Brahms: Trio for Horn, Violin & Piano, Op. 40; Clarinet Sonatas

Editorial Reviews
Amazon.com
These are some good musicians, but unfortunately they haven't made a very good recording. The excellent horn player and violinist, both renowned from many fine recordings, play up to their usual standard in the trio. But neither the pianist nor the sound quality is up to the same level. Werner Genuit's playing is earthbound and the piano sounds downright unpleasant in this odd recording. Dieter Klöcker, also well known as leader of the chamber ensemble Consortium Classicum, doesn't play with enough personality to carry his musically demanding part, and in combination with Genuit the music just doesn't come to life. Sorry! --Leslie Gerber

Tracks:

Cello Concerto In B Minor Op. 104: I. Allegro - Dvorak
Cello Concerto No.2 In D: I. Allegro moderato
Cello Concerto No.2 In D: II. Adagio
Cello Concerto No.2 In D: III. Allegro
Cello Concerto In E Minor: I. Adagio - Moderato
Cello Concerto In E Minor: II. Lento - Allegro molto
Cello Concerto In E Minor: III. Adagio
Cello Concerto In E Minor: IV. Allegro, Moderato, Allegro ma non troppo

Tracks:

Sicilienne
Three Fantasy Pieces: I. Zart mit Audruck
Three Fantasy Pieces: II. Lebhaft
Three Fantasy Pieces: III. Rasch und mit Feuer
Sing Without Words in D, Op.109
Elegie In C Minor, Op. 24
The Toccata: Adagio
The Carnival Of The Animals: The Swan
Suite populaire espagnole: Jota
Kol nidrei, Op. 47
Piano Trio In B-flat 'Archduke', Op.97
Cello Sonata No.2 In F, Op.99
Sonata in A

Customer Reviews:

cello lover.......2007-05-31

Absoluty the best. It is no wonder she was the world premier cello artist!! Can't say enough. If you love cello, and classical music, this is a must have. Her whole collection is worth every penny!!!

99% perspiration.......2006-11-08

(4.5/5 stars) This is a two-disc collection of musical works, in which the great cellist Jacqueline du Pre plays. The first disc consists of three cello concerti by three different composers: Dvorak (Romantic), Haydn (Classical) and Elgar (Romantic). Very good music, though it might leave you wondering what all the fuss is about. Not to worry: just pop in Disc Two to find out. The second disc contains shorter works by a wider variety of composers. It also might just leave you breathless by its beauty. Saint-Säens' "The Swan" (from "Carnival of the Animals") is nearly indescribable in its elegance, with du Pre's cello dancing with a harp. This haunting recording should not be missed. Bruch's "Kol Nidrei" is magnificently gorgeous as well. Three fantasy pieces from Schumann, one of Mendelssohn's "Lieder Ohne Wörter" and a stunning Brahms sonata infuse this collection with genuine grace. Since these were recorded prior to the advent of digital recordings, you might hear a very slight hiss on some of the recordings. This is barely audible and really does not detract from the pleasure of listening to it. Each disc runs 75 minutes, making this inspiration last long indeed.

Immortal Legend.......2006-10-07

As a cellist, I grew up listening to Jacqueline Du Pre's recordings. Even now as a 35 year old, I'm still enthralled by her amazing talent. This is a great cd if one is looking for a wonderful introduction to this superb cellist or simply wants to savor her most well known recordings. Du Pre owned the "Elgar" concerto. No other words can summarize this fact. Other beautiful and moving pieces are here on this disc: Bruch "Kol Nidrei", Haydn "Concerto No.2", Faure "Elegie", Brahms "Concerto No.2". The cello is a difficult instrument to play due to the strength required in both hands. Du Pre's playing touches the heartstrings with both emotion and depth. The tone that she coaxes from her cello is amazing. Jacqueline Du Pre is a legend.

Epitome of Cello.......2006-06-23

As a cellist, I absolutely love du Pré's work. I actually found this CD when I was looking for a modern recording of "A Jacqueline du Pré Recital", a record compiled of pieces done between July 15, 1962 and April 1, 1969. The second CD in this set contains the same songs as that record.

The concertos on the first CD are spectacular, especially her rendition of the Elgar concerto which has defined the piece since she first performed it. The second CD, however, is just as wonderful as a collection of some of the most loved cello pieces. No cello recording complete without Saint Saen's "The Swan" and du Pré's version is the only one I've ever heard that I actually like. "Elégie in C minor" (composed by Gabriel Fauré) is one of my personal favorites especially since her rapport with the pianist is obvious and the two instruments blend in a way that makes the piece even more poignant.

Overall, this CD is a must-have for anyone who loves cello as a perfect sample of Jacqueline du Pré's work.

Ooo! Samples!.......2005-11-29

As far as the romantic period goes, Jacqueline Du Pre is my personal favorite 'cellist. Her sensitivity to put expression of the musical idea always outweighed the desire to appear impressive. There is a difference in being just a virtuoso and being a musician. A virtuoso has the capability to dazzle and amaze, but music is more than just being impressive, and Du Pre succeeds in becoming, in every sense, a musician first and foremost. The only complaint I have of this album is the fact that you only get one movement of each piece! Even so, this a wonderful "sample dish" of Du Pre's extraordinary playing, mainly meant to get you hooked so you can get more.

