Monteverdi: Second Vespers for the Feast of Santa Barbara

Editorial Reviews
Amazon.com
Scholars have been trying for years to figure out the occasion for which Monteverdi might have composed his extraordinary Vespers of 1610. At the time he wrote the music, Monteverdi was employed by the Gonzagas, the ruling family of Mantua; while his duties there were secular in nature, it has been suggested that he may have written the Vespers for the feast of Saint Barbara, the Gonzagas' patron saint, and adapted them to honor the Virgin Mary when he published the music. Harry Christophers and the Sixteen perform here a speculative reconstruction of just such a Vespers service. The traditional order of the works has been changed somewhat to match the order of service for the Vespers of Saint Barbara; plainchant, prayers, two sonatas for solo cornett, and a Palestrina motet in Saint Barbara's honor have been added as well. (The hymn Ave maris stella, aimed specifically at the Virgin and with no place in a Vespers for any other saint, is tacked on at the end for the sake of completeness.) The chorus of the Sixteen (two or three singers per part) and the instrumental contingent give a competent performance, but one without much excitement. The soloists, sopranos especially, are a bit shaky (although the tenor duet-trio "Duo seraphim" is beautifully done). Completist Monteverdi collectors will want this unique rendition of his masterpiece, but it really isn't a first choice, even among liturgical reconstructions. (That would be Andrew Parrott's glorious 1984 recording.) --Matthew Westphal

Monteverdi: Second Vespers for the Feast of Santa Barbara, Music, Giovanni Amigone, Claudio Monteverdi, Paul Nicholson, Giovanni Pierluigi da Palestrina, Harry Christophers, Sixteen Orchestra, Paul Nicholson, Chamber, Chamber Music, Chamber Music & Recitals, Choral, Classical, Classical Composers, Keyboard, Music for Keyboard, Renaissance Motet, Sacred Choral Music
Monteverdi: Second Vespers for the Feast of Santa Barbara
Average customer rating: 5 out of 5 stars
  • Delicious Music
Monteverdi: Second Vespers for the Feast of Santa Barbara
Monteverdi , Harry Christophers , and The Sixteen (Choir & Orchestra)
Manufacturer: Hyperion
ProductGroup: Music
Binding: Audio CD
ASIN: B000006LG3
Release Date: 1993-11-15

Customer Reviews:

5 out of 5 stars Delicious Music.......2006-01-30

This is a lovely recording, suptuous and austere all at once, and one that I recently rediscovered from my collection. If you love early music, fine performances and crystal clear audio production values you will not be disappointed.
Monteverdi: Second Vespers for the Feast of Santa Barbara
Average customer rating: 5 out of 5 stars
  • The Best.
  • An intriguing recording
Monteverdi: Second Vespers for the Feast of Santa Barbara

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

All Works by MonteverdiAll Works by Monteverdi | Monteverdi, Claudio | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Sacred & Religious | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
MotetsMotets | Vocal Non-Opera | Opera & Vocal | Styles | Music
OratoriosOratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
ClassicalClassical | Imports | Stores | Music
ASIN: B000002ZET
Release Date: 1997-09-09

Tracks:

  1. Second Vespers For The Feast Of Santa Barbara: Organ Improvisation
  2. Second Vespers For The Feast Of Santa Barbara: Deus in adiutorium meum intende
  3. Second Vespers For The Feast Of Santa Barbara: Angelicam vitam eligens
  4. Second Vespers For The Feast Of Santa Barbara: Dixit Dominus Domino meo
  5. Second Vespers For The Feast Of Santa Barbara: Pulchra es, amica mea
  6. Second Vespers For The Feast Of Santa Barbara: In Dei orta sata
  7. Second Vespers For The Feast Of Santa Barbara: Laudate pueri Dominum
  8. Second Vespers For The Feast Of Santa Barbara: Giovanni Amigone: Sonata
  9. Second Vespers For The Feast Of Santa Barbara: Paterni oblita amoris
  10. Second Vespers For The Feast Of Santa Barbara: Laetatus sum in his
  11. Second Vespers For The Feast Of Santa Barbara: Nigra sum, sed formosa
  12. Second Vespers For The Feast Of Santa Barbara: In Sanctae Trinitatis
  13. Second Vespers For The Feast Of Santa Barbara: Nisi Dominus aedificaverit domum
  14. Second Vespers For The Feast Of Santa Barbara: Giovanni Amigone: Sonata
  15. Second Vespers For The Feast Of Santa Barbara: Trinitatem venerata
  16. Second Vespers For The Feast Of Santa Barbara: Lauda Jerusalem
  17. Second Vespers For The Feast Of Santa Barbara: Duo Seraphim clamabant

Tracks:

