The American Seasons [SACD]
Track Listings
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1. American Seasons: Spring
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2. American Seasons: Summer
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3. American Seasons: Fall
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4. American Seasons (Winter)
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5. Strings & Threads Suite: Fair Dancer Reel
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6. Strings & Threads Suite: Sailor's Jig
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7. Strings & Threads Suite: Captain's Jig
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8. Strings & Threads Suite: Off to Sea
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9. Strings & Threads Suite: Pilgrim's Waltz
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10. Strings & Threads Suite: Road to Appalachia
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11. Strings & Threads Suite: Shine On
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12. Strings & Threads Suite: Cotton Pickin' Blues
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13. Strings & Threads Suite: Pickin' Parlor Rag
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14. Strings & Threads Suite: Queen of the Cumberland
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15. Strings & Threads Suite: Texas Dance Hall Blues
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16. Strings & Threads Suite: Swing
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17. Strings & Threads Suite: Sweet Suzanne
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18. Appalachia Waltz
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The American Seasons, Music, Mark O'Connor, Scott Yoo, Metamorphosen Chamber Orchestra, Mark O'Connor, Chamber, Chamber Music, Chamber Music & Recitals, Classical, Classical Artists, Classical Crossover, Concerto, Orchestral, Orchestral Music
Average customer rating:
- Ultimate music for every time of day and every mood
- Would give 5 stars if sound quality where better
- Great collection for a great price
- 20 Fabulous Discs
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Rhapsody in Blue - Ultimate Piano Collection [20 CD Set]
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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ASIN: B00012QLSW
Release Date: 2003-12-09 |
Tracks:
- Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble
- Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble
- Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble
Tracks:
- Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Allegro - Vilmos Fischer, Vienna Mozart Ensemble
- Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Andante - Vilmos Fischer, Vienna Mozart Ensemble
- Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Andante ... - Vilmos Fischer, Vienna Mozart Ensemble
- Piano Concerto No. 17 in G Major, K.453: Allegro - Vilmos Fischer, Vienna Mozart Ensemble
- Piano Concerto No. 17 in G Major, K.453: Andante - Vilmos Fischer, Vienna Mozart Ensemble
- Piano Concerto No. 17 in G Major, K.453: Allegretto - Vilmos Fischer, Vienna Mozart Ensemble
Tracks:
- Piano Sonata in a Major K.331: Andante Grazioso: Thema/Variation 1 - Margarete Babinsky
- Piano Sonata in a Major K.331: Menuetto - Margarete Babinsky
- Piano Sonata in a Major K.331: Alla Turca (Allegretto) - Margarete Babinsky
- Piano Sonata in F Major K.332: Allegro - Margarete Babinsky
- Piano Sonata in F Major K.332: Adagio - Margarete Babinsky
- Piano Sonata in F Major K.332: Allegro Assai - Margarete Babinsky
- Piano Sonata in C Major K.330: Allegro Moderato - Margarete Babinsky
- Piano Sonata in C Major K.330: Andante Cantabile - Margarete Babinsky
- Piano Sonata in C Major K.330: Allegretto - Margarete Babinsky
- 12 Variations K.265: Ah, Vous Dirai-Je, Maman: Theme/Variation ... - Margarete Babinsky
Tracks:
- Concerto in C Major for Piano and Orchestra: Allegro - Capella Coloniensis, Maria Luisa Tanzini
- Concerto in C Major for Piano and Orchestra: Larghetto - Capella Coloniensis, Maria Luisa Tanzini
- Concerto in C Major for Piano and Orchestra: Rondo - Allegro - Capella Coloniensis, Maria Luisa Tanzini
- Concerto for Piano and Orchestra No. 4 in G Major: Allegro Moderato - Nicolai Evrov, Sofia Philharmonic Orchestra
- Concerto for Piano and Orchestra No. 4 in G Major: Adagio Cantabile - Nicolai Evrov, Sofia Philharmonic Orchestra
- Concerto for Piano and Orchestra No. 4 in G Major: Rondo - Presto - Nicolai Evrov, Sofia Philharmonic Orchestra
- Concerto in C Major for Piano and Orchestra: Allegro Con Spirito - Ivan Drenikov, Sofia Soloists Chamber Ensemble
- Concerto in C Major for Piano and Orchestra: Adagio E Cantabile - Ivan Drenikov, Sofia Soloists Chamber Ensemble
- Concerto in C Major for Piano and Orchestra: Presto - Ivan Drenikov, Sofia Soloists Chamber Ensemble
Tracks:
- Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
- Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
- Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
- Overture Coriolan Op.62 - Dresdner Philharmonic
- Overture Leonore No.2, Op.72 - Dresdner Philharmonic
Tracks:
- Op.13, No. 8 in C Minor Pathetique: Grave - Allegro - Di Molto E ... - Istvan Szekely
- Op.13, No. 8 in C Minor Pathetique: Adagio Cantabile - Istvan Szekely
- Op.13, No. 8 in C Minor Pathetique: Rondo - Allegro - Istvan Szekely
- Op.27, No. 14 in C Sharp Minor Moonlight: Adagio Sostenuto - Istvan Szekely
- Op.27, No. 14 in C Sharp Minor Moonlight: Allegretto - Istvan Szekely
- Op.27, No. 14 in C Sharp Minor Moonlight: Presto Agitato - Istvan Szekely
- Op.57, No. 23 in F Minor Appassionata: Allegro Assai - Istvan Szekely
- Op.57, No. 23 in F Minor Appassionata: Andante Con Moto - Istvan Szekely
- Op.57, No. 23 in F Minor Appassionata: Allegro Ma Non Troppo - Presto - Istvan Szekely
- Rondo a Capriccio Op.129: Die Wut er Den Verlorenen - Jennd
Tracks:
- Piano Concerto No. 1 in E Minor, Op.11: Allegro Maestoso - Budapest Philharmonic Orchestra, Sandor Falvai
- Piano Concerto No. 1 in E Minor, Op.11: Romanze. Larghetto - Budapest Philharmonic Orchestra, Sandor Falvai
- Piano Concerto No. 1 in E Minor, Op.11: Rondo. Vivace - Budapest Philharmonic Orchestra, Sandor Falvai
- Piano Concerto No. 2 in F Minor, Op.21: Maestoso - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland
- Piano Concerto No. 2 in F Minor, Op.21: Larghetto - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland
- Piano Concerto No. 2 in F Minor, Op.21: Allegro Vivace - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland
Tracks:
- Piano Sonata No. 2 in B Flat Minor Op.35: Grave - Doppio Movimento [Liv - Ivo Pogoreuch
- Piano Sonata No. 2 in B Flat Minor Op.35: Scherzo [Live] - Ivo Pogoreuch
- Piano Sonata No. 2 in B Flat Minor Op.35: Marche Fune. Lento [Live] - Ivo Pogoreuch
- Piano Sonata No. 2 in B Flat Minor Op.35: Finale. Presto [Live] - Ivo Pogoreuch
- Piano Sonata No. 3 in B Minor Op.58: Allegro Maestoso [Live] - Garrick Ohlsson
- Piano Sonata No. 3 in B Minor Op.58: Molto Vivace [Live] - Garrick Ohlsson
- Piano Sonata No. 3 in B Minor Op.58: Largo [Live] - Garrick Ohlsson
- Piano Sonata No. 3 in B Minor Op.58: Presto Ma Non Tanto [Live] - Garrick Ohlsson
- Mazurkas Op.59: No. 1 in a Minor [Live] - Ivo Pogoreuch
- Mazurkas Op.59: No. 2 in a Flat [Live] - Ivo Pogoreuch
- Mazurkas Op.59: No. 3 in F Sharp [Live] - Ivo Pogoreuch
Tracks:
- Nocturne in B Major Op.9, No. 3 [Live] - Jean Marc Luisada
- Etude in G Flat Major Op.10, No. 5 [Live] - Jean Marc Luisada
- Etude in B Minor Op.25, No. 1 [Live] - Jean Marc Luisada
- Scherzo No. 1 in B Minor Op. 20 [Live] - Jean Marc Luisada
- Scherzo No. 2 in B Flat Minor Op. 31 [Live] - Jean Marc Luisada
- Waltz No. 1 in E Flat Major Op. 18 [Live] - Jean Marc Luisada
- Four Mazurkas Op.24: No. 1 in G Minor [Live] - Jean Marc Luisada
- Four Mazurkas Op.24: No. 2 in C Major [Live] - Jean Marc Luisada
- Four Mazurkas Op.24: No. 3 in a Flat Major [Live] - Jean Marc Luisada
- Four Mazurkas Op.24: No. 4 in B Flat Minor [Live] - Jean Marc Luisada
- Four Mazurkas Op.30: No. 1 in C Minor [Live] - Kemal Gekic
- Four Mazurkas Op.30: No. 2 in B Minor [Live] - Kemal Gekic
- Four Mazurkas Op.30: No. 3 in D Flat Major [Live] - Kemal Gekic
- Four Mazurkas Op.30: No. 4 in C Sharp Minor [Live] - Kemal Gekic
Tracks:
- Piano Concerto in a Minor Op.54: Allegro Affettuoso - Berlin Radio Symphony Orchestra, Heidrun Holtman
- Piano Concerto in a Minor Op.54: Intermezzo. Andantino Grazioso - Berlin Radio Symphony Orchestra, Heidrun Holtman
- Piano Concerto in a Minor Op.54: Allegro Vivace - Berlin Radio Symphony Orchestra, Heidrun Holtman
- Introduction and Allegro Appassionato Op.92 - Berlin Radio Symphony Orchestra, Heidrun Holtman
- Concerto Allegro With Introduction Op.134 - Berlin Radio Symphony Orchestra, Heidrun Holtman
Tracks:
- Rustle of Spring Op.32, No.6 - Jennd
- Novelette in F Major Op.21, No.1 - Jennd
- Songs Without Words: E Major Op.19, No.1 - Jennd
- Songs Without Words: F Sharp Minor Op.30, No.6 - Jennd
- Songs Without Words: Duetto in F Major Op.38, No.6 - Jennd
- Songs Without Words: G Major Op.62, No.1 - Jennd
- Songs Without Words: Spring Song in a Major Op.62, No.6 - Jennd
- Intermezzo in a Major, Op.76, No.6 - Jennd
- Intermezzo in a Minor Op.76, No.7 - Jennd
- Intermezzo in a Major Op.118, No.2 - Jennd
- Intermezzo in E Flat Minor Op.118, No.6 - Jennd
- Lyric Pieces: Arietta Op.12, No.1 - Jennd
- Lyric Pieces: Folkevise Op.12, No.5 - Jennd
- Lyric Pieces: Butterfly Op.43, No.1 - Jennd
- Lyric Pieces: To Spring Op.43, No.6 - Jennd
- Lyric Pieces: Notturno Op.54, No.4 - Jennd
- Lyric Pieces: Bryllupsdag Pa Troldhaugen Op.65, No.6 - Jennd
- Saisons Op.37b, No. 6 Juin Barcarolle - Jennd
- Chant Sans Paroles: Souvenir de Hapsal Op.2, No.3 - Jennd
- Melody in F Op.3, No.1 - Jennd
- Humoresque in G Flat Major Op.101, No.7 - Jennd
Tracks:
- Impromptu in B Flat Major D.935, No.3: Theme: Andante - Jennd
- Impromptu in B Flat Major D.935, No.3: Variation 1 - Jennd
- Impromptu in B Flat Major D.935, No.3: Variation 2 - Jennd
- Impromptu in B Flat Major D.935, No.3: Variation 3 - Jennd
- Impromptu in B Flat Major D.935, No.3: Variation 4 - Jennd
- Impromptu in B Flat Major D.935, No.3: Variation 5 - Jennd
- Impromptu in B Flat Major D.935, No.3: Pito - Jennd
- 6 Moments Musicaux D.780: No. 1 in C Major - Jennd
- 6 Moments Musicaux D.780: No. 2 in a Flat Major - Jennd
- 6 Moments Musicaux D.780: No. 6 in F Minor - Jennd
- 4 Impromptus D.899: No. 1 in C Minor - Jennd
- 4 Impromptus D.899: No. 2 in E Flat Major - Jennd
- 4 Impromptus D.899: No. 3 in G Flat Major - Jennd
- 4 Impromptus D.899: No. 4 in a Flat Major - Jennd
Tracks:
- Sonata in a Major D.959: Allegro - Michael Endres
- Sonata in a Major D.959: Andantino - Michael Endres
- Sonata in a Major D.959: Scherzo: Allegro Vivace - Michael Endres
- Sonata in a Major D.959: Rondo: Allegretto - Michael Endres
- Sonata in B Flat Major D.960: Molto Moderato - Michael Endres
- Sonata in B Flat Major D.960: Andante Sostenuto - Michael Endres
- Sonata in B Flat Major D.960: Scherzo: Allegro Vivace - Michael Endres
- Sonata in B Flat Major D.960: Allegro Ma Non Troppo - Michael Endres
Tracks:
- Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
- Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
- Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
- Concerto for Piano and Orchestra in a Minor Op.16: Allegro Molto ... - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin
- Concerto for Piano and Orchestra in a Minor Op.16: Adagio - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin
- Concerto for Piano and Orchestra in a Minor Op.16: Allegro Molto E ... - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin
Tracks:
- Piano Concerto No. 2 in B Flat Major Op.83: Allegro Non Troppo - Dimitris Sgouros, Sofia Philharmonic Orchestra
- Piano Concerto No. 2 in B Flat Major Op.83: Allegro Appassionato - Dimitris Sgouros, Sofia Philharmonic Orchestra
- Piano Concerto No. 2 in B Flat Major Op.83: Andante - Dimitris Sgouros, Sofia Philharmonic Orchestra
- Piano Concerto No. 2 in B Flat Major Op.83: Allegro Giocoso - Dimitris Sgouros, Sofia Philharmonic Orchestra
Tracks:
- Piano Concerto No. 2 in a Major Hungarian Fantasy: Adagio ... - Budapest Symphony Orchestra, Jennd
- Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Agitato ... - Budapest Symphony Orchestra, Jennd
- Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Moderato - Budapest Symphony Orchestra, Jennd
- Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Deciso - Budapest Symphony Orchestra, Jennd
- Piano Concerto No. 2 in a Major Hungarian Fantasy: Marziale, Un ... - Budapest Symphony Orchestra, Jennd
- Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Animato - Budapest Symphony Orchestra, Jennd
- Fantasy on Hungarian Folk-Tunes - Budapest Symphony Orchestra, Jennd
- Polonaise Brillante (After Weber) - Budapest Symphony Orchestra, Jennd
- Fantasy on Weber's FreischVilmos Fischer
Tracks:
- Pictures at an Exhibition: Promenade. Allegro Giusto, Nel Modo ...
