Beethoven: Symphony No.7/Haydn: Symphony No.104 [Import]
Track Listings
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1. Symphony No.7 In A Major, Op.92 La Majeur A-Dur / I Poco Sostenuto - Vivace
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2. Symphony No.7 In A Major, Op.92 /: Ii Allegretto
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3. Symphony No.7 In A Major, Op.92 / : Iii Presto - Assai Meno Presto
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4. Symphony No.7 In A Major, Op.92 / : Iv Allegro Con Brio
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5. Symphony No.104 In D Major "London" / : I Adagio - Allegro
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6. Symphony No.104 In D Major "London" / : Ii Andante
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7. Symphony No.104 In D Major "London" / : Iii Menuet E Trio: Allegro
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8. Symphony No.104 In D Major "London" / : Iv Finale: Spiritoso
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Beethoven: Symphony No.7/Haydn: Symphony No.104, Music, Karajan, Wiener Philharmoniker, Ludwig Van Beethoven, Franz Josep Haydn, Herbert Von Karajan, Classical
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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- Study of Orchestration, Third Edition
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Mill. Classical review
- classical music for the unitiated
- Some little gems there that I had forgotten!
- A very helpful collection
- Excellent!
|
Classical Masterpieces of the Millennium [20 CD Set]
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ASIN: B00000K1C9
Release Date: 1999-08-24 |
Tracks:
- Brandenbutg Concerto No.3 In G First Movement
- Overture No.3 In D Second Movement
- Violin Concerto In E First Movement
- Prelude In C minor
- Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
- Overture No.2 In B minor Minuet And Badinerie
- Oboe Concerto In D minor Second Movement
- Brandenburg Concerto No.4 In G Third Movement
- Musical Offering - Fuga canonica
- Easter Oratorio - Overture
- Minuet In D minor
- Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
- Brandenburg Concerto No.1 In F Second Movement
- Art Of The Fugue - Contrapunctus 9
- Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
- Overture No.4 In D - Réjouissance
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Water Music - Alla Hornpipe
- Xerxes - Ombra Mai Fu (Largo)
- Messiah - And The Glory Of The Lord
- Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
- Organ Concerto In F, Op. 4, No. 4 Allegro
- Water Music - Air
- Messiah - For Unto Us A Child Is Born
- Concerto Grosso In B flat, Op. 3, No. 2 - Largo
- Salomon - Sinfonia, Act 3
- The Choice Of Hercules - While For Thy Arms
- Water Music - Allegro (Suite No. 1)
- Suite No. 5 In E - Air With Variations
- Jephtha - How Dark, O Lord
- Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
- Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
- Water Music - Andante Allegro Da Capo
- Concerto for Trumpet & Orchestra in E-flat: First Movement
- Symphony No. 94 in G: Surprise Symphony-second movement
- Concerto for Violin No. 2 in D: Third Movement
- Flute Trio No. 31 in G: Second Movement
- Symphony No. 31 in D: Hornsignal-First Movement
- String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
- Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
- Concerto for 2 Horns & Orchestra in E-flat: Second Movement
- Symphony No. 88 in G: Fourth Movement
- String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
- Notturno No. 1 in C: Second Movement
- Symphony No. 98 in B: Londoner No. 4-Fourth Movement
- Eine Kleine Nachtmusik - first movement
- Piano Concerto in A - second movement
- Flute Concerto in D - Rondeau
- Serenade - Minuet
- Violin Concerto - first movement
- Symphony No. 40 in G minor - first movement
- Clarinet Concerto - second movement
- Turkish March
- Divertimento - Minuet
- Horn Concerto No. 3 in E-flat - first movement
- Symphony No. 5 in C minor, Op. 67-First Movement
- Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
- Overture
- O welche Lust (Prisoners' Chorus)
- Ha, welch ein Augenblick (Pizarros's Aria)
- Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
- Concerto for Violin and Orchestra in D, Op. 61: Third Movement
- Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
- Sympony No. 6 in F, Op. 68: Pastorale-First Movement
- Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
- German Dance No. 1 In C
- Impromptu Op. 90, No. 3 In G-Flat
- Heidenroslein
- Ave Maria
- Der Lindenbaum
- Quintet In A 'Trout Quintet' - Andante
- Mass No. 6 In E-Flat - Kyrie
- Die Schone Mullerin Des Mullers Blumen
- German Dance No. 2 In G
- Piano Sonata In B-Flat
- Nachtgesang Im Walde
- Winterreise - No. 15: Die Krahe
- German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
- Symphony No. 8 In B Minor 'Unfinished' - Second Movement
- Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
- Nocturne in E-flat, Op. 9, no. 2
- Etude in G-flat, Op. 10, no. 5
- Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
- Mazurka in D minor, Op. 33, no. 2
- Prelude in D-flat, Op. 28, no. 15 Raindrop
- Etude in C, Op. 10, no. 1
- Nocturne in D-flat, Op. 27, no. 2
- Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
- Scherzo in B minor, Op. 20
- Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
- Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
- Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
- Violin Concerto - second movement
- The Sleeping Beauty - Waltz
- Capriccio Italien, Op. 45
- Swan Lake - Waltz
- Eugene Onegin - Polonaise