Rendezvous of Angels - Concert Collection [20 CD Set]

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Rendezvous of Angels - Concert Collection [20 CD Set]

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ASIN: B00000DV5E
Release Date: 2003-12-09

Tracks:

Concerto No. 1 in E Major RV 269 Spring: Allegro - Budapest Strings
Concerto No. 1 in E Major RV 269 Spring: Largo (E Pianissimo Sempre) - Budapest Festival Orchestra, Miklos Perenyi
Concerto No. 1 in E Major RV 269 Spring: Allegro - Budapest Strings,
Concerto No. 2 in G Minor RV 315 Summer: Allegro Non Molto - ... - The Berlin Chamber Orchestra
Concerto No. 2 in G Minor RV 315 Summer: Adagio E Piano - Presto E ... - The Berlin Chamber Orchestra
Concerto No. 2 in G Minor RV 315 Summer: Presto - German Bach Soloists
Concerto No. 3 in F Major RV 293 Autumn: Allegro - New Leipzig Bach Collegium Musicum
Concerto No. 3 in F Major RV 293 Autumn: Largo - New Leipzig Bach Collegium Musicum
Concerto No. 3 in F Major RV 293 Autumn: Allegro - New Leipzig Bach Collegium Musicum
Concerto No. 4 in F Minor RV 297 Winter: Allegro Non Molto - Budapest Strings
Concerto No. 4 in F Minor RV 297 Winter: Largo - Budapest Strings
Concerto No. 4 in F Minor RV 297 Winter: Allegro - Budapest Strings
Concerto in C Major RV 425 for Mandolin, Strings and Basso ... - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Concerto in C Major RV 425 for Mandolin, Strings and Basso ... - Dresdner Philharmonic, Sebastian Weigle
Concerto in C Major RV 425 for Mandolin, Strings and Basso ... - Dresdner Philharmonic, Sebastian Weigle
Concerto in D Minor RV 454 for Oboe, String and Basso Continuo: ... - Franz Liszt Chamber Orchestra, Miklos Perenyi
Concerto in D Minor RV 454 for Oboe, String and Basso Continuo: Largo - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
Concerto in D Minor RV 454 for Oboe, String and Basso Continuo: ... - Budapest Symphony Orchestra, Emmy Verhey
Concerto in C Major RV 537 for Two Trumpets, Strings and Basso ... - Budapest Symphony Orchestra, Emmy Verhey
Concerto in C Major RV 537 for Two Trumpets, Strings and Basso ... - Budapest Festival Orchestra, Miklos Perenyi
Concerto in C Major RV 537 for Two Trumpets, Strings and Basso ... - Bulgarian National Choir, Stoika Milanova

Tracks:

Flute Concerto in F, Op.10, No. 1, La Tempesta Di Mare: Allegro - Monika Rost
Flute Concerto in F, Op.10, No. 1, La Tempesta Di Mare: Largo - Budapest Strings,
Flute Concerto in F, Op.10, No. 1, La Tempesta Di Mare: Presto - Budapest Strings,
Flute Concerto in G Minor, Op.10, No. 2, La Notte: Largo - Budapest Strings,
Flute Concerto in G Minor, Op.10, No. 2, La Notte: Presto (Fantasmi) - Budapest Strings,
Flute Concerto in G Minor, Op.10, No. 2, La Notte: Largo - Budapest Strings,
Flute Concerto in G Minor, Op.10, No. 2, La Notte: Presto - Budapest Strings,
Flute Concerto in G Minor, Op.10, No. 2, La Notte: Largo (Il Sonno) - Budapest Strings,
Flute Concerto in G Minor, Op.10, No. 2, La Notte: Allegro - Budapest Strings
Flute Concerto in D, Op.10, No. 3, Il Gardellino: Allegro - Budapest Strings,
Flute Concerto in D, Op.10, No. 3, Il Gardellino: [Without Indication] - Budapest Strings,
Flute Concerto in D, Op.10, No. 3, Il Gardellino: Allegro - Budapest Strings,
Flute Concerto in F, Op.10, No. 5: Allegro Ma Non Tanto - The Berlin Chamber Orchestra
Flute Concerto in F, Op.10, No. 5: Allegro Cantabile - The Berlin Chamber Orchestra
Flute Concerto in F, Op.10, No. 5: Allegro - The Berlin Chamber Orchestra
Flute Concerto in C, RV 443: (Allegro) - The Berlin Chamber Orchestra
Flute Concerto in C, RV 443: Largo - The Berlin Chamber Orchestra
Flute Concerto in C, RV 443: Allegro Molto - The Berlin Chamber Orchestra
Flute Concerto in C, RV 444: Allegro Non Molto - Budapest Strings
Flute Concerto in C, RV 444: Largo - The Berlin Chamber Orchestra
Flute Concerto in C, RV 444: Allegro Molto - The Berlin Chamber Orchestra

Tracks:

Brandenburg Concerto No. 1 in F Major BWV 1046: Allegro - The Berlin Chamber Orchestra
Brandenburg Concerto No. 1 in F Major BWV 1046: Adagio - The Berlin Chamber Orchestra
Brandenburg Concerto No. 1 in F Major BWV 1046: Allegro - The Berlin Chamber Orchestra
Brandenburg Concerto No. 1 in F Major BWV 1046: Menuet-Trio-Menuet ... - The Berlin Chamber Orchestra
Brandenburg Concerto No. 2 in F Major BWV 1047: Allegro - The Berlin Chamber Orchestra
Brandenburg Concerto No. 2 in F Major BWV 1047: Andante - The Berlin Chamber Orchestra
Brandenburg Concerto No. 2 in F Major BWV 1047: Allegro Assai - The Berlin Chamber Orchestra
Brandenburg Concerto No. 3 in G Major BWV 1048: Allegro - Budapest Strings
Brandenburg Concerto No. 3 in G Major BWV 1048: Adagio (Cadenza) - The Berlin Chamber Orchestra
Brandenburg Concerto No. 3 in G Major BWV 1048: Allegro - The Berlin Chamber Orchestra
Concerto for Harpsichord, Strings and Continuo in D Major BWV ... - The Berlin Chamber Orchestra
Concerto for Harpsichord, Strings and Continuo in D Major BWV ... - The Berlin Chamber Orchestra
Concerto for Harpsichord, Strings and Continuo in D Major BWV ... - The Berlin Chamber Orchestra