- Pictures at an Exhibition: Gnomus. Sempre Vivo
- Pictures at an Exhibition: Promenade. Moderato Commodo Assai E Con ...
- Pictures at an Exhibition: Il Vechhio Castello (The Old Castle) . ...
- Pictures at an Exhibition: Promenade. Moderato Non Tanto, Pesamente
- Pictures at an Exhibition: Tuileries. Allegretto Non Troppo, ...
- Pictures at an Exhibition: Bydlo. Sempre Moderato, Pesante
- Pictures at an Exhibition: Promenade. Tranquillo
- Pictures at an Exhibition: Ballet of the Chickens in Their Shells. ...
- Pictures at an Exhibition: Samuel Goldenberg and Schmuyle. ...
- Pictures at an Exhibition: Promenade. Allegro Giusto, Nel Modo ...
- Pictures at an Exhibition: Limoges. Le MarchThe Market Place) . ...
- Pictures at an Exhibition: Catacombae. Sepulcrum Romanum. Largo
- Pictures at an Exhibition: Cum Mortuis in Lingua Mortua. Adante ...
- Pictures at an Exhibition: The Hut on Fowls' Legs - Baba-Yaga. Allegro
- Pictures at an Exhibition: The Great Gate of Kiev - Allegro Alla ...
- Three Intermezzos Op.117: Intermezzo in E Flat Major. Andante Moderato
- Three Intermezzos Op.117: Intermezzo in B Flat Minor. Andante Non ...
- Three Intermezzos Op.117: Intermezzo in C Sharp Minor. Andante Con ...
- Piano Pieces Op.118: No. 1 Intermezzo in a Minor (Allegro Non Assai)
- Piano Pieces Op.118: No. 2 Intermezzo in a Major (Andante Teneramente)
- Piano Pieces Op.118: No. 3 Ballad in G Minor (Allegro Energico)
- Piano Pieces Op.118: No. 4 Intermezzo in F Minor (Andante - Allegretto
- Piano Pieces Op.118: No. 5 Romance in F Major (Andante - ...)
- Piano Pieces Op.118: No. 6 Intermezzo in E Flat Minor (Andante, ...)
Tracks:
- Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Moderato - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
- Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Adagio ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
- Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
- Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
- Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Largo - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
- Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
Tracks:
- Prde Op.3, No.2 - Margarete Babinsky
- Mdie Op.3, No.3 - Margarete Babinsky
- Polichinelle Op.3, No.4 - Margarete Babinsky
- Moment Musical Op.16, No.3 - Margarete Babinsky
- Moment Musical Op.16, No.5 - Margarete Babinsky
- Variations on a Theme by Corelli Op.42 - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Prde Op.23, No.5 - Margarete Babinsky
Tracks:
- Rhapsody in Blue - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
- Concerto in F for Piano and Orchestra: Allegro - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
- Concerto in F for Piano and Orchestra: Adagio. Andante Con Moto - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
- Concerto in F for Piano and Orchestra: Allegro Agitato - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
- American in Paris - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
Album Description
This amazing 20-CD set truly is the ultimate piano collection! With over 20 hours of the greatest piano classics, from Mozart's priceless Piano Concertos and Sonatas to Gershwin's legendary Rhapsody in Blue, this set is a must have for everyone's collection. So sit back, relax and drift away on the beautiful melodic waves of classical piano at its very best.
Customer Reviews:
Ultimate music for every time of day and every mood.......2007-07-03
With 20 CDs in the collection, we have classical music for every mood and atime of day.
Would give 5 stars if sound quality where better.......2007-06-30
This Classical collection is one of great length and breadth ,and is well worth purchasing ,if you want an abundance of music at a low price.The sound quality is decent,however it is not great.This set will not provide you with the crisp,clear sound quality of a RCA,CBS or other well known label,so some classical aficionados may not appreciate it much.It all depends on what your looking for ,I guess.
Great collection for a great price.......2007-06-27
I did not expect much in buying this collection, but I was greatly surpeised. There were no reviews of the product at the time, and I bought the collection simply as a sampler of many great piano pieces. Most of the recordings are exquisite and of decent recording quality. This collection was well worth the price.
20 Fabulous Discs.......2007-06-08
I am surprised that this set has been out for 4 years and nobody reviewed it here yet. This is a lovely and occasionally amazing compilation. I was moved by many of the compositions. I really enhanced my classical music collection with this set. You have so many legends here to enjoy, from Bach to Brahms, Mozart to Beethoven, Chopin, Liszt, Rachmaninov, Gershwin, and more. If you love classical piano music and don't already have most of these works then this is a must buy for you. The price may go up, but I was fortunate to cash in on the $17.97 price. Quite a bargain for 20 fabulous discs.
Average customer rating:
- Fabulous for any Broadway-lover
- Top Shelf
- TERRIFIC CD'S
- Great Collection of Broadways greatest Songs
- Great Compilation!
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Broadway - The American Musical (PBS Series)
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Similar Items:
- The Best of Broadway - The American Musical (PBS Series)
- Broadway: The American Musical
- Broadway: The American Musical
- Broadway - The American Musical (PBS Series)
- Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
ASIN: B00064ADMK
Release Date: 2004-10-19 |
Tracks:
- Give My Regards To Broadway- Joel Grey
- Swanee- Al Jolson
- When The Moon Shines On The Moonshine- Bert Williams
- A Pretty Girl Is Like A Melody- John Steel
- My Man- Fanny Brice
- Fascinating Rhythm- Fred Astaire, Adele Astaire
- If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
- Someone To Watch Over Me- Gertrude Lawrence
- Bill- 78 rpm Version Helen Morgan
- Ol' Man River- Paul Robeson
- Ain't Misbehavin'- Louis Armstrong & His Orchestra
- Ten Cents A Dance- Ruth Etting
- Body And Soul- Libby Holman
- Brother, Can You Spare A Dime- Bing Crosby
- Night And Day- Fred Astaire
- Heat Wave- Ethel Waters
- Smoke Gets in Your Eyes- Tamara
- You're The Top- Ethel Merman
- Summertime- Anne Brown
- September Song- Walter Huston
- My Heart Belongs To Daddy- Mary Martin
- It Never Entered My Mind- Shirley Ross
- Bewitched, Bothered, Bewildered- Vivienne Segal
- Oh, How I Hate To Get Up In The Morning- Irving Berlin
- Oh, What a Beautiful Mornin'- Alfred Drake
Tracks:
- New York, New York- Cris Alexander,Adolph Green,John Reardon
- If I Loved You- John Raitt,Jan Clayton
- Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
- There's No Business Like Show Business- Ensemble
- How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
- Once In Love With Amy- Ray Bolger
- Wunderbar- Alfred Drake,Patricia Morison
- Some Enchanted Evening- Ezio Pinza
- Lost In The Stars- Todd Duncan
- Diamonds Are A Girl's Best Friend- Carol Channing
- Luck Be A Lady- Robert Alda,Guys
- Getting To Know You- Gertrude Lawrence
- Who Cares?- Jack Carson,Betty Oakes
- Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
- Ballad Of Mack The Knife- Gerald Price
- Hey There- from "The Pajama Game" John Raitt
- Whatever Lola Wants- Gwen Verdon
- I Could Have Danced All Night- Julie Andrews
- Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
- The Party's Over- Judy Holliday
- Glitter And Be Gay- Barbara Cook
- Tonight- Larry Kert, Carol Lawrence
Tracks:
- Seventy-Six Trombones- Robert Preston
- I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
- Everything's Coming Up Roses- Ethel Merman
- My Favorite Things- from "The Sound Of Music" Mary Martin
- Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
- Try To Remember- Jerry Orbach
- Camelot- from "Camelot" Richard Burton
- Love Makes The World Go 'Round- Anna Maria Alberghetti
- I Believe In You- Robert Morse And Co.
