A Greek Byzantine Easter

Track Listings
1. Canon for the Annunciation by St.John Damascene    
2. Canon for Palm Sunday by St. Cosmas    
3. Canon for Palm Sunday by St. Cosmas    
4. Hymn for Holy Thursday    
5. Canon for Holy Thursday by St. Cosmas    
6. Canon for Holy Thursday by St. Cosmas    
7. Antiphon for Good Friday    
8. Antiphon for Good Friday    
9. Antiphon for Good Friday    
10. Hymn for Holy Thursday    
11. Troparion for Holy Thursday    
12. Hirmos for Holy Thursday    
13. Trisagion Good Friday    
14. -25. Good Friday Cycle Sophronios Patriarch of Jerusalem 634-38    
15. Troparion Good Friday    
16. Resurrection Verse    
17. Resurrection Verse    
18. Resurrection Verse    
19. Resurrection Troparion    
20. Resurrection Troparion    
See all 33 tracks on this disc

Editorial Reviews
Album Description
In superb vocal renditions by Ted Alevizos, this disk samples the musical legacy of the Eastern Orthodox Church. These chants of the Byzantine Empire were composed orally between the 4th and 8th centuries, and written down in musical notation during the 9th through the 13th centuries. They are sung here in conformity with the oldest noted traditions. The opening Lenten hymn, commemorating the Annunciation of the Virgin (March 25), is an early 8th century work of the theologian and hymnographer St.John of Damascus. The remaining music embellishes the most solemn of liturgical dramas, beginning with Christ's entry into Jerusalem on Palm Sunday and continuing through the emotion-charged events of Holy Week. What may seem as an artistic peak is the narrative cycle of twelve hymns, tracing the events of Good Friday (14-25) attributed to Sophronios, Patriarch of Jerusalem 634-38. These are rich displays of Byzantin! e religiosity, adorned with emotionally charged and at times dramatic music. It all finds an exultant conclusion in the universal refrain, Christos Aneste, (Christ is Risen) found here in an authorative Constantinopolitan version of the 14th Century.

A Greek Byzantine Easter, Music, anonymous, Ted Alevizos
Sacred Women: Women as Composers and Performers of Medieval Chant
Average customer rating: Not rated
    Sacred Women: Women as Composers and Performers of Medieval Chant

    Manufacturer: Dorian Recordings
    ProductGroup: Music
    Binding: Audio CD

    Hildegard of BingenHildegard of Bingen | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
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    GeneralGeneral | Opera & Vocal | Styles | Music
    OratoriosOratorios | Opera & Vocal | Styles | Music
    MotetsMotets | Vocal Non-Opera | Opera & Vocal | Styles | Music
    OratoriosOratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
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    A Greek Byzantine Easter
    Average customer rating: 3 out of 5 stars
    • Liked this very much
    • Not-Chant, Not-Byzantine, Not-Good!
    A Greek Byzantine Easter

    ProductGroup: Music
    Binding: Audio CD

    ClassicalClassical | Indie Music | Stores | Music
    GeneralGeneral | Classical | Styles | Music
    ASIN: B00006320J
    Release Date: 2002-02-14

    Tracks:

    1. Canon for the Annunciation by St.John Damascene
    2. Canon for Palm Sunday by St. Cosmas
    3. Canon for Palm Sunday by St. Cosmas
    4. Hymn for Holy Thursday
    5. Canon for Holy Thursday by St. Cosmas
    6. Canon for Holy Thursday by St. Cosmas
    7. Antiphon for Good Friday
    8. Antiphon for Good Friday
    9. Antiphon for Good Friday
    10. Hymn for Holy Thursday
    11. Troparion for Holy Thursday
    12. Hirmos for Holy Thursday
    13. Trisagion Good Friday
    14. -25. Good Friday Cycle Sophronios Patriarch of Jerusalem 634-38
    15. Troparion Good Friday
    16. Resurrection Verse
    17. Resurrection Verse
    18. Resurrection Verse
    19. Resurrection Troparion
    20. Resurrection Troparion
    21. Canon for Holy Saturday
    22. Resurrection Refrain 14th Cent.
    23. Canon for Easter Sunday
    24. Canon for Easter Sunday
    25. Canon for Easter Sunday
    26. Canon for Easter Sunday
    27. Troparion for Easter Sunday
    28. Resurrection Hymn
    29. Resurrection Verse
    30. Resurrection Verse
    31. Resurrection Verse
    32. Great Easter Canon by St. John Damascene
    33. Resurrection Refrain 14th Cent.

    Album Description

    In superb vocal renditions by Ted Alevizos, this disk samples the musical legacy of the Eastern Orthodox Church. These chants of the Byzantine Empire were composed orally between the 4th and 8th centuries, and written down in musical notation during the 9th through the 13th centuries. They are sung here in conformity with the oldest noted traditions. The opening Lenten hymn, commemorating the Annunciation of the Virgin (March 25), is an early 8th century work of the theologian and hymnographer St.John of Damascus. The remaining music embellishes the most solemn of liturgical dramas, beginning with Christ's entry into Jerusalem on Palm Sunday and continuing through the emotion-charged events of Holy Week. What may seem as an artistic peak is the narrative cycle of twelve hymns, tracing the events of Good Friday (14-25) attributed to Sophronios, Patriarch of Jerusalem 634-38. These are rich displays of Byzantin! e religiosity, adorned with emotionally charged and at times dramatic music. It all finds an exultant conclusion in the universal refrain, Christos Aneste, (Christ is Risen) found here in an authorative Constantinopolitan version of the 14th Century.

    Customer Reviews:

    5 out of 5 stars Liked this very much.......2002-05-22

    Beautiful voice and quality!

    I am no expert and thus am not sure about the veracity of the chant, but I have to say that I enjoyed it immensely. From my albeit limited knowledge of the genre, what is clear to me is that there are many different and highly opinionated points of view when it comes to this beautiful music. Who will ever really know what was 'correct' or 'true' chant from so long ago? Not this old chap.

    You have to follow your heart sometimes....In any event, I enjoyed this CD very much!

    1 out of 5 stars Not-Chant, Not-Byzantine, Not-Good!.......2002-04-21

    This CD should be entitled, "The Imagings of a Byzantine Chanter: What Byzantine Music Isn't -- Thank God!"

    This CD is horrible. It is not Byzantine Chant, although we are told it is by a certain Kenneth Levy in the liner notes. This "professor", in a pedantic way, tells us how great Mr. Alevizos is, and how the disc is "true to historical evidence." Prove it. The tonal system seems to have totally disappeared and everything sounds nearly the same (which is horrible), except for a little more vibratto here, a little less there. The title of this CD is fraudulent -- it isn't chant, it isn't Byzantine, and it definitely isn't worth your money.

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