Holst: Planets, suite for orchestra (or pianos) Op32 / Elgar: Pomp and Circumstance Marches, Op. 39, No. 1 & No. 4 [Import]
Track Listings
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1. Jupiter, The Bringer Of Jollity
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2. March No 1 In D 'Land Of Hope And Glory'
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3. March No 4 In G
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4. Mars, The Bringer Of War
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5. Mercury, The Winged Messenger
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6. Neptune, The Mystic
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7. Saturn, The Bringer Of Old Age
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8. Uranus, The Magician
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9. Venus, The Bringer Of Peace
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Holst: Planets, suite for orchestra (or pianos) Op32 / Elgar: Pomp and Circumstance Marches, Op. 39, No. 1 & No. 4, Music, Gustav Holst, Edward Elgar, Neville Marriner, Ambrosian Singers, Royal Concertgebouw Orchestra, Classical, March for Orchestra, Orchestral, Suite for Orchestra
Average customer rating:
- the most relaxing classical music in the university
- Relaxing Classical Music
- Stress-freedom
- Greatly enjoy!
- the most relaxing classical music in the universe
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The Most Relaxing Classical Music in the Universe
Tomaso Giovanni Albinoni , Johann Sebastian Bach , Ralph Vaughan Williams , George Frideric Handel , Gustav Holst , Samuel Barber , Edvard Grieg , Jean Sibelius , Antonin Dvorak , Franz Liszt , Charles Gounod , Fryderyk Chopin , Alexander Borodin , Maurice Ravel , Antonio Vivaldi , Satie, Erik , and Various Artists
Manufacturer: Denon Records
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- Mozart for Relaxation
ASIN: B00008RH16
Release Date: 2003-04-08 |
Tracks:
- Canon - Pachelbel
- Eine Kleine Nachtmusik-Andante - Mozart
- Fur Elise - Beethoven
- String Quartet #1 - Tchaikovsky
- Clair De Lune - Debussy
- Idyl for Strings - Adagio - Janacek
- Adagio in G Mnor - Albinoni
- The Girl with the Flaxen Hair - Debussy
- Air on a G String - Bach
- Greensleeves - Vaughn Williams
- Largo from Xerxes - Handel
- Prelude in C - Bach
- The Planets - Venus - Holst
- Goldberg Variations - Aria - Bach
- Adagio for Strings - Barber
Tracks:
- Prelude to the Afternoon of a Faun - Debussy
- Fur Elise - Beethoven
- Holberg Suite - Sarabande - Grieg
- Valse Triste - Sibelius
- Concerto in F Minor - Largo - Bach
- Serenade for String - Moderato - Dvorak
- Liebestraume - Liszt
- Ave Maria - Bach/Bounod
- Etude in E Major - Chopin
- String Quartet No 2 - Nocturne - Borodin
- Arabesque - Debussy
- Pavane for Dead Princess - Ravel
- The Four Seasons - Largo - Vivaldi
- Gymno0pedie 1 - Satie
- Moonlight Sonata - Adagio - Beethoven
- Piano Concerto No 21 - Andante - Mozart "Elvira Madigan"
Customer Reviews:
the most relaxing classical music in the university.......2007-05-12
All my favorites. I can start the CD player, which is wired to speakers in every room of my house, and just let it play, along with "The Most Relaxing Classical Music in the World" and "The Most Relaxing Classical Guitar in the World." I enjoy an awareness of familiar and beautiful strains of my favorites all day long and never get tired of it.
My brother visited me recently and noticed it right away. That will be another order for this fabulour music.
Relaxing Classical Music.......2007-01-08
I was not really a classical music fan but I am now. I purchased this cd for my 14 year old grand-daughter, not knowing we would both enjoy the music so much. She has always enjoyed classical music along with all of the other teen music, rap, rock, country, etc.
Also, it really helped being able to listen to parts of the music before purchasing.
Stress-freedom.......2006-03-14
Perfect music to end the work day. After listening to this I can face the evening. If the morning is hard, a little at lunch time gets me through the afternoon.
Greatly enjoy!.......2006-02-23
I first developed a taste for this music a number of years ago when my daughter started playing in the orchestra. The reason I made this purchase however, was because I have a great deal of difficulty with anxiety and I was looking for ways to find help. I love these CDs. It helps so much to sit and close my eyes and enjoy the music. The CDs are full of beautiful music.
the most relaxing classical music in the universe.......2005-09-21
it's the best next to the first one...
Average customer rating:
- Good selection
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25 Thunderous Classics
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ASIN: B00004Y6SQ
Release Date: 2000-09-05 |
Tracks:
- Also Sprach Zarathustra (Sunrise) - R. Strauss
- Mars (The Planets) - Holst
- Overture 1812 - Tchaikovsky
- Entry Of The Gladiadtors - Fucik
- Sabre Dance - Khachaturian
- Procession Of The Sardar - Ippolitov Ivanov
- Night On Bald Mountain - Mussorgsky
- Anvil Chor (II Trovatore) - Verdi
- The Thunderer March - Sousa
- Thunder & Lightening Polka - J. Strauss
- Prelude To Act III : Lohengrin - Wagner
- The Ride Of The Valkryies - Wagner
- Montagues & Capulets (Romeo & Juliet Ballet Suite) - Prokofiev
- The Storm: Symphony No. 6 In F Major, 'Pastorale' - Beethoven
- Rondeau - Edward Carroll
- Overture: Fireworks Music - Handel
- March To The Scaffold: Symphonie Fantastique - Berlioz
- LesToreadors - Bizet
- William Tell Overture: Finale - Rossini
- Revolutionary Study - Abbey Simon
- Fanfare For The Common Man - Copland
- Sym No. 1 'Titan' IV Sturmisch Bewegt (Excerpt) - Mahler
- Augurs Of Spring From Rite Of Spring - Stravinsky
- Russian Dance From Petrouchka - Stravinsky
- The Great Gate At Kiev From Pictures At An Exhibition - Mussorgsky
Customer Reviews:
Good selection.......2005-10-02
I bought this CD to use in my classroom as listening examples. I'm not just a super big fan of some of the performances, but they are all good and for the price you can't beat it. That's why I gave it 5 stars. It's worth more than it costs by far.
thunderous applause.......2005-08-31
This is a who's-who of great pieces of music you have heard all of your life, and never knew the names and stories! I listened to it over and over in the car and had my own concert! A friend borrowed it to add music to his Home Movies and it was perfect!