- The Sweetest Sounds- Diahann Carroll,Richard Kiley
- Comedy Tonight- Zero Mostel
- What Kind Of Fool Am I?- Anthony Newley
- As Long As He Needs Me- Georgia Brown
- Hello, Dolly!- Carol Channing,Cast
- People- Barbra Streisand
- Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
- If I Were A Rich Man- Zero Mostel
- Night Song- Sammy Davis, Jr.
- The Impossible Dream- Richard Kiley
- If My Friends Could See Me Now- Gwen Verdon
- Open a New Window- from Mame Voice
Tracks:
- Willkommen- from "Cabaret" Joel Grey
- Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
- I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
- The Ladies Who Lunch- from "Company" Elaine Stritch
- Tea For Two- Roger Rathburn,Susan Watson
- I'm Still Here- Yvonne De Carlo
- I Don't Know How To Love Him- Yvonne Elliman
- We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
- Corner Of The Sky- John Rubinstein
- Send In The Clowns- Glynis Johns
- Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
- One- from "A Chorus Line" Cast
- All That Jazz- Chita Rivera,Ensemble
- Tomorrow- Andrea Mcardle
- Don't Cry For Me Argentina- Patti Lupone
- Come Follow The Band
- Lullaby Of Broadway- Jerry Orbach
- And I'm Telling You I'm Not Going- Jennifer Holliday
- The Bells Of St. Sebastian- Raul Julia
Tracks:
- Memory- Betty Buckley
- I Am What I Am- George Hearn
- Move On- Bernadette Peters,Mandy Patinkin
- Do You Hear The People Sing?- Michael Maguire,Cast
- The Music Of The Night- Michael Crawford
- You're Nothing Without Me- James Naughton,Gregg Edelman
- The American Dream- Jonathan Pryce,Cast
- Doctor Jazz- Gregory Hines,Company
- With One Look- Glenn Close
- On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
- Le Jazz Hot- Julie Andrews,Ensemble
- Seasons Of Love-
- Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
- I Wanna Be A Producer- Matthew Broderick,Ensemble
- Dancing Queen- Louise Plowright,Jenny Galloway
- Good Morning Baltimore- Marissa Jaret Winokur
- Movin' Out- Michael Cavanaugh,Band
- I Go To Rio- Hugh Jackman,Company
- Defying Gravity- Kristin Chenoweth,Idina Menzel
Customer Reviews:
Fabulous for any Broadway-lover.......2007-01-30
Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.
Top Shelf.......2007-01-04
This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.
TERRIFIC CD'S.......2006-03-23
THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.
Great Collection of Broadways greatest Songs .......2005-06-14
This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway
Great Compilation!.......2005-01-17
If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- What to Listen for in Music
- Study of Orchestration, Third Edition
- The Life and Works of Ludwig van Beethoven
- The Life and Works of Frédéric Chopin
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- A Must!
- great music
- The one you need
|
Best of the Canadian Brass
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
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Similar Items:
- The Essential Canadian Brass
- Go For Baroque! - The Canadian Brass
- The Christmas Album
- The Canadian Brass: Greatest Hits
- Basin Street
ASIN: B0000026Z3
Release Date: 1989-11-20 |
Tracks:
- Vespers Of The Blessed Virgin: Deus in adjutorium - Monteverdi
- Canzon V - Canadian Brass
- Canon In D - Pachelbel
- Le Nozze Di Figaro, K. 492: Overture - Mozart
- Le Nozze Di Figaro, K. 492: Non Piu Andrai - Mozart
- Ave Verum Corpus - Mozart
- Die Zauberflote: Der Holle Rache - Mozart
- Exultate Jubilate: Alleluia - Mozart
- Piano sonata in A major: Rondo Alla Turca - Mozart
- The Four Seasons: I - Allegro (Spring) - Canadian Brass
- The Four Seasons: II - Largo (Winter) - Canadian Brass
- The Four Seasons: III - Presto (Summer) - Canadian Brass
- The Four Seasons: IV - Allegro (Autumn) - Canadian Brass
- Contrapunctus I (Andante Sostenuto) - Bach
- Contrapunctus XIII (Rectus, Allegro Spiritoso) - Bach
- Basin Street Blues - Canadian Brass
- Chinatown, My Chinatown - Canadian Brass
- Just A Closer Walk With Thee - Traditional
- The Saints' Halleluja - Canadian Brass
Customer Reviews:
A Must!.......2004-12-28
This is a must have for any fan of brass instrumentals. (Especially if you are a fan of the Canadian Brass.)
great music.......2000-12-18
I just bought this cd yesterday and i love it already. as a trumpeter, i can really enjoy and appreciate the music they perform. i was quite intrigued hearing canon in D (currently playing right now on my stereo), et al.
The one you need.......2000-06-26
If you are to buy only 1 CD for Brass Enemble, Get this! It captured the BEST of the Candian Brass (one of the top brass enemble in the world). It has all the nice tunes, e.g. Four Seasons, Cannon in D, etc. Strongly recommended.
Average customer rating:
- Awesome violin Vanessa-Mae
- Amazing....
|
Ultimate Collection
Manufacturer: EMI
ProductGroup: Music
Binding: Audio CD
All Works by Brahms
| Brahms, Johannes
| ( B )
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| Vivaldi, Antonio
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Similar Items:
- Vanessa-Mae The Violin Player
- Subject to Change
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- Storm
- Choreography
ASIN: B0000DFZ86
Release Date: 2003-09-02 |
Tracks:
- Classical Gas (Single Version)
- I Feel Love (Single Version)
- Picante
- Red Hot (Symphonic Mix)
- Yantra
- Bach Street Prelude
- Leyanda
- Cotton Eyed Joe
- I Can Can (You?)
- Widescreen
- Nightflight
- Toccata & Fugue
- Four Seasons Spring Allegro Part 1
- Scherzo In C Minor For Violin & Piano
Album Description
2003 UK compilation for the world-renowned classical crossover star features 14 tracks. Copy Controlled. EMI Gold. 2003.
Customer Reviews:
Awesome violin Vanessa-Mae.......2007-07-21
I 'found' Vanessa-Mae a few years ago. I am so blown away by her unusual talent in classical violin. My all time favorite is Toccata and Fugue. As a classical music lover, this gives me goosebumps. I am wondering why I am not hearing her in this year-2007. It is as if she made these awesome tracks and then no media news about her. That to me is a shame, for we need more real artists, not these talentless pop stars in rehab! This CD is a charm, you will love it!
Amazing...........2005-05-28
she is an Excelent and great violin player, her music is unique, if you love instrumental music, you can't miss it.
Average customer rating:
- Perfection
- Sensuous and poetic playing with amazing technique
- An eclectic collection of guitar music, wonderfully played!
