Track Listings
| 1. Hidden Reflections - for Alto Saxophone and Piano | ||
| 2. Hidden Reflections - for Alto Saxophone and Piano | ||
| 3. Quartet for Flute Clarinet Bassoon and Harp | ||
| 4. Quartet for Flute Clarinet Bassoon and Harp | ||
| 5. Quartet for Flute Clarinet Bassoon and Harp | ||
| 6. Quartet for Flute Clarinet Bassoon and Harp | ||
| 7. Voices from India - String Quartet no. 1 | ||
| 8. Voices from India - String Quartet no. 1 | ||
| 9. Voices from India - String Quartet no. 1 |
Editorial Reviews
The Boston Globe, March 10, 2000
Lior Navok is clearly a major talent who we will hear more from in coming years.
(Paul Geffen, Classical Net)
The music of our time is often self-consciously up-to-date. Some composers seem to follow an iconoclastic modernism, seeking primarily to overthrow the traditional at any cost.
Hidden Reflections
Hidden Reflections, Music, Lior Navok, Styliani Tartsinis , Ruty Itzcovitch , El'ad Avakrat , Eyal Streett , Gittit Alpert , Christina Day , Anna Bard , Eric Paetkay , Erica Wise . Jenny Tang
Average customer rating:
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Battle of the Atlantic Suite
Manufacturer: Conifer ProductGroup: Music Binding: Audio CD ASIN: B0000024BZ Release Date: 1993-11-23 |
Customer Reviews:
Okay follow-up to a great work........2006-05-11
Average customer rating: |
Serene Reflections
Dave Smith Manufacturer: TimberLine-Music ProductGroup: Music Binding: Audio CD ASIN: B000171UDI Release Date: 2002-01-01 |
Tracks:
Album Description
A wonderful collection of orginal easy listening New Age style compositions. Soft flutes, guitars, and string ensembles melt away your worries and transform you to a time and place while listening to Serene Reflections.
Average customer rating:
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Hidden Reflections
ProductGroup: Music Binding: Audio CD ASIN: B000050H73 Release Date: 1998-10-01 |
Tracks:
Customer Reviews:
Something for everyone.......2001-03-01
This set covers a lot of ground and successfully pulls together its many influences. Navok claims Ravel, Bartok, Messiaen, and Bill Evans; and I hear Satie and possbily even Victor Herbert as well. The composer has obviously done a lot of listening across a broad range of styles and learned many things from that endeavor.
For example, the second movement of the title piece recalls the style of Messiaen, and the Quartet for winds and harp owes a lot to the spare, genial style of the Velvet Gentleman, Satie. This Quartet is charming and well-constructed, tonal and with a consistent mood. Like the music of Satie, behind an apparently simple, pleasant, and accessible surface is a complex structure and organisation. Clearly, much thought has gone into this composition.
The other sources for this music stretch much further than France, but not always where the liner notes suggest. For example, I heard only a little of the Indian Classical forms of Alap and Raga in the string quartet. Although I'm sure they are there in the structure of the piece, they do not surface.
In the end I am left wondering how to characterize Navok's own style. I don't want to leave the impression that his music is a mere kaleidescope of effects and quotations when in fact it holds together very well. It is just that these pieces are all so very different from each other and employ such a wide variety of techniques that I find it impossible to give a single description that applies to the set as a whole. Perhaps in time the outlines that contain these works will become clearer.
"Something for everyone" would seem to be the motto of this composer.
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