Good Music at a Great Price.......2004-03-06
I bought this CD mostly for "Entry of the Gladiators," which everyone will recognize as classic circus music. The performance on this CD (by Erich Kunzel and the Cincinnati Pops) is the best available version of Entry of the Gladiators. The rest of the CD offers mostly excerpts of classical music.
You will like this!.......2004-02-19
I had purchased an abundance of the "Favorites" collection and some were better than others.
This CD is at the top of them all. They may be short, but not that short. Wondrous music.
I can almost guarantee that you will like this music.
Well worth the price!
Good for the novice.......2002-06-08
The recordings on this disc are pretty good. However, the editors selected only the *loud* parts, as indicated by the title. I was pretty disappointed to find that the pieces are, in many cases, edited to reflect the most famous themes, etc, instead of including the whole work. In general, I would recommend this to the classical music novice, or someone who wants to expand their knowledge of classical music in general. Those who already are familiar with these pieces will probably feel gypped.
Average customer rating:
- Wonderful! And with thanks to John Williams for introducing this listener to "The Planets!"
- Streaming Space
- ALMOST A REFERENCE RECORDING
- It Doesn't Get Much Better
- A fine CD at a friendly price
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Holst: The Planets
Manufacturer: Decca
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Binding: Audio CD
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ASIN: B000050AQC
Release Date: 2001-04-10 |
Tracks:
- The Planets: Mars, The Bringer Of War
- The Planets: Venus, The Bringer Of Peace
- The Planets: Mercury, The Winged Messenger
- The Planets: Jupiter, The Bringer Of Jollity
- The Planets: Saturn, The Bringer Of Old Age
- The Planets: Uranus, The Magician
- The Planets: Neptune, The Mystic
- Close Encounters Of The Third Kind: Suite
- Star Wars: Main Title
Customer Reviews:
Wonderful! And with thanks to John Williams for introducing this listener to "The Planets!".......2007-05-07
I bought this CD after a Tanglewood concert a few years ago where John Williams, focusing on movie music including his own compositions, also conducted "The Planets." I recognized "Jupiter" as the theme music for a WQXR (the New York Times radio station) "New York at 6" program. It was a treat to find out where that piece came from. When I listened to this beautifully performed CD, I was pleasantly surprised to see Mr. Williams' movie music included -- a brilliant move on the part of this item's producers (just listen to "Mars" and then to "Star Wars"). As another reviewer has suggested, it's not clear why his music was included, but there are similarities here which I'd love Mr. Williams to discuss some day. I've since become an avid amateur astronomer, and so the themes, musical and otherwise, projected in the works of Holst and Williams have become a special treat for the mind as well as the ear.
Streaming Space.......2006-11-17
Music to travel by - to the market, the mountain top - anywhere.
Beautiful music performed beautifully. A treat for the ears and
the soul.
ALMOST A REFERENCE RECORDING.......2006-11-10
Very good recording of The Planets. I like it even better than the Sir Alexander Gibson recording, although that was my previous favorite. This piece needs to be played dynamically, and Mehta certainly does that. I would recommend it to anyone who likes a certain amount of bombast and a decent workout for their woofers.
It Doesn't Get Much Better.......2006-09-26
This is the fourth recording of "The Planets" I've purchased, and I am extremely pleased. The Los Angeles Philharmonic was at its best here, and much of that was owed to the genius of its then director Zubin Mehta. Crisp arrangements, and a full orchestral sound is how you achieve the full effect of "The Planets." Other conductors should take note. Not my favorite, that honor still goes to the Los Angeles Philharmonic, under the leadership of Leopold Stokowski. But you definitely can't go wrong with this one.
A fine CD at a friendly price.......2006-09-01
I've heard several recordings of "The Planets," and I like this one very much. The Los Angeles Philharmonic Orchestra (with Zubin Mehta conducting) and the Los Angeles Master Chorale (Women's voices) do a fine job of capturing the drama of the work. And I think it was a good idea to couple it with a little of the outer-space-related music of John Williams.
Holst wrote selections about all eight planets, except for the Earth. But what about Pluto? Oh, wait, it got demoted last week! It's only a dwarf planet. Or maybe just a big rock. In any case, we hear some imaginative musical descriptions of the remaining planets.
I recommend this excellent performance.
Average customer rating:
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Passion - Most Famous Orchestral Spectaculars [20 CD Set]
Manufacturer: Delta
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ASIN: B00012QLTQ
Release Date: 2003-12-09 |
Album Description
Music can be both calming and relaxing, or invigorating and passionate...this phenomenal 20-CD set is definitely the latter. This amazing collection brings together for the first time the most passionate music of all time, from Ravel's Bolero, Tchaikovsky's Swan Lake, Wagner's Magic Fire Music to Ravel's La Valse, Orff 's Carmina Burana and Stravinsky's Rite of Spring. This is a must have collection for every passionate music lover.
Customer Reviews:
A good gift for novice.......2007-05-12
This was a good gift for somebody learning about Classical music in Japan.
