are just so-so. It's Sarah who's the star!
#14 WHISTLE DOWN THE WIND: Then we came to our last song. I'm so glad they included this song on this album. The song only features on "Encore" which I didn't own for I think the repertoire didn't interest me. This song is a wonderful exit music for the album. It's beautiful. It's nice. It's great!!!
Wow, this is a long comment, huh? Anyway, for those of you who are thinking of getting Sarah's album with an all-Andrew-Lloyd songs. Here's the bottom line. If you own the Vol. 1 already, just buy it! It's much much better and the song didn't repeat itself. If you own the other album with Sarah singing Andrew's songs, you should get this too just for the 7 new songs. If you are going to buy your first Sarah's album, I'd recommend this one and "Surrender" (which might be a bit pricy but the songs are great there too) Don't get the Vol. 1, it's not that good! Hope my comments help!
P.S. If you're interested in some other people singing Andrew Lloyd Webber's songs, try "Michael Crawford Performs Andrew Lloyd Webber", it's great too!
Music Review:
- Bruckner: Symphonies Nos. 1 & 9 [Import]
- C.P.E. Bach: Symphonies/ Concertos
- Chopin: Sonatas Nos. 1-3; Mazurkas; Etudes
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- Daquin & The French Noel
- Dutilleux: Metaboles; Concerto for cello
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- Forever
- Franz Schubert in Performance from NPR
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Overdose Simulation
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Picture [Limited Edition] [Special Edition] [Import]
O-Town
Metropolitan Museum of Art: Music of Byzantium
Modern Art [Limited Edition] [Original recording remastered] [Import]
Nuestro Idolo
Navidad Ranchera
Run-D.M.C.
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