- Great guitar CD
- If you like the tango or classical guitar, this is for you
|
Latin American Guitar Music
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
Piazzolla, Astor
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Similar Items:
- Guitar Music of Argentina
- Guitar Music from Cuba
- Leo Brouwer: Guitar Music, Vol. 1
- Manhã de Carnaval
- Tango Argentino
ASIN: B0000DJEM7
Release Date: 2003-11-18 |
Tracks:
- Tango
- Waltz
- Waltz
- Don Agustin Bardi
- El Choclo
- Stella Australis
- Milonga Del Viento
- Milonga Oriental
- Little Rhapsody
- Danza In E Minor
- Un Dia De Noviembre
- I. Confuseta
- II. Melancolia
- III. Epilogo
- Marta
- Tango
Album Description
This recording presents a selection of some of the least and the best known exponents of twentieth century Latin-American guitar repertoire, among them the internationally renowned Argentinian composer Máximo Diego Pujol, whose Elegy for the death of a tanguero is an elegant homage to his compatriot, the father of the classical tango, Astor Piazzolla. Leo Brouwer is found in unusually lyrical mood and two of Piazzolla's most popular songs are heard in an arrangement by Colombian-born guitarist Ricardo Cobo.
Customer Reviews:
Perfection.......2006-02-05
What can I say? Every piece on this recording I love, and Ricardo plays them all to perfection. This CD is sure to get more play than most of my other CDs. If you like classical guitar check out all the Naxos label CDs, I own like 4-5 of them, and they are all excellent listening. This one I must say stands out to me, but mainly because of my preference for Latin guitar music.
Sensuous and poetic playing with amazing technique.......2004-08-17
Although I'm honestly tired of all the "Latin collection" CDs out there, this one is played by a "real" Latin and you can hear it from the first track. It is not only believable, but compelling. The poetry in Reis's two pieces (Track 2,3) is simply beautiful and Cobo's phrasing is refreshingly provocative rather than safe. This player's music is fluid, his sound silky and detailed, and his musical thinking exciting and natural. Although I have several versions of Piazzolla on guitar, these arrangements totally rock. Cobo's arrangement of "El Choclo" is dazzling, especially the last variation. Without saying more, every track on this recording is really special. Take it from a serious student of guitar and avid listener- this CD is a must-have if you like guitar.
An eclectic collection of guitar music, wonderfully played!.......2004-07-07
This is my favorite CD of Latin American guitar music. Ricardo Cobo is a Columbian guitarist currently living in Las Vegas and his playing is among the best I've heard. As the liner-notes indicate, this CD features some well-known Latin American composers as well as some who are virtually unknown. (Outside of the Cuban composer Leo Brouwer, all the composers whose music is featured on this CD are South American.)
The pieces by Manuel Pujol are particularly moving (his work in homage to Piazzolla is alone worth the price of the CD!), as are the two works by the little known composer, Dilermando Reis. Also worth mentioning is Leo Brouwer's piece 'Un Dia de Noviembre,' a beautiful modal ballad (in the natural minor 'Aeolian' mode) that sounds almost like 'new age music' but that is more interesting and subtle. I don't particularly care for the two pieces by Astor Piazzolla (the 1st and last tracks on the CD), as I don't think they fit well with the rest of the CD's music, but overall this CD has enough beautiful guitar music to warrant many listenings. Some of the slower pieces are reminiscent of the music of the brilliant Paraguayan guitarist/composer Agustin Barrios, whose music was neglected for too long but is now getting serious attention (I would recommend David Russell's recording of Barrios' music for solo guitar -- simply beautiful).
And with Naxos' extremely low prices, you really can't go wrong with Cobo's CD!
Great guitar CD.......2003-12-18
I've been waiting for this CD to come out. It was worth the wait. The pieces are familiar Latin guitar music. The playing is the best I've ever heard on any Cobo recording. His Latin soul comes through in this recording. With his superior technique he gets an amazing sound out of the guitar. The richness of this music comes through more with each listening. Buy this CD! You won't regret it.
If you like the tango or classical guitar, this is for you.......2003-12-15
I had looked forward to Cobo's release of this collection of Latin American guitar music. There are few players on the planet who can match his technique and sound (he won the prestigious Guitar Federation of America Competition in 1987), and fewer yet with such direct ties to Latin American music (he's a native of Colombia and has received that country's highest honors for accomplishment in the arts). The CD doesn't disappoint. Much of the music is familiar to guitarists, although not all from guitar renditions (Cobo has transcribed some popular tangos from piano or other mediums). Cobo's talent is apparent and consistent throughout. If you like the tango or similar music, and/or if you like to hear the classical guitar played well, you'll like this recording.
Average customer rating:
- I can name that tune in three notes
- A Fabulous CD
- Mega-Sampler! This really does have 99 tracks!
- Fun Sampler
- Useful.
|
Idiot's Guide to Classical Music
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Scott Joplin: Greatest Hits
- The Complete Idiot's Guide to Classical Music
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ASIN: B000003FPT
Release Date: 1995-02-14 |
Tracks:
- Adagio
- Air on the G String: Air on the G String, Excerpt
- Brandenburg Concerto: Third Movement, Excerpt
- Jesu, Joy of Man's Desiring: Jesu, Joy of Man's Desiring, Excerpt
- Tocatta & Fugue: Excerpt
- Adagio for Strings: Excerpt
- Synphony No. 5: First Movement, Excerpt
- Symphony No. 9: Fourth Movement, Excerpt
- Fse: Excerpt
- Turkish March: Turkish March, Excerpt
- Moonlight Sonata: Excerpt
- Symphonie Fantastique: March Ot the Scaffold, Excerpt
- Damnation of Faust: Excerpt
- Carmen - Habanera: Habanera, Excerpt
- Toreador Song [From Carmen]
- Minuet: Minuet, Excerpt
- Prince Igor: Polovtsian Dance No 17, Excerpt
- Hungarian Dance No. 5: No 5, Excerpt
- Lullaby: No 4, Lullaby, Excerpt
- "Minute" Waltz: Excerpt
- Grande Valse Brillante: Excerpt
- Marche Fune: Marche Fune
- Appalachian Spring: Excerpt
- Fanfare for the Common Man: Excerpt
- Clair de Lune: Excerpt
- Prelude to the Afternoon: Excerpt
- Lakm Flower Duet: Flower Duet, Excerpt
- Symphony No. 9 "New World": Second Movement, "Going Home" Theme, ...
- The Sorcerer's Apprentice: Excerpt
- Pomp & Circumstance: Excerpt
- El Amor Brujo
- Pavane: Excerpt
- Rhapsody in Blue: Excerpt
- American in Paris: Excerpt
- Funeral March of Marionette: Excerpt
- Piano Concerto in a Minor: Excerpt
- Peer Gynt Suite No. 1 - Morning: Morning, Excerpt
- Messiah - Hallelujah Chorus: Hallelujah Chorus, Excerpt
- Water Music - Hornpipe: Hornpipe, Excerpt
- Symphony No. 94 "Surprise": Second Movement, Excerpt
- The Planets - Mars: Mars, Excerpt
- Sabre Dance: Sabre Dance, Excerpt
- Pagliacci: Vesti la Giubba, Excerpt
- Hungarian Rhapsody
- Liebestraum No. 3: No 3, Excerpt
- Cavalleria Rusticana - Intermezzo: Intermezzo, Excerpt
- Midsummer Night's Dream - Wedding March: Wedding March, Excerpt
- Symphony No. 4 "Italian": Fourth Movement, Excerpt
- Rondeau: No 1, Rondeau
- Piano Concerto No. 21: Andante, Excerpt
- Eine Kleine Nachtmusik: First Movement, Excerpt
- The Marriage of Figaro - Overture: Overture, Excerpt
- Sonata in A - Rondo Alla Turca: Rondo Alla Turca, Excerpt
- Symphony No. 40: First Movement, Excerpt
- Night on Bald Mountain: Excerpt
- Pictures at an Exhibition - Great Cave of Kiev: Great Gate of ...