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- Better than most
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More Of The Most Relaxing Classical Music In The Universe
Ludwig van Beethoven , Eugene-Auguste Ysaye , Johann Sebastian Bach , Jean Sibelius , Sergey Prokofiev , Jules Massenet , Anonymous , Fryderyk Chopin , Giacomo Puccini , Robert Schumann , Pyotr Il'yich Tchaikovsky , Kazuo Yamada , Claude Debussy , Felix Mendelssohn , Carl Maria von Weber , Enrique Granados , Gustav Holst , and Various Artists
Manufacturer: Denon Records
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ASIN: B0000AINLR
Release Date: 2003-08-12 |
Tracks:
- RACHMANINOFF Piano Concerto #2, Adagio
- VERDI Preludio
- PAGANINI "Introduzione e tema con variazioni"
- BRAHMS Sonata for two pianos, Andante
- MOZART Adagio in E Major
- BEETHOVEN "Pathetique" Sonata, Adagio
- YSAYE Sonate #2, "Malinconia"
- BACH Prelude #22, Well-Tempered Clavier, Book I
- VERDI "Quando le sere al placido" (When the Evening Becomes Peaceful)
- BACH Orchestral Suite #2
- SIBELIUS The Swan of Tuonela
- PROKOFIEV Romeo and Juliet
- MASSENET Meditation from "Tha
- RACHMANINOFF Prelude
Tracks:
- TRADITIONAL Catalonian Folk Song
- CHOPIN Piano Concerto #1, Larghetto
- PUCCINI "Crisantemi" (Chrysanthemums)
- SCHUMANN "Traumerei" (Dreaming)
- TCHAIKOVSKY Swan Lake (excerpt)
- K. YAMADA ''Chugoku-Chiho No Komoriuta" Lullaby
- DEBUSSY "En Bateau" (By Boat)
- BEETHOVEN Symphony #6 "Pastoral", Andante
- MENDELSSOHN Songs Without Words
- WEBER Introduction, theme and variations
- GRANADOS "Goyescas" (Sketches on the works of Goya)
- TCHAIKOVSKY Nocturne in F
- HOLST The Planets, "Neptune"
Customer Reviews:
Better than most.......2007-02-08
This is a good mixture of elevator music, and some soft relaxing melodies.
Wonderful Music.......2007-01-18
Wonderful music for your listening pleasure. Very relaxing and soothing. Nothing beats classical music.
Average customer rating:
- Andre Previn-The Planets by JHA
- Sometimes it's brilliant, sometimes it's not--but what did you expect with an interpretation of 'The Planets'?
- Incredible music
- Can't wait to go see it live!
- From Mercury to Neptune...
|
Gustav Holst: The Planets, Op 32
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
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ASIN: B000003CU0
Release Date: 1990-10-25 |
Tracks:
- l. Mars, The Bringer Of War
- ll. Venus, The Bringer Of Peace
- lll. Mercury, The Winged Messenger
- lV. Jupiter, The Bringer Of Jollity
- V. Saturn, The Bringer Of Old Age
- Vl. Uranus, The Magician
- Vll. Neptune, The Mystic
Customer Reviews:
Andre Previn-The Planets by JHA.......2007-04-06
I did not rate this #5, but it came very close. Any musical work that involves Andre Previn can be relied on to be outstanding, and this one was no disapointment.. Gustav Holst created the musical images and Andre Previn brought gave them life.. A most enjoyable CD..
Sometimes it's brilliant, sometimes it's not--but what did you expect with an interpretation of 'The Planets'?.......2006-10-01
There are so many recordings of this work. I often wonder how Gustav Holst would have felt if he were to have come to realize just how many people would treasure his beloved suite, `The Planets.' And so, as we begin the Twenty-first Century, we retain the legacy of this work through its myriad interpretations. And many would agree that no one recorded interpretation perfectly satisfies our respective views of how the suite should be performed. In essence, there exists in the grand multiplicity of recordings of this work no single, definitive edition. It is therefore necessary for the devoted fan of Holst's most masterful suite to collect as many versions as feasible in order to hear different aspects of the work performed to his or her native expectations.
And so we come to Andre Previn's interpretation of the suite. Overall, I believe Previn's is a competent performance. The Royal Philharmonic Orchestra consistently produces satisfactory material (dare I mention Louis Clark's work with this orchestra on the Hooked On Classics series, a collection of albums for which many enthusiasts keep their deep affection a closely guarded secret), and Previn leads them very well in this recording. The best way to describe his performance here is that it offends no one--his tempi are within the range most people deem "acceptable," he does not emphasize any particular section within the orchestra, and he does not take any glaring liberties with the score. For that reason, I would say that Previn is a very good place for those who are searching for their first recording of `The Planets.'
However, we all have our preferences; some will find other versions far more enjoyable than Previn/RPO, and others will cite this one as the definitive recording. As for myself, I would have to say I fall in the middle. Previn's is a very good interpretation, but it is not my favorite. So far, James Levine/Chicago Symphony Orchestra and Charles Dutoit/Montreal Symphony Orchestra split that honor.
What follows is a detailed description of the five tracks to which I regularly listen. Note that my comments are restricted purely to Previn's interpretation of the suite; I assume my readers will have heard the work and are searching for a suitable recording.
"Mars, The Bringer Of War" - Previn is somewhat staid in this movement. Of course, my objectivity is somewhat compromised in that I have heard the Levine recording of the suite--one feels like he has just removed cotton balls from his ears when he hears the savage treatment the Chicago Symphony Orchestra brass give Holst's melodies. Previn takes a slightly faster tempo in this movement than that to which I am accustomed. The orchestra plays flawlessly, everything is exactly in place, yet the overall effect seems somewhat lost. The dynamics are too compressed, I believe. Even so, the brass section has a very nice tone, and the balance between sections is very nice. My final verdict is that you have not heard this movement performed to its full effect until you have heard Levine/CSO.
"Venus, The Bringer Of Peace" - Maestro Previn does better in this movement. The overall mood is captured beautifully, even though I prefer the soloists in Dutoit's recording (they are not bad here; it's just personal preference on my part for which I will not take away any points). Previn excels at delicate, pensive passages in exactly the manner that Levine does not. Levine is all about power and pomp, which shows on his interpretation of "Venus"--it sounds aimless and rushed. Even though I have praised Previn here, Dutoit/MSO remains the authority on this movement.
"Mercury, The Winged Messenger" - Yes! Previn does it here. His interpretation of this piece is superior to that of either Levine or Dutoit. The section beginning around the one-minute mark, where soli are passed between instruments, is beautiful in the extreme. The dynamic shifts throughout the movement are musical and pleasing. The balance between sections--especially important in this movement--is very well handled. Based on this performance, Previn sounds to me as though he might interpret Mendelssohn well (I should look into that).