Tracks:

Brandenburg Concerto No. 4 in G Major BWV 1049: Allegro - Daniel Gerard
Brandenburg Concerto No. 4 in G Major BWV 1049: Andante - German Bach Soloists
Brandenburg Concerto No. 4 in G Major BWV 1049: Presto - German Bach Soloists
Brandenburg Concerto No. 5 in D Major BWV 1050: Allegro - German Bach Soloists
Brandenburg Concerto No. 5 in D Major BWV 1050: Affettuoso - Budapest Strings
Brandenburg Concerto No. 5 in D Major BWV 1050: Allegro - German Bach Soloists
Brandenburg Concerto No. 6 in B Flat Major BWV 1051: Allegro - German Bach Soloists
Brandenburg Concerto No. 6 in B Flat Major BWV 1051: Adagio Ma Non ... - German Bach Soloists
Brandenburg Concerto No. 6 in B Flat Major BWV 1051: Allegro - German Bach Soloists

Tracks:

Violin Concerto in E, BWV 1042: Allegro - German Bach Soloists
Violin Concerto in E, BWV 1042: Adagio - German Bach Soloists
Violin Concerto in E, BWV 1042: Allegro Assai - German Bach Soloists
Violin Concerto in a Minor, BWV 1041: Allegro - New Leipzig Bach Collegium Musicum
Violin Concerto in a Minor, BWV 1041: Andante - New Leipzig Bach Collegium Musicum
Violin Concerto in a Minor, BWV 1041: Allegro Assai - Budapest Strings
Concerto for Two Violins in D Minor, BWV 1043: Vivace - New Leipzig Bach Collegium Musicum
Concerto for Two Violins in D Minor, BWV 1043: Largo Ma Non Tanto - New Leipzig Bach Collegium Musicum
Concerto for Two Violins in D Minor, BWV 1043: Allegro - New Leipzig Bach Collegium Musicum
Concerto for Three Violins in D Minor, BWV 1063: Allegro - New Leipzig Bach Collegium Musicum
Concerto for Three Violins in D Minor, BWV 1063: Alla Siciliana - New Leipzig Bach Collegium Musicum
Concerto for Three Violins in D Minor, BWV 1063: Allegro - New Leipzig Bach Collegium Musicum

Tracks:

Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 1 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 1 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 1 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - Budapest Strings
Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in G Major Op. 3, No. 3 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in G Major Op. 3, No. 3 [Contin] - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in G Major Op. 3, No. 3 [Contin] - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4 [Contin] - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4 [Contin]
Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4 [Contin]
Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5
Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5 [Contin]
Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5 [Contin]
Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5 [Contin]
Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5 [Contin]
Concerti Grossi Op. 3: Concerto Grosso in D Major Op. 3, No. 6
Concerti Grossi Op. 3: Concerto Grosso in D Major Op. 3, No. 6 [Contin]
Concerti Grossi Op. 3: Concerto Grosso in D Major Op. 3, No. 6 [Contin]
Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4a - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4a [Conti] - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4a [Conti] - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4a [Conti] - New Leipzig Bach Collegium Musicum

Tracks:

Organ Concerto No. 6 in B Flat Major - Erzst Achim, Budapest Strings
Organ Concerto No. 6 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 6 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 1 in G Minor - Erzst Achim, Budapest Strings
Organ Concerto No. 1 in G Minor (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 1 in G Minor (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 1 in G Minor (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 3 in G Minor - Erzst Achim, Budapest Strings
Organ Concerto No. 3 in G Minor (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 3 in G Minor (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 3 in G Minor (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 2 in B Flat Major - Erzst Achim, Budapest Strings
Organ Concerto No. 2 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 2 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 2 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 4 in F Major - Erzst Achim, Budapest Strings
Organ Concerto No. 4 in F Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 4 in F Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 4 in F Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 5 in F Major - Erzst Achim, Budapest Strings
Organ Concerto No. 5 in F Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 5 in F Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 5 in F Major (Continued) - Erzst Achim, Budapest Strings

Tracks:

Concerto in D Major No.116 for Flute, Strings and Continuo QV ...
Concerto in D Major No.116 for Flute, Strings and Continuo QV ... - Budapest Strings
Concerto in D Major No.116 for Flute, Strings and Continuo QV ...
Concerto in D Major for Flute, Oboe, Violin, Violoncello, Theorbe, ... - Budapest Strings
Concerto in D Major for Flute, Oboe, Violin, Violoncello, Theorbe, ... - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Concerto in D Major for Flute, Oboe, Violin, Violoncello, Theorbe, ... - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Concerto in E Minor for Flute, Strings and Continuo [Original Version] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Concerto in E Minor for Flute, Strings and Continuo [Original Version] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Concerto in E Minor for Flute, Strings and Continuo [Original Version] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Concerto in B Minor for Flute, Two Violins and Continuo [Dresden Versi] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Concerto in B Minor for Flute, Two Violins and Continuo [Dresden Versi] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Concerto in B Minor for Flute, Two Violins and Continuo [Dresden Versi] - Mozarteum Orchester Salzburg, Benjamin Schmidinger