- The Nutcracker - Waltz of the Flowers
- Orchestral Suite No. 4 - Mozartiana - Third Movement
- Swan Lake - Dance of the Swans
- Symphony No. 6 in B minor - Pathétique - Third Movement
- Hungarian Dance No.5
- Lullaby
- Symphony No.1 in C minor, Op. 68 - Third Movement
- Intermezzo in E-flat, Op.117, no. 1
- Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
- Waltz, Op. 39, no. 15
- Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
- String Quintet in G, Op. 111 - Second Movement
- Symphony No.4 in E minor, Op. 98 - Third Movement
- Intermezzo in A minor, Op. 76, no. 7
- Hungarian Dance No.1 in G minor
- German Requiem Selig sind die Toten (Final Chorus)
- Die Fledermaus - Overture
- Kaiser Waltz, Op.437
- Thunder And Lightning Polka, Op. 324
- Roses From The South Waltz, Op. 388
- AnnenPolka, Op. 117
- Vienna Blood Waltz, Op. 354
- Eljen A Magyar Polka, Op. 332
- Wine, Women and Song Waltz, Op. 333
- On The Beautiful Blue Danube Waltz, Op. 134
- Die Meistersinger Von Nurnberg - Overture
- Tannhauser - Die Pilger sind's (Pilgims' Chorus)
- Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
- Lohengrin - Act 3 Prelude and Bridal Chorus
- The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
- The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
- Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
- Die Walkure - Ride of the Valkyries
- Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
- Tristan und Isolde - Liebestod
- Thus sprach Zarathustra, Op. 30 (excerpt)
- Don Juan, Op. 20
- Eine Alpensinfonie, Op. 64, I.Nacht
- Don Quixote, Op.35, first movement: Introduction
- Salome, Op. 54, Dance Of The Seven Veils
- Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
- Piano Concerto 2 In C minor, Op. 18 - First Movement
- Vocalise, Op.34, No. 14
- Prelude In G Sharp minor, Op. 32, No. 12
- Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
- Symphony No. 2 In E minor, Op. 27 - Third Movement
- Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
- Rhapsody, Op. 43 On A Theme By Paganini
- Hungarian Rhapsody No.2
- Liebestraum No.3 in A-flat
- Piano Concerto No.1 in E-flat - third movement
- Angelus
- Mephisto Waltz No.1 (Dance in a Village Tavern)
- Prelude and Fugue on B-A-C-H
- Dante Symphony - Finale. - Purgatorio - Magnificat
- Les Préludes
- Boléro
- Daphnis et Chloé first movement: Nocturne
- Rhapsodie Espagnole
- Shéhérazade - first movement: Asie
- Ma Mère l'Oye - fourth movement: La Belle et la Bête
- Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
- La Valse
- Slavic Dance No. 1 in C, Op. 46, no.1
- Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
- Humoresque, Op. 101
- Slavic Dance No. 8 in G minor, Op. 46, no. 8
- Serenade for String Orchestra, Op. 22 - second movement
- Romance for Violin and Orchestra In F minor, Op. 11
- Symphony No. 7 in D minor - third movement
- Melodie (Songs My Mother Taught Me)
- Carneval Overture, Op. 92
- Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
- Symphony No.4 In A, Op. 90. Italian - First Movement
- Frühlingslied In A, Op. 62, No. 6
- Wedding March (From A Midsummer Night's Dream, Op.61)
- Duetto In F, Op.30, No.6 (From Songs Without Words)
- String Symphony No.9 In C. Schweitzer Symphony - Third Movement
- Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
- Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
- Notturno (From A Midsumment Night's Dream, Op. 61)
- Rondo Capriccioso, Op.14
- String Symphony No. 12 In G minor - First Movement
- Venetian Gondola Song In F Sharp minor, Op.30, No.6
- Scherzo (From A Midsumment Night's Dream, Op. 61)
- Violin Concerto In E minor, Op.64 - Third Movement
- Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
- Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
- Holberg Suite, Op. 40 - IV. Air. Andante religioso
- Arietta, Op. 12, no. 1
- Homage March from Sigurd Jorsalfar, Op. 56
- Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
- Wedding Day at Troldhauen, Op. 65, no. 6
- The Last Spring, Op. 34, no. 2
- Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
- Nordic Melody Op. 63
- Notturno, Op. 54, no. 4
- Elegie, Op. 47, no. 5
- Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
- Piano Concerto in A minor, Op. 16 - Allegro
- Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
- Traumerai (from Kinderszenen, Op. 15)
- Mondnacht (from Eichendorff-Liederkreis, Op. 39)
- Aufschwung (from Fantasietucke, Op. 12)
- Triolett, Op. 114, no. 2
- Tanzlied (No. 1 from Duets, Op. 78)
- Symphony No. 4 in D minor, Op. 120 - second movement
- Frühlingsgruss
- Abschied (from Waldszenen Op. 82)
- Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
- Manfred Overture, Op. 115
- Romance in F sharp, Op. 28, no. 2
- Die Rose stand im Tau
- Liebesgarten (from Four Duets, Op. 34)
- Warum? (from Fantasiestucke, Op. 12)
- Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
- Von fremden Landern und Menschen (from Kinderszenen, Op. 15)
Album Description
An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.
Customer Reviews:
Mill. Classical review.......2007-05-13
This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.
classical music for the unitiated.......2007-04-01
This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.
Some little gems there that I had forgotten!.......2007-03-30
Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.
I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.
It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!
Classical Masterpieces of the Millennium [20 CD Set]
A very helpful collection.......2007-03-24
I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.
Excellent!.......2007-03-08
A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.