"Jupiter, The Bringer Of Jollity" - This is by far my favorite movement in the suite. For me, the middle section of this movement ties with the haunting theme from the second movement of Dvorak's Ninth Symphony as the most beautiful melody in all music. Previn really delivers in this section. Of the three recordings I have, I would have to say that Previn's middle section is my second favorite (after Dutoit, even though he meddles with the score somewhat with some omissions of instruments). It would be my favorite if it were not for the flat, lifeless production. I will comment on the production later on in the review. As for the remainder of the piece, Previn brings to the surface many elements which often go unnoticed in other versions. In particular, Dutoit's version is bereft much of the interesting background instrumentation that is heard loud and clear in Previn's version. Previn takes a somewhat slower tempo than I have usually heard for this movement, perhaps to facilitate greater accuracy. In that capacity he succeeds brilliantly; technically, this is the finest recording of the three I own. Overall, this is a very solid recording of one of my favorite movements in all classical music.
"Saturn, The Bringer Of Old Age" - This is yet another shining moment for Previn. The dynamics are divine, the tempo is perfect, and the brass sounds particularly rich and wonderful. Previn voiced this section particularly well in this movement. The strings are smooth, the woodwinds expressive, and the percussion is spot-on. While the Dutoit recording might be just a little better (simply because of the soul-vibrating bass at the end of the movement--unequaled in any other recording), the distance between the two is so small that, on some days, I prefer Previn.
As for the next two movements, my objectivity fails. This is possibly because I have not heard either of them in over seven years. They are both far too abstract for my liking.
And now we come to the production quality. I cannot attest to the quality of other Telarc productions, but this one is absolutely pitiful. The high ranges sound dull and lifeless, the midrange is muddy and unfocused, and there seems to be a peak somewhere around the 130 to 160 Hz range that makes the music sound bloated. Additionally, the dynamics seem compressed somewhat (perhaps it is Telarc, and not Andre Previn, that has truncated the dynamic flow of "Mars"), and the recording level is very low (one must set the volume on the playback device to near maximum to experience an acceptable level). The poor quality actually mars my enjoyment of the suite and my evaluation of Previn's work. This is particularly apparent to me in "Jupiter", possibly because this is my favorite movement in the suite. As I said before, the middle section in Previn's interpretation would be my absolute favorite were it not for this lamentable production. Of the three recordings I own, Levine's is the best sonically. One could really believe he is in the hall listening to a live performance. Dutoit's is acceptable (it is a little weak in the bass and the strings sound a little harsh), considering that its sonic imperfections do not detract considerably from the experience.
Of course, that is my opinion. Your miles may vary.
However, despite the poor production, I would still recommend this recording as a solid reference as to how the suite should be performed. For the prospective buyer it would make an excellent first recording of the work, and it is also a fine supplementary purchase, even though it is fairly expensive. I would also recommend the other two recordings I have periodically mentioned: James Levine/Chicago Symphony Orchestra (on Deutsche Grammophon) and Charles Dutoit/Montreal Symphony Orchestra (on Decca/Penguin Classics). Beyond these are Karajan/Berliner Philharmoniker, Leonard Bernstein/New York Philharmonic, and Sir Adrian Boult's various recordings with different orchestras. I have heard none of these, but they are considered to be fine recordings of the suite.
Incredible music.......2006-07-31
I first heard "The Planets" at a barn concert in Wisconsin's Door County (an orchestra of high schoolers). As soon as I could get to a computer I ordered this opus recording and it is very good. The live performance was better than this recording but aren't they always??
Can't wait to go see it live!.......2006-07-04
I love the Planets, possibly my favorite Classical symphony. Holst was the best at what he did! From the highly rythmic section of mars, to the more lyrical section of Jupiter, to the strange sections of Uranus. It's great! Even better is the Rockford Symphony is doing this in Feb. I can't wait to see it! Go listen to this!
From Mercury to Neptune..........2006-02-03
I'd have to say that this is the finest recording of Gustav Holst's "The Planets" I've ever heard. Previn handles the tempi and the aggression/coolness of every segment very well. The Royal Philharmonic does a good job with the passion and power of Holst's most famous piece. Absolutely a must.
Average customer rating:
- Holst
- Good music, iffy CD
- Good for the average listener
|
Holst: The Planets
Holst
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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ASIN: B000065AR0
Release Date: 2002-05-07 |
Tracks:
- Mars, The Bringer Of War
- Venus, The Bringer Of Peace
- Mercury, The Winged Messenger
- Jupiter, The Bringer Of Jollity
- Saturn, The Bringer Of Old Age
- Uranus, The Magician
- Neptune, The Mystic
Customer Reviews:
Holst.......2007-04-02
I purchased this product for a gift. The person that I gave it to loved it. They said that they use it to go to sleep. They are really happy with the product.
Good music, iffy CD.......2007-03-08
For the price, this is actually a very good, dynamic rendition of The Planets. The production quality of the actual media may be iffy, though - when I went to rip it for MP3 the quick way, the brand-new CD introduced many, many gaps. It ended up taking EAC 5 hours on secure mode to finally make a rip without errors.
Good for the average listener.......2003-01-13
Good recording by the London Symphony here, under Geoffry Simon. I don't care for the "creative" variations on The Planets that I've heard, and this one seems to hold pretty true to what I consider the "real thing". (which I admit is subjective since I was born half a century after it's original performance)
There is a very large range between the soft and loud passages, which makes it difficult to listen to in noisy environments, but it's all the more emotionally moving that way when heard on a real stereo or when I've got good headphones on.
Nothing particularly sectacular, but a solid performance. If you're not looking for any one CD in particular, this is a good one to have.
Average customer rating:
- The planets are magnificent, and the cd is excelent
- Lovely
- If you like John Williams soundtracks, you'll love this!
- You gotta love it! Perfect for the Sci-Fi fan.