Tracks:

Concerto for Violin and Orchestra No. 1 in B Flat Major, K.207: ... - Dresdner Philharmonic, Sebastian Weigle
Concerto for Violin and Orchestra No. 1 in B Flat Major, K.207: Adagio - Budapest Strings
Concerto for Violin and Orchestra No. 1 in B Flat Major, K.207: Presto - Dresdner Philharmonic, Sebastian Weigle
Concerto for Violin and Orchestra No. 2 in D Major, K.211: Allegro ... - Dresdner Philharmonic, Sebastian Weigle
Concerto for Violin and Orchestra No. 2 in D Major, K.211: Andante - Dresdner Philharmonic, Sebastian Weigle
Concerto for Violin and Orchestra No. 2 in D Major, K.211: ... - Dresdner Philharmonic, Sebastian Weigle
Adagio in E Major for Violin and Orchestra, K.261 - Dresdner Philharmonic, Sebastian Weigle
Rondo in B Flat Major for Violin and Orchestra, K.269 - Dresdner Philharmonic, Sebastian Weigle
Rondo in C Major for Violin and Orchestra, K.373 - Dresdner Philharmonic, Sebastian Weigle

Tracks:

Concerto for Horn and Orchestra in E Flat, K.495: Allegro Maestoso - Dresdner Philharmonic, Sebastian Weigle
Concerto for Horn and Orchestra in E Flat, K.495: Romance. Andante ... - Dresdner Philharmonic, Sebastian Weigle
Concerto for Horn and Orchestra in E Flat, K.495: Rondo. Allegro ... - New Bach Collegium Musicum
Concerto for Horn and Orchestra in E Flat, K.447: Allegro - Dresdner Philharmonic, Sebastian Weigle
Concerto for Horn and Orchestra in E Flat, K.447: Romance. Larghetto - Dresdner Philharmonic, Sebastian Weigle
Concerto for Horn and Orchestra in E Flat, K.447: Allegro - Dresdner Philharmonic, Sebastian Weigle
Rondo in D Horn and Orchestra [Horn Concerto, K.412, Second Movement] - Daniel Gerard, Vienna Mozart Ensemble
Concerto for Horn and Orchestra in E Flat, K.417: Allegro - Daniel Gerard, Vienna Mozart Ensemble
Concerto for Horn and Orchestra in E Flat, K.417: Andante - Daniel Gerard, Vienna Mozart Ensemble
Concerto for Horn and Orchestra in E Flat, K.417: Rondo. Allegro - Daniel Gerard, Vienna Mozart Ensemble
Concerto in E for Horn and Orchestra K.494a (First Movement; Fragment) - Daniel Gerard, Vienna Mozart Ensemble
Concerto in D for Horn and Orchestra, K.412/514 (386b) [Traditional Ve] - Daniel Gerard, Vienna Mozart Ensemble
Concerto in D for Horn and Orchestra, K.412/514 (386b) [Traditional Ve] - New Bach Collegium Musicum
Rondo in E Flat for Horn and Orchestra, K.371 - Franz Liszt Chamber Orchestra, Miklos Perenyi
Concerto Movement in E Flat for Horn and Orchestra - Franz Liszt Chamber Orchestra, Miklos Perenyi

Tracks:

Piano Concerto No.23 in a Major, K.488: Allegro - Franz Liszt Chamber Orchestra, Miklos Perenyi
Piano Concerto No.23 in a Major, K.488: Andante - Franz Liszt Chamber Orchestra, Miklos Perenyi
Piano Concerto No.23 in a Major, K.488: Presto - Franz Liszt Chamber Orchestra, Miklos Perenyi
Piano Concerto No. 9 in E Flat Major, K.271, Jeune Homme: Allegro - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
Piano Concerto No. 9 in E Flat Major, K.271, Jeune Homme: Andante - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
Piano Concerto No. 9 in E Flat Major, K.271, Jeune Homme: Rondo. ... - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart

Tracks:

Cello Concerto No. 1 in C Major: Moderato - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
Cello Concerto No. 1 in C Major: Adagio - New Bach Collegium Musicum
Cello Concerto No. 1 in C Major: Allegro Molto - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
Cello Concerto No. 2 in D Major: Allegro Moderato - Rudolf Gleissner, Hermann Herder, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
Cello Concerto No. 2 in D Major: Adagio - Rudolf Gleissner, Hermann Herder, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
Cello Concerto No. 2 in D Major: Allegro - Rudolf Gleissner, Hermann Herder, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart

Tracks:

