Three Penitential Visions/Hidden Voices

Editorial Reviews
Amazon.com
It is nearly impossible to describe the music of Ingram Marshall, except to say that he employs a wide range of recorded sounds--nature sounds, bells, gongs--and he uses various tape looping techniques to come up with the eeriest sounds ever recorded. By molding these techniques into rising and falling tone clusters, these sounds actually begin to make sense. Three Penitential Voices (1986) was originally a performance piece and Hidden Voices (1989) employs some of the same effects, but he also uses female voices. If Marshall keeps this up, he just may invent a whole new music. --Paul Cook

Three Penitential Visions/Hidden Voices, Music, Ingram Marshall, Cheryl Bensman Rowe, Classical, Classical Composers, Electronic, Electronic/Computer/Tape Music, Minimalism, Popular Music
Ingram Marshall: Three Penitential Visions; Hidden Voices
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    Ingram Marshall: Three Penitential Visions; Hidden Voices

    Manufacturer: Nonesuch
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Opera & Vocal | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    Similar Items:
    1. Kingdom Come; Hymnodic Delays; Fog Tropes II for String Quartet and Tap
    2. Ingram Marshall: Savage Altars
    3. Dark Waters
    4. Fog Tropes/Gradual Requiem
    5. Alcatraz

    ASIN: B000005IZX
    Release Date: 1992-05-28

    Tracks:

    1. Three Penitential Visions: Eberbach I
    2. Three Penitential Visions: Eberbach II
    3. Three Penitential Visions: Fugitive Vision
    4. Hidden Voices: Invocation - Slouching Toward Bethlehem - Lamentations - The Wedding - Tolya's Scream - A Gathering

    Amazon.com

    It is nearly impossible to describe the music of Ingram Marshall, except to say that he employs a wide range of recorded sounds--nature sounds, bells, gongs--and he uses various tape looping techniques to come up with the eeriest sounds ever recorded. By molding these techniques into rising and falling tone clusters, these sounds actually begin to make sense. Three Penitential Voices (1986) was originally a performance piece and Hidden Voices (1989) employs some of the same effects, but he also uses female voices. If Marshall keeps this up, he just may invent a whole new music. --Paul Cook

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