Kenneth Leighton: Concerto for Cello and Orchestra, Op. 31; Symphony No. 3 "Laudes Musicae"
Editorial Reviews
Amazon.com
Leighton (1929-1988) wrote a kind of rigid neo-romanticism, very much in the tradition of the British composers of his generation, i.e. Arnold, Walton, and Finzi. Leighton's Concerto for Cello and Orchestra (1955) is a morose, introspective work wherein the cello weaves in and out of tonal (and sometimes atonal) background characterizations of the orchestra. Leighton's Symphony 3 (1984), subtitled Laudes musicae, is for tenor and orchestra, with the verse provided by the composer. Here, the words "sing," "singing," and "praise" are extended by melismatic phrases. The symphony is about art and music, and is quite contemplative. A surprise masterpiece. --Paul Cook
Kenneth Leighton: Concerto for Cello and Orchestra, Op. 31; Symphony No. 3 "Laudes Musicae", Music, Raphael Wallfisch, Kenneth Leighton, Bryden Thomson, Scottish National Orchestra, Neil Mackie, 20th/21st Century Symphony, Cello Concerto, Classical, Concerto, Symphonic
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Kenneth Leighton: Cello Concerto; Symphony No. 3 "Laudes musicae"
Manufacturer: Chandos ProductGroup: Music Binding: Audio CD ASIN: B0007ZEBY4 Release Date: 2005-05-24 |
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Kenneth Leighton: Concerto for Cello and Orchestra, Op. 31; Symphony No. 3 "Laudes Musicae"
Manufacturer: Chandos ProductGroup: Music Binding: Audio CD ASIN: B000000AIW Release Date: 1992-10-28 |
Tracks:
Amazon.com
Leighton (1929-1988) wrote a kind of rigid neo-romanticism, very much in the tradition of the British composers of his generation, i.e. Arnold, Walton, and Finzi. Leighton's Concerto for Cello and Orchestra (1955) is a morose, introspective work wherein the cello weaves in and out of tonal (and sometimes atonal) background characterizations of the orchestra. Leighton's Symphony 3 (1984), subtitled Laudes musicae, is for tenor and orchestra, with the verse provided by the composer. Here, the words "sing," "singing," and "praise" are extended by melismatic phrases. The symphony is about art and music, and is quite contemplative. A surprise masterpiece. --Paul CookMusic Review:
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