- Out of This World
|
Holst: The Planets/John Williams: Star Wars/Strauss: Also Sprach Zarathustra
Manufacturer: Decca
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ASIN: B0000042G5
Release Date: 1998-01-13 |
Tracks:
- The Planets: I - Mars, The Bringer Of War
- The Planets: II - Venus, The Bringer Of Peace
- The Planets: III - Mercury, The Winged Messenger
- The Planets: IV - Jupiter, The Bringer Of Jollity
- The Planets: V - Saturn, The Bringer Of Old Age
- The Planets: VI - Uranus, The Magician
- The Planets: VII - Neptune, The Mystic
- Close Encounters Of The Third Kind: Close Encounters Of The Third Kind - Suite
Tracks:
- Also Sprach Zarathustra: Introduction
- Also Sprach Zarathustra: Of The Backworldsmen
- Also Sprach Zarathustra: Of The Great Longing
- Also Sprach Zarathustra: Of Joys And Passions
- Also Sprach Zarathustra: Song Of The Grave
- Also Sprach Zarathustra: Of Science
- Also Sprach Zarathustra: The Convalescent
- Also Sprach Zarathustra: Dance Song
- Also Sprach Zarathustra: Night Wanderer's Song
- Star Wars - Suite: I - Main Title
- Star Wars - Suite: II - Princess Leia's Theme
- Star Wars - Suite: III - The Little people
- Star Wars - Suite: Cantina Band
- Star Wars - Suite: IV - The Battle
- Star Wars - Suite: V - The Throne Room And End Title
Customer Reviews:
The planets are magnificent, and the cd is excelent.......2007-01-09
I love the Planets Suite, and I was looking for a cd of the Planets to buy. When I saw this one with the Star Wars Suite. Close Encounters of the Third Kind, AND Also Sprach Zarathustra at this low of a price, I was hooked
Lovely.......2006-11-04
I've thoroughly enjoyed both CD's. I do wish the Holst and Strauss pieces were a little louder, but I guess that's my radio's problem.
If you like John Williams soundtracks, you'll love this!.......2003-12-19
Okay, so the album isn't all John Williams. However, I think the selections to create this album were superb! You get the best of outer space soundtracks with this double CD set!
I should mention that I enjoy this album merely because of the works used to put it together. Some of the interpretations left a bit to be desired (hence, the reason why I give this only four, instead of five, stars). For example, I felt the horn player in "Mars" (the first movement of "The Planets") was too overbearing (I thought he/she overdid the vibrato, among other things), rather than subtle (as done in the Orchestre Symphonique de Montreal's version, ASN# B0000041S7 -- check out my review of that album). Additionally, I wasn't too crazy about "Cantina Band" in "Star Wars" -- it's not that I don't like the piece (I do!); rather, the fade out by the sound engineer was unnatural and inappropriate for an orchestral work. (C'mon, shouldn't a fine group led by the great Zubin Metha be able to perform a decrescendo ending without any electronic help?)
Criticism aside, let me say that I LOVE this album! Even though I might attack the performance quality, I loved how the works were selected and organized. If you're a fan of sci-fi or action/adventure soundtracks, you'll thoroughly enjoy what you hear!
You gotta love it! Perfect for the Sci-Fi fan........2002-11-28
This is a great CD for the Sci-Fi fan. It has all of the music that you could want. It has the classic "Star Wars Suite" from " Star Wars Episode IV: A New Hope," but it also includes the "Close Encounters of the Third Kind" suite from Lucas' director buddy, Steven Spielberg.
The compilers got another bull's-eye by including Holst's "The Planets," which is the source for the themes of Star Wars. For example, play "Mars," then listen to the themes associated with the Empire. Or play "Venus" and compare that to "Princess Leia's Theme." And the similarities between "Mercury" and "The Little People" are too obvious to state.
"The Cantina Theme" is strong, except for the bridge. In the original recording there were steel drums that are conspicuously absent.
For some reason, the entire "Also Sprach Zarathustra" was included on the CD. The introduction was made famous by "2001: A Space Odyssey," but the rest of the opus has been forgotten. I think they just had extra space on the CD, so they included the rest of the composition. Whatever reason, we are better for hearing all of the music that was based on Nietzsche's philosophical book of the same name.
The recording is clear and sharp, and I have had no technical problems with the CD skipping. The cover-art has some of those unusual pictures from the Hubble Telescope that gives the entire product that sense of otherness we all crave.
Out of This World.......2002-06-30
This is the version of "Star Wars" you want. It has the raucus, almost bawdy victorious power you remember from the movie.
Likewise are the other pieces. Besides being the themes from "Star Wars", "2001: A Space Odyssey", "Close Encounters", there is the classical classic (can I say that?) work, "The Planets" by Holst.
I think the them to 2001 ("Thus Spake Zarathustra") also was the intro the famous Macintosh commerical (1984 Superbowl?).
These are more than pop-culture favorites that happen to be orchestral works. They are sophisticated and poetic, with more than easy melodies sweeping occasionally.
These are the complete suites. You might remember the glorious intro to 2001, but enjoy with this CD the full piece: almost 33 minutes.
The pace and range of the music undulates from serene, almost pastoral quietude to raging, fist in air excitement.
I fully recommend "Holst: The Planets/John Williams: Star Wars/Strauss: Also Sprach Zarathustra."
Anthony Trendl
Average customer rating:
- perfect selection for commencement/ graduation
- Great Starting Point for Classical Music Novices
- **An Exquisite Album**
- Samples
- Great Sampler!
|
Simply the Best Classical Anthems
Manufacturer: Erato
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ASIN: B00004SUVI
Release Date: 2000-04-25 |
Tracks:
- Requiem: Dies Irae
- Carmina Burana: O Fortuna
- The Planets: Mars
- The Ride Of The Valkyries
- Chorus Of The Hebrew Slaves
- Fanfare For The Common Man
- Pomp And Circumstance March No. 1
- Aida: Grand March
- Summer - Four Seasons: Presto
- Te Deum: Prelude
- The Young Person's Guide To The Orchestra
- Toccata And Fugue In D Minor
- Symphony No. 5: First Movement
- Spartacus: Adagio
- Sabre Dance
- Symphony No. 40: First Movement
- Zadok The Priest
- Turandot: Nessun Dorma
Tracks:
- Also Sprach Zarathoustra
- Romeo And Juliet: Dance Of The Knights
- Requiem: Dies Irae
- 1812 Overture
- Piano Concerto
- Spring - Four Seasons: Allegro
- Messiah: Hallelujah Chorus
- The Royal Fireworks: La Ruissance From Music
- Flight Of The Bumble Bee
- Symphonie Fantastique: March To The Scaffold
- Carmen: Overture
- Eine Kleine Nachtmusik
- Jerusalem
- The Planets: Jupiter
- Symphony No 9, 'Ode To Joy'
- Swan Lake: Scene
- Enigma Variations: Nimrod
- Rhapsody On A Theme Of Paganini [Variation 18]
- Pictures At An Exibitions: Promenade
- Symphony For Organ No 3: Finale, Symphony For Organ No 3
Customer Reviews:
perfect selection for commencement/ graduation.......2007-06-11
We were concerned after reading some other reviews that this version of Pomp and Circumstance wouldn't be the correct movement or the full length version. This selection has the song for graduation AND the extended length, so it gives plenty of time for processionals. If this is what you need, this is the CD to get.