Concerto for Violin and Orchestra in C Major, Hob. Viia: 1: Allegro - Budapest Philharmonic Orchestra, Jennd
Concerto for Violin and Orchestra in C Major, Hob. Viia: 1: Adagio - Budapest Philharmonic Orchestra, Jennd
Concerto for Violin and Orchestra in C Major, Hob. Viia: 1: ... - Budapest Philharmonic Orchestra, Jennd
Concerto for Violin and Orchestra in a Major, Hob. Viia: 3, "Melk ..." - Budapest Symphony Orchestra, Emmy Verhey
Concerto for Violin and Orchestra in a Major, Hob. Viia: 3, "Melk ..." - Budapest Symphony Orchestra, Emmy Verhey
Concerto for Violin and Orchestra in a Major, Hob. Viia: 3, "Melk ..." - New Bach Collegium Musicum
Sinfonia in B Flat Major, Hob. I: 105 for Violin, Cello, Oboe, Bassoon - Maria Balint, Radio Symphony Orchestra Ljubljana
Sinfonia in B Flat Major, Hob. I: 105 for Violin, Cello, Oboe, Bassoon - Maria Balint, Radio Symphony Orchestra Ljubljana
Sinfonia in B Flat Major, Hob. I: 105 for Violin, Cello, Oboe, Bassoon - Maria Balint, Radio Symphony Orchestra Ljubljana

Tracks:

Concerto for Piano and Orchestra No. 1 in B Flat Minor, Op.23: Allegro - Gary Karr, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in B Flat Minor, Op.23: ... - Maria Balint, Radio Symphony Orchestra Ljubljana
Concerto for Piano and Orchestra No. 1 in B Flat Minor, Op.23: Allegro - Budapest Philharmonic Orchestra, Miklos Szenthelyi
Concerto for Violin and Orchestra in D Major, Op.35: Allegro Moderato - Budapest Philharmonic Orchestra, Miklos Szenthelyi
Concerto for Violin and Orchestra in D Major, Op.35: Andante - Budapest Philharmonic Orchestra, Miklos Szenthelyi
Concerto for Violin and Orchestra in D Major, Op.35: Allegro ... - Budapest Symphony Orchestra, Emmy Verhey

Tracks:

Concerto for Violin and Orchestra No. 1 in D Major Op. 6: Allegro ... - Budapest Strings
Concerto for Violin and Orchestra No. 1 in D Major Op. 6: Adagio ... - New Bach Collegium Musicum
Concerto for Violin and Orchestra No. 1 in D Major Op. 6: Rondo. ... - Budapest Symphony Orchestra, Emmy Verhey
Introduction and Variations on a Theme by Rossini - Vesselin Eshkenasi, Sofia Philharmonic Orchestra
Po, Op. 25 - Vesselin Eshkenasi, Sofia Philharmonic Orchestra

Tracks:

Violin Concerto No. 1 in G Minor, Op.26: Vorspiel. Allegro Moderato - Vesselin Eshkenasi, Sofia Philharmonic Orchestra
Violin Concerto No. 1 in G Minor, Op.26: Adagio - Wolfgang Boettcher, Ulf Hoelscher, Radio Symphony Orchestra of Stuttgart
Violin Concerto No. 1 in G Minor, Op.26: Finale. Allegro Energico - Wolfgang Boettcher, Ulf Hoelscher, Radio Symphony Orchestra of Stuttgart
Violin Concerto in E Minor, Op.64: Allegro Molto Appassionato - Wolfgang Boettcher, Ulf Hoelscher, Radio Symphony Orchestra of Stuttgart
Violin Concerto in E Minor, Op.64: Andante - Budapest Festival Orchestra, Miklos Perenyi
Violin Concerto in E Minor, Op.64: Allegretto Non Troppo - Allegro ... - New Bach Collegium Musicum

Tracks:

Concerto for Violin and Orchestra in D Major, Op.77: Allegro Non ... - Budapest Festival Orchestra, Miklos Perenyi
Concerto for Violin and Orchestra in D Major, Op.77: Adagio - Budapest Festival Orchestra, Miklos Perenyi
Concerto for Violin and Orchestra in D Major, Op.77: Allegro Giocoso - - Budapest Festival Orchestra, Miklos Perenyi
Concerto for Violin, Cello and Orchestra in a Minor, Op.102 Double ... - Bulgarian National Choir, Stoika Milanova
Concerto for Violin, Cello and Orchestra in a Minor, Op.102 Double ... - Bulgarian National Choir, Stoika Milanova
Concerto for Violin, Cello and Orchestra in a Minor, Op.102 Double ... - Bulgarian National Choir, Stoika Milanova

Tracks:

Cello Concerto in B Minor, Op.104: Allegro - Bulgarian National Choir, Stoika Milanova
Cello Concerto in B Minor, Op.104: Adagio Ma Non Troppo - Bulgarian National Choir, Stoika Milanova
Cello Concerto in B Minor, Op.104: Finale. Allegro Moderato - Bulgarian National Choir, Stoika Milanova
Cello Concerto: Allegro Moderato - Budapest Strings,
Cello Concerto: Andante Con Moto - Bulgarian National Choir, Stoika Milanova
Cello Concerto: Allegro Marciale - Bulgarian National Choir, Stoika Milanova

Tracks:

Concerto for Violin and Orchestra No. 1 in D Major Op.19 - Bulgarian National Choir, Stoika Milanova
Concerto for Violin and Orchestra in a Minor Op.82 - Budapest Strings, Zoltan Tokos
Concerto for Violin and Orchestra No. 1 in a Minor Op.77 - Budapest Strings, Zoltan Tokos

Tracks:

Concierto de Aranjuez: Allegro Con Spirito - Monika Rost
Concierto de Aranjuez: Adagio - Monika Rost
Concierto de Aranjuez: Allegro Gentile - Budapest Strings,
Sonata Op.22: Allegro - Budapest Strings,
Sonata Op.22: Adagio - Budapest Strings,
Sonata Op.22: Menuetto - Budapest Strings,
Sonata Op.22: Rondo. Allegretto - Budapest Strings,
Spanish Dance No. 2 - Budapest Strings
Castilla No. 7 - Budapest Strings,
Hommage Debussy - Budapest Strings,
Spanish Dance - Budapest Strings,

Album Description

This heavenly 20-CD set brings together the most beautiful music of all time...it must be what angels listen to! Float in the clouds as you listen to Vivaldi's Four Seasons, Bach's Brandenburg Concertos and Rodrigo's Concierto de Aranjuez... to name just a few. This Concert Collection will take a winning position in anyone's music library.

