Kenneth Leighton: Concerto for Cello and Orchestra, Op. 31; Symphony No. 3 "Laudes Musicae"

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Leighton (1929-1988) wrote a kind of rigid neo-romanticism, very much in the tradition of the British composers of his generation, i.e. Arnold, Walton, and Finzi. Leighton's Concerto for Cello and Orchestra (1955) is a morose, introspective work wherein the cello weaves in and out of tonal (and sometimes atonal) background characterizations of the orchestra. Leighton's Symphony 3 (1984), subtitled Laudes musicae, is for tenor and orchestra, with the verse provided by the composer. Here, the words "sing," "singing," and "praise" are extended by melismatic phrases. The symphony is about art and music, and is quite contemplative. A surprise masterpiece. --Paul Cook

Kenneth Leighton: Concerto for Cello and Orchestra, Op. 31; Symphony No. 3 "Laudes Musicae", Music, Raphael Wallfisch, Kenneth Leighton, Bryden Thomson, Scottish National Orchestra, Neil Mackie, 20th/21st Century Symphony, Cello Concerto, Classical, Concerto, Symphonic
Kenneth Leighton: Cello Concerto; Symphony No. 3 "Laudes musicae"
Average customer rating: Not rated
    Kenneth Leighton: Cello Concerto; Symphony No. 3 "Laudes musicae"

    Manufacturer: Chandos
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
    SymphoniesSymphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    CelloCello | Strings | Instruments | Classical | Styles | Music
    GeneralGeneral | Symphonies | Classical | Styles | Music
    Modern & 20th CenturyModern & 20th Century | Symphonies | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    ASIN: B0007ZEBY4
    Release Date: 2005-05-24

    Tracks:

    1. I. Allegro Con Moto/Meno Mosso - Rapheal Wallfisch
    2. II. Scherzo And Trio. Allegro Molto E Ritmico (Il Piu Presto Possibile)/Moderato E Dolce - Rapheal Wallfisch
    3. III. Lentissimo: Molto Sostenuto - Rapheal Wallfisch
    4. I. Adagio Molto/Allegro Con Moto - Neil Mackie
    5. II. Scherzo. Allegro Molto E Scherzoso - Neil Mackie
    6. III. Finale: Adagio Molto E Sostenuto - Neil Mackie
    Kenneth Leighton: Concerto for Cello and Orchestra, Op. 31; Symphony No. 3 "Laudes Musicae"
    Average customer rating: Not rated
      Kenneth Leighton: Concerto for Cello and Orchestra, Op. 31; Symphony No. 3 "Laudes Musicae"

      Manufacturer: Chandos
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
      SymphoniesSymphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      CelloCello | Strings | Instruments | Classical | Styles | Music
      GeneralGeneral | Symphonies | Classical | Styles | Music
      Modern & 20th CenturyModern & 20th Century | Symphonies | Classical | Styles | Music
      GeneralGeneral | Classical | Styles | Music
      ASIN: B000000AIW
      Release Date: 1992-10-28

      Tracks:

      1. Concerto For Cello And Orchestra Op. 31: I. Allegro com moto - Meno mosso
      2. Concerto For Cello And Orchestra Op. 31: II. Scherzo And Trio: Allegro molto e ritmico (il piu presto possible) - Moderato e dolce
      3. Concerto For Cello And Orchestra Op. 31: III. Lentissimo: molto sostenuto
      4. Symphony No.3 'Laudes Musicae' For Tenor Solo And Orchestra: I. Adagio molto - Allegro con moto
      5. Symphony No.3 'Laudes Musicae' For Tenor Solo And Orchestra: II. Scherzo: Allegro molto e scherzoso
      6. Symphony No.3 'Laudes Musicae' For Tenor Solo And Orchestra: III. Finale: Adagio molto e sostenuto

      Amazon.com

      Leighton (1929-1988) wrote a kind of rigid neo-romanticism, very much in the tradition of the British composers of his generation, i.e. Arnold, Walton, and Finzi. Leighton's Concerto for Cello and Orchestra (1955) is a morose, introspective work wherein the cello weaves in and out of tonal (and sometimes atonal) background characterizations of the orchestra. Leighton's Symphony 3 (1984), subtitled Laudes musicae, is for tenor and orchestra, with the verse provided by the composer. Here, the words "sing," "singing," and "praise" are extended by melismatic phrases. The symphony is about art and music, and is quite contemplative. A surprise masterpiece. --Paul Cook

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