Average customer rating:
|
Top 100 Masterpieces of Classical Music (Collectors Edition) (Box Set)
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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- Classical Moods
- Classical Masterpieces of the Millennium [20 CD Set]
- Masters of Classical Music (Box Set)
ASIN: B00008L428
Release Date: 2003-02-13 |
Average customer rating:
- Mostly valuable for the sonatas & suites
- wonderful
- Great record of Great cellist at Great budget price
- A Great Compilation of Great Cello Music
- Wonderful! Indispensable! So why only four stars..?
|
Les introuvables de Jacqueline du Pré
Edward Elgar , Frederick Delius , Camille Saint-Saens , Antonin Dvorak , Robert Schumann , Arnold Schoenberg , Franz Joseph Haydn , Fryderyk Chopin , Cesar Franck , Gabriel Faure , Max Bruch , Johann Sebastian Bach , George Frideric Handel , Ludwig van Beethoven , London Symphony Orchestra , Royal Philharmonic Orchestra , New Philharmonia Orchestra , Chicago Symphony Orchestra , Sir John Barbirolli , Malcolm Sargent , Daniel Barenboim , Jacqueline du Pré , Valda Aveling , English Chamber Orchestra , Gerald Moore , Ernest Lush , and Stephen Kovacevich
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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Delius, Frederick
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Similar Items:
- Brahms: Cello Sonatas [includes bonus DVD]
- Jacqueline du Pre In Portrait
- Jacqueline du Pré - The Concerto Collection
- Brahms: Cello Sonatas
- Jacqueline du Pré - a lasting inspiration
ASIN: B000002SCC
Release Date: 2002-08-05 |
Tracks:
- Concerto pour violoncelle et orchestre en mi mineur: In E Minor, Op. 85: I. Adagio - Moderato
- Concerto pour violoncelle et orchestre en mi mineur: In E Minor, Op. 85: II. Lento - Allegro molto
- Concerto pour violoncelle et orchestre en mi mineur: In E Minor, Op. 85: Adagio
- Concerto pour violoncelle et orchestre en mi mineur: In E Minor, Op. 85: IV. Allegro, ma non troppo
- Concerto pour violoncelle et orchestra: Lento - Con moto tranquillo - Lento - Con moto tranquillo - Allegramente
- Concerto pour violoncelle et orchestre n 1 en la mineur: In A Minor, Op. 33: I. Allegro non troppo
- Concerto pour violoncelle et orchestre n 1 en la mineur: In A Minor, Op. 33: II. Allegretto con moto
- Concerto pour violoncelle et orchestre n 1 en la mineur: In A Minor, Op. 33: III. Allegro non troppo
Tracks:
- Concerto pour violoncelle et orchestre en si mineur: In B Minor, Op. 104: I. Allegro
- Concerto pour violoncelle et orchestre en si mineur: In B Minor, Op. 104: II. Adagio ma no troppo
- Concerto pour violoncelle et orchestre en si mineur: In B Minor, Op. 104: III. Finale (Allegro moderato)
- Concerto pour violoncelle et orchestre en si mineur: In B Minor, Op. 104: Waldesruhe (Silence Woods.) pour violoncelle et orchestre, Op. 68
- Concerto pour violoncelle et orchestra en la mineur: In A Minor Op. 129: I. Nicht zu schnell
- Concerto pour violoncelle et orchestra en la mineur: In A Minor Op. 129: II Langsam - Etwas lebhafter - Schneller
- Concerto pour violoncelle et orchestra en la mineur: In A Minor Op. 129: III Sehr lebhaft - Cadenza - Sehr lebhaft
Tracks:
- Concerto pour violoncelle et orchestra en sol mineur: I. Allegro
- Concerto pour violoncelle et orchestra en sol mineur: II. Adagio
- Concerto pour violoncelle et orchestra en sol mineur: III. Allegro non tanto
- Concerto pour violoncelle et orchestra en re majeur, Hob. VIIb:2: I. Allegro moderato
- Concerto pour violoncelle et orchestra en re majeur, Hob. VIIb:2: II. Adagio
- Concerto pour violoncelle et orchestra en re majeur, Hob. VIIb:2: III. Rondo (Allegro)
- Concerto pour violoncelle et orchestre en ut majeur, Hob. VIIb: 1: I. Moderato
- Concerto pour violoncelle et orchestre en ut majeur, Hob. VIIb: 1: II. Adagio
- Concerto pour violoncelle et orchestre en ut majeur, Hob. VIIb: 1: III. Allegro molto
Tracks:
- Sonate pour violoncelle et piano en sol mineur, Op. 65: I. Allegro moderato
- Sonate pour violoncelle et piano en sol mineur, Op. 65: II. Allegro con brio
- Sonate pour violoncelle et piano en sol mineur, Op. 65: III. Largo
- Sonate pour violoncelle et piano en sol mineur, Op. 65: IV. Finale (Allegro)
- Sonate pour violoncelle et piano en la majeur: I. Allegro ben moderato
- Sonate pour violoncelle et piano en la majeur: II. Allegro
- Sonate pour violoncelle et piano en la majeur: III. Recitativo - Fantasia (Molto lento)
- Sonate pour violoncelle et piano en la majeur: IV. Allegretto poco mosso
- Elegie en ut mineur, Op. 24
- Kol nidrei, Op. 47
Tracks:
- Suite pour violoncelle seul No. 1 en sol majeur, BWV 1007: I. Prelude
- Suite pour violoncelle seul No. 1 en sol majeur, BWV 1007: II. Allemande
- Suite pour violoncelle seul No. 1 en sol majeur, BWV 1007: III. Courante
- Suite pour violoncelle seul No. 1 en sol majeur, BWV 1007: IV. Sarabande
- Suite pour violoncelle seul No. 1 en sol majeur, BWV 1007: V. Menuetto I & II
- Suite pour violoncelle seul No. 1 en sol majeur, BWV 1007: VI. Gigue