- Barcarolle: Barcarolle, Excerpt
- Orpheus in Hades - Theme II: Excerpt (Theme)
- Carmina Burana - O Fortuna: O Fortuna, Excerpt
- Canon: Canon, Excerpt
- Romeo & Juliet - Montagues & Capulets: Montagues & Capulets, Excerpt
- Lt. Kije's Wedding: Lt. Kije's Wedding, Excerpt
- Turandot - Nessun Dorma: Nessun Dorma, Excerpt
- Piano Concerto No. 2: Second Movement, Excerpt
- Symphony No. 2: Third Movement, Opening, Excerpt
- Rhapsody on a Theme: Variation 18, Excerpt
- Bolero
- Flight of the Bumblebee
- Concierto de Aranjuez - Adagio: Adagio, Excerpt
- The Barber of Seville - Overture: Excerpt
- The Barber of Sville - Largo Al Factotum: Largo Al Factotum, Excerpt
- William Tell Overture - Theme II: Excerpt
- Danse Macabre: Excerpt
- Gymnope No. 1
- Symphony N0. 8 "Unfinished": Excerpt
- Ave Maria: Excerpt
- Finlandia [Finale: Finale, Excerpt]
- Valse Triste: No 1, Valse Triste, Excerpt
- Stars & Stripes Forever: Excerpt
- Semper Fidelis: Excerpt
- Blue Danube Waltz: Excerpt
- Tales from the Vienna Woods: Excerpt
- Also Sprach Zarathustra: Fanfare, Excerpt
- Firebird - Infernal Dance & Main Theme: Infernal Dance & Main ...
- The Nutcracker - Waltz of the Flowers: Waltz of the Flowers, Excerpt
- Swan Lake - Waltz: Waltz, Excerpt
- Sleeping Beauty -: Waltz, Excerpt
- Romeo & Juliet - Theme II: Theme LL, Excerpt
- Piano Concerto No. 1 - Opening: Opening, Excerpt
- 1812 Overture - Finale: Finale, Excerpt
- Fantasia on "Greensleeves": Excerpt
- Alda - Grand March: Grand March, Excerpt
- Il Trovatore - Anvil Chorus: Anvil Chorus, Excerpt
- Requiem - Dies Irae: Dies Irae, Excerpt
- Rigoletto - La Donna Mobile: La Donna Mobile, Excerpt
- The Four Seasons "Spring" - Allegro: Allegro, Excerpt
- The Four Season "Winter" - Largo: Largo, Excerpt
- Lohengrin - Bridal Chorus: Bridal Chorus, Excerpt
- Die WalkRide of the Valkyries: Ride of the Valkyries, Excerpt
Customer Reviews:
I can name that tune in three notes.......2005-02-19
My family likes to put this disc in on shuffle and play name that tune. I wish they made more discs like this, only with more obscure works.
A Fabulous CD.......2004-10-14
The Idiot's Guide to Calssical Music is an awesome Cd for those people who want to have a tiny sample of all the great classical compositions. Track 61 and 63 are my favorite.
Mega-Sampler! This really does have 99 tracks!.......2002-03-20
Yes, this CD really does have 99 tracks. How do they do it? Each is about a minuet long. Some are longer, some are shorter, but you get the micro-essential moments of the music.
If you like burning your own CDs, then this is a great source for intra-track fillers, along the lines of They Might Be Giants' "Apollo 18" album, which has all of those short tracks on the end. The idea is to put your CD player on shuffle, so the short tracks get mixed in with the bona fide songs. The result being a very unusual album.
The booklet gives an explanation of the track, where you heard it (i.e. the Warner Brother's Cartoons, or on famous films), and where you can get the full piece of music. So it's a mega sampler CD.
I can honestly say that this CD is a great gift for the friend who has everything.
Fun Sampler.......2001-11-09
For the beginner. You will be surprised at how many of the 99 themes you recognize here. It is an easy introduction to classical music. Nice booklet too.
Useful........1999-03-22
Take it for what it is, a clever and useful GUIDE to classical music. No, it is NOT an uncut rendition of Beethoven's 9th symphony. It IS a cd that will jog your memory. You have heard many of the tunes presented here, but not always knowing what the work was. This is your chance to catch up with all the great classical music you have been exposed to. Cheap too.
Average customer rating:
- SPRING, SUMMER, AUTUMN & WINTER-WHAT A RIDE
- Patrick Stewart is AWESOME
- Poetry reading makes this unique
- Yum Yum Yum this is a delicious feast of relaxation
|
The Compleat Four Seasons
Antonio Vivaldi , Arnie Roth , Musica Anima , and Patrick Stewart
Manufacturer: American Gramaphone
ProductGroup: Music
Binding: Audio CD
All Works by Vivaldi
| Vivaldi, Antonio
| ( V )
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General
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General
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| Classical
| Styles
| Music
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Spoken Word
| Poetry, Spoken Word & Interviews
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ASIN: B0000005MP
Release Date: 1995-03-07 |
Tracks:
- Concerti For Violin, Strings, And Continuo, Op. 8 n. 1 - 4: Spring - Spring Has Come...
- Concerti For Violin, Strings, And Continuo, Op. 8 n. 1 - 4: Spring - Allegro
- Concerti For Violin, Strings, And Continuo, Op. 8 n. 1 - 4: Spring - Then On The Pleasant Flower-Strewn Meadow...
- Concerti For Violin, Strings, And Continuo, Op. 8 n. 1 - 4: Spring - Largo
- Concerti For Violin, Strings, And Continuo, Op. 8 n. 1 - 4: Spring - To The Rustic Bagpipe's...
- Concerti For Violin, Strings, And Continuo, Op. 8 n. 1 - 4: Spring - Allegro
- Concerti For Violin, Strings, And Continuo, Op. 8 n. 1 - 4: Summer - In The Torrid Heat...
- Concerti For Violin, Strings, And Continuo, Op. 8 n. 1 - 4: Summer - Allegro non molto-Allegro
- Concerti For Violin, Strings, And Continuo, Op. 8 n. 1 - 4: Summer - He Rouses His Weary Limbs...
- Concerti For Violin, Strings, And Continuo, Op. 8 n. 1 - 4: Summer - Adagio-Presto-Adagio
- Concerti For Violin, Strings, And Continuo, Op. 8 n. 1 - 4: Summer - Alas! His Fears...
- Concerti For Violin, Strings, And Continuo, Op. 8 n. 1 - 4: Summer - Presto
- Concerti For Violin, Strings, And Continuo, Op. 8 n. 1 - 4: Autumn - The Peasants Celebrate...
- Concerti For Violin, Strings, And Continuo, Op. 8 n. 1 - 4: Autumn - Allegro-larghetto-Allegro assai
- Concerti For Violin, Strings, And Continuo, Op. 8 n. 1 - 4: Autumn - Song and dance are done...
- Concerti For Violin, Strings, And Continuo, Op. 8 n. 1 - 4: Autumn - Adagio molto
- Concerti For Violin, Strings, And Continuo, Op. 8 n. 1 - 4: Autumn - At First Light The Huntsman...
- Concerti For Violin, Strings, And Continuo, Op. 8 n. 1 - 4: Autumn - Allegro
- Concerti For Violin, Strings, And Continuo, Op. 8 n. 1 - 4: Winter - To Siver Icily...
