Editorial Reviews The short pieces are just as superb. The 1939 performance of Weber's "Invitation to the Dance" (in Taussig's dazzling arrangement) is matched in elegance and tonal beauty only by the recordings of his fellow Leschetizky students, Ignaz Friedman (Danacord), and Artur Schnabel (APR), both of whom perform Weber's original text. Moiseiwitsch's version of Liszt's Concert Étude in F Minor ("La leggierezza") deserves its legendary reputation. This transcendent reading, with the limpid delicacy and beauty of its leggierissimo playing, brings the work's title to startling life. Moiseiwitsch's dazzling virtuosity was disciplined by calm but intense musicality. He was able to make much-abused pieces such as Liszt's Liebestraum No. 3 and his Second Hungarian Rhapsody sound fresh: whether through the liquid poetry of his playing in the former or his rhythmic élan and devil-may-care good humor in the latter. Any of these performances would make this disc worth buying at full price; Naxos's super-budget price makes it irresistible. --Stephen Wigler
Amazon.com
Unlike the first volume of historic performances by Benno Moiseiwitsch released by Naxos, which was devoted to major works, the second volume is filled almost entirely with encore pieces, most of which are now rarely heard. The one exception--and it is itself an infrequent visitor to concert halls--is Liszt's gigantic transcription of Wagner's "Tannhauser Overture." In this 1938 recording, one of the pianist's greatest, Moiseiwitsch achieves what even so great a modern master as Jorge Bolet (BMG) failed to do--realize Liszt's seemingly impossible aim of reproducing the sonority and might of the orchestral score on the piano.
Great Pianists: Moiseiwitsch 2, Music, Ludwig van Beethoven, Adolf Henselt, Johann Nepomuk Hummel, Franz Liszt, Felix Mendelssohn, Robert Schumann, Carl Tausig, Benno Moiseiwitsch, Andante for Keyboard, Chamber Music & Recitals, Classical, Classical Artists, Classical Music, Etude for Keyboard, Fantasy/Fantasia for Keyboard, Folk Dance for Keyboard, Keyboard, Keyboard Work with Descriptive or Unclassified Title, Music for Keyboard, Nocturne for Keyboard, Rhapsody for Keyboard, Romance for Keyboard, Rondo for Keyboard, Song Without Words for Keyboard, Transcription for Keyboard
Average customer rating:
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Great Pianists: Moiseiwitsch 2
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005K3PJ Release Date: 2001-08-21 |
Tracks:
Amazon.com
Unlike the first volume of historic performances by Benno Moiseiwitsch released by Naxos, which was devoted to major works, the second volume is filled almost entirely with encore pieces, most of which are now rarely heard. The one exception--and it is itself an infrequent visitor to concert halls--is Liszt's gigantic transcription of Wagner's "Tannhauser Overture." In this 1938 recording, one of the pianist's greatest, Moiseiwitsch achieves what even so great a modern master as Jorge Bolet (BMG) failed to do--realize Liszt's seemingly impossible aim of reproducing the sonority and might of the orchestral score on the piano.The short pieces are just as superb. The 1939 performance of Weber's "Invitation to the Dance" (in Taussig's dazzling arrangement) is matched in elegance and tonal beauty only by the recordings of his fellow Leschetizky students, Ignaz Friedman (Danacord), and Artur Schnabel (APR), both of whom perform Weber's original text. Moiseiwitsch's version of Liszt's Concert Étude in F Minor ("La leggierezza") deserves its legendary reputation. This transcendent reading, with the limpid delicacy and beauty of its leggierissimo playing, brings the work's title to startling life. Moiseiwitsch's dazzling virtuosity was disciplined by calm but intense musicality. He was able to make much-abused pieces such as Liszt's Liebestraum No. 3 and his Second Hungarian Rhapsody sound fresh: whether through the liquid poetry of his playing in the former or his rhythmic élan and devil-may-care good humor in the latter. Any of these performances would make this disc worth buying at full price; Naxos's super-budget price makes it irresistible. --Stephen Wigler
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