Great Starting Point for Classical Music Novices.......2004-08-13
"Simply the Best Classicial Anthems" is exactly what the title indicates. This is a collection of what the CD says are "36 of the most powerful classics on Earth". My review of this CD comes from someone who is a Classical Music Novice. I'm familiar with some of the composers, musical styles, musical periods, and some of the terminology that is key to understanding Classical Music. By no means am I an expert. I have basically popped in this two CD collection into my player and have enjoyed the sounds it produces. If you are in the same category as I am or maybe just wanting to be introduced to Classical Music - this is going to be a very good CD to have in your collection. For the more seasoned Classical Music fan, this could be either enjoyable or overkill.
The CD contains 36 songs composed by the legends of Classical Music Composers from the past. The bulk of the works come from Composers in the the 19th and 20th century, but there are works from the Romantic and Classical eras of the late 18th and early 19th century (such as Beethoven and Mozart). In general you will find most of the major names of Composers you would expect to find - names such as Tchiakovsky, Handel, Verdi, Strauss, Elgar, and Bach are all there. The only major composer who I would have expected to see on this CD that I don't see is Frederic Chopin. The composers of the late 20th century are not included on this collection - so you won't see Leonard Bernstein or John Williams on this set. While these Composers are excellent, I do think style of the tracks on this collection pre-date their style.
The recordings themselves are done by the great Orchestras around the world. For the most part, European Orchestras were used to deliver the tracks. There are a few exceptions: The Chicago Symphony Orchestra delivers "The Ride of the Valkyries"; The Toronto Symphony Orchestra delivers "Dance of the Knights"; and the Israel Philharmonic Orchestra delivers Tchaikovsky's "1812 Overture". Some of the European Orchestras that are well known include: BBC Symphony Orchestra, London Philharmonic, Bolshoi Symphony Orchestra, Choeur Philhamonique de Strasbourg, and more. Also included are performances by well known names in the Classical space such as Marie-Claire Alain (Bach's "Toccate and Fogue in D Minor" and Saint-Saens' "Symphony for Organ No 3"), Piero Toso (Vivaldi's "Allegro From Spring - Four Seasons"), and Placido Domingo appears on Puccini's "Nessun Dorma".
The 2 Disc collection contains a total of over 2 hours and 6 minutes of music. The selections that are included in the set will sound very familiar to you when you play them. You probably have both heard and seen the names of tracks such as: Oref's "O Fortuna"; Copland's "Fanfare for the Common Man"; Beethoven's "First Movement from Symphony Number 5" and "Ode To Joy"; Elgar's "Pomp and Circumstance", and Tchaikovsky's "1812 Overture". Many of the other tracks will also sound familiar, but maybe not so much by name - such as Wagner's "The Ride of the Valkyries", Strauss' Also Sprach Zarathoustra"; Grieg's "Piano Concerto", and "Dies Irae" (versions included by Mozart and Verdi - you can compare the two and judge for yourself). As for the Discs themselves, I think most of the casual fans will like the selections on Disc Two better, but Disc One is still very good. On a sidebar, the Israel Philharmonic's version of "1812 Overture" is by far the best you will hear - particularly at the end, the booming drums create almost a 3 dimensional vision of fireworks being launched into the air.
There one big negative on this collection is some of the recording quality. The clarity of the recording is there, but some of the recording levels leave a lot to be desired. On some of the softer parts, it is barely audible without significantly turning up your volume. This is very evident on "O Fortuna" where you will hear almost dead silence during from the 30 second to 1:30 mark of the track unless you crank your volume up. Same with the first few seconds of Strauss' "Also Sprach Zarathoustra" and Tchiakovsky's "1812 Overture". When the volume is cranked up you will hear them - but then the other sections will be way too loud. I'm surprised with modern technology that this couldn't be addressed better.
The liner notes are pretty thin. You do get the Composers, Performers/Orchestras, and recording dates. There isn't any more details than that and you won't learn anymore insight on the tracks than this information. Despite some of the shortcomings of the liner notes and recording volume, I still think this is an excellent place to start and do recommend this CD if you are a novice to Classical Music and are looking for a great place to start listening to what the Classics have to offer.
**An Exquisite Album**.......2004-02-21
Simply The Best Classical Anthems
Simply The Best Classical Anthems is a compilation album of `36 of the most powerful Anthems on Earth'. But, it is also said to be something else. It is said to be a gateway. A gateway to another world. A world where our imagination can run free without being shackled down by any borders or boundaries or rules or limits. A world that we have all seen or perhaps more accurately have all heard of but for many of us a world that we have never dared to enter. Never dared to enter because of fear. The fear of being ostracised and shunned by our community.
THE MYTH
`Classical Music!', I can hear some of you cry. `That isn't another world. That's just music for the upperclass, the high-brow, and the pompous.' Surprisingly, I too felt this way for a long time until I accepted the invitation made to me by Simply The Best Classical Anthems. I always felt that Classical Music was nice to listen to as background music for a Levis ad or a Car ad but I would consider people strange if they chose to hear it on its own. However, after having listened to this album I realised how wrong I was in my assumptions.
THE TRUTH
Music as with all forms of amusement helps to take you away from where you are now. It helps to relax you when you are stressed with anger; it helps to give you strength when you are vulnerable; it helps to keep your spirits up when you have faced tragedy or loss. It helps. And, for me the type of music that best conjures up the most passionate emotions (love, hate, courage and anger) at our most testing times is Classical Music.
How? I don't know.
Why? I don't know.
I can only promise you that in my experience it does.
THE CHEST
The album, in visual terms, is very difficult to overlook amongst the plethora of records that may surround it. This is because the album has a very distinct purple sleeve cover. Not any kind of purple mind you but the Cadbury's kind of purple. The kind of purple that carries with it an invitation. An invitation that if accepted promises you a treasure inside.