- Concerti For Violin, Strings, And Continuo, Op. 8 n. 1 - 4: Winter - Allegro non molto
- Concerti For Violin, Strings, And Continuo, Op. 8 n. 1 - 4: Winter - To Remain In Quiet Contentment
- Concerti For Violin, Strings, And Continuo, Op. 8 n. 1 - 4: Winter - Largo
- Concerti For Violin, Strings, And Continuo, Op. 8 n. 1 - 4: Winter - To Walk On The Ice...
- Concerti For Violin, Strings, And Continuo, Op. 8 n. 1 - 4: Winter - Allegro-Lento
- Concerti For Violin, Strings, And Continuo, Op. 8 n. 1 - 4: Spring
- Concerti For Violin, Strings, And Continuo, Op. 8 n. 1 - 4: Summer
- Concerti For Violin, Strings, And Continuo, Op. 8 n. 1 - 4: Autumn
- Concerti For Violin, Strings, And Continuo, Op. 8 n. 1 - 4: Winter
Customer Reviews:
SPRING, SUMMER, AUTUMN & WINTER-WHAT A RIDE.......2002-04-10
I WOULD CALL THIS A MASTERPIECE.
Vivaldi's THE COMPLETE FOUR SEASONS is a masterful and beautiful work of art.
1. Spring= light hearted and sweet combination of chill and warmth fill the air. He, Vivaldi, makes you think of holding hands, soft tender kisses and the gentle blowing of flowers in a vast yet tenderly beautiful field.
2. Summer= warm with a strong heart yet loving. Vivaldi makes use of the idea of a powerful thunderstorm in the form of music. During his summer, that is Vivaldi's, you get the urge to hike to some forrest and listen to the gentle water running down a creek. While in the forrest you get to experience the spectacle of a well orchestrated thunderstorm that only Mother Nature can put on.
3. Autumn (I hate the word fall)= a time for celebrating and relaxation. You think of family gatherings, hot cider, pumpkins and the many hues of new colors blossoming around you. Vivaldi is like an painter; you feel as though he is re painting the world and his music is the paint.
4. Winter= chilled to the bone and yet warmth when you need it. Vivaldi is like "Old Man Winter"; the mood is right for being indoors with the ones you love. Outside, snow is all around, wind is gusting against the windows and ice is dangerous to walk on. But you manage to avoid all of this by relaxing by the fireside.
I purchased this cd because of Patrick Stewart. What I got out of it was a masterpiece in every sense of the word. This was already a great work of art; Patrick Stewart (aka Captain Jean-Luc Picard) just made it even better.
If you are a classic music fan get this cd. Light a few candles or start a fire in you fireplace, snuggle up to the one you love and make sure this cd is on.
Patrick Stewart is AWESOME.......2001-10-18
This may seem like another recording of Vivaldi's Four Seasons, but it isn't. This version adds another element that Vivaldi included in his writing that few people apply today.
Vivaldi originally wrote poems to go along with each season, and Patrick Stewart reads the poetry here. He does a WONDERFUL job, putting expression and feeling into each poem.
Otherwise, this is not my favorite recording of the Four Seasons, but it still is pretty good. Stewart adds a wonderful element to the CD, which is the main reason I got it.
Also the CD art is different on my copy. It shows Arnie Roth and Patrick Stewart on the cover... I don't know I guess they changed it.
Wonderful version!
Poetry reading makes this unique.......1999-08-25
Okay, so Arnie Roth is not the greatest violinist of our times, nor is this the greatest version of Vivaldi's Four Seasons, BUT, Patrick Stewarts wonderful reading of Vivaldi's poetry written along with the concertos a unique and very pleasing addition to any classical library.
Yum Yum Yum this is a delicious feast of relaxation.......1999-01-16
Put this CD on when you want to wander around your home or at work and be relaxed and refreshed. Better yet, put it on when and simply enjoy the poetry and music blended together. It's like air freshener for your head.
Average customer rating:
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The Ultimate
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- Ultimate Collection
ASIN: B00019RAO4
Release Date: 2004-02-05 |
Tracks:
- Red Hot [Symphonic Mix]
- I Feel Love
- Classical Gas
- Picante
- (I) Can, Can (You?)
- Yantra
- Leyenda
- Bach Street Prelude
- Widescreen
- Night Flight
- Scherzo in C Minor for Violin & Piano
- Allegro (Spring-The Original Four Seasons on 8 No 1)
- Toccata & Fugue in D Minor
- Cotton Eye Joe [Live]
Album Description
Import exclusive compilation for the classical crossover star features 14 tracks including 2 live tracks. Highlights include, 'Red Hot' (Symphonic Mix), 'I Feel Love', 'Classical Gas', 'Picante', '(I) Can, Can (You?)', & many more. Disky. 2003.
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- Sparked by the Music
- Wonderful composition and performance
- O'Connor meets Vivaldi
- This man just goes from strength to strength.
- Appalachian/Classical Crossover
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The American Seasons
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Similar Items:
- O'Connor: Fanfare for the Volunteer / O'Connor, Mercurio, London SO
- Appalachia Waltz / Ma, Meyer, O'Connor
- Double Violin Concerto
- The Fiddle Concerto
- Midnight on the Water
ASIN: B00005OKTI
Release Date: 2001-09-25 |
Tracks:
- Spring
- Summer
- Fall
- Winter
- Strings & Threads Suite
- Appalachia Waltz
Customer Reviews:
Sparked by the Music.......2007-06-10
Mark O'Connor's "The American Seasons" is an ambitious work that is moving. From the buoyant and bubbly music that is "Spring" to the wistful and melancholy music that describes "Fall," the moods evoked are varied and gripping. As a performer, O'Connor startles us with both his verve and depth of feeling. The 14-minute "Winter" has a glorious string arrangement that swells and falls with O'Connor's violin leading the sonic storm. Closing my eyes, images flood my head sparked by the music from snow swirling to the feeling of entering the door of home and finding a hot cup of cocoa to warm the chill. O'Connor's collaboration with Yo-Yo Ma & Edgar Meyer on Appalachian Journey was excellent & had some of the same appeal. This disc was first published in 2001 & is well worth seeking. Enjoy!
Wonderful composition and performance.......2006-07-20
This piece, The American Seasons, by Mark O'Connor, is a beautiful composition. It blends folk, blues, jazz, and classical (and barlque) influences, with a tribute to Vivaldi's Four Seasons in the structure and the instrumentation, as is Mark's style. Many of the compositional techniaues, the counterpoint, are similar to those that Bach used. Each movement, to me, focuses on the seasons of the year AND the seasons of the life (I can just picture the leaves turning yellow during Fall, and the snow coming down in Winter). I especially like how the different themes throughout the composition are really similar--especially in Summer, the maturity theme is an ornamented version of the theme in the beginning of the movement, which is just a variation from something in the first movement. The improvized violin cadenza in the end is astonishing (one reviewer mentioned that only Mark would be able to play it, but Mark never writes his cadenzas out, so future performers would just improvize something else. In fact, if you look at the score on his website, there's nothing written there.)
The other two pieces, Strings and Threads and Applachian Waltz, are also very good in composition and execution, though not as great as the Seasons.
This is currently my favorite CD in my collection, and I highly recommend it to everyone regardless of whether you like classical, folk, jazz, or traditional music (although if you like jazz or blues you may like Mark O'Connor's Double Violin Concerto better).