- Suite pour violoncelle seul No. 2 en re mineur, BWV 1008: I. Prelude
- Suite pour violoncelle seul No. 2 en sol majeur, BWV 1008: II. Allemande
- Suite pour violoncelle seul No. 2 en sol majeur, BWV 1008: III. Courante
- Suite pour violoncelle seul No. 2 en sol majeur, BWV 1008: IV. Sarabande
- Suite pour violoncelle seul No. 2 en sol majeur, BWV 1008: V. Menuetto I & II
- Suite pour violoncelle seul No. 2 en sol majeur, BWV 1008: VI. Gigue
- Sonate pour violoncelle et piano en sol mineur: I. Grave
- Sonate pour violoncelle et piano en sol mineur: II. Allegro
- Sonate pour violoncelle et piano en sol mineur: III. Sarabande
- Sonate pour violoncelle et piano en sol mineur: IV. Allegro
- 'Judas Maccabaeus' de Haendel, en sol majeur, woO.45: Variations sur le theme 'See, The Conqu'ring Hero Comes
Tracks:
- Sonate pour violoncelle et piano No. 3 en la majeur, Op. 69: I. Allegro ma non tanto
- Sonate pour violoncelle et piano No. 3 en la majeur, Op. 69: II. Scherzo (Allegro molto)
- Sonate pour violoncelle et piano No. 3 en la majeur, Op. 69: III. Adagio cantabile
- Sonate pour violoncelle et piano No. 3 en la majeur, Op. 69: IV. Allegro vivace
- Sonate pour violoncelle et piano No. 5 en re majeur, Op. 102 No. 2: I. Allegro con brio
- Sonate pour violoncelle et piano No. 5 en re majeur, Op. 102 No. 2: II. Adagio con molto sentimento d'affeto
- Sonate pour violoncelle et piano No. 5 en re majeur, Op. 102, No. 2: III. Allegro - Allegro fugato
- 7 Variations sur le theme Bei Mannern, welche Liebe fuhlen': 'La Flute enchantee' de Mozart, en mi bemol majeur Es-dur, Op.66
- 12 Variations sur le theme 'Ein Madchen oder Weibchen': 'La Flute enchantee' de Mozart, en fa majeur, Op.66
Amazon.com
Although most of this set is devoted to major cello concertos (Elgar, Saint-Saëns, Dvorák, Schumann, Haydn) that Du Pré played so well, perhaps the most treasurable recording is one of two Beethoven cello sonatas with the pianist Stephen Bishop (Kovacevich). Recorded very early in her career, these show Du Pré at her most eloquent, the early promise of a great career so cruelly interrupted. This set includes most of the cellist's best recordings. Too bad it's not 10 times the size. If the cellist's passion occasionally seems excessive, at least it's the right kind of flaw to have. --Leslie Gerber
Customer Reviews:
Mostly valuable for the sonatas & suites.......2002-07-02
Although Jackie du Pre's playing in the Elgar, Delius and Schoenberg concerti was superb, I for one simply find nothing to admire in that music. Perhaps this is my fault, perhaps not, but in general there are so many superb recordings of the Haydn and Dvorak concerti that only the sentiments surrounding her decline into MS and early death recommend them.
On the other hand, the recordings of the Chopin, Beethoven and other sonatas in the second 3 discs of this set are among the most moving recordings ever made. Jackie never had quite the golden tone or perfect technique of Feuermann or Yo-Yo Ma, and this shows itself more in the Bach unaccompanied cello suites where she plays a few scratchy-sounding turns, but the deep-down love and emotional commitment of her playing always communicated itself effectively. In short, then, I recommend this set for the sonatas & suites, but if you also enjoy these concerto recordings, you will love it all.
wonderful.......2001-04-22
this is a wonderful recording of some of the best cello music played by one of the worlds best cello players, the late jacqueline du pre. jackie had magic in her fingertips and listening to these recordings is pure joy, one of the best set I had the chance to hear.
Great record of Great cellist at Great budget price.......2000-11-04
The collection dosen't have Brahms's Cello Sonatas. But you picture her portrait by these 6 CDs( The cost is 7 dollars or less per one CD ). If you don't know what kind of cellist she was--yet, I want you to get it.
You would meet extraordinary emitted passion by Du Pre in Elgar( needlees to say, it is one of her most famous performance), Saint-Saens, Dovrak( in spite of unskillful conducting of Barenboim), Schumann. The set has not only her famous performance of the Concertos in disk 1-3, but also various Sonatas( Barenboim makes excellent piano playing in good harmony with his wife more than support) in disk 4-6.
Furthermore, the Bach's Cello Suite No.1 and No.2, as her only solo performance in this collection, are very interesting. Its passionate Bach(!!) is certainly like Du Pre.
Thanks EMI FRANCE for the great work!!
A Great Compilation of Great Cello Music.......2000-07-26
This collection, composed of the great works for the cello, is a must have in any serious classical music fan's library. It is an even better collection for the "newbie" to the genre. Jacqueline du Pre was undoubtedly one of the greatest artist of the century and her passion is well documented in this collection. Just get it...if you like classical music...you'll like this collection and the price is great too. What's to lose?