Customer Reviews:

Heavenly.......2007-06-06

A collection of masters that insist that you relax as you listen. An exquisit addition to any music cd collection.

What a value!.......2005-07-26

A wonderful collection of music spanning from the Baroque to the Modern and so Affordable. Each CD is in a full size jewel-case with beautiful cover art - paintings of Renaissance-era angels in muted, slightly reflective, metal-tone inks - all within a box that ties them all together. There are no liner notes in the booklet, just track listings, but the music speaks for itself. It's not completely apparent from the track listing who the composers are, so here's the breakdown: Disc 1 - Vivaldi's "Four Seasons"; Disc 2 - Vivaldi flute concertos; Disc 3 and 4 - Bach Brandonburg concertos; Disc 5 - Bach violin concertos; Disc 6 - Handel concerto grossi; Disc 7 - Handel organ concertos; Disc 8 - Flute concertos by Quantz, Heinchen, Buffardin, Adolph-Hasse; Disc 9 - Mozartt violin concertos; Disc 10 - Mozart horn concertos; Disc 11 - Mozart piano concertos; Disc 12 - Haydn cello concertos; Disc 13 - Haydn violin concertos; Disc 14 - Tchaikovsky violin concerto and piano concerto; Disc 15 - Paganini and Chausson violin concertos; Disc 16 - Bruch and Mendelssohn violin concertos; Disc 17 - Brahms concertos; Disc 18 - Dvorak and Hindesmith cello concertos; Disc 19 - Russian composers Prokofiev, Galzanov and Shoshakovich violin concertos; Disc 20 - Spanish guitar concertos of Rodrigo, Sor, Granados, Albeniz and de Falla.

Average customer rating:

Correction to review concerning the versions of the op. 8 trio
Excellent buy, whether "budget" or not
Excellent, delightful
Becoming a favorite
a real disappointment

Brahms: Complete Trios

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

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Brahms: Complete Piano Quartets
Schumann: Complete Piano Trios
Franz Schubert: Complete Trios
Antonín Dvorák: Complete Piano Trios
Brahms: The Complete Quintets

ASIN: B00000416K
Release Date: 1993-08-10

Tracks:

Piano Trio In B, Op. 8 - H-dur, en si majeur: Allegro con brio
Piano Trio In B, Op. 8 - H-dur, en si majeur: Scherzo (Allegro molto)
Piano Trio In B, Op. 8 - H-dur, en si majeur: Adagio
Piano Trio In B, Op. 8 - H-dur, en si majeur: Allegro
Frio In E Flat Op. 40 For Piano, Violin And Horn: Andante - Poco pimato
Frio In E Flat Op. 40 For Piano, Violin And Horn: Scherzo (Allegro)
Frio In E Flat Op. 40 For Piano, Violin And Horn: Adagio molto
Frio In E Flat Op. 40 For Piano, Violin And Horn: Finale (Allegro con brio)

Tracks:

Piano Trio in C, Op. 87: Allegro
Piano Trio in C, Op. 87: Andante con moto
Piano Trio in C, Op. 87: Scherzo (Presto)
Piano Trio in C, Op. 87: Finale (Allegro giocoso)
Piano Trio In C Minor, Op. 101: Allegro energico
Piano Trio In C Minor, Op. 101: Presto non assai
Piano Trio In C Minor, Op. 101: Andante grazioso
Piano Trio In C Minor, Op. 101: Allegro molto
Trio In A Minor, Op. 114, For Piano, Clarinet And Cello: Allegro
Trio In A Minor, Op. 114, For Piano, Clarinet And Cello: Adagio
Trio In A Minor, Op. 114, For Piano, Clarinet And Cello: Andante grazioso
Trio In A Minor, Op. 114, For Piano, Clarinet And Cello: Allegro

Customer Reviews:

Correction to review concerning the versions of the op. 8 trio.......2006-06-10

Christopher Smith is in error in saying that the Borodin Trio's performance of Brahms's B Major Piano Trio, on Chandos CHAN 8334/5, is the original version. The Borodin Trio recorded only the revised version (unless they made a second recording I'm unaware of). So far as I can tell from the Amazon Web listings and old Penguin Guides, the original version has been recorded by the following groups: Odeon Trio, Trio Opus 8, Altenberg Trio, and Parnassus Trio. The last two groups recorded both versions. Apart from listening, one can tell from the movement designations which version one is dealing with. For instance, the first movement was originally allegro con moto and was revised to allegro con brio, and the third movement was changed from adagio non troppo to adagio. Also, I think you will find that the "great chunks" Brahms removed in his revision are from the first and third movements, not the second (scherzo) movement. Incidentally, I would have preferred not to rate this recording, as my purpose is only to make a correction and the Beaux Arts Trio recording I have is another version with a different violinist, but Amazon's system would not let me do so without including a rating, so I have provided a rating that corresponds to the average of the other ratings.

Excellent buy, whether "budget" or not.......2006-02-02

The three trios on the "B" CD especiall show the emotional depth of Brahms later life chamber music. The Clarinet Trio is well rendered with a supple, yet reserved, but not austere, style.