O'Connor meets Vivaldi.......2003-10-21
The concept is Vivaldi's perhaps, but the composition and playing are uniquely O'Connor. Just as he took the concept of the caprices from Paganini in Midnight on the Water, Mark O'Connor demonstrates here his ability to borrow from others to create something distinctly his own. I drove all the way from Tulsa to Dallas to watch a live performance of The American Seasons and I don't regret it for a minute. It was November of 2001, just two months after the tragedy of 9-11. Appropriately the American part of The American Seasons took on a whole new meaning to both the performers and their audiences.
This four-part concerto represents the four stages of life, and incorporates various musical genres that are uniquely American. The theme and variations in the first movement are almost as catchy as Beethoven's 5th, with an intertwining counter melody weaving in and out. The second movement, representing youth and early adulthood, starts off with a slow, bluesy theme. O'Connor said he envisioned a kid kicking a can down the street as this movement unfolds. I can see that. The third movement, Fall, represents adulthood and middle age. It's probably the weakest of the four movements, but then the excitement and energy of youth is fading away and the complexities of life that are encountered in this stage are reflected in the slow, wandering melody. The fourth movement revisits the theme of the first movement with added drama and dissonance. The idea, I gather, is that in old age we tend to reflect on our earlier years with more wisdom and hopefully a more discerning perspective.
The first suite is worth the price of the CD, but the Strings & Threads Suite is the icing on the cake. Here O'Connor runs through a series of short pieces offering an assortment of irish jigs and reels, waltzes, rags, and blues as the focus moves away from composition and features more pure fiddling.
Before I bought this CD I bought The Fiddle Concerto. While I felt that was a good effort, I feel that O'Connor found his stride with The American Seasons. It's destined to be considered one of the great concertos of the 21st century.
This man just goes from strength to strength........2001-10-13
In a relatively short period of time, I've managed to very nearly become a Mark O'Connor "compleatist," grabbing up virtually everything he's released on disc. This new release - "The American Seasons" - goes to the top of my O'Connor short list, along with "Heroes" (O'Connor fiddling duet-style with virtually all of the other greats of the instrument), "Fanfare for the Volunteer" (O'Connor's alternately thrilling, moving and heartfelt violin concerto of a few years back), "Midnight on the Water" (O'Connor as triple-threat Paganini, on violin, guitar and mandolin), and "Telluride Sessions" (in which O'Connor teamed up with Bela Fleck, Edgar Meyer, Sam Bush and Jerry Douglas to form the Strength in Numbers group on the most essential "Newgrass" release ever produced).
This time around, it's "all strings, all the time," with the excellent Boston-based Metamorphosen Chamber Orchestra providing the orchestra backdrop.
The title piece is a four-movement Concerto for Fiddle and Strings, representing the seasons of an American musical life (part O'Connor and part archetypal as he writes in the notes), with at least a sideways glance at Vivaldi's "Four Seasons" for the same instrumentation. But there's absolutely no risk of confusing O'Connor and Vivaldi in this work. Three of the four movements are each in two major sections, for a total of seven major themes meant to suggest the stages of life, along the lines of Shakespeare's "seven ages of man" from "As You Like It."
So much for the background. What is the work like? It's of course typical O'Connor in the sense of extending the reaches of the instrument, but yet new and different from his earlier Fiddle Concerto and "Fanfare for the Volunteer." Where those two works have their glances back at earlier musical eras (the romantic violin concerto era in the case of the Fiddle Concerto and the early 20th century of Copland, Hanson and Harris in the case of "Fanfare for the Volunteer"), this work is thoroughly grounded in more current musical idioms. Like all of O'Connor's major compositions, it is a high-wire balancing act of touchingly sweet lyricism and absolutely mind-bending pyrotechnics. The extended 4th movement cadenza is - as are so many of his solos - something that I think only he will be able to perform in the foreseeable future; it is that challenging. Listen carefully to this cadenza, particularly its closing measures, in which he achieves some spiccato ("bouncing bow") effects using both fundamentals and harmonics. This is one of those "Do not attempt this at home" challenges which I can't imagine any concert violinist attempting anytime soon; it's downright scary in its difficulty.
The second major work of the album - "Strings & Threads" - is O'Connor's "take" on the history of American vernacular fiddling in a 13-movement suite of brief reflections on styles, covering Scots-Irish fiddling from the pre-Revolutionary days through blues, ragtime, Texas-style "flat" fiddling, swing, into the present era. It should come as no surprise to anyone who has listened to his "Heroes" album that he has every one of these styles nailed.
The concluding work is an arrangement for string orchestra of his deservedly famous "Appalachia Waltz" (of the Yo-Yo Ma/Edgar Meyer/Mark O'Connor album of the same name). It was this album which first brought O'Connor to my own attention. Here, he and Edgar Meyer have arranged this famous work for string orchestra, and the Metamorphosen perform it with the achingly lyrical beauty that it deserves.
The recording - made in the warm and intimate acoustic of Mechanics Hall in Worcester, MA (which served as the architectural model for Symphony Hall in Boston) - is a model of clarity and presence. Sony has captured the sound of O'Connor and the Metamorphosen perfectly.
Too bad about that 5-star limitation, though. I really wish I could have given Mark at least a few more.
Bob Zeidler
Appalachian/Classical Crossover.......2001-10-12
Mark O'Connor is featured as fiddler, violinist, and composer on this Sony CD of his own works, The American Seasons. O'Connor may be best known to audiences from his performances with YoYo Ma and Edgar Meyer on the Appalachian Journey and Heartland CDs. American Seasons offers more of the same--a hearty dose of folk music--fiddle tunes from the American South, Blues, Texas Swing and more translated through postmodern ears. It's as if Igor Stravinsky had used Appalachian folk tunes as the basis for his Pulcinella suite, and flavored it all with touches of Vivaldi, Philip Glass, Bartok and even Yanni. As such, the music is wildly vibrant, rhythmically energetic, filled with the idioms of folk music but using the structures of the classical world. It has occasional mild harmonic dissonances but is always melodic and often completely diatonic. At their best, O'Connor's compositions sparkle with life, at their worst the frequent repetition of notes, rhythms and melodic formulas is annoyingly tedious. Compare, for example, the first and last movements of The American Seasons and you will find they are hardly distinguishable. The same melodic figure is treated obsessively to seemingly unending repetition, over and over, repeatedly, time and again. The liner notes tell us "The more you hear The American Seasons, the more you realize that it's built on a mere handful of motifs, and that O'Connor is learning the parsimonious cunning of a master." True, but when Berlioz or Beethoven do this, the transformations of those motifs fascinate us instead of driving us to distraction. Development is not O'Connor's compositional strength.
But although O'Connor isn't yet a great composer, he is certainly a great performer. His training is far from classical--he's a U.S. fiddle champion whose roots lie in the folk music traditions of Texas and the American South, with further training from jazz violinist Stephane Grappelli. But he's managed to incorporate the classical violin sound into his playing, smoothing out the roughness of the traditional fiddle sound. O'Connor doesn't attain the lushness of a violinist like Gidon Kremer, but then he doesn't strive for that, and his unique tone quality and virtuostic technique are enviable.
More enjoyable than the titular concerto are the two other works on the CD, the Strings and Threads Suite and the Appalachia Waltz. Strings and Threads is a collection of thirteen short movements written in the styles of various fiddle traditions. It's a wonderfully tuneful piece without the pretentions and consequent miscues of The American Seasons, and totally delightful. Finally, the gentle and quietly elegant Appalachia Waltz is reminiscent of Aaron Copland at his best.
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