Wonderful! Indispensable! So why only four stars..?.......2000-03-19
This is definitely worth getting, and Amazon's price is right. Du Pre was one of the greatest ever (Yo-Yo Ma now owns her cello, in case any of you play Classical Music Trivial Pursuit), and I cry inwardly when I think of her early death. The Elgar Concerto alone on this set is enough to justify the purchase price. After she died, several "name" conductors vowed they would never perform or record it again with anybody, so strong was their memory of her. So why only four stars here? Two reasons: some of these performances are with hubby Daniel Barenboim conducting, and they just aren't quite in the same league as the other efforts. Just compare the Barbirolli Haydn and the Barenboim Haydn to see what I mean: both are slow-tempoed, and neither would be my top-drawer choice. But Barbirolli *almost* makes it work, and has a certain perverse logic, whereas DB is just dull and colorless and square. The second defect is the remastered sound, which oftentimes is not very good. Sure these are "historic" recordings, but they're not that old, most are stereo. Still, the sound is flat and clipped at the high end. This should not dissade anyone from getting this set, however. Just don't expect a sonic demo disc. You will get thrilling cello playing across a broad selection of repertoire.
Average customer rating:
- A great CD showcasing a GREAT INSTRUMENT
|
The Instruments of Classical Music, Vol. 6: The Cello
Manufacturer: Delta
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Similar Items:
- The Instruments of Classical Music, Vol. 1: The Flute
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ASIN: B000001VMN
Release Date: 1990-06-04 |
Tracks:
- Melody in F, Op. 3 No. 1
- Ave Maria
- The Flight Of The Bumblebee
- Traumerei
- Songs My Mother Taught Me
- Carnival of Animals: The Swan
- Berceuse
- I Masnadieri - Prelude
- Symphony No. 9: Finale - Introduction
- Cello Concerto No. 1 in C: Allegro Molto
- Song Without Words
- Suite in D: Overture
- Concerto In D: Vivace
Customer Reviews:
A great CD showcasing a GREAT INSTRUMENT.......2002-09-24
My brother bought me this CD when I started studying cello, and it provided an excellent collection of different celistic styles. All of the tracks are tuneful and many showcase virtuosic playing -- the listener gets a real feel for the variety and depth of the cello's sound.
Buy this CD if you love the instrument whose expressive timbre is closest to the human voice -- the cello :-)
Average customer rating:
|
Great Orchestral Melodies
Manufacturer: Intersound Records
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Binding: Audio CD
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ASIN: B000003QWK
Release Date: 1995-06-27 |
Tracks:
- 'Solomon': Arrival Of The Queen Of Sheba
- 'The Four Seasons': The Spring: Allegro
- Canon In D
- Orchestra Suite No.2: Minuet And Badinerie
- Bach: Allegro
- Symphony No.104: Adagio; Allegro
- Divertimento For Strings, No.1: Allegro
- Piano Concerto No.5: Adagio un poco mosso
- 'The Ruins Of Athens': Turkish March
- Eine kleine Nachtmusik: Romanze: Andante
- Marche Militaire No.1
- 'The Hebrides' ('Fingla's Cave'): Overture
- 'The Valkyrie': Ride Of The Valkyries
Tracks:
- Slavonic Dances: No. 1: Presto
- Slavonic Dances: No. 3: Poco Allegro
- Slavonic Dances: No. 7: Allegro Assai
- Slavonic Dances: No. 8: Presto
- Coronation March
- Entry Of The Gladiators
- Serenade For Strings: Waltz
- Samson And Delilah: Bacchanale
- Piano Concerto No. 2: Adagio sostenuto
- Russian And Ludmilla: Overture
- Also sprach Zarathustra: Introduction
- Symphonie Fantastique: March To The Scaffold
- On The Beautiful, Blue Danube
- The Firebird: The Palace Of Kashchei And His Enchantments Vanish - Dallas Symphony Orchestra
Tracks:
- 'Pictures at an Exhibition': Promenade
- 'Pictures at an Exhibition': Gnomes
- 'Pictures at an Exhibition': The Hut On Fowl's Legs (Baba Yaga)
- 'Pictures at an Exhibition': The Great Gate Of Kiev
- A Night On Bald Mountain
- 'The Planets': Mars: The Bringer Of War
- 'The Pines Of Rome': The Pines Of The Appian Way
- Pavan For A Dead Princess
- The Sorcerer's Apprentice
- 'The Three-Cornered Hat': Dance Of The Miller's Wife
- Scheherazade: Festival At Baghda; The Sea; The Ship Goes To Pieces Against A Rock Surmounted By A Bronze Warrior
Tracks:
- Fanfare For The Common Man
- 'Appalachian Spring': Variations On A Shaker Melody
- 'Candide': Overture
- 'West Side Story': Suite: I Feel Pretty; Maria; Something's Coming; Tonight; One Hand, One Heart; Cool; America
- Rhapsody In Blue
- Adagio For Strings
- 'America': Variations
- 'Rodeo': Hoe-down
- Pomp And Circumstance: March No. 1
- 'Gayane': Sabre Dance
- 'Lieutenant Kije': Troika
- 'The Love Of Three Oranges': March
- 'Hary Janos': The Viennese Musical Clock
Average customer rating:
- Decent Quality, But a Little Rushed
- Decent, but not exciting
- Decent, but not exciting
- Sounds good to me.
