Heifetz Rediscovered [Original recording remastered]
Editorial Reviews
Amazon.com
Does Heifetz really need to be "rediscovered?" One of the greatest violinists of his own or any other time, his name, though he died 15 years ago, has lost none of its luster, and his lasting fame is assured through his enormous discography, which captures his matchless art with astonishing fidelity. In 1994, RCA itself issued a 65-CD set of his "approved" recordings; this new release presents what was omitted as "unapproved." Though the Heifetz estate supported the project, one cannot help wondering what the violinist himself, famous for his stringent self-criticism and perfectionism, would have thought of it. However, even a less than top-drawer Heifetz performance is eminently worth hearing, and though on this reissue, the music, the playing, and the recorded sound vary in quality, the best parts fully display his unique, inimitable magic: the breathtaking virtuosity, the incomparably beautiful tone, the unmistakably elegant style! The original recordings of the short pieces were made acoustically in 1922 and '24; their age shows in the background noise and in the choice of sentimental and stylistically inappropriate transcriptions along with real violin pieces by Wieniawski and Sarasate. All are played marvelously. A half-jazzy four-hand piano arrangement of a Spanish song by Padilla, played by Heifetz and Isidore Achron with unbridled relish, adds a light touch. In the sonatas, the piano sounds distant, harsh, and unresonant. Brahms's G-major Sonata is disappointing: very fast, prosaic, unromantic, full of slides, and false accents; in the Finale, a frequently misread piano note goes undetected. Grieg's C-minor Sonata, however, is wonderful: dramatic, wistful, charming, elegant, restrained, but so warm and passionate that it should lay to rest forever the illusion that Heifetz was a cold player. --Edith Eisler
Heifetz Rediscovered, Music, Johann Sebastian Bach, Johannes Brahms, Edvard Grieg, Jose Padilla, Jean-Philippe Rameau, Pablo de Sarasate, Pyotr Il'yich Tchaikovsky, Henryk Wieniawski, Emanuel Bay, Isidor Achron, Jascha Heifetz, Samuel Chotzinoff, Chamber, Chamber Music & Recitals, Classical, Classical Artists, Classical Music, Flute Solo/Sonata, Individual Dance for Keyboard, Keyboard, Opera, Russian Romantic Opera, Solo Voice(s) and Orchestra, Trio for Keyboard and Two String Instruments, Violin Etude, Violin with Keyboard, Vocal
Average customer rating:
|
Heifetz Rediscovered (Dlx)
Jascha Heifetz Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000065VDS Release Date: 2002-05-07 |
Tracks:
Amazon.com
Does Heifetz really need to be "rediscovered?" One of the greatest violinists of his own or any other time, his name, though he died 15 years ago, has lost none of its luster, and his lasting fame is assured through his enormous discography, which captures his matchless art with astonishing fidelity. In 1994, RCA itself issued a 65-CD set of his "approved" recordings; this new release presents what was omitted as "unapproved." Though the Heifetz estate supported the project, one cannot help wondering what the violinist himself, famous for his stringent self-criticism and perfectionism, would have thought of it. However, even a less than top-drawer Heifetz performance is eminently worth hearing, and though on this reissue, the music, the playing, and the recorded sound vary in quality, the best parts fully display his unique, inimitable magic: the breathtaking virtuosity, the incomparably beautiful tone, the unmistakably elegant style! The original recordings of the short pieces were made acoustically in 1922 and '24; their age shows in the background noise and in the choice of sentimental and stylistically inappropriate transcriptions along with real violin pieces by Wieniawski and Sarasate. All are played marvelously. A half-jazzy four-hand piano arrangement of a Spanish song by Padilla, played by Heifetz and Isidore Achron with unbridled relish, adds a light touch. In the sonatas, the piano sounds distant, harsh, and unresonant. Brahms's G-major Sonata is disappointing: very fast, prosaic, unromantic, full of slides, and false accents; in the Finale, a frequently misread piano note goes undetected. Grieg's C-minor Sonata, however, is wonderful: dramatic, wistful, charming, elegant, restrained, but so warm and passionate that it should lay to rest forever the illusion that Heifetz was a cold player. --Edith EislerCustomer Reviews:
A true master.......2002-06-08
Saying that one can see why Heifetz suppressed some of this during his life. He only wanted to project perfection. Is interpretation of 6/4 time in the Brahms is just plain wrong.
Great CD!.......2002-06-07
noise starting with track4.......2002-05-16
Track Listings:
Track Listings
The Artistry of Richard Crooks Vol.I
This Is a Long Drive for Someone With Nothing to Think About
You Were the Last High/We Used to Be Friends [CD-single]
The Very Best Of: Lovely Day [Import]
Skyward My People Rose: Music of William Grant Still
"Hank Williams - His Greatest Hits, Vol. 2: Long Gone Lonesome Blues"