Excellent, delightful.......2004-11-04

This set is a treat for any Brahms lover. Excellent performance, elegance, depth and profound understanding. True Brahms !!!

Becoming a favorite.......2000-10-17

After listening to the first movement of the C major I'd agree that it's a shade brisk and perfunctory. I've now listened to this performance of the clarinet trio many times. This is a piece that made no impression on me until I listened repeatedly and studied the score. I now realize that, while it's not a perfectly satisfying masterpiece, it has a subdued, elusive beauty, plus it's a remarkably concise piece. I have a theory that it was written in memory of Schumann. Some reasons: 1) the key of A minor was a favorite of Schumann's, 2) the opening melody for cello resembles the opening theme of Schumann's cello concerto (also in A minor), 3) the climax of the coda of the first movement (bars 194-200) has several Schumannesque descending fifths in the melody, 4) the whole piece has a feeling of sad reminiscence such as one can imagine Brahms would feel late in his own life thinking back on his friend, now dead thirty years. The clarinet trio is played very beautifully with no hint of the perfunctory quality mentioned above in connection with the C major trio. This is great music that deserves to be studied and thought about, not just played in the background.

Addendum (10/2002)...I just want to take back what I said about the C major being perfunctory. I've had many hours of enjoyment from all tracks on these discs, particularly the C major and C minor piano trios and the clarinet trio. That business about "perfunctory" was a very superficial initial reaction. These guys play with fire and sweep...crack open a beer and crank it up!

a real disappointment.......2000-07-19

Although I haven't listened to all of it extensively, I found that both the Opus 8, B Major and Opus 87, C Major, were played with jarring tempo changes, unintuitive and displeasing phrasing, and a seeming lack of interest. I am a huge fan (and player) of Brahms and these trios in particular, and it was astonishing to discover that this compilation's recordings were so lacking in feeling and grace.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Customer Reviews:

The "Clinker" of the bunch.......2006-12-19

Having collected the entire "The Masterworks" series (including the Bach and Mozart Complete Works) this set is the 'clinker' of the bunch. First off... 6 CD's of Lieder 'historic' (pre-historic) recordings. No Overtures, No Orchestral Seranades, No Haydn Variations?? The performances of the Symphonies and the Concertos are shakey and not very well recorded. Brilliant Classics, who has done such a wonderful job with the Hadyn Complete Symphonies (licensed from Nimbus), the Mozart and Bach Complete sets, has stumbled a bit with this release.

The Most Relaxing Chamber Music Album in the World ... Ever!

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The Most Relaxing Chamber Music Album in the World ... Ever!

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

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The Most Relaxing Violin Album in the World ... Ever!
The Most Relaxing Piano Album in the World...Ever!
The Most Relaxing Flute Album in the World...Ever!

ASIN: B000AXWGZE
Release Date: 2005-10-04

Tracks:

String Quartet in B-Flat, Op. 76 No. 4 Sunrise - II Adagio - Franz Joseph Haydn
Cello Sonata in G Minor, Op. 65 - III Largo - Frederic Chopin
Piano Trio No. 1 in B-Flat, D.898 - II Andante, un poco mosso - Franz Schubert
Clarinet Sonata No. 1 in F Minor, Op. 120 No. 1 - II Andante un poco adagio - Johannes Brahms
String Quartet No. 17 In B-Flat, K.458 Hunt - III Adagio - Wolfgang Amadeus Mozart
String Quartet No. 17 In B-Flat, K.458 Hunt - III Adagio - Wolfgang Amadeus Mozart
Sonata In E Minor, F.XVI, No. 1 - II Largo - Antonio Vivaldi
Mhenerzungen, Op. 132 - III Ruhiges Tempo, Mit Zartem Ausdruck - Robert Schumann
Sonata No. 5 For Piano & Violin In F, Op. 24 Spring - Ii Adagio Molto Espressivo - Ludwig Van Beethoven
Quintet For Piano & Winds In E-Flat, K.452 - II Larghetto - Wolfgang Amadeus Mozart
Seven Last Words From The Cross - VII Largo - Franz Joseph Haydn

Tracks:

String Quartet In C Minor, Op. 51 No. 1 - II Romanze; Poco Adagio - Johannes Brahms
FantasiestOp. 73 - I Zart Und Mit Ausdruck - Robert Schumann
Serenade In D, Op. 8 - Adagio
Clarinet Quintet In A, K.581 - II Larghetto - Wolfgang Amadeus Mozart
String Quartet No. 4 In E Minor, Op. 44 No. 2 - II Andante - Felix Mendelssohn-Bartholdy
String Quartet, Op. 10 - III Andantino, Doucement Expressif - Claude Debussy
Violin Sonata No. 3 In D Minor, Op. 108 - II Adagio - Johannes Brahms
Quintet For Piano & Winds In E-Flat, Op. 16 - II Andante Cantabile - Ludwig Van Beethoven
String Quartet No. 1 In D, Op. 11 - II Andante Cantabile - Piotr Ilyich Tchaikovsky
Clarinet Trio In B-Flat, Op. 11 - II Adagio - Ludwig Van Beethoven
String Quartet In E-Flat, D.87 - III Adagio - Franz Schubert
Serenade (Andante Cantabile) - Franz Joseph Haydn
Wiegenlied, Op. 49 No. 4 (Lullaby) - Johannes Brahms

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A New Spin on Some Familiar Favorites
Romantic Chamber Music on Period Instruments
A great performance.....