- Wonderful Selection
|
The Top 100 Masterpieces of Classical Music (Box Set)
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Classical Masterpieces of the Millennium [20 CD Set]
- Planet Earth - The Complete BBC Series
ASIN: B000001VUG
Release Date: 1994-07-14 |
Tracks:
- Toccata In D Minor: Toccata In D Minor (1709) - 100 Masterpieces Vol. 1 (1685-1730)
- Canon In D: Canon in D (1698) - 100 Masterpieces Vol. 1 (1685-1730)
- Brandenburg Concerto No. 3, 1st Movement: Brandenburg Concerto No. 3, 1st Movement (1721) - 100 Masterpieces Vol. 1 (1685-1730)
- Water Music, Suite No. 2 In D: 4.1 1st Movement - 4.2 Alla Hornpipe - 4.3 Minuet - 4.4 Lentement - 4.5 Bourree - 100 Masterpieces Vol. 1 (1685-1730)
- Trumpet Tune And Air: Trumpet Tune And Air (1685) - 100 Masterpieces Vol. 1 (1685-1730)
- Orchestral Suite No. 3 In D: Air - 100 Masterpieces Vol. 1 (1685-1730)
- The Four Seasons - Spring: The Four Seasons - Spring (1725): 7.1 Allegro - 7.2 Largo e painissimo - 7.3 Allegro Bela Banfalvi - 100 Masterpieces Vol. 1 (1685-1730)
- Adagio: Adagio (1730) - 100 Masterpieces Vol. 1 (1685-1730)
- Mandoline Concerto In C, RV 425: 9.1 Allegro - 9.2 Largo - 9.3 Allegro - 100 Masterpieces Vol. 1 (1685-1730)
- Orchestral Suite No. 2 in B Minor: Minuet and Badinerie (1721) : - 10.1 Minuet - 10.2 Badinerie - 100 Masterpieces Vol. 1 (1685-1730)
Tracks:
- Messiah: 'Hallelujah' (1742)
- 'Orpheus and Eurydice': Dance Of The Blessed Spirits (1762)
- 'Christmas Oratorio': Sinfonia In G (1734)
- Violin Concerto No.3 in G: Violin Concerto No.3 In G, 1st Movement (1775)
- 'Xerxes': Largo (1734)
- Flute Concerto In G 'La Notte': VI. Allegro (1731)
- 'Solomon': Arrival Of The Queen Of Sheba (1749)
- Oboe Concerto In D Minor: Oboe Concerto In D Minor, 2nd Movement (1731)
- Concerto grosso In A Minor Op.6 No.4: 9.1 Larghetto affettuoso - 9.2 Allegro - 9.3 Largo Piano - 9.4 Allegro
- Violin Concerto No.5 In A, 2nd Movement: Violin Concerto No.5 In A, 2nd Movement (1775)
Tracks:
- Eine kleine Nachtmusik: 1st movement (1787)
- Piano Concerto No. 21 in C: 2nd Movement (Elvira Madigan)
- The Marriage Of Figaro: Overture (1786)
- Flute Concerto No. 2 In D: 2nd Movement (1778)
- Piano Sonata In A (1778): Rondo Alla Turca
- Don Giovanni: Overture (1787)
- Horn Concerto No. 3 In E Flat: 2nd Movement
- Piano Concerto No. 23 in A: 1st Movement (1786)
- The Marriage Of Figaro: March (1786)
- Serenata Notturna: 10.1 Marcia. Maestoso - 10.2 Menuetto - 10.3 Rondeau. Allegretto
Tracks:
- Symphony No. 40: 1st Movement (1788) - 100 Masterpieces Vol. 4 (1788-1810)
- 'Moonlight' Sonata: 1st Movement (1801) - 100 Masterpieces Vol. 4 (1788-1810)
- Symphony No. 94: 'Surprise' ,2nd Movement (1791) - 100 Masterpieces Vol. 4 (1788-1810)
- The Magic Flute: Overture (1791) - 100 Masterpieces Vol. 4 (1788-1810)
- Fur Elise: Fur Elise (1810) - 100 Masterpieces Vol. 4 (1788-1810)
- String Quartet In C: Emporor's Hymn - 100 Masterpieces Vol. 4 (1788-1810)
- Symphony No. 5: 1st Movement (1808) - 100 Masterpieces Vol. 4 (1788-1810)
- Clarinet Concerto In A: 2nd Movement (1791) - 100 Masterpieces Vol. 4 (1788-1810)
- Minuet In G: Minuet in G (1796) - 100 Masterpieces Vol. 4 (1788-1810)
- Trumpet Concerto In E Flat: 3rd Movement - 100 Masterpieces Vol. 4 (1788-1810)
Tracks:
- The Barber Of Seville: Overture (1821)
- Symphiny No.8 In B Minor: 'Unfinished' 2nd Movement (1822)
- Spring Song: Spring Song (1841)
- Polonaise In A, Op.40 No.3: 'Military'
- Rosamunde: Ballet Music In G
- Der Freischutz: Overture (1820)
- Ave Maria: Ave Maria (1825)
- Symphony No.4 In A: 'Italian', 1st Movement (1833)
- Traumerei: Traumerei (1838)
- German Dance No. 1: German Dance No. 1 (1811)
Tracks:
- A Midsummer Night's Dream: Wedding March (1843) - 100 Masterpieces
- Liebestraum No. 3 In A flat: Liebestraum No. 3 In A Flat (1847) - 100 Masterpieces
- Nabucco: Overture (1842) - 100 Masterpieces
- The Merry Peasant: The Merry Peasant (1848) - 100 Masterpieces
- Hungarian Rhapsody No. 2: Hungarian Rhapsody No. 2 (1847) - 100 Masterpieces
- Lohengin: Prelude to Act 3 (1850) - 100 Masterpieces
- La Traviata: Prelude to Act 1(1853) - 100 Masterpieces
- Tannhauser: Arrival Of The Guests At Wartburg (1845) - 100 Masterpieces
- Violin Concerto In E Minor: Violin Concerto In E Minor, 2nd Movement (1845) - 100 Masterpieces
- Poet And Peasant: Overture (1846) - 100 Masterpieces
Tracks:
- Orpheus In The Underworld: Overture (1858)
