The Music of Milton Babbitt: Premiere Works
Track Listings
| 1. Quatrains (1993) | ||
| 2. Manifold Music (1995) | ||
| 3. My Ends Are My Beginnings (1978) | ||
| 4. My Ends Are My Beginnings (1978) | ||
| 5. My Ends Are My Beginnings (1978) | ||
| 6. Soli e Duettini (1989) | ||
| 7. Swan Song No. 1 (2003) |
Editorial Reviews
Album Description
Milton Babbitt remains a controversial figure on todays musical scene, with his ideas more frequently discussed than his music is actually listened to. This recording contains the premiere recordings of five Babbitt works that span a quarter of a century. The CD opens with a performance of Babbitts exquisite "Quatrains", sung by the brilliant young American soprano, Tony Arnold. Set to a text by a Babbitt favoriteJohn Hollander"Quatrains" is a work of great delicacy and subtlety. "Manifold Music" shows Babbitt adapting his language to the organ in a most original manner. Exploiting the instruments potential for colorful registration, Babbitts demanding score is a spectacular workout for the hands and feet of organ virtuoso, Gregory DAgostino. "My Ends Are My Beginnings" has, since its composition in 1978, been regarded by many as one of most difficult-to-play works for a solo woodwind instrument. The works dedicatee, Allen Blustine (long-time clarinetist! for Speculum Musicae), gives a heroic reading of this 17 minute solo. "Soli e Duettini" is one of three works with this title. This work, for two guitars, is played by dedicatees William Anderson and Oren Fader. (This premiere recording was previously issued on BRIDGE 9042). The final work is Babbitts just completed "Swan Song No. 1". It is a remarkable composition for the unusual combination of flute, oboe, mandolin, guitar, violin and cello. CD Annotator Matthias Kriesberg writes, "The experience of hearing Milton Babbitt, who for so long played off the boundaries of musical dimensions against one another, now reign in the extremes so dramatically as to focus the ear on the centered drama of calm voices interacting, is certainly extraordinary. But should we really be surprised? After all, there is a long, rich history of composers who, having definitively proven their ability to wrest music in an entirely new direction, turned their attention inward, ever inward, to contemplate that place, in the words of W.B. Yeats, where all the ladders start."
The Music of Milton Babbitt: Premiere Works, Music, Allen Blustine, Ayako Oshima, Charles Neidich, Milton Babbitt, Jeffrey Milarsky, Cygnus Ensemble, Oren Fader, William Anderson, Gregory D'Agostino, Tony Arnold, Chamber, Chamber Music, Chamber Music & Recitals, Classical, Classical Composers, Classical Music, Keyboard, Music for Keyboard, Vocal, Vocal Music
Average customer rating:
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The Music of Milton Babbitt: Premiere Works
Manufacturer: Bridge Records, Inc. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000D8I12 Release Date: 2003-09-30 |
Tracks:
Album Description
Milton Babbitt remains a controversial figure on today's musical scene, with his ideas more frequently discussed than his music is actually listened to. This recording contains the premiere recordings of five Babbitt works that span a quarter of a century. The CD opens with a performance of Babbitt's exquisite "Quatrains", sung by the brilliant young American soprano, Tony Arnold. Set to a text by a Babbitt favorite-John Hollander-"Quatrains" is a work of great delicacy and subtlety. "Manifold Music" shows Babbitt adapting his language to the organ in a most original manner. Exploiting the instrument's potential for colorful registration, Babbitt's demanding score is a spectacular workout for the hands and feet of organ virtuoso, Gregory D'Agostino. "My Ends Are My Beginnings" has, since its composition in 1978, been regarded by many as one of most difficult-to-play works for a solo woodwind instrument. The work's dedicatee, Allen Blustine (long-time clarinetist! for Speculum Musicae), gives a heroic reading of this 17 minute solo. "Soli e Duettini" is one of three works with this title. This work, for two guitars, is played by dedicatees William Anderson and Oren Fader. (This premiere recording was previously issued on BRIDGE 9042). The final work is Babbitt's just completed "Swan Song No. 1". It is a remarkable composition for the unusual combination of flute, oboe, mandolin, guitar, violin and cello. CD Annotator Matthias Kriesberg writes, "The experience of hearing Milton Babbitt, who for so long played off the boundaries of musical dimensions against one another, now reign in the extremes so dramatically as to focus the ear on the centered drama of calm voices interacting, is certainly extraordinary. But should we really be surprised? After all, there is a long, rich history of composers who, having definitively proven their ability to wrest music in an entirely new direction, turned their attention inward, ever inward, to contemplate that place, in the words of W.B. Yeats, `where all the ladders start.'"Customer Reviews:
swan Song No.1 is the overwhelming highlight for me.......2006-01-16
Challenging music.......2005-11-07
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