  1. Second Vespers For The Feast Of Santa Barbara: Confitebor tibi Domine
  2. Second Vespers For The Feast Of Santa Barbara: Exultet celebres virginis
  3. Second Vespers For The Feast Of Santa Barbara: Ora pro nobis
  4. Second Vespers For The Feast Of Santa Barbara: Hodie beata Barbara virgo gloriosa
  5. Second Vespers For The Feast Of Santa Barbara: Magnificat
  6. Second Vespers For The Feast Of Santa Barbara: Dominus vobiscum
  7. Second Vespers For The Feast Of Santa Barbara: Giovanni Pierluigi da Palestrina: Gaude Barbara beata
  8. Second Vespers For The Feast Of Santa Barbara: Sit nomen Domini benedictum
  9. Second Vespers For The Feast Of Santa Barbara: Audi coelum verba mea
  10. Second Vespers For The Feast Of Santa Barbara: Angelus Domini nunciavit Mariae
  11. Second Vespers For The Feast Of Santa Barbara: Sancta Barbara, ora pro nobis
  12. Second Vespers For The Feast Of Santa Barbara: Ave maris stella

Amazon.com

Scholars have been trying for years to figure out the occasion for which Monteverdi might have composed his extraordinary Vespers of 1610. At the time he wrote the music, Monteverdi was employed by the Gonzagas, the ruling family of Mantua; while his duties there were secular in nature, it has been suggested that he may have written the Vespers for the feast of Saint Barbara, the Gonzagas' patron saint, and adapted them to honor the Virgin Mary when he published the music. Harry Christophers and the Sixteen perform here a speculative reconstruction of just such a Vespers service. The traditional order of the works has been changed somewhat to match the order of service for the Vespers of Saint Barbara; plainchant, prayers, two sonatas for solo cornett, and a Palestrina motet in Saint Barbara's honor have been added as well. (The hymn Ave maris stella, aimed specifically at the Virgin and with no place in a Vespers for any other saint, is tacked on at the end for the sake of completeness.) The chorus of the Sixteen (two or three singers per part) and the instrumental contingent give a competent performance, but one without much excitement. The soloists, sopranos especially, are a bit shaky (although the tenor duet-trio "Duo seraphim" is beautifully done). Completist Monteverdi collectors will want this unique rendition of his masterpiece, but it really isn't a first choice, even among liturgical reconstructions. (That would be Andrew Parrott's glorious 1984 recording.) --Matthew Westphal

Customer Reviews:

5 out of 5 stars The Best........2006-07-17

This is easily the best version out there. Incredibly underrated masterpiece of a recording. Don't pay attention to the editorial- the solos are brilliant and as always Christophers chorus is indescribable- and his plainchant is even better than McCreesh. Best recording of one the greatest masterpieces of western music.

5 out of 5 stars An intriguing recording.......1999-04-18

This recording has grown on me. At first I was confused, because Christophers uses such an unusual performing edition of this Vespro that it is almost unrecognizable. But the choral singing here is very beautiful, so this bizarre Vespro has finally won me over. Some of the solo voices are not the most distinctive, but they don't have much to sing, since Christophers gives us a choral version of this masterpiece; so ultimately the somewhat unexciting solo singing is not a major drawback. In this regard I must say that I will never understand one thing: how can a director use any male soloist other than Mark Padmore when Mark Padmore is available. Here Nigra Sum, for example, is sung by Andrew Murgatroyd - and who in the world is Murgatroyd and why did he deserve the honor? So Nigra Sum doesn't sound like much. But then Duo Seraphim sounds like a real winner - one truly terrific track in the entire recording. And why? Because it's got Mark Padmore in it. Of course, this is just my rookie opinion. Murgatroyd sings Nigra Sum on Rene Jacobs' recording of the Vespro as well, so there must be something to his singing that gets him votes more important than mine.

Track Listings:

  1. Mozart: Clarinet Concerto; Oboe Concerto
  2. Mozart: Piano Concertos Nos. 9 & 27 [Box set]
  3. Mozart Portrait
  4. Musica Clasica Prenatal
  5. Patricia Petibon ~ French baroque arias (Rameau, Lully, Charpentier, Grandval) / Les Folies Françoises, Cohen-Akenin
  6. Pipes of Hollywood
  7. Poulenc - Dialogues des Carmélites / Dubosc, Gorr, Yakar, Dupuy, Fournier, van Dam, Viala, Opéra de Lyon, Nagano
  8. Príhoda, Vása
  9. Pure Tenors: Eighteen Romantic Classics
  10. Reynaldo Hahn Piano Works

Track Listings

track listings

Track Listings

The Best of Cock Robin [Import]

Aranjuez

Bach the Virtuoso

The Big Picture

Atlas Earthed [Import]

Along the Path

Anatomia del systemA

Animal House

Act One [Import]

Airs & Dances in Shakespeare's Time / Elwes, Stubbs, Mendoze

A Tribute to Stan Kenton

12 Super Exitos

20 Kilates Musicales

Welcome

Paris