- Melody In F: Melody In F (1858)
- Les Preludes: Les Preludes (1854)
- Waltz In A Flat: Waltz In A Flat (1865)
- The Force Of Destiny: Overture (1862)
- I Love You: I Love You (1864)
- The Bartered Bride: Overture (1866)
- The Tales Of Hoffmann: Barcarolle (1864)
- Tritsch Tratsch Polka: Tritsch Tratsch Polka (1858)
- Light Cavalry: Overture (1866)
Tracks:
- Piano Concerto No. 1 In B Flat Minor: 1st Movement (excerpt) (1875) - 100 Masterpieces
- Cradle Song: Cradle Song (1868) - 100 Masterpieces
- The Moldau: The Moldau (1875) - 100 Masterpieces
- The Valkyrie: Ride Of The Valkyries (1870) - 100 Masterpieces
- Peer Gynt: Morning (1876) - 100 Masterpieces
- Carmen: Les Toreadors (1875) - 100 Masterpieces
- Coppelia: Notturno (1870) - 100 Masterpieces
- Marche Slave, Op. 31: Marche Slave, Op. 31 (1876) - 100 Masterpieces
- L'Arlesienne: Intermezzo (1872) - 100 Masterpieces
- The Blue Danube: Waltz (1867) - 100 Masterpieces
Tracks:
- Eugene Onegin: Polonaise (1878) - 100 Masterpieces Vol. 9
- Symphony No.9 'From The New World': 2nd Movement (1893) - 100 Masterpieces Vol. 9
- The Nutcracker: Waltz of the Flowers (1892) - 100 Masterpieces Vol. 9
- Capriccio espagnol: Alborado (1887) - 100 Masterpieces Vol. 9
- The Last Spring - 100 Masterpieces Vol. 9
- Slavonic Dance No. 2: Slavonic Dance No. 2 (1886) - 100 Masterpieces Vol. 9
- The Sleeping Beauty: Introduction (1889) - 100 Masterpieces Vol. 9
- Twilight Of The Gods: Siegfred's Death And Funeral March (1877) - 100 Masterpieces Vol. 9
- Songs My Mother Taught Me: Songs My Mother Taught Me (1880) - 100 Masterpieces Vol. 9
- Emperor Waltz - 100 Masterpieces Vol. 9
Tracks:
- Also sprach Zarathustra: Fanfare (1896)
- Symphony No.5: Adagietto (1902)
- Finlandia: Finlandia (1899)
- Dance Of The Bumble Bee: Dance Of The Bumble Bee (1900)
- 'Thais': Meditation
- Pomp amd Circumstance: March No.1 (1901)
- Humoresque: Humoresque (1894)
- Valse Triste: Valse Triste (1903)
- Vienna Blood: Vienna Blood - Waltz (1899)
- Bolero: Bolero (1928)
Customer Reviews:
Decent Quality, But a Little Rushed.......2002-09-20
I have to agree that this is a good collection of music for the money, especially if you are a novice at the Classics like me. Each disc covers a 40 year period with an hour of music and a little bit of history in the cover slip. However, there were some oddities that made me question the quality of this product. First, a few of the songs seemed like the conductor was hurrying them along so the songs on a disc would add up to exactly one hour -- where's the love? I know I'm a novice, but there are just some songs that are so famous that you can pretty easily tell when they are being butchered or compressed. Second, the quality of the product was suspect. Some of the discs looked like they were manufactured in 1990 and some in 1994. The older ones just had the titles on the discs and the newer ones had a screen-printed color change with no information. They couldn't even use the same type of Jewel Case throughout the collection. In total, it's good for beginners and the money, but not much else.
Decent, but not exciting.......2002-09-01
Not bad, but not a perfect as well. The music selection is very questionable for my taste. The performers are not always very suitable for specific masterpieces. It is inherently, just because such mix of names cannot be bad ;). If I will compose such set a lot of forgotten things should take their place.
Decent, but not exciting.......2002-09-01
Not bad, but not a perfect as well. The music selection is very questionable for my taste. The performers are not always very suitable for specific masterpieces. It is inherently, just because such mix of names cannot be bad ;). If I will compose such set a lot of forgotten things should take their place.
Sounds good to me........2002-07-25
Bought this CD to calm and relax myself after a hard days work. CD seems like a great collection to me. It's got a lot of songs that I recognize and some that I don't. It does sooth me a bit after the the many stresses of everyday life.
I'm not really a classical music nut like "Frasier Crane" so I'm not sure how much merit I can bring to the table with this review. But I think it's great..!!!
Wonderful Selection.......2001-05-13
Some of the world's truly finest musicians perform some of the all time greatest and most loved musical masterpieces. The CD makes for easy and peaceful listening of an evening.