And since, I have always enjoyed the treasure within the purple Cadbury's Dairy Milk wrapper, I asked myself why would an album carrying the same invitation promise to be anything different? Thus, I parted with my tuppence worth and went back home to open this purple chest of promised treasures.
THE PROMISED TREASURE
As you may have guessed, the contents of the album are somewhat different to the contents of a Cadbury's bar. When I opened the album, I was presented with two compact discs. At first glance, there did not seem to be anything special about them. They were just your average, everyday, run of the mill compact discs. To tell you the truth, I was a bit disappointed because I suppose I had hoped for something more.
However, looks can be deceptive. (Afterall, a Cadbury's Dairy Milk does not seem very appetising until you taste it!) And, also come November each year, I am always bemused and surprised at how the shabby contents of a cardboard box can both light up the sky and light up the faces of the neighbourhood. Thus, I pushed aside my assumptions and I ignited the discs (not literally of course, I just pressed the play button on the CD player). And, I let the fireworks begin.
THE KEY
From the very beginning, you will feel like you have unlocked the doorway to something special. And, after a full two hours of listening to both discs, you will feel like you have been taken out of this world and transported to another. Welcome to the world of Classical Music.
GUIDANCE
In the beginning, continue to listen to both discs in one go (i.e. one after the other). After a while, you will know which tracks you enjoy listening to the most. For those tracks you enjoyed the most make a promise to yourself that you will listen to the whole of the piece from which that track came from.
Good Luck on your quest if you choose to accept it.
Ride amongst the Valkyries, listen to the Flight of the Bumblebees, and use The Planets to keep you on the path.
I am not a good reviewer because as with all of my reviews I refuse to comment too much about what is inside the product but rather more about what effect the product has had on me. (Me, me, me. Vain & Egotistic, I know, so my friends and family keep telling me). But, I just want to cause a raucous about the product, enough not to spoil but enough of a raucous to let you experience it for yourself.
So my final words are:
Simply The Best Classical Anthems is an invitation. An invitation to the world of classical music. A world where you can begin a never-ending quest of curiosity. A curiosity that will always be rewarded with fulfilment.
Do you accept such an invitation?
Hope you found this review helpful.
Samples.......2003-11-23
The samples are too short and the quality leaves a lot to be desired. Having said that the choices are wonderful and the price is great. If you're looking for a overview of the best of classical music then this is for you. However if it's quality you're looking for then spent the extra money and look at other choices.
Great Sampler!.......2002-03-20
This is a good sampler, since it covers what you would want in a classical music CD. Looking at the tracks, it has the classic hits, such as "Ride of the Valkyries," "Toccata and Fugue," "Fanfare for the Common Man," "'Jupiter' from `The Planets,'" "Eine Klein Nachtmusik," and "Hallelujah Chorus."
There are also some new pieces that I have fallen in love with, such as "The Young Person's Guide to the Orchestra," "'Promenade' from Pictures at an Exhibition." The compilers did an interesting double take by including both Verdi's and Mozart's "Dies Ire." I'm not sure which is better.
This music is good for the brain and good for the soul. There is a power and passion that the blaring and glaring music that makes up most of the FM band. I'm reminded of the religious man who said that there is no music in hell. Probably because they wouldn't appreciate it there.
These CDs has a good transfer from the analogue tapes; there is no hiss or fuzziness. The packaging hearkens back to 2001: A Space Odyssey, with the black monolith. And appropriately, "Also Sprach Zarathustra" is the opening track on Disk 2.
Average customer rating:
- This Recording Gets "The Planets" Close to Right
- Quite simply: Outstanding!
- The Best Of The Best
- Underrated Strauss and one of the best Planets ever.
- One of the Finest Recordings Ever...
|
Holst: The Planets / R. Strauss: Also Sprach Zarathustra
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
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ASIN: B000056TKD
Release Date: 2001-05-08 |
Tracks:
- Thus Spake Zarathustra: Introduction - Joseph Silverstein
- Thus Spake Zarathustra: Of The Backworldsmen - Joseph Silverstein
- Thus Spake Zarathustra: Of The Great Longing - Joseph Silverstein
- Thus Spake Zarathustra: Of Joys And Passions - Joseph Silverstein
- Thus Spake Zarathustra: The Song Of The Grave - Joseph Silverstein
- Thus Spake Zarathustra: Of Science And Learning - Joseph Silverstein
- Thus Spake Zarathustra: The Convalescent - Joseph Silverstein
- Thus Spake Zarathustra: The Dance-Song - Joseph Silverstein
- Thus Spake Zarathustra: Song Of The Night Wanderer - Joseph Silverstein
- The Planets Op. 32: Mars, The Bringer Of War - Allegro - Boston Symphony Orchestra
- The Planets Op. 32: Venus, The Bringer Of Peace - Adagio - Andante - Animato - Tempo I - Boston Symphony Orchestra
- The Planets Op. 32: Mercury, The Winged Messenger - Vivace - Boston Symphony Orchestra
- The Planets Op. 32: Jupiter, The Bringer Of Jollity - Allegro giocoso - Andante maestoso - Tempo I - Maestoso - Lento maestoso - Presto - Boston Symphony Orchestra
- The Planets Op. 32: Saturn, The Bringer Of Old Age - Adagio - Andante - Boston Symphony Orchestra
- The Planets Op. 32: Uranus, The Magician - Allegro - Lento - Allegro - Largo - Boston Symphony Orchestra
- The Planets Op. 32: Neptune, The Mystic - Andante - Allegretto - Boston Symphony Orchestra
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Steinberg's tenure at the helm of the Boston Symphony was cut short by illness, but his relatively slim catalogue of recordings with the orchestra produced several important examples of his art, boasting truly fine interpretations and spectacular playing. These orchestral showpieces by Strauss and Holst were long overdue for reissue. Steinberg's fast tempos make the Strauss work zip by; it's as if he takes it in one big gulp, creating as exciting a performance as you're likely to hear. The Holst also gets the "let's keep it moving" treatment to good effect, though a more measured pace for the opening movement, "Mars," would bring a greater sense of menace. As on many DGs recorded around 1970-1971, the engineering is bright and bass-shy, but it's clear and detailed, too. --Dan Davis
Customer Reviews:
This Recording Gets "The Planets" Close to Right.......2006-06-23