Brahms & Beethoven: Music for Horn

Manufacturer: Hmf Classical Exp.
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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ASIN: B00005MNIW
Release Date: 2001-09-11

Customer Reviews:

A New Spin on Some Familiar Favorites.......2007-01-06

This disc is great! There are just not enough good comments that one can make after listening to it. All of the pieces are recognizable, except for the von Kruft, which I had never heard before listening to this album.

All the pieces are played on period instruments; because of this, the album seems to have a constant sense of warmth. This is most noticeable in the Brahms piece. There are many good modern recordings, such as the one with Tuckwell, Perlman, and Ashkenazy that should be familiar, but this one has a different feel to it. When the horn comes in in the first movement there is this sound that almost gives me chills. It is so rich and smooth and soft-probably one of the most beautful sounds that I have heard on a horn recording. The rest of the piece is utterly brilliant as all three musicians blend together well; you can hear all three parts very clearly and they do not outplay one another. There is a great cohesiveness that is found here that I do not necessarily find on the Tuckwell version mentioned above. On that version, Tuckwell seems to try to be more virtuoistic than a member of a trio. This version played by Lowell Greer is possibley the best interpretation that I have ever heard.

The Beethoven sonata is also a nice inclusion. This gives the listener a new perspective on a familiar piece. Once again, there is this warmth that comes from the horn and piano molding and blending together. With this piece, it is easy to tell how free blowing the horn is. The notes, even the ones that need to be created with the hand, seem to ring from the horn with an ease that I have not heard since Dennis Brain. The tempo taken here is just right: it is not too slow and it is not too fast. The moderate tempo is extremely evident in the third movement. Don't get me wrong, I like to hear it played at break-neck speeds that show off how fast the player can play those runs, but I do not think that that speed is correct at all. Like Cerminaro, Greer lets the notes flow for themselves. They do not seem to be forced or rushed as in the version played by Tuckwell. I like how he can play really fast, but it, I think, is not necessarily right.

The von Kruft I had never heard before this disc. It is a great piece which should played more often. It is a bit longer than the Beethoven and seems to me a bit more repetitive. I think that this is so because the von Kruft employs a longer melody that seems to be more recognizable when played again. But I do like how the piece explores the melody further than Beethoven explores his own. The von Kruft is also more showy than the Beethoven. It employs more fast runs akin to more modern horn pieces. Nonetheless, a great piece.

This CD is well worth the price that you pay for it here. I think it should be included in any horn player's collection, no matter what style or period of music they like.

Romantic Chamber Music on Period Instruments.......2006-04-14

Johannes Brahms (1833 – 1897), Trio in E Flat Major for Piano, Violin and Horn, Op. 40 (written in 1865);
Ludwig van Beethoven (1770 – 1827): Sonata in F Major for Horn and Piano, Op. 17 (written in 1800);
Nikolaus von Krufft (1779 – 1818): Sonata in F Major for Horn and Piano (written approx. 1800).
Performed by: Lowell Greer, natural horn; Steven Lubin, pianoforte and fortepiano; and Stephanie Chase, violin.
Recorded in December, 1990, at the State University of New York at Purchase.
Harmonia Mundi. Re-released in 2001 as HCX 3957037 as part of the Classical Express series. Total time: 64'45".

This recording brings together three American musicians whom I greatly admire, and if I award the CD four stars instead of five (as most other reviewers have done and in contrast to the enthusiastic encomiums of “Gramophone” magazine), then that should not in any way be interpreted as deprecating the amazing musicianship to be heard here. My reasons for deducting a star are firstly, that I don’t feel that either the music (in particular the Brahms, the longest piece on the disc) nor the sound of the horns used here (all French-manufactured and particularly well-suited to the repertoire) can quite match up to the sheer magnificence and beauty heard on Lowell Greer’s recording of Mozart’s Horn Concertos (ASIN: B000056F7K). Well, of course Brahms and Beethoven are not Mozart, so this is just a subjective judgement coming from someone who loves 18th century music. The second reason for awarding four stars instead of five is that the engineering, the recorded audio sound, although certainly excellent, is not quite up to the standard of many other Harmonia Mundi recordings, with a little hissing and some occasional mechanical noise on the right stereo channel interfering a little with the listening pleasure. But having said all that, this is indeed a wonderful recording. The Brahms’ piece benefits greatly from period instruments, with Steven Lubin here playing a Boesendoerfer pianoforte made around 1854 in Vienna, and I also cherished the violin playing of Stephanie Chase, particularly in the Scherzo: Allegro and the Finale: Allegro con brio. As a whole, however, the Brahms is an acquired taste, and it is perhaps symptomatic that the author of the accompanying notes quotes at length a contemporary critique in which the dark quality of Brahms’ music is lambasted and the suggestion made that Brahms ought, in fact, to have used a clarinet instead of a horn. The Beethoven and the rare von Krufft pieces (with just a historic horn and a fortepiano) were light relief in comparison, with, to my mind, the Beethoven being head and shoulders better than either of the other two pieces. But “chacun a son gout”!

A great performance............2005-11-27

The performance of the Brahms on the natural horn is astounding. Lowell Greer is a real master and he lets you hear things that are hidden when the Brahms Horn Trio is played on a modern valve horn. I will never hear this piece the same again, and I guess I will have to rethink my own future performances.

The Beethoven Sonata also gains new meaning and insights on the natural horn and is worth a listen.

The von Krufft is well played but not my cup of tea.

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