Average customer rating:
|
Claudio Arrau in Germany: Pre-War Recordings
Manufacturer: Music & Arts Program
ProductGroup: Music
Binding: Audio CD
All Works by Beethoven
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| Chopin, Frédéric
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Arrau, Claudio
| ( A )
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Similar Items:
- Horowitz Rediscovered
- Alfred Cortot: The Master Classes
ASIN: B00004T92Y
Release Date: 2006-01-01 |
Tracks:
- Ballade Op. 23 In G Minor: Largo - Moderato
- Sonata No. 7, Op. 10 No. 3 In D: Mvt. 1 Presto
- Sonata No. 7, Op. 10 No. 3 In D: Mvt. 2 Largo e mesto
- Sonata No. 7, Op. 10 No. 3 In D: Mvt. 3 Menuetto - Trio. Allegro
- Sonata No. 7, Op. 10 No. 3 In D: Mvt. 4 Rondo. Allegro
- Sonata In D: Mvt. 1 Allegro
- Sonata In D: Mvt. 2 Adagio
- Sonata In D: Mvt. 3 Allegretto
- Sonata No. 3 Op. 2 In C Major: Mvt. 1 Allegro con brio
- Sonata No. 3 Op. 2 In C Major: Mvt. 2 Adagio
- Sonata No. 3 Op. 2 In C Major: Mvt. 3 Scherzo. Allegro
- Sonata No. 3 Op. 2 In C Major: Mvt. 4 Allegro assai
Tracks:
- Andante con Variazioni In F, Op. 83: Andante
- Sonetto 104 del Petrarca From Annees de Pelerinage: Agitato assai - Adagio
- Concerto No. 1 In Eb Major For Piano: Mvt. 1 Allegro maestoso. Tempo giusto
- Concerto No. 1 In Eb Major For Piano: Mvt. 2 Quasi adagio - Allegretto vivace - Allegro animato
- Concerto No. 1 In Eb Major For Piano: Mvt. 3 Allegro marziale animato
- Harmonies Du Soir From Etudes D'Execution transcendante: Andantino
- Scherzo (No. 3) Opus 39, In C Minor: Presto con fuoco
- Les jeux d'eaux a la villa d'Este From Annees de Pelerinage: (Troisieme annee) Allegretto
Amazon.com
Along with Marston's invaluable reissue of Arrau's early studio recordings, these radio broadcasts from the late 1930s add to our knowledge of one of the century's greats. The younger Arrau was a more overtly virtuosic pianist than the later, more philosophical one on his Philips recordings, but the seriousness of his interpretive approach shines through. The Beethoven sonatas, for example, are weightier in his later recordings, but we can still revel in his unique depth of tone and refusal to settle for surface glitter, a rare trait in a virtuoso of Arrau's technical accomplishments. His Chopin, too, while still in the Germanic tradition, has more air and lightness. The Liszt solo pieces are played with transcendent beauty. He makes light of the Liszt Concerto's difficulties, but it's roughly recorded and doesn't match his mid-1950s version with Eugene Ormandy on Sony. Despite some noisy originals, most tracks have surprisingly fresh and vital sound. An important release. --Dan Davis
Average customer rating:
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Classical Treasures
Manufacturer: Legacy
ProductGroup: Music
Binding: Audio CD
Ballets
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| Chopin, Frédéric
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General
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ASIN: B0000560KZ
Release Date: 2001-01-01 |
Average customer rating:
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Encores and Transcriptions, Vol. 2
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
Minuets
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Duets
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General
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All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
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All Works by Beethoven
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| ( D )
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Casals, Pablo
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Similar Items:
- Encores and Transcriptions, Vol. 1
ASIN: B0001AGOMM
Release Date: 2004-04-20 |
Tracks:
- Musette
- Serenata Napoletana, Op. 24, No. 2
- Mazurka, Op. 11, No. 3
- Spanish Dance
- Grave Ed Espressivo From Cello Concerto In D Major
- Requiebros
- Largo
- Komm Susser Tod
- Adagio
- Allegro
- Song Without Words No. 49 in D Major, Op. 109
- Andante
- Songs My Mother Taught Me
- Flight Of The Bumblebee
- gavotte
- Tonadilla
- Minuet
- Air
- Traumerei
- Minuet No. 2 in G Major
- Coriolan Overture, Op. 62
Track Listings:
- Beethoven The Middle Quartets in Concert at the Library of Congress 1940-1960 [Box set]
- Ben Heppner - Great Tenor Arias
- Berlioz: Harold In Italy
- Brahms: Piano Concerto No. 1; Haendel Variations [Import] [Original recording remastered]
- Brahms: Symphony No. 1; Academic Festival Overture
- Brahms: Trio for Horn, Violin & Piano, Op. 40; Clarinet Sonatas
- Brahms Variations
- Christine Schäfer, Soprano
- Dennis O'Neill: Great Operatic Arias
- Dvorak: Symphony Nos.7 & 8
Track Listings
track listings
Track Listings
Key
Nigra sum sed formosa: il culto di Maria tra Monastero e Corte
Mozart: Violin Concertos / Rondo
Jade Visions
Ois Is the Blues [Import]
Refuge
O Som Do Barzinho V.6 [Import]
Rant
Norfolk Coast [Import]
New Age of Classics with Ocean Sounds: Tchaikovsky
Movements [Import]
Merengazo Mix
Metiendo Mano [Import]
Rare Tracks
February Son