Steinberg's readily available recording is the one to buy now. The only other modern Planets recording to get it close to right is that led by Roy Goodman with the New Queen's Hall Orchestra (Carlton Classics 30366 00432), which uses orchestral instruments of the same type in use in the 1920s, and where the conductor deliberately sets out to mirror Holst's own 1920s recordings. Sadly, this Carlton CD is evidently no longer available; maybe it will be back again someday. Those who think Steinberg's Mars is too fast should know that both of the recordings Holst conducted himself (1923, 1926) are at a nearly matching fast tempo (Holst is slightly faster). In addition, Holst marked a reduced score of Mars for two pianos in his own hand with the metronome indication "quarter note = 176," which is close to the tempo he, Goodman, and Steinberg use. "Fast" is clearly the tempo Holst wanted; it is right. Far too many people have become accustomed to hearing it wrong thanks to the ostensibly "official" versions of Boult and his followers. Boult takes nearly eight excruciating minutes to slog through his last (1979) Mars recording. The same argument holds for another frequently abused movement, Saturn, where some conductors approach an agonizing ten minutes, instead of the correct seven minutes or so, thus completely missing the "Funeral March" character of the movement (Steinberg is a touch slow here at 7:45, but still well within reason). All conductors should be required by law to listen to Holst's 1926 recording, once available on CD (Legacy 3-7018-2 H1), before being allowed to conduct The Planets. The abused critical catchword "definitive" actually applies to Holst's work here, in one of the greatest recordings ever made. Holst's own Jupiter is electrifying, the "big tune" a part of the jovial celebration, not the sentimental patriotic hymn it is so often made out to be. To sum up, Steinberg is the best available right now: very slightly slow here and there, but brilliantly played by a great orchestra, and as close to right as any you can buy at this moment. If you love the piece and want more, get Holst's and Goodman's recordings if you can somehow find them, but if you can't, or only want one, be happy to have Steinberg.
Quite simply: Outstanding!.......2005-04-06
A thrilling Zarathustra. A bouyant Planets. Others here have said it better than I. These are indeed "legendary performances". Beautifully remastered to CD, the analog recording is clean and clear and has wonderful presence. If you are reading these reviews to ascertain whether or not you should make this disc your next purchase, let me assure you, whether you are new to these works or whether you are well acquainted with them -- this is the one to buy.
I must mention the New England Conservatory Chorus closes out The Planets beautifully. Thanks to DGG/UMG for this fabulous disc!
The Best Of The Best.......2005-01-26
These 2 recordings are simply the best ones available, and it's due to the combination of a masterful conductor and a world-class orchestra in a superb hall with killer organ, and inspired interpretations. If only RCA or Mercury could have recorded these instead of DGG. Even with thin bass, overly close micing at times, and curiously distant micing at others, the performances survive as the best ever.
Much of the magic here is summed up in one word: tempos! Many have noted Steinberg's fast tempos in the Holst, often sighting Mars as particularly too fast. Well, they are plan wrong. The composer himself recorded this suite electrically in 1926. You think Steinberg's 46 minutes is fast? Holst gets through it in under 41! Now some have said the engineers rushed him so as to get the music to fit on the old 78 discs. That is totally false. Others have said he wasn't a good conductor. OK, ensemble sloppiness bears that out, but doesn't hold water when it comes to basic tempi. Holst marked Mars as "Allegro" which means, quite simply, "fast." At a timing of 6:18, Holst conducted it fast. He wanted it fast! Steinberg comes in at 6:34. In every other movement but Uranus, Steinberg is 0:30 to 0:70 slower than Holst, but still closely approximates the interpretations, and those interpretations are superb. Only in Uranus is Steinberg faster than Holst, but at 5:22, it's the tempo you're used to hearing, but with precision that's rarely matched, and an organ gliss that will blow you across the room!
Again, on the Strauss, the forward motion is always there, making Zarathustra as wonderfully unified as it can possibly be.
Bernstein and the 1962 Karajan [Vienna Phil] in the Planets have superior moments [especially Karajan's use of metal hammers on the chimes in Saturn as specified by Holst] and Reiner and Karajan also turn in superb Zarathustras, but here are both on one CD about as close to perfection as one can get and, I suspect, closest to the composer's intentions.
Underrated Strauss and one of the best Planets ever........2004-05-01
Among recommended recordings of Also Sprach Zarathrustra by Richard Strauss, this is one seldom mentioned. Before this recording, I listened to Tennstedt, Reiner (1964) and Karajan and only this recording blows me away. Listening it in my car, living room stereo, or even through my Discman, this recording is exciting. There is lush lyricism, massive voices and fiery passion, despite the speed of this recording that could turn off seasoned Straussians. The famous introduction has the best organ chord at the end, I think largely due to the accoustics of Boston Symphony Hall, one of the best in the world. The strings surprisingly has Viennese nuances and the highlight is Joseph Silverstein's solo performance, which is a delight to listen to and my favorite *concertmaster* violinist. The recording has sardonical wit and humor that all Zarathrustra recordings I hear lacked.
The Planets, no need to for me to add, is a reference performance, although "Jupiter" for me is too dry and lacked the excitement of Boult and Rattle has. Sadly there are too few of Steinberg's recordings with Boston Symphony and they're finished when Ozawa took over. Can James Levine bring them back to the former glory of kouzzevetsky, Munch or Steinberg?
One of the Finest Recordings Ever..........2004-04-01
The heyday of the Boston Symphony is recorded here in all of it's glory. A feverishly intense Also Sprach is simply electrifying. The tonal quality of this recording is excellent with great balances between sections. Of all of the American recordings ever made of Also Spach this is certainly the one to own...wind solos are beautifully phrased and paced..the orchestra Trumpets are splendid and Steinberg has a geniune idea of when blend is important and when musical ideas have to dominate.
Compared to the leisurely interpretation of Ormandy(boring!) you cannot only come up with superlatives for this disc!
The HOLST is done very well, without any agogic rubato or mannerisms, Steinberg certainly comes out a giant of a Conductor. His was a short tenure iin Boston unfortunately...It was not too be for too long , Steinberg passed away a few years after these landmark recordings.
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